No comments about Persian Rugs and Carpets: The Fabric of Life.

5 comments about Alex Stewart: Portrait of a Pioneer.

1. One reason I bought this book is because my Greatgrandmother was Alex's Aunt. I visited Alex as a child with my Parents and Grandmother. Alex was always sending my Grandmother items , such as walking canes. He made my mother a rolling pin, which she still has. Most of all the book gave me many names of my relatives that ive been searhing for.



2. I bought this book at the Museum of Appalachia (also founded by the author) on my first visit to Tennessee. The book is almost entirely a transcript of a dialogue/interview between the author and Alex Stewart. At first, I thought this would be a strange format, but as I read on, I discovered that this would be the only way to authentically capture the mind and spirit of Alex on paper.

   If you're not from the South, you might find Alex's dialect charminging unusual. A few times I had to read a passage over and over again to fully understand what words Alex was saying. Here is an example where it took me a while to realize that Alex meant "Lord" when kept saying "Law":

   "They didn't have no men folks, but they had several children. Making liquor was the only way they had of making a living. Law, they had it hard."

   The author cleverly asks questions to get Alex to reveal his pioneer wisdom. More than that, though, the author's selections and chapter arrangements helped to organize the sprawling encyclopedia of Alex's mind.

   By the time I reached the end, I was sad to have the "conversation" over. I felt I had known Alex a bit personally, and I mourned at his passing. It was joyous reading while it lasted and my heart ached to know more of Alex.

   This is a fabulous book I can't recommend enough. 10 STARS.




3. i recently read the book about alex stewart and i have to say that it was so good. i loved it. alex was so talented and as the book stated "he was a national treasure." i would liked to have met him. any craft the author asked him about, he responded that he could make it. what a unique human being. he was warm, endearing, and a very kind and gentle man. he told completely the life of the pioneer to john brice irwin and the book is so well written. it was a joy to read and told in detail of the hardships the people of that era had to indure. i felt by the end of the book the sadness of alex stewart's death and that i had gotten to know him well.



4. This is an amazing book about Alex Stewart, an Appalachian survivor. It is told from an interview style where Alex explains how he learned to make different utilitarian items that his family and community needed to survive. He also tells stories of how he learned what plants healed people from illnesses, learned the skills to survive the harsh locations of the Appalachian mountains and loved life with every ounce of his body.
   My Appalachian born grandparents read it cover to cover over and over and then had to travel to the Museum of Appalachia in Norris, Tenn to see the common items they remembered with Alex throughout the book. John Rice Irwin, the founder of the Museum of Appalachia is a gifted historian and this shines through in any of his books, written to remember the people of Appalachia. He also seeks to capture this throughout his living Appalachian village, the Museum of Appalachia. A MUST visit and A MUST read for any Appalachian native.



5. This was of special interest to me since I live near the location of this book. I simply could not put it down until I read it cover to cover.
   
   A fascinating look at our early pioneer families, the hardships they endured, and the genius of their innovations.
   
   A great read.

4 comments about Blade's Guide to Knives & Their Values.

1. This is the latest effort from the same folks who destroyed "Levines Guide to Knives and Their Values" by publishing the emasculated 5th edition. This effort is a step up, albeit a small one and from a position pretty low on the ladder. The format of the book has been improved, with clear page numbers and reformatted data tables, but most of the photos are the same and the text is still the same as that in Levines 4th edition.The listing of knife markings and manufacturers is pretty good with lots of additions, but still missing the quality ratings of the manufacturers. Pricing examples for individual examples of knives have been updated. Some sections are unchanged from data displayed in Levine's 4th edition. The process for valuing a a pocket knife has been improved? to one taking 4 pages to explain and it is hidden in the middle of the volume and not listed in the Table of Contents. MY guess is that somebody wasn't too proud of the effort or process. In Levine's 4th edition the process is explained using 1/2 a page inside the back cover. I bought it because I thought it was a real update to Levine's 4th edition, but I'm disappointed to find in most areas it is not and definitely not worth the expense if your copy of Levine's 4th edition is still in one piece. Just one man's opinion.



2. This book covers everything from old factory made folders to custom knives and their makers. It is a very useful book for finding old knives in one place.



3. I'm a history buff and enjoy the history behind different patterns. There is a fair amount in the book. Unfortunately, my expectations were set based on the local library having Levine's 4th edition. As an example, compare the jack knife sections and the descriptions on patterns. I assumed this book would be an update on values, but leave content intact. Instead, big chunks are missing. Blade is a fine magazine, but this book is a big disappointment.



4. As a neophyte to knife collecting I thought a book with the sub-title "The Complete Handbook of Knife Collecting" would be a great start. NOT. There are bits and pieces in the book that are interesting. It lists the different materials used for knife handles, but fails to give even a basic idea of how to identify them. In the listing of American Knife Makers, the list isn't alphabetical. For a resource book this is insane. While this book appears to have logical sections, nothing in the sections appears in a logical order, and they seem to be merely touching the surface of each topic. There is a suggestion to be sure not to confuse two companies with similar names, and not even a hint how to do that. It appears to be more of a compilation of unrelated articles than a guide. There is more history about companies than information about the knives they made. This is a book for the "immediately useless reference book" shelf.

5 comments about Christmas Ornaments: ReCollections.

1. This book brings back so many great memories of Christmas and decorating the tree. It was so much fun reading and looking through every page for ornaments that we might have had on our trees over the years and seeing the many different kinds of ornaments. It is a book that I will spend much time reading and viewing for many, many years.



2. Charming and nostalgic, giving us a glimpse into the history of holiday adornment. A great stocking stuffer!
   
   Debbie Elliott



3. Even if you're not particularly sentimental about Christmas, the images and recollections of the authors are a delightful experience. The photos and graphics are charming and magical, obviously done by people who truely love the Christmas season. Anyone can appreciate the vintage flavor of this little gem.



4. This is a such a fun little book! Warm holiday memories, lots of humor and beautiful photography. I thoroughly enjoyed every page! The best gift book you will ever find for a vintage/antique ornament collector.



5. The knowledge the authors have on Christmas collectibles is massive. They are historical,and humorous. I bought the first book when I started collecting pixies and learned so much more from them about trim, authenticity and why people started decorating the way they did from the early 1900's through the 60's. This book is lovely, but their other book is better. I hope they write a third.

5 comments about 59 Authentic Turn-of-the-Century Fashion Patterns.

1. I've been looking for a book with some illustrations of how women dressed in the 1800's. This book give its reader a number of illustrations and patterns where a crafty person, or a person with some seamstress knowledge, could create an outfit by enlarging the patterns and selecting materials that might have been used during those days. Takes a little doing, but can be done. Lots of puffy sleeved dresses and some beautiful coat patterns.



2. Great book. Thank you!



3. It only covers a few years of fashion, but if what you're looking for are patterns for women's and girl's fashions from 1890-1896, this may help you. But do note, it doesn't actually have any patterns later than 1896.



4. I liked this book because it showed many different styles of dress for women and children in the victorian age. I make victorian costumes and it now refer to it for ideas on how to make all my costumes a little different from each other. Also shows coats and many childrens clothes which are also helpful. Most of the dresses have leg of mutton sleeves but each is a variation.



5. As the book's name suggests, it has patterns from the "turn of the century". More specifically, from 1890 to 1896.
   
   The first three pages run over how to graph out a pattern, take your measurements, and adjust the pattern to fit. Basic knowledge of sewing, and a familiarity with patterns is a must. Or at the very least, you need to be a daring new sewer that isn't intimidated by challenges. The instructions are informative but brief.
   
   Each pattern has a fashion etching in black and white to illustrate the design it's based on. The etching shows trims and accessories. There is a diagram for each style that lays out all the pattern pieces needed to create it. All the measurements are listed in inches. They are clear and easy to read.
   
   There are 31 womens patterns : included are numerous sleeve layouts like two part coat, leg-o-mutton, 2 part leg-o-mutton, different fullnesses of sleeve. Several styles of skirt, one draped like the previous bustle decade, mostly three or five gore skirts, umbrella skirt. There are different collar styles, bodices cut in both princess and darted. A cape and coat pattern, etc. There is one nightgown pattern.
   
   There are 21 misses and girls costumes. They cover the same span of years. There are dresses appropriate to very small children up to teens. There is one evening dress pattern for a girl of about 5-9. There is also one pattern for drawers and one for a chemise.
   
   There are two patterns for boys. Mainly young boys. One is a pants suit, so i assume that would be for post diaper age. The other is a kilt costume.
   
   There are three mens patterns. One nightshirt, dressing gown and coat. There is no picture of the coat.
   
   My count brings me to 57 patterns, I must have missed a couple somewhere. But hopefully this will give you a good idea of the book contents. I have made some of the dresses from this book. The patterns work out well, however to create a truly period looking garment you need more information than what this book gives you. The construction techniques and trimming methods are quite different from how most basic sewing is done today. It would help the beginner to have some hands on exposure to actual period garments. Mostly to see how they are lined, interlined, stiffened, boned, etc. In my experience, it is the linings and foundations that give the finished product it's form. The outer image of the costume is merely floating on that foundation. This book does not cover foundations sewing techniques at all. But with some hands on antique garment experience, you could easily create an authentic looking dress from this book.

4 comments about Home Workshop Prototype Firearms: How To Design, Build, And Sell Your Own Small Arms (Home Workshop Guns for Defense & Resistance).

1. Some authors have a gift for conveying their thoughts to the reader in simple, non-technical terms. Bill Holms, author of this book, simply isn't one of them. This book is a helpful guide for designing your own marketable firearms, but practically requires that you be well-versed in the inner workings of guns to start with. There seems to be a few holes here and there, such as the lack of information on the case extraction and ejection systems, and a good, thourough explanation is rare indeed; Holmes instead covers a huge variety of action types (bolt, autoloading, etc.) and other mechanisms, but devotes only minimal space to each.

   Overall, the book (which includes the plans for a 12-gauge shotgun and 10-round magazine)is a worthwhile buy to those who already have a good idea of how a gun works. Otherwise, you're better off simply sticking with books by P.A. Luty or Gerard Metral.




2. The author of this book prides himself of not having a formal education and it shows. You will find no useful technical information necessary to safely design, build, and test firearms.
   What I didn't like about this book: Outdated information about firearms laws, hand drawn technical drawings (get a DELL dude), no information on new manufacturing technologies such as composite materials or CNC, total lack of technical information, single page on marketing of firearms. (There is more but I stop here)
   What I did like about this book: It has a shiny cover.
   If you are looking for real information on the engineering of firearms look elsewhere.



3. This book is nice reading if you already know what the gun trade is about, but it gives only minimal information on the actual construction of firearms. Too much talk and crude drawings do not really promote this publication. If you're after a nuts-and-bolts handbook for firearms construction, don't buy this one, but start off with something simple. P.T.Luty's book would be a useful alternative.



4. People who really know Bill Holes' books should understand that this book was never meant as a how to build book. I have all volumes of bill's home workshop guns for defense and resistance and this book is just not one of the series on how to build a gun, it is written as a supplement on the first 5, it is a book written in a general style concearning general gun issues. However, the book gives a nice idea of several subject concearning gun design, and bill gives some nice alternatives for some designing problems wich you might encounter. People tend to see bill as some form of gun messiah who gives away a nice design in every book for a few bucks, well, he is not, he is just an experienced gun disigner who designed some nice guns and gives a lot of practical designing ideas of his own mind in his books home workshop guns part 1 to 5. Finally, you people go out and try to find one decent gun design on the internet, let me tell you, there are none. Every info you can get on gun designs is valuable, including the info written in this book, so just buy it, it will be soon that books like these will be forbidden by the weak pacifist mass.

2 comments about Collectors Guide to Prewar Lionel Trains 1900-1942.

1. Like Mr. Doyles other new Lionel train guide for post war trains, the Collector's Guide to Prewar Lionel Trains, 1900-1942 is prove to be an important resource for both the buyer and seller of antique Lionel train sets. Containing information on virtually every toy train made by Lionel between 1900 and 1942, the book will prove to be a gold mine of information. However I found two of the appendices at the end of the book to be of particular value. Appendix I, Awakening Sleeping Toys and Appendix II, Setting Up Your Train each contain information important to the collector. There is also a small chapter on Lionel Catalogs and Paper Products and another chapter devoted to Accessories, Toys and Novelties.
   
   All in all this is one you'll want to keep close.



2. The book was delivered very quickly. The seller took great care to protect the book during shipping as the book arrived in perfect condition.

4 comments about Dressing Dolls with Rosemarie Ionker.

1. As it's very expensive to buy individual vintage patterns for your dolls, here's a wonderful source for basic patterns of many sizes. A very good size chart is included with height, arm length, chest width, etc. measurements to compare to your doll. I was a bit confused by the re-sizing patterns, but I figured it out eventually. Dress styles suit vintage dolls (i.e., simple dresses, sundresses, pj's, coats, etc.) However, you could contemporize them with fabric choices. I would not recommend this book for beginners as there are few instructions of how to sew the patterns. I believe this book is intended for those who don't usually have to read instructions for these simple styled patterns.



2. The book is terrific once you learn how to use it. Took a while for me--but I appreciate the different sizes and the styles that are interchangeable. The introduction could do a better job of explaining how to make the patterns work.



3. This book offers quite a variety of patterns for many sizes of dolls. It is not for the novice sewer as the adjustments for certain patterns require previous knowledge and more advanced sewing skills. Patterns must be copied or traced before use, as the larger sizes are on multiple pages. However, sizes range from 7" dolls to larger 18"+ dolls.



4. It's a beautiful, well produced book, with nice pictures. BUT,the patterns, especially the patterns for the larger dolls, are practically incomprehensible and I've been sewing for years. The explanation on how to use these patterns is insufficient. If I had actually seen the book before buying, it would still be sitting on the shelf. I don't know if I'll even use the patterns and I will probably end up re-selling the book. The photos of the dressed dolls were great and provide good indeas, but trying to decipher the patterns probably isn't worth the trouble. Very disappointing.

3 comments about Plastic Culture: How Japanese Toys Conquered the World.

1. Ah, what a wonderful invention plastic is! Nearly limitless possibilities, able to be shaped into almost any form, take on any color, and endure across the centuries. As functional as it is fantastic. Of course, it was only a matter of time before artists took this malleable material into their capable hands, and created something that the inventors of the plastic would have never imagined. In this case, it is toys.
   
   "Plastic Culture: How Japanese Toys Conquered the World" supposes to tell the story of plastic, and its journey from function to fantastic, from commerce to art. Supposes to, because unfortunately the book seems to have fallen victim to a loss of focus, or possibly a conflict between writer and editor. Instead of this history of plastic, and their connection to Japanese culture, what the writer wanted to write about was an artistic movement called Urban Vinyl, originating in Hong Kong and then spreading to Japan and the US. That's his passion, and it shows.
   
   The first half of "Plastic Culture" is rough. It begins with a very brief history of plastic's invention, and its use in toys across the years. There is some brief connection with Japan, introducing the Kaiyodo model makers who perfected the garage kit. There is a half-hearted section on using toys for marketing purposes as mascots, mainly mentioning McDonalds Happy Meal toys and the Olympics. Trying to swing the story back to Japan, Sanrio is covered with their successful line of Hello Kitty figures and other characters. These articles are all short on text, and heavy on pictures, jumping rapidly from section to section without much logic or interest. Its pretty boring, and not very well researched. Then, on page 43, author Woodrow Pheonix begins the section on Urban Vinyl. And it all changes.
   
   The Urban Vinyl movement began in Hong Kong, with a couple of young talents started taking apart GI Joe figures and putting them back together street-style, dressed in the latest Hong Kong fashions and with an attitude that GI Joe never imagined. These two, Michael Lau and Eric So, exhibited their work at galleries, and inspired other artists to see toys as a medium of expression, rather than just playthings. The movement jumped across the water, to Japan with its ingrained toy culture, and then to the US underground comics scene, where artists like Dan Clowes ("Ghost World") and Archer Prewitt ("Sof' Boy") began teaming up with Asian designers to produce unique figures combining all of their talents and visions. Into this comes Takashi Murakami, famed for his Superflat exhibition and one of Japan's greatest modern artists, who sees the concept of creating original works of art in toys, rather than just reproducing existing works in plastic. Yoshitomo Nara, another prominent Japanese modern artist, follows suit. Its fascinating.
   
   If this book had been called "Urban Vinyl," and started with Lau and So in Hong Kong, then been given enough depth to explore the artistic movement completely, it would have been incredible. Woodrow Pheonix has a real passion for this movement, and a deep insight into what makes it tick and how the pieces fit together. His interviews with Murakami and Nara really made me reconsider the way I see toys, and it was great to here these two giants of modern art put forward such opposing yet complementary viewpoints on Urban Vinyl.
   
   But it wasn't, and so "Plastic Culture" is really only half a great book. That second half is really something, and worth picking up the book for. It makes me want to learn more about Urban Vinyl and hopefully someday Pheonix will get to write the book that he should have. I will be first in line to pick it up.



2. All the cool pictures of toys I can't have are nice. But it's really better than all the other toy books becuase it explains all about toys and how come they are so cool. I know it was for adult level reader but I learned a lot that my friends don't know! It wasn't hard to read and I wish it was twice the size. My only problem is There was not enough Blythe information even though she's on the cover.



3. This is an amazing book! Eloquently written, with great insights into toys as a whole, this book gives a comprehensive overview of the emergence of designer vinyl. Great images!

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