1 comments about Blues, Blues, Blues.

1. Just another of many albums produced by this wonderful artist that I'm sure that you will enjoy. Check this one out and you will see what I'm talking about. Just Fantastic.

1 comments about On a Mardi Gras Day.

1. I've been a fan of the good Doctor's for years, and I *still* think this is the best recording he has ever made. Great piano, backed up by a good traditional jazz band, plus a decent electric guitar.

5 comments about Beware of the Dog.

1. These guys epitomize everything I like about the blues. It's a very stripped down band, just a drummer and two guitarists, no bass. Hound Dog had a dirt cheap guitar and a Sears amplifier. Most of the songs are very simple rhythms. This is not art rock.
   
   And they played primarily just for the love of the music. For most of their careers they had day jobs. They played in local clubs in the evenings. They very seldom rehearsed if at all. They just liked playing blues.
   
   This CD is a live recording. The band didn't know at the time that their performance was being recorded for an album. This was just a selection of songs from a typical performance. As you listen to this, imagine the smell of cigarrette smoke, and imagine being surrounded by a couple dozen smiling, laughing, joking and jiving people.



2. This album features the wild and rambunctious Hound Dog Taylor, who is most definitely the Ramones of the Blues. In other words, while his guitar playing is sloppy, his lyrics are sometimes unintelligible, and his music is monotonous, he is a lot of fun to listen to and keeps you tapping your feet. To those who are approaching the Blues from a technical guitar-playing angle, I do not recommend this album at all; you'd be much better off with Earl Hooker's "The Moon Is Rising". For those who like Punk Rock or maybe Heavy Metal, you'd probably be very pleased with this release. For aspiring slide players, this is a great pick. Though this music certainly doesn't have the lyrical content that a J.T. "Funny Papa" Smith or Blind Willie McTell disc might have, it's fun to "rock out" to this stuff. I recommend buying this disc.



3. The most famous Hound Dog Taylor quote was: "When I die, they'll say: 'He couldn't play sh*t, but he sure made it sound good.'" This is a man who understands his appeal. Taylor played a beat-up guitar, and he cranked on the thing, playing distorted, screeching notes. But god, it DID sound good. And as the quote implies, he had the personality to go with the raucous, raw music that he played. Which is why this album is so good. It's live, so you can hear the sound imperfections, the screaming crowd, and Taylor's off-kilter banter and sense of humor. And that's probably the perfect way to listen to Taylor. To put it all another way: He plays a version of "She'll Be Coming 'round the Mountain" that makes you want to get up and dance.



4. Hound Dog's searing slide guitar and vocals tear you to the quick with a depth and passion unequalled nowadays. This rocks!!



5. This album is a masterpiece. The highlights of this album are "The Sun is Shining" and "Freddie's Blues" . The way he uses feedback in "Freddie's Blues" is truley amazing.It's like Hound Dogs Ghost. I bought this ablum and it was well worth the money. This album is a frequent in my CD player. Any blues fan will like this Album

No comments about Alone & Unplugged.

No comments about Big Boss Men.

1 comments about Blues Brunch at the Mart.

1. Review by Sean Westergaard
   
   More than 50-years-old and still going strong, Delmark records is Chicago's oldest jazz and blues label and arguably the most important one still operating. They've released stone-cold classics in both genres over the years and currently maintain one of the best rosters of Chicago talent in the field. You can thank Bob Koester for that; a nominee for "Patron Saint of Chicago Jazz and Blues" if ever there was one. He also heads up the world's largest blues and jazz retail store: Chicago's Jazz Record Mart. Every year during the Chicago Blues Festival, Jazz Record Mart hosts the blues brunch, where members of the Delmark blues family put on a free show (and brunch!) inside the store. In 2005, Michael Coleman & the Backbreakers acted as house band, backing a variety of other Delmark artists in a great informal setting, and Blues Brunch at the Mart was recorded for posterity. Aside from the two solo piano numbers (Steve Behr and Aaron Moore), the Backbreakers back all performers giving the album a unified sound, even as the lead performers come and go. But don't think this all sounds the same. You go from an updated version of "The Sky Is Crying" by Michael Coleman to the gritty blues of Lurrie Bell to the gospel-informed sounds of Shirley Johnson to the growling, extroverted Tail Dragger. The late, great Willie Kent takes a final bow as well. From the between-song patter, one gets the sense that this isn't just a group of musicians united by their label; this is the Delmark blues family, and the patriarch is Bob Koester (who turns in a couple of priceless introductions). Part label roster sampler and part historical souvenir, Blues Brunch at the Mart is a fine snapshot of Delmark blues circa 2005.

No comments about In Paris: Baby Please Come Home.

No comments about Hot Snakes: Live At Copperfield's 1989.

No comments about Live.

2 comments about Live at Lupo's Heartbreak Hotel.

1. ronnie earl, guitar virtuoso, is the guitarist on this cd. that is all that needs to be said.



2. No matter what Grove Press says, this is a fine example of a great live blues performance!