5 comments about Wedding Bouquets: Over 300 Designs for Every Bride.

1. As a professional special event florist who specializes in weddings, this is another book I keep in my consultation room for brides to browse and reference. I'm partial to design books that contain a lot of photos so this one earns high marks from me, but the drawbacks are it's size (small, which means the photos are also small) and that it's a paperback so it doesn't hold up to wear and repeat usage like a hardbound book. Most of the designs are current and contemporary, which is nice after seeing so many outdated wedding design books from the 80's and 90's still on bookstore shelves, but some of the designs lack "that certain something" that make the bouquets really stand out and personalized to the bride. As a designer I'm never super excited about anything cookie-cutter (see cover photo as an example) because it can easily become a crutch for clients who aren't confident making floral selections and also a crutch for florists who don't want to spend the quality time needed for a proper consultation. However, if used as an initial reference for size, shape, and to build designs from, the book will certainly provide that and a bit more. Based on what I've observed from brides browsing and using this book during consultations at my location, easy-to-please brides usually find a few styles in the book that they like, but fussier brides browse through the book quickly (rarely stopping on any one style) and move on to other books. It is a nice little book for the price though -- quality photography and an overall good value.



2. I love this little book! I am a Wedding & Event Florist and I use this book when I consult with clients. It's packed with great bouquet examples, beautiful crisp pictures, and it gives my clients the chance to observe colors in flower combinations that they never would have originally put together!



3. Each section of this book is categorized by colors, starting with white, ivory and cream, then yellow, then peach and orange, then red, then pink, then lilac and purple, and finally mixed and unusual. I knew my colors right off the bat but I still was inspired by every page. It's only real flaw is it's size, which once you get it and look through it, doesn't create that much of an issue. Not only does it give you flower ideas but also a variety of ways to create a handle and tie the bouquet. A good book for a bride who is doing all the arranging, like I am, or just brainstorming ideas with her florist.



4. This book has such wonderful colored pictures and each picture is close up so you can see all the beautiful details... This is a must have for anyone having a wedding or even a florist to let their bride look through for ideas...



5. A good building block for the bride and florist to get ideas of colour schemes and styles the bride might like. I took my copy into to Tafe(Technical and Further Education) and ended up ordering another three copys for fellow students.

5 comments about Garden Insects of North America: The Ultimate Guide to Backyard Bugs (Princeton Field Guides).

1. one shouldn't take this book lightly, it is a large and heavy tome with lots of great information and photos. i think that the author, whitney cranshaw, did a great job in how he presents the information. one bit that i would have liked to have is distribution map. information is given about distribution, but i like to have maps too.
   
   i would have enjoyed even more information on each insect he covers, but that would make the book at least twice it's size. that probably wouldn't work at it is already 656 pages long.
   
   it would also be neat if this author could do books on different regions of our country in this format.



2. This bok is very inclusive in it's content and very easy to look up insect for information or identification. It is used by Master Gardeners in our part of the country wth great appreciation for a book of such quality buyt yet affordble.



3. I received this as a gift after I mentioned that I loved the Orkin insect zoo at the Museum of Natural History in Washington, D.C. It was not a book I would have bought for myself, but it has become indispensable bedtime reading! The pictures are vibrant and accompanied by hard-to-forget descriptions and explanations. I especially love the pictures taken by Whitney Cranshaw himself. This book is very accessible to those who are interested in the secret tiny life that exists off of their back porch, people who don't know where to start and therefore keep pushing it off. Even the way the bugs are organized in the book is perfect- Leaf Chewers, Sap Suckers, Gall Makers, Twig Damagers, Branch Borers, Bulb Feeders... doesn't this sound like the most beautiful poem in the world??



4. This is a great book it has wonderful pictures so that you may identify the bugs that you are looking for. I purchased one for myself and one for my daughter and we both love them.



5. THIS WILL SHOW YOU THE REAL DEAL OF THE DOG EAT DOG UNIVERSE OF BUGS, IN YOUR FRONT AND BACKYARD...............

5 comments about Psilocybin Mushrooms of the World: An Identification Guide.

1. ...you're looking for. I've read a few books on the subject. If you want to hunt with confidence, than here ya' go.



2. So many people are utterly consumed with their work life that they are avidly avoiding a spiritual experience, which is at the heart of what is ideal. This book may help serve as a gentlemenly guide to embarking on an organized hunt for fungi and an organized understanding of how to incorporate them into personal experience. Although some may argue with me, I would say this is actually high level reading.
   The book provides the following:
   The effects of psilocybin mushrooms
   How to identify them while hunting outdoors
   Tips on ingesting them and experiencing them
   Pictures and diagrams to help identify them
   Individual species descriptions
   Poisonous look alikes
   Includes a forward by renowned physician Dr. Andrew Weil
   
   There is a wealth of info in this book and it is the best book on this subject.



3. Most mushroom guides don't include these specimens, so a good addition to your field guides....



4. This is a detailed and fun book. It's probably what you're looking for. It contains clear descriptions, many quality pictures, suggestions about variations among species, safety considerations, and a helpful rating scale of very low to very high potency, also making it clear when the potency is unknown. For me, I chose to partner this book with a larger book which includes all species, just so I'm clear what I'm looking at and for, especially when it comes to ingestion, better to be extra careful, right?



5. Thanks to Paul for sharing his understanding and knowledge of said mushrooms with the world. Beautiful book.

5 comments about The Humanure Handbook: A Guide to Composting Human Manure, Third Edition.

1. Due to a plumbing fault in the house, my family have been composting in the back garden on a daily basis for over a year. What a bonus to stumble upon this book and find out that our actions have been helping to preserve the future of our planet! A number of residents in our street have complainined that the local environment has been suffering from some kind of unpleasant air pollution of late, so we feel proud to be putting something back.



2. Everyone should read this book, even if they have no intention or ability to use a humanure composting system. It provides a wealth of information on a subject that has been ignored for too long...human waste - how to dispose of it in a sensible, sustainable, practical, useful manner. We haven't flushed a toilet in this house in eight months, since we got this book and built our own sawdust toilet and composting box out back. We had a serious drought here this summer and our well was REAL low, but we had no problems because we weren't FLUSHING FOUR GALLONS OF CLEAN DRINKING WATER UNDERGROUND each time we went in the bathroom. I always wondered why we eliminate in water, anyway. And it doesn't stink, the compost box doesn't stink, it's simple and straightforward and clean and the humanure toilet's time has come! Everybody who comes in our house gets dragged into the bathroom by my husband to meet our new humanure toilet! Then I drag them outside to meet my wonderful compost box! So far we've had one convert, a couple with a camp who were using a stinking old outhouse, and they are just thrilled with the idea of using a humanure toilet next summer when they move back to camp. As a bonus, our electric bill dropped substantially, just because the water pump doesn't have to kick on every time a toilet is flushed. Buy this book, read it, start using a humanure toilet, tell all your friends, lend the book to your friends, do it now! Then read Joe Jenkins' other book, "Balance Point."



3. Fascinating and intelligent book that holds the key to sustainable practices that will help protect our drinking water supply. Why use 1.5 -5 gallons of precious drinking water to wash our poop away? It's a shameful and wasteful practice and this book provides the best solution to managing our excrement in a way that is healthy for us and for the planet.



4. the true revolution is in our poop! its a great read and is a vital piece to the new sustainable culture we are growing. thanks joe!



5. I wish my parents had known about this so they could have taught me instead of me having to teach them. Shame on anyone that has discouraged this sort of creative thinking. Let the rigor with which Joseph Jenkins has researched this topic be a lesson to anyone who wants to make a claim about the validity of any of our social norms.

5 comments about How to Grow Fresh Air: 50 House Plants that Purify Your Home or Office.

1. Not many products both clean the air and are beautiful. How to Grow Fresh Air explains how houseplants do just that. Beautiful book, well written with plenty of information, this book is wonderful.



2. "How to Grow Fresh Air" is the best book I've found on the topic of using plants to improve air quality. It has easy-to-use recommendations, rating plants' ability to improve air quality and listing information that will help the reader decide if they can keep this plant alive.
   
   There are a few problems. First, the book does not describe the 50 best plants -- it describes the only 50 plants tested. Second, this book doesn't indicate how many plants should be put in a room. An internet search of unknown accuracy indicated 1 to 3 plants (size medium to large) for 100 square feet of floor space (attributed to the author). Third, the book doesn't tell you about any patterns the authors observed in their research: does plant size matter? Leaf size? By how much? Growth rate? If there were a simple pattern (like large fast-growing plants are best; or that air-cleaning appears to be a characteristic of certain plant species), then this would be very good to know. Forth, the research is at least 12 years old, and there doesn't appear to be any new research on this subject. Fifth, I found two conflicting tables in the technical section. This doesn't give me a warm fuzzy feeling about the book's technical accuracy -- like Al Gore's "time goes backwards" Global Warming chart. The whole thing reads like an exploratory research project that wasn't funded further -- but should have been.
   
   With that said, this book has useful advice, and seems to be worth the purchase price. I'm going to give buy a few of the highest rated plants for my office, and see if their gas-elimination properties (combined with my air filter) yields improved air quality.



3. More then 10 years ago, we bought some indoor plants for better air quality in the house. We end up throwing them away because we knew nothing about plants. So this time we thought we better get some knowledge before we purchase. This books came highly recommended by Dr. Chen, a famous Chinese Naturopath doctor who wrote couple of best selling books in Taiwan. We think this is a great book because it's simple and to the point with pictures. We decided on Rubber plant, Peace Lily and Janet Craig... They are good-looking and easier to care for, besides the capability to remove indoor toxins and keep indoor air fresh.



4. Very well written-- fascinating -- and I was impressed and appalled by reading about the studies that showed -- more than TWENTY years ago -- how our inside air is just as bad sometimes -- and even WORSE at times-- than the outside air.
   
   I would HIGHLY recomend this book as a guide to ALL public building administrators who have a say in what kind of plants (LOTS OF EM please) should be in their lobbies and offices and EVEN- YES -- on the ROOF.
   
   The only gripe I have with this book is the over-generous use of abbreviations liberally sprinkled throughout the text -- and NONE of those abbreviations are in the Glossary!



5. The book is just what I was looking for - simple and short, yet effective and precise. It contains just enough intro on the scientific background on how plants purify the air, it gives some info on how this has been tested, it gives practical advices on how to use plants and finally it rates the tested plants according to four criteria of effectivness (removal of chemicals,transpiration rate, ease of growth/maintenance,resistance to insects).Great for reference with some great pictures and guide how to take care of each particular plant. Simply great!

5 comments about The Fruit Hunters: A Story of Nature, Adventure, Commerce, and Obsession.

1. I must admit that reading the first couple chapters puts you in the mood for your own fruit eating orgy! But then comes a two page synopsis of the history of the Universe per the New York Times fiction pages. Two stand out. That calculus was 'invented' by Arabs. i.e, Arabic numbers. They actually got all that math when they destroyed a very advanced civilization in India in the 12th century. That is not invention unless pillaging and destruction were brand new. The second was Jefferson and Washington being gentlemen farmers: Growing food for pleasure only. Does this mean that in 1790 they got into their Hummers and loaded up at Costco? There were several more of these and I stopped reading. I read to learn new things, and if an author can't be trusted with general facts what is he doing with the fruit arcana? All in all it felt like a teenage romp on someone else's dime.



2. This is such a great book. Gollner never takes his subject matter quite too seriously - a must if you're writing about a topic so obscure. His descriptions of the fruits he encounters are truly creative - he manages to weave the English language in such a way as to convey the impossible -the taste of exotic fruits to readers who've never heard of, much less sampled them. Without the haughty arrogance of the common food writer who scorns the tastes of the masses, Gollner makes the reader yearn for the fine, rare heirloom fruits that we know exist, yet have given up on finding. And he does this by bringing us into the world of those weird, devoted individuals who have devoted their lives to the pursuit of fruit.
   
   This is an interesting, fulfilling book. Highly recommended.



3. this book is a roller coaster of the highest highs and lowest lows.
   > the mouthwatering magnificent to the toxic and terrible. specialized
   > heirloom orchards to the metallic and oil-drenched fruit
   > industrialization. it brings my juiciest desires and but also my
   > paranoid pathologics. i have begun the tasting of life- and this
   > fruitfully bound catalyst is an uncontrollable force. it so funny, and entertaing, terrifying and entrancing.
   i have to say that I AM a fruit obsessee like the folks written about, and there still are endless exciting adventures and knowledge in here! not only a magnificent story to get lost in, but a wonderful resource if you want to start tasting the best fruits of your area, and the world!



4. After reading this book, I thought comparisons to Michael Pollan were inevitable and was surprised to see no previous reviewers had made them. But perhaps comparing this first book to Mr. Pollan's (Botany of Desire, anyone?) is unfair. This book is more about the people who love and seek out exotic fruits than the fruits (and plants that produce them): More Outside Magazine than Omnivore's Dilemma. Gollner provides description after (somtimes hilarious) description of exotic fruits, the people who seek them and his experiences eating them, but little about the plants and cultures or ecosystems that produce them (life cycle, growing conditions, history of human cultivation, etc.) But hey... the title is "The Fruit Hunters", not "The Fruit Plants". In the strongest sections, the author focuses on recounting a specific trip (e.g., going to the Seychelles to sample Coco de Mer). Weaknesses include an abundance of lists of things like seed banks, early fruit explorers, that are not backed up by more explicit information. These lists seem almost music-video like: flashing glimpses with no substance -- and left me with more questions than satisfaction. The book also sometimes suffers from an over-abundance of "characters", the most egregious and irrelevant of whom appears on page 42, a woman next to Gollner on an airplane. These many introductions can make keeping up with who is whom a little irritating. Overall, its more entertaining than substantive, which may be just what you need.



5. This book is a slapped together group of articles with no effort to unify them. There is much that is good and informative in the book but on general information the author is not to be trusted. For example a Persian saying "Women for breeding, boys for pleasure, but melons for sheer delight." is ascribed to Brazil. Also the author's reference Moon bases and Mars voyages in the present tense makes me wonder if he and I are in the same space/time continuum.

5 comments about Dialectic of Enlightenment (Cultural Memory in the Present).

1. The dialectic of Enlightenment is a history of false appearances. For Adorno & Horkheimer, trying to explain the world in its totality is equal to try to dominate it. Totality becomes totalitarianism. The authors present history as a tool of domination. Myth and reason both hide the deception of trying to make all things equal. By this logic -of identity/identification- everything is not, but must be the same. Knowledge is mythical because it promises a happiness that can never be achieved in knowledge's terms. The central argument of this wonderful book is that myth is already enlightenment because it tries to explain the world and gain utility from it; and enlightenment is already myth for it tries to exclude anything that is different or contradicts Enlightened Reason. As Adorno & Horkheimer put it: "Enlightenment has a mythical horror to myth." Enlightenment obsessively tries to free itself from myth, but in doing so it becomes also mythical. This obsession takes the form of a saturating, technical rationality that ends in the horror of ethnic genocide. This is, as Habermas said, "the black book of Western philosophy."



2. Max Horkheimer and Theodor Adorno, both prominents of the Frankfurter Schule of critical theory, wrote this work during WWII. In their own words, the purpose of the book was to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism. Obviously their experiences as Jewish intellectuals fleeing for the national-socialist regime to the United States was a strong impulse for this view, but the book is not limited to a critique of nazism or even totalitarianism altogether.
   
   The main subject of the book, though that itself is already difficult to disentangle, is Enlightenment's betrayal of its own liberating capacity. Adorno & Horkheimer analyze this by means of various cultural metaphors, which in highly abstract, contradictory and aesthetic language (especially the parts by Adorno) trace the development of Enlightenment and its subsequent 'dark side' throughout an equally metaphorical history of culture and ideas. In a certain sense this may most remind readers not familiar with both authors of Foucault and his use of concepts like the Panopticon to express a view of power relations. The method of Adorno and Horkheimer is however not so much genealogical, as Foucault's is, as dialectical in its idealist form.
   
   The book consists of an introduction, two "excursions" and two chapters on the Enlightenment itself, as well as a series of aphorisms provided at the end as "notes and sketches". Each part of the book consists of a very abstract, very metaphysical and almost entrancing analysis of, in turn, the development of Enlightenment as myth out of earlier myth, the form of modern Enlightenment as instrumental reason and mass deception, and the limits of Enlightenment to its own rationality, in the form of anti-semitism. The language of the book is extremely difficult, even in English, and in the best (and worst) traditions of continental philosophy it contains a very great amount of layers and meanings, not all of which are free of internal contradiction. Readers familiar to Situationist works are perhaps best prepared for the effect, which is somewhat similar in method, if not in style, to Guy Debord.
   
   The introduction, "The Concept of Enlightenment", posits Enlightenment as thought liberating man from his natural shackles, and creating man as master of the earth. This process of liberation entails at the same time the possibility of man to protect himself from, and understand the workings of, nature, and also mankind's loss of being one with nature. In this process, the self is created as a subjectivity divorced from direct experience of the outside world. Man's memory of this is very vague and distant, but is present in everyone as a certain inchoate feeling of loss.
   
   This is also the main subject of the first Exkurs, "Odysseus, or Myth and Enlightenment". The story of the Odysseia is here used in many ways to provide metaphorical expressions for the role of myth in and against Enlightenment. Myths are primitive descriptions of the world, and in being so are already classifications used as a form of instrumental reason, which is the seed of Enlightenment. The role of sacrifice to the Gods, for example, is presented as manipulation of those Gods, and in so doing already expression of an Enlightened mind avant la lettre. Odysseus' adventure with the Sirens is metaphor for man's loss as described above: Odysseus, the Enlightened ruler, knows his loss but is constrained by his knowledge from acting on it; and the shipmates, the great mass of modernity, is only vaguely aware of the loss, and are not affected. But Circe, the Cyclops, and many other themes are used besides.
   
   The second Exkurs is "Juliette, or Enlightenment and Morality". The works of De Sade, in particular Juliette, here provide an expression of Enlightenments freeing and therefore contradictory character. Kant is contrasted with Juliette; where Kant is the restrained form of reason, reason as classifying and ordening power, Juliette is reason's destructive power of old orders. Because Enlightenment destroys the validity of any appeal to tradition, religion, etc., it falls pray to itself, in that Enlightenment's appeal to its own absolute values is undermined, in the same way that Juliette uses and is used by Catholicism in undermining it.
   
   The third chapter is "Enlightenment as Mass Deception", covering the subject of the culture industry. Here Adorno rants against all the vapid and degraded culture forms he perceives in the United States, although he never states it as valid only for the US, of course. There are many interesting insights and observations about modern culture and still valid ones too in this chapter, but Adorno's general tone is that of the "hochbürgerliche" bourgeois annoyed about the offenses against good taste he sees. Yet to dismiss it based on that would be superficial, even if we cannot agree with Adorno's hatred for radio and jazz. His observations on American movies are very poignant, and in between his cultural criticism he hits on certain relations between the capitalist mode of production, its Enlightenment ideology, and the cultural superstructure that are very worthwhile for a patient radical.
   
   The fourth chapter is called "Limits of Enlightenment", and addresses directly the subject of anti-semitism and fascism more generally. Fascism is posited as Enlightenment turned against itself (it must be noted Adorno & Horkheimer were among the first to state this, even if it is somewhat of a cliche now). Enlightenment's general instrumental reason knows only power as a measure of behavior. Therefore, it cannot tolerate the existence of groups that thrive, yet never have power, such as Jews and women. Whenever Enlightened society fails to satisfy the needs of its members, their anger is turned against such groups.
   
   The last chapter, "Notes and Sketches", is as said a series of aphorisms, familiar to people who have read situationist works, or for example Walter Benjamin's notebooks.
   
   Overall, this book is an extremely complex, but very worthwhile philosophical critique of modern culture, and a very pessimistic and negative analysis of Enlightenment and its possibilities. It is hard work to get to the bottom of it, but nevertheless rewarding for any student of philosophy.



3. "Myth is already enlightenment, and enlightenment reverts back to mythology" (xviii). This statement is likely one of the most explosive philosphical theses penned in the 20th century, for not only did it give expression to much of the suspicion and pessimism that people experienced in the early 20th century, particularly under the Nazi regime, but this statement set into motion much of the later suspicion concerning the Enlightenment project and its relation to not just freedom, but domination under freedom's guise.
   
   Dialectic of Enlightenment: Philosophical Fragments is the most important work ever written by any of the members of the Frankfurt School; it stands as a type of manifesto really for the possibility of Critical Theory as a post-positivistic discipline. It is easy to miss, but this is not just a work of philosophy - it is not a work written by old men with elbow patches on their jackets pondering various ideas in a scientific and socio-historical philosophical vacuum. Quite the opposite: this is a book that drew upon then-current sociology and anthropology (particularly pertaining to religion), in addition to the history of philosophy and philosophical currents such as Marxism (Western Marxism, to be specific). This is a book that draws - obviously - on history; it is a book that has much to say about media and the effects of what Adorno called "The Culture Industry".
   
   Several authors, such as Jurgen Habermas and Leszek Kolakowski, have noted the the structure of the book - what we might call its "poetics" - is quite abnormal for a work of philosophy. The subtitle of the book comes well into play here as a means of understanding the book; "Philosophical Fragments" very much describes what it is like reading this work. The genuinely fragmentary nature of the book - it begins with an essay titled "The Concept of Enlightenment" before two excurses (one on Odysseus and the other on Marquis de Sade), the chapter "The Culture Industry", a series of theses titled "Elements of Angi-Semitism: Limits of Enlightenment", and the closing section "Notes and Sketches" (which is anything but smooth) - only adds to the sense of urgency.
   
   The attempt to ascertain "why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism" (xiv) animates the work. This regression ultimately has to do with the very nature of myth, which is "obscure and luminous at once" (xvii). It is with positivism that science believes it can banish all mystery from the world such that humans become masters of it (1); art itself has fallen prey to this myth (14). Perhaps surprisingly, this does not begin in the 18th century European Enlightenment, but with one of our most ancient of founding myths: Odysseus. The deceptive nature of the sacrifice in Odysseus is the beginning of our journey towards enlightenment, for it places us on a similar footing with the gods. The attempt of persons such as Sade to advocate a world without superstition not only turns us into beasts with "the innocence of wild animals" (77), but means that we still must hold onto one myth: that we can actually live in a world where all is entirely as it seems. Transgression of the previous morality (Catholicism) is the necessary mythical supplement to this view; it brings no pleasure but only violence. Both the Culture Industry and Anti-Semitism ultimately have the same totalitarian goal: to make everyone the same, as economic cogs in the machine, devoid of their individuality. Thus Enlightenment is necessarily violent against the Other, who doesn't fit in. The book ends with Notes and Sketches in a kind of anti-climax; Dialectic of Enlightenment is left open.
   
   In many ways, this edition by Stanford University Press, in their uber-fine series "Cultural Memory in the Present", is like a critical edition in English. Dialectic of Enlightenment was printed various times and in various editions from 1944 thru 1969; this edition collects each of the prefaces for the various editions, and notes every single textual variant for each edition, some of which are seen as rather unimportant, but others of which show that the text was very much a continual work in progress for Horkheimer and Adorno. In addition to an Editor's Afterword, there is an essay appended at the end of the book titled "The Disappearance of Class History in "Dialectic of Enlightenment": A Commentary on the Textual Variants (1944 and 1947)", which many will likely to find insightful reading. This is an important addition to the library of many different fields - political thought, intellectual history, philosophy, theology, religious studies, and social theory, among others - regardless of how it has been produced. Stanford University Press should really be commended for producing it in such a way that it is a fine addition to one's library as well.
   
   One does well to remember that this work should not be simply taken at face value. In their 1969 Preface, Horkheimer and Adorno mention that they ascribe a "temporal core to truth" (xi), which means that as an older text, what remains applicable in it should be used today, and what no longer applies should be left alone as having been applicable at one time in the past. Neither author ever endorsed the irresponsible usage of their work in the 1960s by protesting students who had become little more than mobs; that they have been linked to irresponsible New Left anti-politics (via their friend Herbert Marcuse) is not their fault. Rather, what Horkheimer and Adorno endorsed then (and would continue to endorse, were they still alive) is not a brutal application of a particular theory, but a sustained, thoughtful and well informed engagement of theory with the whole of the modern world. "As a critique of philosophy, it does not seek to abandon philosophy itself" (xii). In short, they believed in wisdom: and this is what philosophy is ultimately all about.



4. Adorno and Horkheimer are associated with the Frankfurt school of thought in post-WWII Germany. In this book, Dialectic of Enlightenment, the two thinkers disect the post-war condition looking at all aspects of cultural identity as based on ancient enlightenment-esque ideals. This book illuminates the devestating results of progressivist models of history in late capitalism. Probably the most famous essay deals with the culture industry and how, in post-war capitalism, movies, books, television all become tools of subjegation through which a falsified sense of individuality is produced and commodified to the ends of keeping the consumers of this industry distracted enough to ignore the insideousness of that which we allow to control us.
   A very dense read, poetic in areas, but challenging throughout. Adorno is often criticized for being a cynic, but I think that under his often scathing view of modern culture is a message that through exacting self-reflection change of the "total system" can occur.
   These themes are expanded on in Adorno's other works: Minima Moralia, and Negative Dialectic.



5. Marxist politics aside, Adorno and Horkheimer's staggering critique of post-enlightenment thought takes everything we "civilized" people take for granted and burns it---in front of your kids.
   
   The examination of the oft-overlooked philosophy of the Marquis de Sade is especially significant, as it critiques the rogue philosopher while paying him his long-overdue respect as a true man of philosophy.

5 comments about American Horticultural Society A to Z Encyclopedia of Garden Plants.

1. I bought this book several years ago and have since given away literally boxes of other gardening books. This is very concise. If I need further information about a particular plant the internet is always available. The book is big and heavy but this book is a literal A-Z of gardening and worth EVERY penny you pay for it. I highly recommend for ALL gardeners.



2. An illustrated, complete book of garden plants. Offers great information for the advanced as well as the novice gardener. One negative aspect is it's size and weight. Very cumbersome to handle which is not conducive to longevity of the spine of the book. Would have been better published in two volumes.



3. I have been through my book, cover to cover twice so far and the second time through I found plants I thought were missing the first time and both were in photographings of said plants. It(the book) has helped me tremendously as a Master Gardener in selecting plants to propagate wisely for the community butterfly gardens I am now planting from the plants that I have grown from seeds or cuttings at least 90%. The other few were from wise purchases. We(mastergardeners) keep this bible in the shelves to assist the Master Gardener answering the "hotline" with questions about any kind of plants or problems people in Polk County, Fl have to ask our help in solving. I will probably be getting one on propagation to complete my needs and if one for Florida exists, it will be one that I review! I bought the encyclopedia so I could have it at home for personal refrence.
   Master Gardener for Polk Co., Fl



4. Wow and A-Z it is. If you need to know something this has it. Great reference guide



5. This is a great book! I'm very happy with it. The common names are listed as well as the latin names so it's easy to cross reference. I can simplify my gardening library now!

5 comments about Jerry Baker's Giant Book of Garden Solutions: 1,954 Natural Remedies to Handle Your Toughest Garden Problems (Jerry Baker's Good Gardening series).

1. I would read this book even if I didn't have a garden! It is more than informative. I feel like I am listening to a favorite uncle telling stories of the good ol" days and how things were done simply and effectively. I love this book and highly recommend it. -Mary



2. I am enjoying this book very much. It has all kinds of solutions to problems I have in my garden.
   I will be using this book for years to come..



3. If you have a problem in your garden , this book will solve it. You would be surprised what you can do with products you have sitting around in the cabinet and fridge.



4. I gave one of these to my gardener mother who liked it so much she asked me to order another for her to give to my gardener brother! Since I'm the non-gardener in the family I can't report on why the book is so helpful, but I understand it offered solutions for some special problems that could not be found elsewhere.



5. this book gave me a lot of simple solutions for my garden. i recommend it, highly.

5 comments about Landscape Design: A Cultural and Architectural History.

1. I had to purchase this book for my LA class and it's a bug squasher. While the pictures are impressive, and the coverage of the subject in-depth, the author can be long winded. What she covers in a page could have easily been said in a couple of paragraphs. I also don't care for the glossy pages. While they make the pictures look nice, reading the fine text that it's printed can give one a headache.



2. This is a great book. It is very readable, and even if you are not particularly interested in landscape design/architectural history, Elizabeth Barlow Rogers will inspire you. This book follows landscape and cultural architecture through history and makes me wonder why all schools - from elementary on up - don't attack history lessons from such a practical and fascinating point of view.
   Also, compared with other landscape Arch books this is much less narrow and really weaves in many many threads of cultural and historical interest.



3. This is one of the most tedious books that I've ever read. It focuses more on historical, cultural and politcal influences than actual garden design. I wouldn't recommend it, unless you're in need of a good night's sleep.



4. As the founding president of the famous Central Park Conservancy and of Cityscape Institute, Elizabeth Barlow Rogers summarized her experience, research and observations and her extensive training in art history and city planning in "Landscape Design: A Cultural and Architectural History."
   
   "Landscape Design: A Cultural and Architectural History" covers architecture, landscape architecture, conservation, city planning, earthworks, and other landscape designs in many different cultures from dawn of humanity to present, such as Stonehenge, ancient Egyptian royal cemeteries, gardens of Renaissance, Baroque Europe, English naturalistic Landscape, the Forbidden City of Beijing, Versailles, and New York's Central Park, etc.
   
   For many years, "The Landscape of Man: Shaping the Environment from Prehistory to the Present Day" used to be the only comprehensive book covering landscape architecture at a grand scale, with striking bird's eye view photos showing how brilliant human beings can be. "Landscape Design: A Cultural and Architectural History" can supplement "The Landscape of Man: Shaping the Environment from Prehistory to the Present Day" since it provides more in-depth discussions.
   
   "Landscape Design: A Cultural and Architectural History" has 544 pages and 633 line drawings and dazzling interior photographs (many of them are color). It is a valuable landscape design history book for landscape architecture students, seasoned design professionals and ordinary garden lovers!



5. Excellent excellent text- very thorough, good pictures. Even if you're not in a class, good reading!