5 comments about Bolt Action Rifles.

1. This is one of the frequently-quoted "classics" in the field of firearms literature (first edition was in 1971). But even a classic deserves a critical review, such as to determine its (remaining) usefulness, and its strengthes and weaknesses.

   This book is not a true encyclopedia of rifles; for such a purpose, a work like John Walter's "Rifles of the World" (or, formerly, W.H.B. Smith's now outdated "Book of Rifles") would be more comprehensive. It is mainly a thorough (528 pp.) technical treatise on most of the major military (17) and civilian (56) rifle actions. Its strength lies in the very good and very thorough technical descriptions, instructions for disassembly, hints for reworking and sporterizing. Nevertheless, the book also contains a remarkable amount of historical and general information; it is therefore suitable not only for the professional and amateur gunsmith, but also for any hunter or collector who wishes to gain a more thorough understanding of his gun, and who contemplates acquiring a new one.

   De Haas' language is clear and simple, not without an occasional touch of humour. The author's modesty and willingness to acknowledge some limits of knowledge in such a vast field are remarkable and greatly underline his general credibility and experience.

   Small drawbacks of the book are the generally mediocre quality of illustrations (while often okay, they are sometimes dark, sometimes downright blotchy). The bibliography is limited to articles in the "American Rifleman" and "Gun Digest", and an expanded edition would be appreciated. And some commercial German rifle actions might be added.




2. I have the older 2nd edition of this book, and it is one of the most dog-eared volumes in my library.

   Sometimes the author is not quite as technical as I might like. For example, he frequently asserts that this or that old military action "must have been" made out of high-grade steel without having done any actual analysis or even hardness testing of the material in question. But, his descriptions do convey at least as much information about the many designs covered as I would have gotten if I had the chance to disassemble and study them all myself. I don't have a hardness tester either.

   The book is generally well written and fun to read.

   If you're thinking about buying a modern sporting rifle, you might want to read this and compare the various designs before you lay down your money. If you enjoy sporterizing old military junkers, collecting old military classics, or just lurking around gun shows, you need this book.




3. I have taken my guns apart and looked at the design, but now I am learning more about my guns with this book.
   
   De Haas can take guns apart, see more, and write more than I can for myself.
   
   If you have a zillion bolt action rifles, get this book and read about what you have got.
   
   De Haas lists advantages and disadvantages of each rifle design. This is not light reading from some stupid gun writer, this is like engineering, and may be too much for some readers.
   
   700 pages, and he shows drawings of the threads and shanks of the barrels, for those into re barreling.



4. I have always been interested in rifles and have collected and shot many different types of rifles ranging from muzzle-loaders to assault rifles. My abiding favorites for hunting and shooting are bolt-action repeaters and Frank de Haas' excellent book is a treasure trove of information.
   
   There are probably some bolt action repeaters that de Haas has omitted, but I am not aware of them. I should explain that he does not include straight-pull bolt actions, just turn-bolt repeaters.
   
   That might be a problem for some Swiss or Austrian shooters and collectors, but they can get SWISS MAGAZINE LOADING RIFLES 1869 TO 1958 by Joe Poyer or MANNLICHER MODEL 95 translated by Terence W. Lapin for those rifles.
   
   The book is well written, well illustrated with black & white photographs and line drawings. I gave it five stars and have always found it to be a great reference for bolt action rifles.



5. Let me say that i have had the 3rd edition of this book for 10 years or so and that it is one of my most treasured reference books.
   When i ordered this one, i was expecting an expanded edition in its true sense: Reviews and detailed analysis of bolt actions that had in the meanwhile come to the market, NAMELY the ones on the front cover,the Blaser R93 and the Sauer 200-202 ! Also updates on the CZ-Brno section including the 550 series.
   
   The core content is basically the same, the excellent work done by the late Frank de Haas, already present in past editions.But the title is loosing its place as a major reference work due to the lack of new entries.
   
   Its like when you buy the latest edition of "cartridges of the world" when you had an older edition. you expect most of the newcomer cartridges to be featured. The short magnums, the .17HMR, and so on.

3 comments about Rug Hooking In Maine: 1838-1940.

1. I just received this book and initially thumbed through it. I almost sent it back - based only on the pictures of old rugs. I am so used to books based on contemporary rugs that my first thought was that these old rugs were somehow dull, but when I slowed down to read the history I had second thoughts. I started from the beginning of the book and read through it then studied the pictures. It is a wealth of information and an asset to any serious traditional rug hooker's library.



2. This book is a serious study of Maine's Rug hooking tradition. It is well researched and the stories flow easily and informatively. Color photos and paper quality is excellent. Worthy addition to any American textile/rug library.



3. As Peladeau shows, the field of Maine hooked rugs is surprisingly complex. It's certainly more involved and more fertile than ones who know it simply as a category of "Maine hooked rugs" realize. The field is given complexity and richness by different periods, rug makers, regions, and skills. The author brings all these elements out by an uncommon depth of research sustained by an intertwined personal and professional interest. She lectures on aspects of the topic, has organized exhibitions, and collects research materials on it.
   
   Peladeau finds, for instance, that in the 1859 Maine Charitable Mechanic Fair, three rugs were exhibited. But she goes beyond this fact to relate what it says about the field at this moment in its history. That only the few rugs were exhibited indicates "that interest in rugs had waned somewhat..."; and even more, that the small number indicates that interest in rugs at the time "was centered in the Portland area" and other crafts such as quilts and shell box work had come into greater favor. Such continual details and commentary on what they tell about Maine hooked rugs makes for not only informative, but engrossing reading on the field.
   
   Hooked rugs continue to hold appeal for many collectors and others in the antiques' field because they are a genuine folk art with old Maine and New England associations. Rug hooking was a traditional skill passed on to young woman. Hooked rugs served practical and decorative purposes in homes before surviving ones became desirable collector's items as homes became modernized and the frontier and Victorian tastes and skills they represented passed away. This comes through in Peladeau's text where she relates how rug hooking originated in particular places and spread to others; in her portrayals of individual rug makers or hooked-rug businesses; and detailed descriptions on how the rugs were made, which in some passages are specified to the point of reading like how-to instructions. But the visual matter especially imparts the folk-art aura of hooked rugs which makes them perennially appealing. The diary entries, the old pamphlets, the period photos of woman rug makers and old shops where they were made impart a feel for the combination of ordinariness, industriousness, and inventiveness distinguishing folk art. The many photographs of the farm animals, birds, flowers, patterns, and borders of hooked rugs all in varying degrees of primitive style impart this essential quality of such rugs too.
   
   Peladeau's book is for collectors and the like looking for a discriminating understanding of Maine hooked rugs. The rugs always have an appeal for their folk-art appearance and association with Americana and traditional New England crafts. But for readers whose appreciation is enhanced by knowledge of weaves, recognition of regional variations, awareness of stages of development, and the like, Peladeau's book is for them.

1 comments about Scott 2008 Standard Postage Stamp Catalogue: United States and Affiliated Territories United Nations Countries of The World A-B (Scott Standard Postage ... Stamp Catalogue Vol 1 Us and Countries a-B).

1. ".....Dear Scott Catalogue User:
   Is this the first time in several years that you have purchased or consulted Volume 1 of the Scott Standard Postage Stamp Catalogue?
   If so, the 16,500 VALUE CHANGES PLUS EDITORIAL ENHANCEMENTS CONTAINED in the 2008 Volume 1 is only the tip of an iceberg....."
   [from the book of the letter from the editor, by James E. Kloetzel/Catalogue Editor (signed)]

3 comments about Cowboy Style.

1. I enjoyed the book, but I was a bit disappointed, since there wasn't enough technical decorating information on color schemes, regional variations in styles, etc.

   Great pictures, though.




2. I needed pictures to help me figure out how to design a Country Western style art gallery. This book had beautiful pictures, gives an overview of the history of the western culture, and provides names of companies and/or creators of furniture pieces. I would recommend this book to anyone who likes the Rustic/Country Western style home; this book was absolutely wonderful!



3. "In the typical cowboy-chic living room, overstuffed couches and deep Molesworth-inspired club chairs invite lounging while oversized upholstered ottomans offer a variation on the traditional coffee table, providing softer edges, a more casual feeling, and extra seating." ~ pg. 54
   
   Cowboy Style is filled with warm comforting styles to reflect a casual sophistication. Intricately designed armoires and Tiffany lamps are as welcome as the more organic designs made from ponderosa pine.
   
   Wood furniture shimmers in the glow of fireplaces and creative chandeliers in rooms layered in comfort. Intricately designed carpets and designer bookcases make the spaces inviting.
   
   A magical artist's studio built in Wyoming showcases a cut-metal lamp by a California craftsman, Tony Alvis. His fireplace screens are of especially high interest in this book because they are scenes of cowboys overlooking deserts and the interplay of the light behind the silhouettes makes for a fascinating magical experience.
   
   Other interesting features include the details about sheep wagons used by sheepherders in remote mountains, cozy cabins and stories about the artists featured throughout this book.
   
   ~The Rebecca Review

5 comments about Medieval Costume in England and France: The 13th, 14th and 15th Centuries.

1. I bought this book because I needed a read and was busted at the time. This book reminds me of my 10th grade reasearch paper. Short clips, pictures second hand. It contained very little actual information on the period,reasons or construction. I give it one point for effort and another because it has pictures. It might be good for an elementary school or junior high library to do a short paper with. Otherwise save your pennies.



2. Absolutely love this book. Though it is simple, I feel it's one of the essential clothing books if you're doing recreations. The layouts are great, the explanations well-done, and there are easy-to-follow diagrams for patterns. Documentation in the form of illuminated manuscripts and rubbings from funerary monuments, etc, also are VERY helpful. Personally, I don't make a single thing without consulting this book at least once!



3. I use this book as a refrence for all of my hopelades and Surcotes, and several of my men's things. I love this book!!



4. Very informative. Excellent historical reference. Describes the hows and whys of fashion evolution the 13th through the 15th centuries, very well. An informative and interesting resource.



5. Medieval Costume in England and France provides a great overview of the different styles of garb during the specified periods. It is divided by century, and further grouped by Royal/Religeous/Common styles. The line drawings are helpful in giving a general idea of how the different styles look. There are some general layout illustrations that would be helpful to an experienced sewer, but a beginner would need additional information to create the look, not provided by this book. ("The Medieval Tailor's Assistant" is perfect for this additional sewing information) I'm not a historian, so I can't comment on the reliability of the sources, but as a newcomer to the SCA I found this book very helpful in finding garb that would fit chosen personna. There are excellent historical descriptions, and frequent reference to sources. For what it intends to offer, this is an excellent book.

No comments about Grand Complications: High Quality Watchmaking Volume IV (High Quality Watchmaking).

5 comments about Southwestern Pottery: Anasazi to Zuni.

1. This is an excellent book for both the beginner or serious student of Southwestern Pottery. It gives examples of all styles, types, and designs, making it easy for anyone to understand what makes each Pueblo's pottery unique. Perhaps not as "in depth" as some others, this book is easily the best book out there today as far as explaining and illustrating the basics. It really is an indispensable guide and reference book. The authors are regular guys rather than scholars, so it is easy and enjoyable to read, and filled with great photos of their quite amazing collections. I would highly recommend this book to anyone looking for a place to begin learning about Southwestern Pottery.



2. I'd been looking for a book like this for ages. It goes through every pueblo's pottery, describing the special characteristics of each, and talks about the important potters in each pueblo.
   
   This is very well written in an easy going, non-snobish style, instantly increasing your depth of knowledge in southwestern pottery. The photographs are excellent and plentiful, giving many diverse examples from each pueblo/region/era.
   
   Highly recommended for those new to collecting. I gave a copy to my parents in New Mexico, and even though they had been doing a bit of collecting for years, they have a much better understanding of the history of some of the pottery sitting on their shelves. They love this book.



3. I was impressed with the display groupings presented and the journey of the authors beginnings of his collections and the knowledge he aquired along the way. He gave good advice to new collectors. I open it daily and alway see something I missed. It's a great book to add to your collection.



4. this is a beautiful book the the pictures in the book are so vivid and colorful, it would make a wonderful addition to any library or it would make a great coffee table book!



5. a beautiful coffee-table book on old and modern Southwestern Pottery. I would have liked a little more on the old stuff and a little less by modern potters, but it is a minor quibble.

2 comments about Making Authentic Shaker Furniture: With Measured Drawings of Museum Classics (Furniture Making).

1. I was impressed by the detail of the Shaker way of life. I was looking for ideas and drawings,and I found out that the Shakers were very resourceful and inventive. This is a must read if you want to make Shaker furniture.



2. John Shea's "Measured Drawings of Museum Classics" is itself a classic. It is not just a book about furniture; he carefully includes enough information on the Shakers, their history and their religion to give the reader an appreciation and understanding of the people and their passion for piety, humility, industry and kindness. It was these virtues that gave birth to their beautiful classical simple and elegant furniture -- which has been admired by "the world's people" for two hundred years.

   During his preparation to write his book, John visited several Shaker communities and museums. At Sabbathday Lake and Canterbury, he was fortunate to meet the surviving members of the Shakers including Mildred Barker and Gertrude Soule, both of whom have now passed away. Written in 1971, it includes pictures of Shaker buildings, woodenware and furniture from five of the Shaker communities and ten museums.

   I have owned my copy for several years. I recently bought copies to give to two friends for Christmas, both experienced woodworkers, who indicated a desire to build furniture. It is inexpensive and completely in black and white but it contains pictures and measured drawings of 87 Shaker furniture and woodenware. In addition, it has pictures of hundreds of other shaker items and a wealth of information about the people and their communities.

   He includes adequate step-by-step instructions of the assembly and finishing of three simple projects - a candle stand, a step stool and a bench. The instructions for cutting dovetails for the step stool is particularly helpful to a new furniture student.

   Of all the books about the Shakers and their furniture, this is probably the best low cost, balanced introduction to the Shakers, their way of life and their furniture.

No comments about Warman's U.S. Coins & Currency Field Guide: Values and Identification (Warmans U S Coins and Currency Field Guide).

5 comments about Traditional Mexican Style Interiors (Schiffer Design Book).

1. I was looking for a reference book to guide my Mexican-style remodeling and redecorating efforts, and this is the best I've found yet. (I have about a dozen!) Gorgeous pictures, and plenty of them. Each section discusses a particular room type (kitchens, bathrooms, bedrooms etc.) and each room type gets a good amount of attention. Something I dislike about other books is their tendency to look only at the courtyards or living rooms of Mexican or adobe-style houses -- not so useful if you're considering how to tackle your kitchen. This one covers it all, including touching on gardens and indoor-outdoor spaces that are such an integral part of Mexican living.
   
   Definitely pick up the companion volume, "Traditional Mexican Style Exteriors", while you're shopping. Together they paint a vivid picture of the colorful and vibrant style of Mexico.



2. We were looking for ideas for our outside patio area, especially colors, and this book is great for various decors with vibrant colors. You will find yourself looking through it again and again.



3. This is definately a well layed out book, with really nice high quality pictures, my only question is why are at least half of the picture in this book of houses in the United States? Granted they are in the Southwest where there is a obvious Mexican influence, but I refuse to believe the best examples of Mexican interiors are found in Tucson Arizona! And of the interiors in this book most of the ones from Mexico are from San Miguel de Allende, or Guanajuato which are two towns a hour apart from each other. There are extraordinary colonial gems in Zacatecas, Oaxaca, Puebla, México City, ect, ect, that could have easily been included in this book instead of some American's house in the Southwest... I would have liked to have seen a book on Mexican interiors that were 100% Mexican. The book MEXICOLOR, though not entirely consisting of interiors is a far more authentic book.



4. Excellent photo's to plan off of. They give ideas to maintain a modern design and still keeep the traditional flow of true Mexican and Spanish feel



5. What a beautiful book. One of the best I have seen. I live in Mexico and will be using many ideas.