5 comments about Preacher Vol. 7: Salvation.

1. For the first time in the series, the Jesse-Cassidy-Tulip team is broken up, where Tulip and Cassidy are pushed completely into the background. "Salvation" focuses solely on Jesse Custer's experiences immediately after the cataclysmic events as depicted in "Tears in the Sun." Describing, appropriately enough, Jesse's stay in the racially polarized Salvation, Texas, Jesse's brawling talents land him the peachy job of town sheriff. Of course, being on the right side of the law for once only further encourages young Jesse to reach out and touch somebody. His rough and tumble ways seem to work, though, as his good conscience guides him to physically discipline only those who `deserve' it. Salvation eventually becomes a more just and humane town. Ennis is to be saluted for introducing the politics of race, here, and exploring small-town interracial relationships. As is unfortunately too often the case with other comic titles, African-Americans either don't exist or are the bad guys.
   
   One thing I didn't like about this book was Ennis' excessive use of deus ex machina that makes the narrative creak - some of the volume's tenser moments are resolved rather dubiously (a fortuitous bolt of lightening, Jesse's dog Skeeter does his best impression of Lassie on several occasions). Also, there is one rather amazing coincidence/revelation that occurs soon after Jesse rolls into town involving one of Salvation's citizens. The sheer improbability of it really rubbed me the wrong way, and seemed like lazy, overly sentimental writing (which Ennis is almost never guilty of). Even more amazing was how this coincidence wasn't realized by the person even earlier than it was.
   
   However, as always, this is immensely likeable reading. Ennis keeps churning out the freak show characters that demonstrate the diversity of the human condition. Although the stories have been better, Ennis nevertheless manages to confound, amuse, and perturb.



2. Garth Ennis, Preacher: Salvation (DC Comics, 1999)
   
   If you've not yet found your way into the ever-growing cult of Preacher-worship, I'd advise you to do so at your earliest convenience by picking up a copy of Preacher: Gone to Texas. Ignore the wannabe rabblerousers and the like who will tell you how blasphemous the thing is and get yourself hooked.
   
   As with most stuff the unthinking crowd denounces as blasphemy without having read it, there's a great deal of spiritual benefit to be found under the surface. In this seventh episode of the nine-book series, Jesse, now separated from Cassidy and Tulip, finds himself back in Texas, in a little town called Salvation. Through various machinations, he finds himself the sheriff of the town, and immediately at loggerheads with Odin Quincannon, owner of the local meatpacking industry. You've been reading. You know what's gonna happen.
   
   Under all the grease and grime, Jesse Custer is the classic good guy. He stands for what's right, opposes what's wrong, and tries to get everything back on an even keel (though granted, lots of stuff blows up in the process). And what could possibly be blasphemous about that?
   
   No surprise that, once again, Ennis and Dillon have put out a winner. Some folks seem to have missed a minor part of the point (here's a hint: the name of the book, and the name of the town, point the way to figuring out why "coincidences" pop up here). Another solid entry in an exceptionally solid series.



3. I recently became interested in "Preacher" after reading "Gone to Texas," the first collection of issues. I thought it was a really interesting comic and I was retrospectively sad that I had missed out on it the first time around. After reading the second volume and becoming acquainted with the Grail and the inimitable Herr Starr, I was officially hooked. Garth Ennis's crisp, hilarious dialogue juxtaposed against (generally) serious subject matter in the context of a broader story arc made for a compelling combination of narrative elements that must come together in precisely the right way to work.
   
   Unfortunately, in the seventh volume of "Preacher" graphic novels -- "Salvation" -- the combination is less precise and thus the overall work suffers. "Salvation" deviates from the main story arc of the Grail and Jesse Custer's quest to find God and make him answer for some less than stellar decisions. After the literally explosive events of the preceding collection (in which Starr detonates a nuclear bomb in the American desert in an attempt to kill the Saint of Killers, but succeeds only in separating Custer from Cassidy and Tulip) and Custer's shock and depression at seeing his girlfriend Tulip engaged romantically with his former best friend Cassidy, it was a good call on the part of Ennis to move the action of the story away from the main arc; to both build dramatic tension and to explore other sectors of the characters' personalities and motivations.
   
   The problem is the manner in which Ennis went about this. Salvation, Texas, is a town where things fall into place all too conveniently in the context of the "Preacher" universe. Custer finds his long-lost mother as well as Lorrie, the sister of his one-eyed inbred childhood friend Billy Bob. Custer shakes the town up and quickly becomes sheriff, enraging Odin Quincannon, the more-than-slightly unhinged owner of a meat-processing plant in the neighboring town. The battle between Custer and Quincannon eventually envelops the entire town of Salvation and brings in the Ku Klux Klan, a sadomasochistic female neo-[...] lawyer (who, like every other woman in the "Preacher" saga, finds Jesse Custer irresistable), and sees Odin Quincannon repeatedly have sex with a statue made of meat. In other words, it's something of a jumble that goes on for entirely too long and introduces a ton of rather purposeless characters that we never see again in any meaningful sense (some of them reappear in an issue collected in the final "Preacher" volume called "Alamo"). I think a friend of mine summed it up really well when he said that "Salvation" read more like someone trying really, really hard to sound like Garth Ennis than Garth Ennis himself. Another non-writing complaint is that since this collection is the largest of the bunch, it was printed on stock paper instead of the better looking and more durable glossy paper of the other collections.
   
   This collection isn't bad, but is vastly inferior to the ones that came before it. For the most part, it's skippable, but every "Preacher" completist probably already has it.



4. Deadwood = Preacher, tv style? This is what happens here, pretty much. New sheriff in town, corrupt business types, etc., etc. Sherlock Holmes had something to say about small country towns and nowheresville type places.
   
   There is an evil meat baron, and corrupt cop, a dominatrix accountant, a one armed relative, and a good looking deputy. So of course Jesse ends up with the sheriff job by default, and a whole pile of problems come with it.



5. Salvation is the weakest of the nine collections, but that isn't to say it is bad in any way, it's still a darn good book (and really, it is only weak compared to its own work, and not that much weaker). The real problem is that for a while we are taken completely out of Jesse's quest to find God. And Tulip and Cassady are both missing. Maybe for a one shot it would have worked, but we were too far from where we need to be, especially at this point.

5 comments about Hotel Design, Planning, and Development, New Edition.

1. This a book that be should always be close to you if you work in the hotel development industry.



2. I am an Interior Design student and found this book very helpful in completing a hospitality design. It provides a breakdown of the areas of the hotel, the different types of hotels, and the type of customers that use them. It really helped me in laying out the floor plan. There are also some awesome color pictures of fabulous hotels in the world. I highly recommend for anyone interested in hospitality design.



3. The work of hotel design and planning is different from other architectural works; it requires an indepth understanding of hotel business. Therefore, the hotel architecture became one of the toughest job for architects. (Another job is the hospital architecture.)
   
   However, this book proposed design guidelines for a hotel fit to the business pattern. First, it explains various types of hotel properties. Second, it shows not only design guidelines for facilities but also planning approach methods for location selecting and size determination. Finally, if you read this book, you can consider efficient management system of the property from the early phase of design.
   
   Among numerous books on hotel architecture, I think this book is the most outstanding resource.



4. I was assigned to teach at the Master Degree class on "Facility Management" subject focusing on Hotel Facility. I have gone through several books regarding hotel design. I think this book is the best of all. Any designer who reads this book back to back will certainly understand the whole concept. It is not only about how to design the hotel as an architecture piece, but the reader will also understand the hospitality business. This book also covers the design and management issues of related topics such as "Restaurant", "Entertainment Venue" in the hotel. It is the 'must have' for all architects who want to design a hotel efficiently. It can also be a good book for anyone who is in the hospitality business and currently in charge of renovating or upgrading the hotel space; or the hotel's representative who need to communicate with architects or interior designer. This book can be the great tool to evaluate the result of the hotel construction project or even to 'correct' it. The tables and formulas for space calculation in this book are easy enough for anyone to understand. This book can be of great use to all building design professionals. It can also be a valuable one for any people who is interested in hotel business.



5. This book is filled with rules of thumbs,tables,charts, and drawings to help any architect to design any type of hotel. I can say after reading this book, one will walk away with a general knowledge about the hotel industry and how to design a hotel.

5 comments about Simplified Engineering for Architects and Builders.

1. This Book is excellent. easy to read and understand. this book has given me all the info i needed and then some. i highly reccommend this book!!



2. The book explains the fundamentals of structural analysis well, mainly statically determinate structures. The book also covers design fundamentals for various materials, mainly: wood, steel, concrete and masonry.
   
   I used an earlier version of this book many years ago, as an introductory book. The book is good for the beginner.



3. GOOD: The book does an excellent job presenting steel concepts and is adequate in concrete.
   
   POOR: As an instructor for structures courses for architects, this book is simply disastrous. The wood section, also, is incomplete. Errors run rampant through the book's text, examples, and problem solutions through the book. Even within the same edition, book answers can vary book to book. Furthermore, current methods are mixed with the old leading to an incorrect presentation of the subject matter. In short, this book falls far short of the reputation which preceded it.



4. The book's title claims to be simplified engineering for architects and builders, members of the latter group often having no engineering training. As such, I expected the book to cover key structural and other building engineering issues in engineering terms in an appropriate tutorial format. Instead, the book is a collection of reference materials, distilled down. I majored in EE in college and took several semesters of static and dynamic engineering courses, and still had problems with this book because of the lack of contextual information to the presentation. This book does not at all deliver on the goal defined by its title.



5. This book is very helpful in clearly understanding the process of sizing materials for construction. I highly recommend this book.

5 comments about Detail in Contemporary Residential Architecture: Includes CD-ROM.

1. I've purchased one too many architecture books that have cool buildings with nice photos, overly self-indulgent artistic descriptions, and really not much else that is useful. Despite its title, I was expecting this book to be similar to those other ones, if only perhaps a small step forward in terms of the quality of the information.
   
   This book is a giant leap forward compared to most architecture books. It is outstanding because it presents each project completely; with photos, plans, sections, and numerous quality details. The information is much more complete than I am accustomed to seeing from these types of books, and the drawings are for the most part clear and well-noted. There's also a CD included with DWG files and EPS files of every illustration!
   
   Because the information is so complete...there's enough information there to really study the materials and assemblies, to understand both the concept and the execution of these great projects. This is the kind of book you can study over and over, and really learn from. Compared to other architecture books in my library it is outstanding. My only wish is that the author would keep going and expand her great work into numerous other architecture styles (way beyond contemporary buildings).



2. This was a gift to my son, an architect student at CU. He loved the
   book and wouldn't put it down. He also loved the way it was arranged
   (by building materials). The accompanying CD has been loaded into his
   computer (which all ready had the Auto-Cam software needed) and thinks
   its fantastic. Its a book that he will use probably throughout his new
   career.



3. This is a terrific book with many interesting residential projects. However, if you are an architect buying this book for the supplementary CAD details included on CD.....don't. The details actually lack detail, making many of them somewhat worthless. Although I was disappointed in the drawings, the book has been insightful and definitely worth the purchase.



4. An account of the 2 hours I spent flipping through this book after it arrived at my door:
   
   1. When I saw that the intricacy of the illustration on the cover is produced by overlapping several drawings, I thought, "uh-oh."
   
   2. After looking through a few projects, I was a little disappointed with the haphazard organization of the "details." For example, full wall sections were more often than not excluded. Envelope details were presented as partial sections, thereby losing the context. The different lineweights were also practically indistinguishable.
   
   3. I was impressed, however, with the comprehensive list of materials/components accompanying the drawings.
   
   4. I was disappointed with the choice of photographs, in general, of the projects. Most projects had photos that basically show the same part of the building, but from a different angle, or slightly zoomed in.
   
   5. More overlapping drawings. This bothers me quite a bit, since these are just page-fillers, and do not offer anything except examples of what not to do when presenting construction details.
   
   6. One project was entirely devoted to the detailing of a window box, when that building had used a very interesting roofing material (handcrafted lead sheets), what appeared to be hidden gutters, and a very well integrated envelope from roof to grade. I flipped through this section repeatedly to check if I had missed some pages, then I grew a little angry that these very worthwhile details were forgone in favour of a single window.
   
   7. After going through the entire book, I flipped through it quickly to see if there were any projects from South America since I didn't remember seeing any. I recalled only two projects from Central America. A quick look through the list of projects seem to indicate a coastal North America and Western European bias.
   
   8. I wished I could afford a subscription to the German version of Detail.
   
   I would not recommend this book for something that one expects from well-drafted construction documents. The method of reference and presentation is a little messy. Drawings seem to be organized by how well they fit together on a single page, rather than their as-built relationship. Given the precious lack of real-estate dedicated to photos, certain photographs could be omitted and replaced by more telling shots. Perhaps coordinate the details presented with a photo of the detail in situ and in context? A larger-scale foundation-to-roof envelope section can be a good organizational tool for subsequent details. Did I mention that overlapping drawings bother me?
   
   What I find good is the abundance of projects, the organization by material, and the list of components used. While I have a lot to complain about in terms of the drawings, there is still quite a bit one can take away from them. It would be a good book to go to for initial ideas.
   
   In short, this book is a coffee-table architectural book - a lot of pictures without definite purpose - disguised as a technical book. Sort of misses the point for a book that's about details.



5. A book that try to be a reference. The projects are well chosen and there are good images that have not been published really much so far. Many detail are made for building with a ''not that cold'' climate, I've appreciate it even if we have to deal with winter in Canada...

5 comments about Attack of the Deranged Mutant Killer Monster Snow Goons.

1. I suppose this could apply to any Calvin and Hobbes collection (not just Attack of the Deranged..., but let me share my favorite way to read Calvin and Hobbes.
   
   If possible, I like to pick a rainy Saturday or Sunday. I'm usually already bored and wandering around the cold house. I catch sight of a Calvin and Hobbes book and read a few pages, but my fingers are cold and I can't concentrate.
   
   So I make a steaming cup of my favorite tea and a piece of toast with lots of butter, wrap up in a blanket on the couch, and sit and read straight through.
   
   It's so comforting to listen to the rain and read Calvin and Hobbes. There's just something about it.
   
   Er, see other reviews for information about this actual book.



2. I love readding Calvin and Hobbes. Best cartoon from the newspaper and great books. What a great imagination the writer is.



3. An only, lonely child. Bullied at school. Clearly a genius level intellect, he's unchallenged and stifled since nobody, not his parents, and not even his teacher, recognizes this. A father who's always too busy to spend any time with his son. A father who's often seen, get this, reading --*reading* -- rather than paying his only son some attention! A mother, who literally, in strip after strip, throws him out the door. Throws, as in "child flying through the air". A child, and a small child at that, allowed repeatedly to wander alone through the woods! A child denied even a pet. His only friend -- a stuffed tiger.
   Makes the "Peanuts" look like "The Family Circus".



4. The Calvin and Hobbes collection is filled with all the usual inventions and wild imagination as Calvin hurtles through the forest on his cart or sled, torments neighbor Suzie or drives his parents up the wall. The title comes from the hilarious serialised strips where Calvin's snowmen come alive and chase after him. It's absolutely a must-have, must-read!
   
   And I DO believe that Hobbes comes alive when no one else is around.



5. 
   My almost eight year old grandson, who is not an avid reader, loves the Calvin and Hobbes books. His older sister knew that this would be a wonderful Christmas gift and she was right. His parents approved enthusiastically. Great choice for a school ager who's been so so about reading.!!

5 comments about AutoCAD 2008 and AutoCAD LT 2008 Bible.

1. I'm an experienced CAD user and use it Often. It is a great reference bood I keep close for immediate use. It is easily to follow and look up many different subjects. I am also using too train a new CAD employee. Work great for both.!!



2. This is the third version of this book I've gotten and none have ever let me down!



3. My professional occupation have been in construction as a bricklayer, but now I need to re-educate me on the cause of health. Aiming to be an cad-operater I want to learn Autocad as well as possible. I enrolled in school, but found the books there a little short on the subject. So I got this book from Amazon in hope of pick up a little faster, and I sure did.
   This book has all you need to know about Autocad, with the latest tools laid out in nice detail. I recomend it from my whole heart.



4. If you want to receive a doctorate degree and you have the time, this is a great resource book to have as a reference. It is very detailed with examples learning the ropes with 2/3D AutoCad. The font could be larger for easier reading but that would significantly increase the number of pages.



5. great reference book for the beginner or the one who usually use AutoCAD for living. This is a must have book because you could get almost every command /answer in it!

4 comments about Sustainable Urbanism: Urban Design With Nature.

1. Chicago City Planning Consultant Doug Farr has written a great book, Sustainable Urbanism: Urban Design with Nature.
   
   Farr combines new urbanism with green development in a clear and logical manner. He believes that "sustainable urbanism" is more than designing new Leed certified green buildings. It also includes the creation of green sustainable neighborhoods, and includes plans for sustainable urban development. He combines the strategies and principles of new urbanism with environmental improvements very well.
   
   Farr explains the evolution of the design reform movement. He outlines strategies on how to lead and promote sustainable urbanism.
   
   Doug Farr did an outstanding on form based codes for our neighboring communities of Bloomington and Normal, Illinois, and in developing plans that enhanced the environment while creating new urban space. I strongly recommend this book.
   
   Craig Hullinger AICP City of Peoria, Director, Economic Development



2. Thank god for the current trend toward the generalization of textbooks.
   
   I don't mean generalization in the sense of broadening or watering-down of subject matter, but rather in writing: many more texts in relatively technical fields are being written so that they can be appreciated interdisciplinarily, but professionals in related and sometimes even slightly-unrelated fields, and other folks who may simply be interested in the topic. It's good marketing, too, of course - it opens up much larger markets both academically and professionally, and as long as the book contains enough authority to convince instructors and professionals to purchase (or trust) it, it's a win-win situation for the publisher and author as well as the audience.
   
   Douglas Farr's Sustainable Urbanism: Urban Design With Nature (Wiley, 2008; foreword by Andres Duany) falls into the category of win-win for everyone. A very well-illustrated primer on the subject, it appeals to planners, architects, landscape designers, engineers and other folks interested in integrating their work into the larger natural environment.
   
   Duany - the great architect and urban planner whose work with Arquitectonica shaped what we think of as "Florida modern" and whose current firm, DPZ, has become a de facto leader of the New Urbanism movement - suggests that the problem with such books is often that they most often fail to engage the reader in any kind of dialogue by simply being too technical, or by failing to instruct by simply being too exhortative and dogmatic. Luckily, Farr gives more than enough data and instruction in the dozen linked essays and case studies to instruct - but never loses sight of the fact that he's along with us for the ride, not talking at us but at our elbow, learning along with us, sharing both successes and failures and an honest interest in building communities that complement, rather than exclude, the unmanufactured world.
   
   There's so much more here than just part one's "Case for Sustainable Urbanism." Other sections focus on the type of leadership and communication strategies most helpful in implementing both small and large-scale projects; technical tools and special techniques for community involvement are also explored extensively. Other chapters discuss the role of density, how to approach corridor situations, diagramming neighborhoods and the various types of housing that complement specific types of neighborhoods, "biophilia" - including everything from designing walkable streets to integrating wastewater management - and extensive essays on high-performance buildings and infrastructure. The last section of the book is given over to case studies, which both illustrate the preceding chapters with easy-to-understand real-world examples of sustainable success stories & offer solutions for those of us slogging through similar projects or at an impasse with a particular audience.
   
   I recommend the book without hesitation to any planner interested in integrating sustainable projects in urban infill or exurban growth environments, as well as other aficionados of new urbanism topics. It's an entertaining read AND a necessary reference; it will replace several books on the already-overloaded shelves of a number of planners I know.



3. Doug Farr shows a comprehensive understanding of sustainability rarely seen in this movement. Too often different professions work on greening their product in isolation. While they may be doing wonderful designs they are not linking with other elements and professions to make these improvements complimentary and exponential. A LEED Platinum building built on farm land miles from the city center is not a comprehensive solution (and should really not be able to get a platinum rating.) Mr. Farr shows how to create an integrated approach to building where the "green" structure is consciously tied into the communities' transportation, utilities, culture, and work life creating a truly sustainable environment. Every public official and city planner should read this book.



4. Every once in awhile you find a book that becomes a new favorite. That happened recently with the arrival in our Livable Communities Coalition offices of this fabulous book by Doug Farr. Not long after receiving and beginning to read it, I had the pleasure of facilitating a workshop for the development of a "sustainability element" for the master plan for an intown Atlanta neighborhood. We are now organizing the outcome of that workshop for consideration by the neighborhood and the city. It feels as though Farr has handed me the answers to a final exam before I have to take the test.
   
   Farr's book combines passionate, compelling arguments for design reform with more than 100 pages of short essays. The essays explain how to implement sustainable urbanism and present case studies to illustrate his points. The book has given me a logical framework for organizing and connecting concepts and recommendations. And with just the right amount of detail - enough to get the point across, with where to go if you need more.
   
   Reduced to its most basic tenets, Farr's sustainable urbanism is walkable and transit-served urbanism integrated with high-performing buildings and infrastructure. As Farr puts it, high-performing infrastructure is an emerging field that combines many strains of reform: smart growth concerns about the financial burden imposed by new infrastructure for greenfield development; the New Urbanist's desire for humane, pedestrian-scaled infrastructure design; and the green building movement's focus on resource "greening" and consumption efficiencies.
   
   If smart growth, sustainable development or healthy communities interest you, and especially if you also work in the nonprofit or for-profit arenas for these causes, buy and read this book, and buy another and pass it on.

2 comments about Drawing Words and Writing Pictures: Making Comics: Manga, Graphic Novels, and Beyond.

1. I brought an advance copy of this book into a college illustration class I teach. The class was quite impressed. In fact, two students went onto Amazon online and bought it instantly. Usually I discourage shopping during class, but Drawing Words and Writing Pictures is an answered prayer for the aspiring comics artist.
   
   This is an ideal text for a 15-week class in comics. It also has guidance for starting an informal collective class. It includes suggestions for the stereotypical solitary artist, who the authors are gracious enough to refer to as ronin. There is a wealth of info on the narrative process, page design, lettering, pens, and even Photoshop scanning advice.
   
   The authors' individual web pages present a lot this DIY info, so search out their sites, see if their philosophies appeal to you. The book contains multiple perspectives from two remarkable artists. Matt Madden is into "formalist" styles, working within Houdini-like constraints. Jessica Abel's La Perdida is one of the great masterpieces of the long-form graphic novel.
   
   From George Herriman to Robert Crumb, Charles Burns, to Kaz and John Porcillino, the book is crammed with a diversity of styles. Wide-ranging and inclusive, no matter what one's preferred comics style, from manga to superhero to alternative, you will find something to like here.
   
   Instructors will find the bibliography alone is worth the price of admission, I teach a seven-week college comics course each fall. My plan is to email the students over the summer, tell them to get this book and get started on the exercises. The ronins will get a head start and their classmates will lose face.
   
   Scott McCloud's Making Comics is also a valuable college course text for serious students, who have some background in reading comics and thinking critically about the artform. Drawing Words and Writing Pictures, however, has practical exercises for students at any level. Highly recommended.



2. I am a BIG fan of both Abel and Madden's work. I go to BOTH of their websites several times a month and "La Perdida" and "99 Ways To Tell A Story" are part of my collection of graphic novels.
   
   This book is great for high school & college art teachers who want to teach sequential art to their classes. I believe the content is particularly suited for art majors that are interested in the finer points of visual narrative. And you can tailor your curriculum around the chapters if you so choose. If you want to use these for middle school kids I think simpler steps need to be added. I like the fact that people can form groups: "Nomads" OR go do it alone: "Ronins" and follow the lessons independently.
   
   This book is NOT bad.
   
   All the chapters and lessons are made to be studied in sequence and if you are an old timer to comic art you can easily skip to other chapters; which I did alot. A seasoned pro will probably go to the chapters that interest him/ her the most. One chapter that I REALLY like was called "Black Gold" the chapter on using and inking with a brush.
   
   The other chapters on page layout, panel construction, character design,
   facial features/ figure anatomy were VERY good.
   
   My ONLY complaint was the layout of the book. My [web]comic artist collegues & I felt there was TOO much white space waisted on each page, the typeface was too small and that neon orange color used throughout the book distracting. It was hard to read and strained the eyes.
   
   Plus being a webcomic artist myself I wanted to see MORE about using the computer for making comics. It covered scanning, re-sizing, adjusting your line art in PhotoShop, etc. The chapter on lettering was good; but they tended to downplay the use of COMPUTER LETTERING. They make a STRONG point in favor of HAND LETTERED comics; but it would have been nice if they address lettering on the computer as well.
   
   My Suggestions:
   A. Read the book cover to cover.
   B. Do the Exercises. I am in a NOMAD group; plus I'm doing the RONIN thing as well.
   C. Do the Homework.
   D. Go back to your favorite chapters again and again.
   E. Cross reference this with OTHER books on how to make comics.
   
   This book is a welcome addition to any comic artist's arsenal of graphic narrative/ sequential art references. Use it along with books by Will Eisner & Scott McCloud and you'll be fully versed in the Language of Comic Art.

5 comments about Drawing from Observation.

1. This text is the front-runner in our search for a text to teach visualization drawing for computer graphics students. Its methodology for perceiving and translating form and space into drawing very nicely parallels the principles used in computer modeling. The section on perspective clearly presents principles in such a way as to merge intuitive and analytical understanding. This is a hallmark of the book in general. In addition to practical clarity the text adds historical and theoretical perspectives to round out one's understanding of drawing. I appreciate this because, in the case of our program, it helps us to link the traditions of human visualization from ancient times to the computer age.



2. As a teacher of drawing, I have read many books on the subject. This book is the only one I would use as a textbook. I would agree with all the previous reviews but would only comment on the one review from the budding artist who felt the book is confusing and has too much art history for someone who only wants to learn to draw. I come to this book with over two decades of art experience so maybe that is why I find it so interesting, but even if the history is skipped and you read only the practical explanations and do the lessons in the back of the book, you will learn to draw from observation, as this book promises. The book is not meant to be read in two weeks. Learning to draw takes hard work and invested time.



3. Wonderful book for any artist; should be a required for all artist's library. Great reference as well as instuctional guide. Well organized, each aspect of drawing is fully covered, well written and appropiately illustrated.



4. With forty years of experience teaching basic drawing, this guide is probably the best I have seen for the beginning level university art student. It is clearly written and illustrated, thorough and pragmatic. Curtis does a very good job of explaining and illustrating linear and other perspective systems. The use of an imaginary clock face to estimate the angles of edges seen in perspective is very useful, and something I have done for years. (most students have difficulty comprehending a 45 or 90 angle, let alone something like a 27 degree angle).
   
   I disagree with a previous reviewer's lack of interest in historical ideas such as the golden mean, and the Fibonacci sequence. While these certainly are not the only systems of visual organization, they demonstrate how some artists have designed their compositions. These ideas are about the relationships between various elements in a composition, and not just about perfecting a solitary object in the center of a blank page.
   
   My only criticism is that the layout seems a bit cramped. It might look better with a larger page size, say 8.5 X 11 inches. This is a well done book and I hope it appears in a second edition.
   
   Jim Nawara
   Wayne State University



5. I own an incredible amount of how to art books and this is the best among non figure drawing books. The exercises are of incredible help to me and there are an incredible amount of ideas to ignite my creativity.

5 comments about Force: Dynamic Life Drawing for Animators, Second Edition.

1. I bought this book for Xmas for my son's girlfriend. Both my son and his girlfriend are Animation students at San Jose State University. They have to draw constantly. I mean CONSTANTLY. She said that this is a terrific book. This is coming from an Animation student and you cannot get better feedback than that. Highly recommend this book.



2. I've added this book to my required book list for Figure Drawing for Animation. Great book, and very helpful to my students. I see a marked improvement in ability within reading just the first chapter.



3. I just finished reading this book the first time through, and it's great. All of the other reviews are spot on. It does help to have some knowledge of anatomy, but if you don't, you can still learn from this book, and it will make learning anatomy more fun. It has lots of great full page drawings too. I've noticed improvements in my skills, and look forward to going through it again in the future.



4. Although I have not read through the whole book, it has some great info and has renewed my interest in drawing the human form.



5. MANY great reviews had me taking a chance and ordering this book. If you are at a beginner level with line drawing and the quality of line--then it is a good buy.Many teachers do not stress these force lines. I guess I was lucky as mine did (years ago in the 70's)In this book, he stresses force lines of figure drawing and the quality of the line (light touch, dark, heavy) as a way to show the force in a figure--therefore, adding a new dimension to your flat looking drawings IF you always use the same pressure on the pencil as your method. Or IF you draw tight and are afraid to loosen up and let the pencil flow on the paper along force lines until you have the figure. It really didn't help me at ALL, as I learned figure drawing this way. There are many of his and student drawings, and that's fine, but in all fairness and honesty--it didn't help me. I was disappointed in all the glowing reviews?!