1 comments about Basie's Golden '58.

1. The late 50's saw the return of the Basie band to it's former glory. Joe Williams is in rare form on this record as is the rest of the band. His duet with Sammy Davis Jr. on "Hallelujah" will make you jump out of your seat and boogie right there on the spot. Recording quality is excellent. Highly recommended for Basie beginners and Basiephiles alike.

No comments about Live.

No comments about Highway 17.

1 comments about Malone Alone.

1. I didn't even know who Bob Malone was until the night I saw him by accident a couple of years ago. I went to see the woman who opened for him. I forgot her name shortly after Bob took the stage, because I was in awe for two hours. I bought this album after the show because I wanted to hear what I heard live. This set pretty much nails it. Great stuff. Bravo!

1 comments about John Hammond Solo.

1. "Solo" presents John Hammond at his best as a master of the country blues. Besides his heartfelt renderings of Robert Johnson classics, John includes some moaning and wailing tracks like "Drifting Blues" and "The Sky is Crying" that will surely carry the listener into the deep delta blues. John also gives us a glimps of his early Jimmy Reed influences with his sparkeling rendition of "Honest I Do". And if all this isn't enough to get your toes tappin', "Truckin' Little Baby" and the encore track "Got My Mojo Working" are sure to get you jumpin' and jivin'. If you love the country blues, then John Hammond is your man. And if you're a fan of John's, "Solo" is a must for your collection.

5 comments about Live at the Regal.

1. So they finally went back and remastered the muddy audio on this classic album! The new sound is fantastic -- clear as a bell. Sadly, while the audio was being cleaned up, no one bothered to clean up the very, very sloppy edits (especially in the second half), such as when the second intro of B.B. (why two separate intros, anyway?) gets abruptly chopped off and goes right into a song that from the background crowd noise came at some other point in the show. If you're going to do a live album, the tracks should at least create the illusion of a live show, especially in this digital era when fade-outs and fade-ins are no longer used, and audience applause can be smoothly edited in to create seamless transitions!
   
   The performance is powerful and this is definitely a 5-star recording that has been royally botched by sloppy and oh-so-obvious edits. In addition, many remasters go back and add in some bonus tracks. If no original source material survives (which may be the case 42 years after this performance!), then something from the era is added as a bonus and the CD is fleshed out to anywhere from 60 to 79 minutes long. Not here. You get the original 35 minutes. No more. No less.
   
   Anyone who's seen what Legacy is doing with classic LPs (adding more to the original CD, plus a second CD of extra material) by Bob Marley, Eric Clapton, The Who, etc., surely have some idea how this great LP could have been updated for the 21st century. What we get is clearer audio, and nothing else. What a disappointment!



2. B.B. King-Live At The Regal *****
   
   Recorded live at the Regal in Chicago in 1964 this went on to become what is now widely considered the all time greatest live blues album. This is rightly deserved as this is in fact the greatest live blues album of all time.
   
   King's single note guitar lines are crisp as ever, and his vocals are beyond comparison. Aside from being obviously his best live recording, Live At The Regal is the best recording of King period. This is with out a doubt the best version of 'Sweet Little Angel' ever released. The essential version is more correct. 'Every Day I Have The Blues' and 'Its My Own Fault' are among some of the most inspired performances ever caught on tape. The albums closer 'Help The Poor' is just gut-wrenching. Pure bliss!
   
   This performance is pure electric. With every passing listen to Live At The Regal I still get chills all down my spine, and if you ask me that is the mark of a fantastic album after all these years and listens.



3. As a Memphis native, I have heard B.B. on many occasions. Never have I seen or hear him play with the same passion he did here in 1964. The quality of the recording is outstanding, with Lucille giving the center-stage on many occasions. The clarity and quality is amazing for a forty year old recording. This is the live B.B. King recording to buy. The Cook County Jail performance from 1971 is a close second, but the quality is not nearly as good.



4. recorded live at the regal theatre, chicago in 1964, this is generally considered b.b. king's best album, and deservedly so. this is simply one of the great urban blues albums of all-time. b.b.'s singing is as powerful and nuanced on this recording as it was ever to be, before or after. his guitar playing is at a peak of expressive beauty here, far more tasteful and beyond the technic, at this point, of what any rock and roll guitarist was yet capable of. yes, the rock and rollers would improve greatly in time, but this was 1964, and King was the undisputed guitar king. a fine horn section, it should be mentioned, also graces the album. the whole affair is magical. a great night in recording history.



5. BB King's Live at the Regal is a recording of a great show performed at the Regal Theater in Chicago in 1965. Considered among many, including myself, as his greatest album its a must for any blues collection. King is at the top of his form and you can hear it in his guitar playing. His band gives their all and, importantly, the song selections are magnificent.
   
   Its a great recording of a great performance. Its also a perfect introduction to the blues for neophytes as well. Highly recommended.

5 comments about Beware of the Dog.

1. These guys epitomize everything I like about the blues. It's a very stripped down band, just a drummer and two guitarists, no bass. Hound Dog had a dirt cheap guitar and a Sears amplifier. Most of the songs are very simple rhythms. This is not art rock.
   
   And they played primarily just for the love of the music. For most of their careers they had day jobs. They played in local clubs in the evenings. They very seldom rehearsed if at all. They just liked playing blues.
   
   This CD is a live recording. The band didn't know at the time that their performance was being recorded for an album. This was just a selection of songs from a typical performance. As you listen to this, imagine the smell of cigarrette smoke, and imagine being surrounded by a couple dozen smiling, laughing, joking and jiving people.



2. This album features the wild and rambunctious Hound Dog Taylor, who is most definitely the Ramones of the Blues. In other words, while his guitar playing is sloppy, his lyrics are sometimes unintelligible, and his music is monotonous, he is a lot of fun to listen to and keeps you tapping your feet. To those who are approaching the Blues from a technical guitar-playing angle, I do not recommend this album at all; you'd be much better off with Earl Hooker's "The Moon Is Rising". For those who like Punk Rock or maybe Heavy Metal, you'd probably be very pleased with this release. For aspiring slide players, this is a great pick. Though this music certainly doesn't have the lyrical content that a J.T. "Funny Papa" Smith or Blind Willie McTell disc might have, it's fun to "rock out" to this stuff. I recommend buying this disc.



3. The most famous Hound Dog Taylor quote was: "When I die, they'll say: 'He couldn't play sh*t, but he sure made it sound good.'" This is a man who understands his appeal. Taylor played a beat-up guitar, and he cranked on the thing, playing distorted, screeching notes. But god, it DID sound good. And as the quote implies, he had the personality to go with the raucous, raw music that he played. Which is why this album is so good. It's live, so you can hear the sound imperfections, the screaming crowd, and Taylor's off-kilter banter and sense of humor. And that's probably the perfect way to listen to Taylor. To put it all another way: He plays a version of "She'll Be Coming 'round the Mountain" that makes you want to get up and dance.



4. Hound Dog's searing slide guitar and vocals tear you to the quick with a depth and passion unequalled nowadays. This rocks!!



5. This album is a masterpiece. The highlights of this album are "The Sun is Shining" and "Freddie's Blues" . The way he uses feedback in "Freddie's Blues" is truley amazing.It's like Hound Dogs Ghost. I bought this ablum and it was well worth the money. This album is a frequent in my CD player. Any blues fan will like this Album

5 comments about Live at the Regal.

1. So they finally went back and remastered the muddy audio on this classic album! The new sound is fantastic -- clear as a bell. Sadly, while the audio was being cleaned up, no one bothered to clean up the very, very sloppy edits (especially in the second half), such as when the second intro of B.B. (why two separate intros, anyway?) gets abruptly chopped off and goes right into a song that from the background crowd noise came at some other point in the show. If you're going to do a live album, the tracks should at least create the illusion of a live show, especially in this digital era when fade-outs and fade-ins are no longer used, and audience applause can be smoothly edited in to create seamless transitions!
   
   The performance is powerful and this is definitely a 5-star recording that has been royally botched by sloppy and oh-so-obvious edits. In addition, many remasters go back and add in some bonus tracks. If no original source material survives (which may be the case 42 years after this performance!), then something from the era is added as a bonus and the CD is fleshed out to anywhere from 60 to 79 minutes long. Not here. You get the original 35 minutes. No more. No less.
   
   Anyone who's seen what Legacy is doing with classic LPs (adding more to the original CD, plus a second CD of extra material) by Bob Marley, Eric Clapton, The Who, etc., surely have some idea how this great LP could have been updated for the 21st century. What we get is clearer audio, and nothing else. What a disappointment!



2. B.B. King-Live At The Regal *****
   
   Recorded live at the Regal in Chicago in 1964 this went on to become what is now widely considered the all time greatest live blues album. This is rightly deserved as this is in fact the greatest live blues album of all time.
   
   King's single note guitar lines are crisp as ever, and his vocals are beyond comparison. Aside from being obviously his best live recording, Live At The Regal is the best recording of King period. This is with out a doubt the best version of 'Sweet Little Angel' ever released. The essential version is more correct. 'Every Day I Have The Blues' and 'Its My Own Fault' are among some of the most inspired performances ever caught on tape. The albums closer 'Help The Poor' is just gut-wrenching. Pure bliss!
   
   This performance is pure electric. With every passing listen to Live At The Regal I still get chills all down my spine, and if you ask me that is the mark of a fantastic album after all these years and listens.



3. As a Memphis native, I have heard B.B. on many occasions. Never have I seen or hear him play with the same passion he did here in 1964. The quality of the recording is outstanding, with Lucille giving the center-stage on many occasions. The clarity and quality is amazing for a forty year old recording. This is the live B.B. King recording to buy. The Cook County Jail performance from 1971 is a close second, but the quality is not nearly as good.



4. recorded live at the regal theatre, chicago in 1964, this is generally considered b.b. king's best album, and deservedly so. this is simply one of the great urban blues albums of all-time. b.b.'s singing is as powerful and nuanced on this recording as it was ever to be, before or after. his guitar playing is at a peak of expressive beauty here, far more tasteful and beyond the technic, at this point, of what any rock and roll guitarist was yet capable of. yes, the rock and rollers would improve greatly in time, but this was 1964, and King was the undisputed guitar king. a fine horn section, it should be mentioned, also graces the album. the whole affair is magical. a great night in recording history.



5. BB King's Live at the Regal is a recording of a great show performed at the Regal Theater in Chicago in 1965. Considered among many, including myself, as his greatest album its a must for any blues collection. King is at the top of his form and you can hear it in his guitar playing. His band gives their all and, importantly, the song selections are magnificent.
   
   Its a great recording of a great performance. Its also a perfect introduction to the blues for neophytes as well. Highly recommended.

No comments about A Taste Of Honey: Live In New Orleans 1977.

1 comments about Live.

1. This album is excellent. The five members of the band are all great musicians. They complement each other and no one tries to hog the stage. The music is a blues/soul/pop combination. This was recorded live at "Chester's", a small club in Fayettville, AR. The best...