4 comments about Wicked Messenger: Bob Dylan And the 1960s.

1. This book is very interesting!!!! It provides a wonderful background of the period of time that influenced Bob Dylan's life and music. The book describes the history behind his songs and the history of what was going on in America during that era. It was more than I expected and I could hardly put the book down.



2. Wicked Messenger: Bob Dylan And The 1960s represents a revised, expanded edition of the 2003 hardcover Chimes Of Freedom, and is a recommended pick for Dylan fans and especially newcomers who missed Chimes and here will enjoy the benefit of a new chapter on his 2004 memoir and his 2003 film. Wicked Messenger shows that Dylan didn't turn away from his famous political music but instead changed the style of his message to address changing politics. In providing a concurrent social survey of the atmosphere of the U.S. during the 1960s, Wicked Messenger draws some important connections between Dylan's musical approach, its message, and how and why it affected his times.



3. I purchased this book without knowing that the author's focus was at least as much on politics as Bob Dylan. I thought I was buying a Dylan biography but was greatly disappointed. In case others may be misled by the packaging please know that the author is so devoted to adulation of socialist/communist/left wing politics that Bob Dylan the person, songwriter, musician and performer is definitely secondary. Although the book was reasonably well-written and appears to have been researched the author's unwavering obsession with politics and his overt political bias is quite annoying. If you are a political partisan you might like the book. If you think you are buying a biography of Bob Dylan you may be disappointed.



4. Have you ever wondered where Bob Dylan got some of his inspiration?
   
   Have you ever wondered what went on behind the scenes when the politically active youth culture was born in the 60's?
   
   Starting with stories about Bob's relationships with the "Dust Bowl Balladeers" and wandering along with the concert tours and digging deep into the history of SNCC (Students Nonviolent Coordinating Committee) and SDS ( Students for a Democratic Society), and everywhere else that was relevant this book masterfully chronicles the connection between the songs and times of the 60's and beyond.
   
   The reader is treated to a deep view of what was going on as many of Bob's most beloved songs were written. You are given a clear picture of why Bob was such an honest and faithful reflection of our times and has become America's favorite balladeer.
   
   I have to say that I think the title is unfortunate, there is nothing "Wicked" about this messenger. The things he protests are outrageous things and he finds exactly the right words and the courage to sing them out with songs that can not be ignored. He also has made some of the most touching and romantic love songs that I have ever heard. I'm very glad to have been able to see some of the background behind his inspiration.
   
   Finally, I understand why Bob was not at Woodstock, why he "went electric", what went on during the London tours, who was the "girl on that album cover", and many other things.
   
   This is clearly a fascinating book that has helped me to better understand the times that I lived through even better.

1 comments about Big Fun Easy Fiddle Book (Book and CD).

1. The making of music is a benefit for both the musician and the audience. But before that can happen, aspiring musicians must learn the fundamentals of their instruments and gain a degree of expertise in their use. The fiddle has been a popular instrument through American frontier history and has the additional benefit of players being able to learn its use without formal training if they have a modicum of basic instruction. In "Big Fun Easy Fiddle Book", author and veteran music educator Larry McCabe draws upon his more than 30 years of experience and expertise to create a thoroughly 'user friendly' beginner's instruction manual that will enable anyone to learn how to paly traditional fiddle styles. Enhanced with an accompany CD and fully illustrated, the "Big Fun Easy Fiddle Book" includes notes and tablature. Beginners would also be able to 'play by ear' using the tablature (a number system) with each tune also being scored in standard notation for note readers. Also included is a helpful guide to fundamental, a varied selection of popular tunes, as well as chord symbols for accompaniment. The CD features all of the tunes in the book, played at a moderate speed with guitar accompaniment, and are a perfect way to hone and practice newly acquired skills. "Big Fun Easy Fiddle Book" is an ideal do-it-yourself at home instructional guide, and would make a welcome addition to school and community library Music Instruction reference collections.

5 comments about American Popular Song: The Great Innovators, 1900-1950.

1. I agree with Mr. Wilder about Gershwin. While Gershwin undoubtedly wrote many great songs I find that he can also be very overrated. "Porgy and Bess" and "An American in Paris" have several pieces which I think are grandiose and pretentious. I cannot stand listening to those two musicals. The music seems to not quite be "pop" and not quite "operatic". The music in those two works also sound as if Gershwin is straining to sound important but somehow sounds artificial and shallow. I much prefer the gentler and timeless music written by Richard Rodgers and Jerome Kern. I also like Arlen whose music is always hip.



2. ALEC WILDER himself a composer has written what is generally considered the bible of AMERICAN POPULAR MUSIC.More than thirty years have gone by since the first édition of this book and it remains fresh.Like many i am proud to say that this book was really for me what i needed to start digging into the history of many songs before the rock era.From BERLIN and KERN to the often forgotten greats like DONALDSON and McHUGH they are all there and mister WILDER knows what he is talking about;he had talked to many writers and composers who were at the time of the first édition still with us.Personal opinions are of course a matter of taste;we are for example not obliged to believe everything he says.Most of the time mister WILDER is right:EXAMPLE:he believes that RICHARD RODGERS was perhaps the most gifted composer of his time.Few can really disagree with that.In fact,there is only one major problem with this book,if you don't read music it won't be too enjoyable for you,because there are many examples with sheet music to proves the points he wants to make.Everyone who has an interest in the history of AMERICAN popular music should buy that book.



3. Lord knows there is a place for criticism in music. The problem is that too often the most ill-qualified, wrongest people practice it, and are rewarded with the bully pulpit of widely read publication and nice paychecks to boot. Alec Wilder is a "right" person, if ever there was one. He's no outsider or "wannabe". His insights on the procedures and content on the songwriting of his brethren come from his own long, hard struggle with the form. And he did it VERY well, giving his observations yet more credence. He has the courage of his convictions, putting a hard critical ear to the work of his peers, betters, "worsers"---whoever, while owning up to his prejudices and acknowledging that it is, after all, only his opinion. I'm glad he covered the people he did, and only disappointed and perplexed that he passed on Strayhorn (I suppose because his work was outside the theater/movie/pop song orbit of the others). I would have appreciated his insights. Such skill, courage, and honesty in criticism is at the very least a breath of fresh air.

   Neither music lovers, nor especially fellow composers should take Wilder's words as the gospel, though, as I feel he'd be the first to implore. It's hard enough to compose and ignore the criticism in one's one head, let alone hear the muse over the strains of a duet. Another thing to consider in placing importance on even as eloquent and well-formed criticisms as these is Wilder's harrowing self-doubt about his OWN composing, and general worth (which comes through loud and clear in his autobiographical "Letters I Never Sent") And listeners should follow their own ears and hearts. Take Wilder's survey for what it is, very high quality opinion.
   
   

   As for MY opinion, the only thing that leaves a bad taste in this and similar books (Copland's survey 20th century composers, for a much more egregious example) is a certain elitism cutting through that, at its worst, is downright snotty. According to the preface (by Gene Lees, a talented man and friend of good music, but himself no stranger to the banshee wail of the conservatively cranky)Wilder stated that "after 1955, the amateurs took over". I can understand the horror Wilder and other gifted musicians, weaned on European and even jazz traditions, felt when rock's arrival landed a knockout blow to their careers and values. But it wasn't and isn't all garbage---the best of it is as valid as anything. Perhaps its greatest virtue is that it doesn't take itself that seriously as "art". If nothing else, it loosened us all up a bit. Wilder's cynicism, however justified in his mind, peeks through these pages a bit, although not so much as to be harmful. It's just frustrating and a bit of a bore. I so want to believe that so rare a musical wit felt affection, not disdain toward the the race he wrote about and for. So with these things in mind, enjoy and learn as I have from a very valuable piece of writing.




4. Yes, the man is opinionated, and one may argue with some of his more controversial and unsparing critiques. His analyses are grounded in a thorough understanding of music, and he does not retreat from criticizing the most popular. I think that the whole topic is perhaps more subjective than Wilder lets on, but at least he's forthright about his opinions, and provides hundreds of musical annotations to illustrate his views. I'll also agree with the reviewer who criticizes Wilder's view that post-50's popular music was written by "amateurs." Still, this is widely regarded as a must-have for the student of popular music, and it's an excellent, albeit somewhat technical critique of popular music's "golden age." Recommended!



5. Richard Rogers The Greatest Composer Of His Time?Let's get clear folks Espically you low brows who call porgy and bess Pretentious,Rogers "Might" be The Greatest Songwriter(NOT COMPOSER-There,s A big distinction)of his time(personally i pick Porter then Gershwin Then Arlen for Bluesiness And Sexiness-and ground zero is the blues sorry Gang not the vieniese waltz that Rogers was so fond of)depending on what lyricist he worked with(his most heart felt ones are with Hart).He might have had the Greatest fund of pure melody then any one-Granted.But there is an slickness And Artificial & Superficial Aspect to much Of his Work That over time looses it power,and certainly appeal.Mabe this under the surface aspect to Rogers Work Is Reflective Of The Fact That As A Person, He Was A Complete SOB- an autocratic homophobic womanizing self serving A hole.Not One Of Rogers "Serious" Works Like Ellingtons Can Hold A Candel To Gershwins.Europeans Take Gershwins Greatness as a composer Musican & Pianist(another area where no one including Rogers in the pop field{as well as classical}of that time could compete with George)as a matter of course(Americans and american critics should do the same and put to bed this stupid debate of GG Songwriter? or Composer?-and get with the fact that the closest thing America has produced to the level of anything like a Mozart is called GERSHWIN-PERIOD-just look at the high level gifts he had in abbudance as an innovater- melody,Harmony,rhythm,pianist,theatre & Drama.And the two most rare,originality & Humor-gimme a break Rogers or any one else for that matter can't even compare or compete.It Seems It's even A Gift To begin to Grasp And Appriciate the enormity of G.G's Genius.Levant Got It,When He Was Consigned By George On A Train Road Trip To The Lower Berth(Talent)to Georges Upper Berth(Genius)Levant's Words And Appraisal.Koussivitsky Got It "he's a genius to great to be real"His Exact words.Ravel Certainly got it it's well documented,hell his piano concertos were directly inspired by Gershwin's Own.Hambitzer-Gershwins only beloved music-piano teacher got it as early as 1912 when he wrote his sister with the words "The Boy Is A Genius Without A doubt",And Yet He Still Get's Snubbed and slighted by Envious low-brow & High-brow Snobs alike.Just Look As one of the reviews opines below(to be Read Snidley."i can't stand Porgy & Bess & American In Paris,They Are So Pretentious"all I can say Is BLOW ME!Certainly you are entitled to your(mis- informed)opinions(diversity Is The Spice of Life)But be honest as to why you don't like Porgy Before invoking the "P" word as Your Decree(and defense)against This Masterwork-and what is the honest answer?you don't get it,it's over your head,you have lazy ears,it doesen't fit with your world view which prefers charming "Rogers" Bon Bons-it intimidates you,you are envious-pick one or all of the above.Again Evauluating and grasping the true aspect and significance(and moving beyond all the pedigogical brainwashing and propaganda)of G.G.is an Art In Itself.And The Point Needs To Be RAMMED Home Time And Again.And I Here To Ram It.The GREENess of the Heart Chakra Makes many uncomfortable(Genius Has That Effect on those that don't want to be ennobeled or inspired by it-(And If Ever There Was a Pop Genius It's Gershwin-Two choices With Genius-you can let it wash over you and grow as a result or project upon it all your own petty offenses opinions And Predjudices).Gershwin and Porgy Pretentious? Overated? hell i guess That leaves Bach Right Out.The use of the word Pretentious is just an example of these soclaly engineered(thank you Edward Bernaise You A-hole) downloadable"buzz"words and or phrases("COOL" being the Prime One)For Fuzzy Thinkers Who's Minds are not their own and indulge and defend a Kind Of pervasive UN-critical thinking that is really just a laziness of mind and heart,(a lack of feelings based connectedness & desire for TRUTH seeking within and without)the same kind of automatic pre conditoned cognative dissonant Parrot like responses can be found in other areas as well I.e. "you think Oswald didn't act alone? that sounds like a CONSPIRACY THEORY",or this one "You're a Vegan?,How Do You Get Your PROTEIN?"And The Gem Below "Porgy & Bess Strikes Me As Artifical And PRETENTIOUS" Back to the Gist and Thrust of my thesis,Rogers was Green With Envy Over Porgy as were most of the worlds other composers and songwriters of the time.Rogers tried to compete with Gershwin with the likes of "Victory At Sea" & "Slaughter on tenth ave",which are wonderfull pieces of fluff in their own way,and get ocasional hearings over the CONSTANT and Steady programing of the Gershwin Staples World Wide(Rhap in blue,the Concerto in F,A In P,Preludes,Cuban Overture,2nd Rhap,I got Rhythm V's And Porgy).Pretentiuous Is When You Try For The Big Gesture And Fall Flat On Your Face(George Never Fell On His Face On This Score Quite The Opposite-and time and time again,He Pulled It Off Marvelously-And All Without A Net).From This Stand Point the "serious" Rogers fare is More Guilty Of Pretention And Cloyingness And Insincerity then any thing George Ever Wrote.The Jurys in,like it or not,Gershwins Music Is The Epitome Of Brillance Timelessness,Sincerity,Originality And Honesty.As For Mr Wilder's(with his two minor song hits for posterity And numerous-some actually quite good-quirky Jazzy lyrical Chamber pieces-a kind of American Hindemith-though no Gershwin Or Copland Barber Or Ives-)estimation of Songwriters After 1950 as all being amateurs(what a Curmudgeon)I got News for him in his astral home(where he's still writing for angelic brass and woodwinds i hear)-That's where the "BLUES"(Rock & Pop & R&B) went.All inspired Artists should get on with their work,be Courageous, And Fudge The OPINIONS Of ALL OTHERS-and listen ONLY! to the dictates and demands of their Hearts-the true home of the Creator.Peace.And While Your At It Keep It All Joyfull And Fun-George Did,he Never Made A Distinction Between His Serious And Pop hats -wearing both without judgment or justifacation,and that's why he is the worlds supreme crossover GENIUS!At a time when that was possible,let the pundits whimper on while Gershwin continues to Bang,and thereby doing his part to continue to keep the world from ending.

5 comments about Smoky Mountain Memories: Stories from the Hearts of the Parton Family.

1. Great reading . This is a very special book about a very special family. I promise you'll love it



2. I have read this book front to back three times!! I was born in Appalachia and have lived in the hills and hollows of East Tennessee all my life. I related to the deep family roots, and loving atmosphere their family had growing up. Willadeene captured not only their family spirit but, the pain, laughter, and triumphs of the Appalahcian people.



3. Originally, this book was released as "In the Shadow of a Song" in 1986. I read it then, and I read it again and enjoyed it as much as a second helping of grits and gravy and country ham. Brandon B., Tampa, FL



4. Willadeene Parton is a very wonderful and great writer. She is not only sucessful at writing about her family but she is a great poet and cook as well. Her cook books are Awesome if you are into some great southern cooking. I have ate some of her meals in her cook book prepared by none other than herself, I used to be her Personal Assistant, and let me tell you, she cooks better than anyone I know. The Books are a great Pleasure to read and the cook books are just as much fun. Not just coming from a Friend but form a True Fan. ....



5. Dolly had a hard life growing up in the wilds of East Tennessee; she started out poor and indeed did have a 'coat of many colors' as her children's book explained.She was born at home like me. She wore hand-me-downs in the backwoods of Sevier County where my paternal grandfather's people lived. She's funny. Coming from the country, it took some doing and lots of help to get where she is today. She has re-invented her personality through the years from the young lovesick girl who write 'I Will Always Love You' to Porter Wagoner. He gave her the first 'big' break, singing on his show in Nashville.
   
   Dolly had been on local talent shows in Knox County, Cas Walker's for country music. She migrated to Middle Tennessee to sing on the Grand Ole Opry where she met my friend, Hal Durham, who was manager of that fabulous old show on radio, television and live. I once attended at the Ryman and he gave Zachary and me a backstage tour.
   
   In Nashville and in the movies, she had a good life but suffered some setbacks and depression. The two photo secitons show how little Dolly the girl was transformed into Dolly the bombshell blonde. She is the richest person in this area as she owns Dollywood, the major attraction for people from all the states who visit the Great Smoky Mountains and from other countries.
   
   In her 'thanks' section, she included her favorite makeup, Revlon staff, and favorite lingerie shop, Frederick's of Hollywood. She includes Terry Morrow, local entertainment columnist for the News Sentinel daily Knoxville newspaper, and Ligiea Saveanu (whoever she is -- I was going to name my daughter Ligeia). From the Grand Ole Opry, she includes Archie Campbell from the famous Civil War area in East Tennessee, Bull's Gap, Grant Turner, and Bud Wendell, WSM announcer. Game show hosts were Bob Eubanks and Huell Howser; how could she leave out Wink Martindale and Pat Sajacks, both Tennesseans? For some reason, she included the Knoxville Democrat Party chairman, Jim Gray, Al Gore, Jim Sasser, and Sandra Fulton (wife of Dick Fulton of Nashville).
   
   Movie stars included Kevin Costner, Jane Fonda, and Delta Burke, while singers were Mac Davis, Billy Ray Syrus, Whitney Houtston and Reba McEntire. She has Johnny Carson, Eddie Hill, and many many others -- too many to mention.
   
   Like most successful people, she has humility when it comes to feeling indebted to others for her success. She has talent galore, and I wish Dolly could live forever. She will -- in the figure on Sevier County Courthouse Lawn, as a young country girl. Dolly is everything to everybody.

No comments about The Billboard Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Country, Folk, World and More.

5 comments about Live Fast, Love Hard: The Faron Young Story (Music in American Life).

1. I really enjoyed this book! Many hilarious stories about life on the road. Faron Young was a giant in the country music business. I hope this gets made into a movie.



2. I have to be honest...I didn't know much about Faron Young before I started this book. But now that I have finished reading it, I feel like I know him inside and out. Diane's research is incredible. She paints a vivid picture of a man who found tremendous success while battling the demons of alchoholism and depression. This book should be required reading for fans of classic country music.



3. What a Great book,Diane did a wonderful job on this & it's very informative .A no punch's pulled book about [ to me ] the greatest country singer there ever was, what a VOICE .But, regardless of your opinion of his singing, you'll love this book,it's very easy to read & very interesting.



4. MS.Diekman is not an accomplished writer. In fact, she shows signs of being an amateur writer who might, with hard work learn her craft. But, the book serves its purpose. It lets us see Faron Young, raw. A good editor could make this a remarkably good book. As it is, it is repetitive, disjointed, and at times muddled. On balance, the book is worth it for the information it passes along .



5. Faron Young, who is today one of the more underestimated country singers of his generation despite his long career and many hit records, was a hard man for even his friends to peg. That is because, as so aptly described by Diane Diekman in her Faron Young biography, "Live Fast, Love Hard: The Faron Young Story," he was a man of strong contradictions.
   
   Faron Young was one of the nicest men in the world but he was one very mean drunk and no one wanted to be around him when he was drinking heavily (and that was much of the time). He was extremely generous to those who had less then him (often they were songwriters on the way up, such as Willie Nelson) and were in need of a few hundred dollars to tide them over, but was known to refuse his road band the extra five dollars a day that would have made all the difference in the world to them. He loved his children and considered himself to be a good family man but he made it a point to speak of his youngest daughter as his "only little girl" and never publicly acknowledged the other daughter he had out of wedlock or how terrible his relationship with his oldest sons really was. Faron could curse like a sailor, and he usually did, but would behave respectably around the wives of his band members. He had lots of longtime friends and he had lots of longtime enemies. He was an astute businessman who made some terrible business decisions that cost him a whole lot of money.
   
   All of these contradictions, taken as a whole, are probably why so many people explained their toleration for Young's behavior by saying, "That's just Faron." Connie Smith used those words to explain how someone with her temperament could endure working on the road with the fast-living Faron Young. And even Jean Shepard, as brash as she sometimes appears to be, finally refused to go on the road with him any longer.
   
   Longtime Faron Young fans who witnessed him in his prime will probably still find some surprises in, or have their memories nudged by, Diane Diekman's well-researched and detailed biography. She reminds us that Faron was founder of the influential Music City News and reveals just how much personal money he put into the newspaper in order to keep it afloat long enough for it to pay its own way. Her readers also learn that he would have had more hit records, and number ones, if he had not refused to let his label use payola to move his records up the charts the way record labels bought higher chart positions for so many other singers.
   
   And that is just the beginning of what is packed into "Live Fast, Love Hard." The book covers the childhood that may explain Faron's own cold approach to fatherhood, the national, though bogus, scandals that damaged his career, his failed marriage, and his tragic death at his own hand. About the only thing missing is a comprehensive discography of Faron's recordings, although the book does mention most, if not all, of his record albums and notes which ones include his biggest hits.
   
   So this is a book both for those who are already fans of Faron Young's great voice and for those to whom he is hardly more than a name from country music's past. Put a copy of "Wine Me Up" on the turntable, grab a cold one, prop your boots up on the foot stool, and enjoy this book. If you're not already a Faron Young fan, you probably will be by the time you finish "Live Fast, Love Hard."

5 comments about How Bluegrass Music Destroyed My Life.

1. The recently deceased guitar master takes you on a tour of his childhood and young adulthood... basically this book is about as highly recommended as they come for a fan of his music- it will provide musical, emotional and even philosophical insight (with several references to hegel, heidegger, and other great german philosophers) into his life. there are moments of fiction, but it doesnt overwhelm the autobiographical nature of the work. you really do get a feeling for the personalities of bukka white, skip james, roosevelt sykes, and antonioni, which is the real reason may of fahey's most loyal fans would want to read the book. some moments are harrowing, from tales of childhood abuse to stories of social alienation. other moments are endearing, there are stories of first friendships, loves, and comfort (mostly on the part of white and sykes). Fahey led a very interesting life, and this book has a good deal of serious instrospection. he's actually a pretty good writer, so i give it the highest recommendation. someone new to fahey or not interested in 20s blues figures be warned, a lot of it will be confusing, leading to reviews like the one up top by that poor bitter guy who completely missed the point.



2. The recently deceased guitar master takes you on a tour of his childhood and young adulthood... basically this book is about as highly recommended as they come for a fan of his music- it will provide musical, emotional and even philosophical insight (with several references to hegel, heidegger, and other great german philosophers) into his life. there are moments of fiction, but it doesnt overwhelm the autobiographical nature of the work. you really do get a feeling for the personalities of bukka white, skip james, roosevelt sykes, and antonioni, which is the real reason may of fahey's most loyal fans would want to read the book. some moments are harrowing, from tales of childhood abuse to stories of social alienation. other moments are endearing, there are stories of first friendships, loves, and comfort (mostly on the part of white and sykes). Fahey led a very interesting life, and this book has a good deal of serious instrospection. he's actually a pretty good writer, so i give it the highest recommendation. someone new to fahey or not interested in 20s blues figures be warned, a lot of it will be confusing, leading to reviews like the one up top by that poor bitter guy who completely missed the point.



3. ...stimulating and entertaining too. Yes, it will have a major appeal to blues fans, particularly guitar fans. How much of this hypnotic, sometimes shocking book is true? The chapter "Honey" should be included in all sellf-help books. I read most of it twice and enjoyed the evocations of Americana. As a fingerpicker myself, I found John's mental states more illuminating than an explanation of his guitar technique would have been.



4. ...so any debates about the possible "fictional" aspects of this remarkable book are really moot. I was there. Then. John lived about four blocks from us, he was six years older than me, and he was a major influence on me, not only musically but also philosophically. The fact that I turned down an offer of one of the 95 surviving copies of the initial (and only) pressing of the original "John Fahey/Blind Joe Death" LP and also refused to sell John my 78 RPM copy of Vernon Dalhart's "The Prisoner's Song" proves I was crazy enough, at least in hindsight, to have belonged right there, right then. Reading this book brought back summer nights across from the field where "April in the Orange" was largely played out in "real" time, and he and the other, older guys played poker, tormented the beat cop and John picked out ethereal, otherwordly melodies which floated through the window on the mimosa-scented summer air and would eventually become the backbone of his cannon of recorded work.
   
   This book is absolutely essential for anyone with an interest in blues, bluegrass or really any form of American music or just America, as well as the workings of a genius mind in constant search of the Lost Chord. Or anyone who's ever been in love. With anything. An emotional roller coaster of seemingly insane vignettes (which are, I assure you, not really insane at all, just peculiar to the place and time where we all lived and loved and moved around in the midst of time) juxtaposed with horrifyingly lucid and stunningly loving moments - more like William Burroughs and Mark Twain speaking with one voice than anything remotely Vonnegut - and transformative in its power. John never really left "Azalea City" (the actual official nickname of Takoma Park), not in his mind nor his heart, and he never really recovered from the trainwreck that was his childhood. We are all richer for his having shared those experiences and that mind-too-big-for-his head, let alone the countless recordings that fill the space where words utterly fail.
   
   By the way, the real Swami rode a Harley. No lie, b'wana.



5. My only real complaint about this book is that I wish 'Jawn' would've fleshed out some of the real standouts in this collection (in my opinion the opening story about the renegade kids, and the Hank Williams story) into much longer pieces, and do away with some of the other chaff. The two stories mentioned above would make great books if expanded into such - maybe John or even another writer should take them up the challenge and do that. Nevertheless a fun read, if not terribly cohesive as a collection.

5 comments about Mel Bay The Banjo Encyclopedia: Bluegrass Banjo from A to Z.

1. In the old days, banjo techniques were passed down orally from generation to generation as part of regional and familial folklore. Today, aspiring 5-string pickers have a multitude of high quality instructional materials readily available. Ross Nickerson has an impressive resume as a performer, recording artist and teacher. One of his primary goals is to help avoid having to learn everything the hard way. He provides time saving, practical lessons and advice. The Banjo Encyclopedia is very comprehensive, covers many topics, and is a tool that should be referenced regularly.
   
   He starts at square one with the basics of holding the banjo, using picks, reading tab, tuning, positioning hands, and overcoming difficulties. Rolls and exercises are then covered. Chapters are dedicated to right hand technique, as well as that for the left hand. By the end of Chapter 3, one is learning "Banks of the Ohio" and "Bury Me Beneath the Willow." An important lesson that many books fail to present is practice habits and practicing priorities. Nickerson does a fine job emphasizing the importance of a good practicing routine. Basic Scrugg's picking is then addressed and related to the songs, "Sitting on Top of the World" and "Nine Pound Hammer." Melodic and single-string styles of playing introduce some fiddle tunes, and then the author has us put it all together along with rhythm and chordal backup. Chapter ten broaches the subject of improvisation, before we get into kickoffs, turnarounds, and endings. Playing at slower tempos and in waltz time are covered. Finally a chapter on banjo maintenance by Mike Munford addresses all the parts. Advanced songs taught include John Henry and Train 45. The accompanying CD is 78 minutes long, and clear references to the disc tracks are given throughout the book. Nickerson teaches in a very straightforward style, although I might have slightly changed the sequence of some of the instructional material. The Banjo Encyclopedia is a welcome and thorough study of the instrument, most appropriate for beginning and intermediate players. (Joe Ross, staff writer, Bluegrass Now)



2. This is a great way to begin your banjo journey. I have taken lessons with Ross and he is a fantastic teacher. He has an easy way about him that draws you into the instrument instead of scaring you off it.
   
   The book is written in that very same style. It is very comprehensive but it is broken up into sections that allow you to progress naturally. You will find yourself going back to chapters well after your "beginner" stage. He shows you many different styles of playing and even how to mix them together! I think it's better than the Scruggs book. (but you should own that as well - just because)
   
   If you play banjo or are thinking about it, buy this book. Trust me.



3. I bought this based on customer reviews and it appears to be all it's cracked up to be. However I wanted to warn folks that a book this thick and perfect bound is not very practical. You will have to break the spine to get it to flatten out and actually use. Or you can have it trimmed and rebound at a print shop. I noticed that the website, BanjoTeacher.com, does offer a spiral-bound version and am sorry I didn't go that route. I just don't like tossing my credit info all over the internet, so it would be nice if Amazon could carry the spiral bound edition as well.



4. Very Good. who knew any one could write so much on the banjo. Very good to get goin and doin it right from the start.



5. I highly recommend "The Banjo Encyclopedia: Bluegrass Banjo from A to Z". I learned to play the banjo clawhammer style about seven years ago and have enjoyed developing as an amateur banjo player.
   
   However, three-finger picking style seems to be the predominate way of playing, for some time, and I can recognize its advantages for producing a more sophisticated style.
   
   I have looked at a number of books and never taken the leap from clawhammer style to three-finger picking until now because it has taken "The Banjo Encyclopedia: Bluegrass Banjo from A to Z" to give me what I need to make that leap.
   
   I have great confidence in the book. I like the accompanying disk. I expect to grow with Ross Nickerson's method as successfully as I did previously with my teacher and books.

No comments about Mel Bay presents The American Fiddle Method, Volume 2 - Fiddle Intermediate Fiddle Tunes and Techniques.

4 comments about Hank Williams Complete.

1. This is a very impressive collection of practically everything written by Hank Williams, and exactly what I needed (with chord diagrams). My only complaint is that there are Hank classics not written by him that are not included in this anthology; such as, "Lovesick Blues", "Settin' The Woods on Fire", and "Half As Much". It also doesn't include Hank's "(I Heard That) Lonesome Whistle". But it seems EVERYTHING else is here - and it's wonderful this music book was released! (Five Stars if the mentioned songs were included!)



2. I brought this book for my husband who loves Hank Williams, and he says it is great it has all the hit songs and has recommended it to some of his friends



3. Excellent book for country music fans. Hard to imagine so many songs by one composer and all in the same book.



4. I think this is a very good book. It is easy to read. I am a avid fan of Hank Williams. There are songs in this book that I had never heard. There are 303 pages in this book. He was a wonderful singer and writer.
   He was very talented. I would highly recommend this book. I don't think you will be disappointed with it.