5 comments about Designing with Plants.

1. Even if the book has designs that seem more than you can handle now, the book is so breathtakingly beautiful that its inspirational value alone make it one of the best I've ever read. In the process of stretching your imagination in just one or two areas, a great deal of result may be seen in your garden, and you will have pulled the target for your creativity up several notches.



2. This is not a reference book for active, summer gardening. This is an inspiring book for winter gardening by the fireside, a book from which to dream, plan and design and to gain a liberating aspect of gardening.

   This book presents a peerless horticultural perspective on natural habitats and how these might be brought to gardens, delivering unique ways of planting and seeing by shape, form, color, size, texture and, singularly, by light. In this the author awes the reader with the beauty of plants affected by the seasons and their elements: light, fog, dew; rain, frost and snow. As a practical tool to aid the shaping of these gardens, he includes an unconventional index that lists the characteristics, cultural requirements and companions for selected plants.

   The photography is stunning, enlightening and informative in its content--and valuable. Through their exemplary quality, serious gardeners and professionals will discover a freer and more natural mode of horticultural expression. This is one of the few gardening books that both stimulates and satisfies the spiritual and aesthetic quests of many gardeners.




3. The gardens in this book are amazing. As a landscape design student, the designs in this book give me something to aspire to.

   The authors do a good job of providing most of the plants names for what you see in the pictures. The individual information about the plants is beneficial to determining their use.

   I just love looking through this book and just enjoying the beauty of these perennials.




4. Piet Oudolf is one of today's garden design geniuses. He gives us a book that is both inspiration and implementation. He inspires readers to design gardens that are carefully crafted but appear utterly natural. Then he gives us new, creative tools to make these garden designs. Oudolf focuses on plant structures and gives us easy categories for the forms of herbaceous garden plants. He emphasizes mood, light, movement, and rhythm in garden design. Always thinking outside the box, he even champions spent perennials at season's end. Gorgeous color photos illustrate all points. A must-have for both dreamers and gardeners with dirty hands.



5. It's always good to get a new perspective from a gifted designer. The pictures were inspirational.

5 comments about Rain Gardens: Managing Water Sustainably in the Garden and Designed Landscape.

1. As some of you may know, the LEED building rating system focuses on 6 key areas: Sustainable site development (SS), water savings/efficiency (WE), energy & atmosphere (EA), materials and resource (MR), indoor environmental quality (IEQ), and innovations & design process (ID).
   
   "Rain Gardens: Managing Water Sustainably in the Garden and Designed Landscape" is a very useful book on water savings/efficiency (WE). It described various ways of caturing, channeling, diverting and re-using water from rain and snow, including permeable paving, storm-water chains, bioretention ponds and green roofs. Rain gardens create great environment for wild life. They are visually pleasant, economical and sustainable. I live very close to several of the retention ponds of my local water district. They are fine examples of rain gardens, I always love to visit them and see the beautiful birds and plants in or near the retention ponds. Nigel Dunnett and Andy Clayden described many of the techniques that are used by my local water district. These techniques are unconventional and can be useful all over the world. They can effectively capture the storm water and let the water settle and clean itself through the natural process and save it for drought period, instead of using concrete-paved flood channel to rush the storm water to the ocean.
   
   "Rain Gardens: Managing Water Sustainably in the Garden and Designed Landscape" has 188 pages and many line drawings and beautiful interior color photos. It is a great book on sustainable design.
   
   Gang Chen, Author of "LEED AP Exam Guide" & "Planting Design Illustrated," LEED AP, AIA



2. Let me first state that this is an excellent book. However, it is really a book about taking things to the next level. If you are looking for solid how-to information about installing a rain garden in your back yard, you might be disappointed.
   
   Landscape architects, designers and accomplished amateurs with advanced skill sets looking to handle water both innovatively and creatively will delight in this book. I did ... but then I already have three rain gardens in my own landscape and teach how-to classes on installing them. If the concept of rain gardens intrigues you and you are looking for the basics on a DIY level, the free, downloadable rain garden manual from the University of Wisconsin is still the best source of that information, as of January 2008.
   
   This book has a decidedly European flavor to it. And why shouldn't it? It is written by a couple of Brits. Although I am hard-pressed to see how some of the models given in the book will pass muster with the Americans with Disabilities Act, codes and other regulatory bodies, they should indeed stimulate the mind. The examples (of which there are many) also include public and even larger municipal installations. I find this a good thing for Americans to be exposed to. The Europeans are far ahead of us in green thinking. Included are some examples of essentially, municipal civil engineering projects both implemented and functioning with panache.
   
   This is a book that I value having in my personal library. Someone looking for basic information may not.



3. A thorough treatment of all possible ways of dealing with storm water run-off, not just rain gardens. No detailed instructions on "how-to" which I had expected.



4. This book only covers about 16 pages of rain gardens out of ~175 pages. A more appropriate title should be its subtitle, not rain gardens. If you're looking for rain garden info, this is not the book. It is a good reference for other sustainable water practices - standing water retention, swimming ponds, green roofs, etc.



5. A very informative book on an important topic. Pictures are used well to illustrate.

5 comments about In A Mexican Garden: Courtyards, Pools, and Open-Air Living Rooms.

1. I love the pictures and ideas presented, but after 2 days, the binding had pulled away from the pages!! I think that is flaw that needs fixing.



2. I love this book! The beautiful photographs give the reader great ideas on how to design and decorate.



3. I was very surprise whith the quality of the presentation and the beautiful pictures. Excellent!!



4. This book is an explosion of beautiful colours on every page! It is filled with beautiful photographs of Mexican outdoor living and the commentary is concise but clear, enabling the reader to copy the ideas found in the book. I intend to use the book to create my own Mexican/Spanish style courtyard.



5. This is a great book for ideas on designing your own Mexican style garden and as in my case designing an Adobe Dollhouse and courtyard.

5 comments about Sunset Western Landscaping Book.

1. The best garden book overall. A smart book. Creative. Great pics. VERY Comprensive. Wish Id bought hardback.Complete. Very readable. Projects are suberb. Voluminous. A must for every serious gardener.



2. Famous Landscape Architect Thomas Church once wrote: " Landscaping is logical, down-to-earth and aimed at making your plot of ground produce what you want and need from it."
   
   The original bestseller, "Sunset Western Garden Book" is one of the best encyclopedia and is the "Bible" of Western Gardening. I am very happy to read its companion, "Sunset Western Landscaping Book." This new addition to the Sunset family is a great attempt in covering the design aspect of landscaping. It covers topography, climate, lifestyle, plants, and environment. It starts with the purpose, design and planning of gardens, microclimates, seasons, soils, understanding of site, Western garden styles, the process from plan to reality, and gardens in different regions of the West. It continues to explore the use of various garden structures (arbors, decks, fences, fireplaces, gazebos, kitchens, paths, patios, steps, walls, etc) and garden plants (trees, shrubs, vines, perennials, annuals, bulbs, herbs, fruits and vegetables, ornamental grasses, wild flowers, and succulents, etc) in landscaping. It also discusses finishing touches (lighting, containers, birdhouses, garden art, water features, etc), regional problems and solutions, materials and techniques, and landscape plans.
   
   I like the color landscape plans in "Sunset Western Landscaping Book." I can tell Fiona Gilsenan and Kathleen Norris Brenzel and their team put in a lot of effort in creating and selecting the plans. They also have good, professionally trained eyes. The colors of the plans are harmonious and pleasant. They can be used as good samples for selecting colors for landscape presentation plans.
   
   "Sunset Western Landscaping Book" has 416 pages and many color interior photographs. It is a fine companion to "Sunset Western Garden Book" and a must-have for personal, professional, academic, and community library Gardening & Landscaping reference collections.
   
   Gang Chen, Author of "LEED AP Exam Guide" & "Planting Design Illustrated." LEED AP, AIA
   
   



3. This book has some really good ideas for gardening and landscaping in the desert. Anyone who lives in the desert knows what a challenge it is to grow a beautiful garden AND be a good steward of the limited, precious resources. The only negative comment is that the garden examples are mostly from California. It would be more helpful to me if there were more examples and discussion on high desert gardening in places like Santa Fe and Albuquerque, New Mexico.



4. This book has a host of sensible ideas for gardens and outdoor living spaces. Totally suitable for New Zealand lifestyle and climate.



5. I've purchased several landscaping books recently, and this is by far my favorite. There are hundreds of pictures for inspiration, so I often flip through it when I'm feeling bored. The organizational style is very user-friendly, which makes it easy to find ideas for specific landscaping projects. I really like the lists they include of their favorite types of plants for certain settings (broken down by region and specific use). The garden plans are very nice; however, they don't include dimensions, which would be extremely helpful. Overall a very valuable household resource. It also makes an excellent housewarming gift.

5 comments about Green Roof Plants: A Resource and Planting Guide.

1. While I knew from the title of the book that this is a source of information for green roof plants, I still expected to find information on installation techniques, either very specifically or at least with a list of companies or other sources cited where I could find installation techniques. Only a couple of companies are cited, but with no Sources section in the back of the book -- only nurseries. Many subjects directly connected to planting and building a green roof are only generally touched on with broad explanations. The plant selection pages are great, with lots of color photos and good description.



2. This book is the most comprehensive green roof plant resource available; a must-have for anyone specifying, designing, or constructing green roofs.



3. Once you commit to the vegetated roof concept, you are very soon confronted with what will work up there. This book is a great point of departure!



4. I first must confess that have a green roof on my 2 car rear garage here in Washington, DC and worked directly with the author on choosing the proper plants to thrive in our little micro-climate. So I already know the Snodgrass' are the pre-eminent experts in the United States on the types of plants suitable for a given situation.
   
   That being said, this book provides an invaluable resource for those interested in, or who may become interested in, having a green roof for their home. When we installed our roof 4 years ago, had we not met the authors we would have had great difficulty in even knowing where to begin. Now all of us have that starting point: by reading Green Roof Plants.
   
   And don't think you must be an environmentalist to consider installing a green roof - many do so simply for the aesthetics. In fact, as city dwellers with limited space, we chose a green roof to have something beautiful to view from our kitchen. I suspect there are many of you who really never have thought of having a green roof and would be consigned to a lifetime of looking down or up at a plain shingled, painted or tarred roof. Don't be that homeowner! Installation of a green roof adds perhaps 10-20% to the cost of a painted roof, extend the roof's life and provides significant environmental benefits. Go for it, and buy this book first!



5. A great resource for design professionals. I greatly appreciate the honest real world look at vegetated roof planting. Simple plant mixes that have been tested and photographed are really all i need to spec out a system and sound like the genius architect i pretend to be. This little book has already saved me thousands in consultants. Thanks.

5 comments about Food Not Lawns: How to Turn Your Yard into a Garden And Your Neighborhood into a Community.

1. definitely not a how to book. there are no pictures - i would have liked to see pictures of her garden....



2. I was very excited about ordering this book. I envisioned it would gave step by step, practical advice on how to transform my suburban yard into a lush garden. I was very disappointed, however, to find it full of advice that was either too vauge, or too complicated for the average home owner.
   Ms. Flores starts off the book preaching about environmental concern. She could have spared the reader, since anyone who would buy this book is already concerned about their eco-system. Several pages of the beginning of the book give spacey, loose instructions on observing your community and yard space, as if the average reader has unlimited time to stare at her yard, and go on excursions for resources.
   
   Flores goes on with her irrational ideas, giving several suggestions which are ILLEGAL, like diving into dumpsters and stealing off of thrift store lots. She also devotes quite a few paragraphs to setting up a water conservation system, which starts with recycling bathwater, which BTW, she also mentions is illegal in many cities. There's no in-between or alternate suggestions given. Flores, instead goes rambling on about elaborate modifications that the average person would not do to begin a garden.
   
   This book might be good for those who have extensive knowledge of gardening, lots and lots of free time, and advanced mechanical skills, who want an all-or-nothing approach, but it offers very little for a beginner.



3. This book has so many great ideas that I just had to have it. She makes many great "eco" points that had me going "ah, I never thought of that." I'm very glad I purchased this book.



4. This is a interesting lots of help starting you own garden in your front yard or back.



5. It's not that the information in this book is bad or wrong, it's just that it can be obtained from any permaculture website in about 5 minutes. The book is very limited. DO NOT WASTE YOUR MONEY!

5 comments about Dialectic of Enlightenment (Cultural Memory in the Present).

1. The dialectic of Enlightenment is a history of false appearances. For Adorno & Horkheimer, trying to explain the world in its totality is equal to try to dominate it. Totality becomes totalitarianism. The authors present history as a tool of domination. Myth and reason both hide the deception of trying to make all things equal. By this logic -of identity/identification- everything is not, but must be the same. Knowledge is mythical because it promises a happiness that can never be achieved in knowledge's terms. The central argument of this wonderful book is that myth is already enlightenment because it tries to explain the world and gain utility from it; and enlightenment is already myth for it tries to exclude anything that is different or contradicts Enlightened Reason. As Adorno & Horkheimer put it: "Enlightenment has a mythical horror to myth." Enlightenment obsessively tries to free itself from myth, but in doing so it becomes also mythical. This obsession takes the form of a saturating, technical rationality that ends in the horror of ethnic genocide. This is, as Habermas said, "the black book of Western philosophy."



2. Max Horkheimer and Theodor Adorno, both prominents of the Frankfurter Schule of critical theory, wrote this work during WWII. In their own words, the purpose of the book was to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism. Obviously their experiences as Jewish intellectuals fleeing for the national-socialist regime to the United States was a strong impulse for this view, but the book is not limited to a critique of nazism or even totalitarianism altogether.
   
   The main subject of the book, though that itself is already difficult to disentangle, is Enlightenment's betrayal of its own liberating capacity. Adorno & Horkheimer analyze this by means of various cultural metaphors, which in highly abstract, contradictory and aesthetic language (especially the parts by Adorno) trace the development of Enlightenment and its subsequent 'dark side' throughout an equally metaphorical history of culture and ideas. In a certain sense this may most remind readers not familiar with both authors of Foucault and his use of concepts like the Panopticon to express a view of power relations. The method of Adorno and Horkheimer is however not so much genealogical, as Foucault's is, as dialectical in its idealist form.
   
   The book consists of an introduction, two "excursions" and two chapters on the Enlightenment itself, as well as a series of aphorisms provided at the end as "notes and sketches". Each part of the book consists of a very abstract, very metaphysical and almost entrancing analysis of, in turn, the development of Enlightenment as myth out of earlier myth, the form of modern Enlightenment as instrumental reason and mass deception, and the limits of Enlightenment to its own rationality, in the form of anti-semitism. The language of the book is extremely difficult, even in English, and in the best (and worst) traditions of continental philosophy it contains a very great amount of layers and meanings, not all of which are free of internal contradiction. Readers familiar to Situationist works are perhaps best prepared for the effect, which is somewhat similar in method, if not in style, to Guy Debord.
   
   The introduction, "The Concept of Enlightenment", posits Enlightenment as thought liberating man from his natural shackles, and creating man as master of the earth. This process of liberation entails at the same time the possibility of man to protect himself from, and understand the workings of, nature, and also mankind's loss of being one with nature. In this process, the self is created as a subjectivity divorced from direct experience of the outside world. Man's memory of this is very vague and distant, but is present in everyone as a certain inchoate feeling of loss.
   
   This is also the main subject of the first Exkurs, "Odysseus, or Myth and Enlightenment". The story of the Odysseia is here used in many ways to provide metaphorical expressions for the role of myth in and against Enlightenment. Myths are primitive descriptions of the world, and in being so are already classifications used as a form of instrumental reason, which is the seed of Enlightenment. The role of sacrifice to the Gods, for example, is presented as manipulation of those Gods, and in so doing already expression of an Enlightened mind avant la lettre. Odysseus' adventure with the Sirens is metaphor for man's loss as described above: Odysseus, the Enlightened ruler, knows his loss but is constrained by his knowledge from acting on it; and the shipmates, the great mass of modernity, is only vaguely aware of the loss, and are not affected. But Circe, the Cyclops, and many other themes are used besides.
   
   The second Exkurs is "Juliette, or Enlightenment and Morality". The works of De Sade, in particular Juliette, here provide an expression of Enlightenments freeing and therefore contradictory character. Kant is contrasted with Juliette; where Kant is the restrained form of reason, reason as classifying and ordening power, Juliette is reason's destructive power of old orders. Because Enlightenment destroys the validity of any appeal to tradition, religion, etc., it falls pray to itself, in that Enlightenment's appeal to its own absolute values is undermined, in the same way that Juliette uses and is used by Catholicism in undermining it.
   
   The third chapter is "Enlightenment as Mass Deception", covering the subject of the culture industry. Here Adorno rants against all the vapid and degraded culture forms he perceives in the United States, although he never states it as valid only for the US, of course. There are many interesting insights and observations about modern culture and still valid ones too in this chapter, but Adorno's general tone is that of the "hochbürgerliche" bourgeois annoyed about the offenses against good taste he sees. Yet to dismiss it based on that would be superficial, even if we cannot agree with Adorno's hatred for radio and jazz. His observations on American movies are very poignant, and in between his cultural criticism he hits on certain relations between the capitalist mode of production, its Enlightenment ideology, and the cultural superstructure that are very worthwhile for a patient radical.
   
   The fourth chapter is called "Limits of Enlightenment", and addresses directly the subject of anti-semitism and fascism more generally. Fascism is posited as Enlightenment turned against itself (it must be noted Adorno & Horkheimer were among the first to state this, even if it is somewhat of a cliche now). Enlightenment's general instrumental reason knows only power as a measure of behavior. Therefore, it cannot tolerate the existence of groups that thrive, yet never have power, such as Jews and women. Whenever Enlightened society fails to satisfy the needs of its members, their anger is turned against such groups.
   
   The last chapter, "Notes and Sketches", is as said a series of aphorisms, familiar to people who have read situationist works, or for example Walter Benjamin's notebooks.
   
   Overall, this book is an extremely complex, but very worthwhile philosophical critique of modern culture, and a very pessimistic and negative analysis of Enlightenment and its possibilities. It is hard work to get to the bottom of it, but nevertheless rewarding for any student of philosophy.



3. "Myth is already enlightenment, and enlightenment reverts back to mythology" (xviii). This statement is likely one of the most explosive philosphical theses penned in the 20th century, for not only did it give expression to much of the suspicion and pessimism that people experienced in the early 20th century, particularly under the Nazi regime, but this statement set into motion much of the later suspicion concerning the Enlightenment project and its relation to not just freedom, but domination under freedom's guise.
   
   Dialectic of Enlightenment: Philosophical Fragments is the most important work ever written by any of the members of the Frankfurt School; it stands as a type of manifesto really for the possibility of Critical Theory as a post-positivistic discipline. It is easy to miss, but this is not just a work of philosophy - it is not a work written by old men with elbow patches on their jackets pondering various ideas in a scientific and socio-historical philosophical vacuum. Quite the opposite: this is a book that drew upon then-current sociology and anthropology (particularly pertaining to religion), in addition to the history of philosophy and philosophical currents such as Marxism (Western Marxism, to be specific). This is a book that draws - obviously - on history; it is a book that has much to say about media and the effects of what Adorno called "The Culture Industry".
   
   Several authors, such as Jurgen Habermas and Leszek Kolakowski, have noted the the structure of the book - what we might call its "poetics" - is quite abnormal for a work of philosophy. The subtitle of the book comes well into play here as a means of understanding the book; "Philosophical Fragments" very much describes what it is like reading this work. The genuinely fragmentary nature of the book - it begins with an essay titled "The Concept of Enlightenment" before two excurses (one on Odysseus and the other on Marquis de Sade), the chapter "The Culture Industry", a series of theses titled "Elements of Angi-Semitism: Limits of Enlightenment", and the closing section "Notes and Sketches" (which is anything but smooth) - only adds to the sense of urgency.
   
   The attempt to ascertain "why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism" (xiv) animates the work. This regression ultimately has to do with the very nature of myth, which is "obscure and luminous at once" (xvii). It is with positivism that science believes it can banish all mystery from the world such that humans become masters of it (1); art itself has fallen prey to this myth (14). Perhaps surprisingly, this does not begin in the 18th century European Enlightenment, but with one of our most ancient of founding myths: Odysseus. The deceptive nature of the sacrifice in Odysseus is the beginning of our journey towards enlightenment, for it places us on a similar footing with the gods. The attempt of persons such as Sade to advocate a world without superstition not only turns us into beasts with "the innocence of wild animals" (77), but means that we still must hold onto one myth: that we can actually live in a world where all is entirely as it seems. Transgression of the previous morality (Catholicism) is the necessary mythical supplement to this view; it brings no pleasure but only violence. Both the Culture Industry and Anti-Semitism ultimately have the same totalitarian goal: to make everyone the same, as economic cogs in the machine, devoid of their individuality. Thus Enlightenment is necessarily violent against the Other, who doesn't fit in. The book ends with Notes and Sketches in a kind of anti-climax; Dialectic of Enlightenment is left open.
   
   In many ways, this edition by Stanford University Press, in their uber-fine series "Cultural Memory in the Present", is like a critical edition in English. Dialectic of Enlightenment was printed various times and in various editions from 1944 thru 1969; this edition collects each of the prefaces for the various editions, and notes every single textual variant for each edition, some of which are seen as rather unimportant, but others of which show that the text was very much a continual work in progress for Horkheimer and Adorno. In addition to an Editor's Afterword, there is an essay appended at the end of the book titled "The Disappearance of Class History in "Dialectic of Enlightenment": A Commentary on the Textual Variants (1944 and 1947)", which many will likely to find insightful reading. This is an important addition to the library of many different fields - political thought, intellectual history, philosophy, theology, religious studies, and social theory, among others - regardless of how it has been produced. Stanford University Press should really be commended for producing it in such a way that it is a fine addition to one's library as well.
   
   One does well to remember that this work should not be simply taken at face value. In their 1969 Preface, Horkheimer and Adorno mention that they ascribe a "temporal core to truth" (xi), which means that as an older text, what remains applicable in it should be used today, and what no longer applies should be left alone as having been applicable at one time in the past. Neither author ever endorsed the irresponsible usage of their work in the 1960s by protesting students who had become little more than mobs; that they have been linked to irresponsible New Left anti-politics (via their friend Herbert Marcuse) is not their fault. Rather, what Horkheimer and Adorno endorsed then (and would continue to endorse, were they still alive) is not a brutal application of a particular theory, but a sustained, thoughtful and well informed engagement of theory with the whole of the modern world. "As a critique of philosophy, it does not seek to abandon philosophy itself" (xii). In short, they believed in wisdom: and this is what philosophy is ultimately all about.



4. Adorno and Horkheimer are associated with the Frankfurt school of thought in post-WWII Germany. In this book, Dialectic of Enlightenment, the two thinkers disect the post-war condition looking at all aspects of cultural identity as based on ancient enlightenment-esque ideals. This book illuminates the devestating results of progressivist models of history in late capitalism. Probably the most famous essay deals with the culture industry and how, in post-war capitalism, movies, books, television all become tools of subjegation through which a falsified sense of individuality is produced and commodified to the ends of keeping the consumers of this industry distracted enough to ignore the insideousness of that which we allow to control us.
   A very dense read, poetic in areas, but challenging throughout. Adorno is often criticized for being a cynic, but I think that under his often scathing view of modern culture is a message that through exacting self-reflection change of the "total system" can occur.
   These themes are expanded on in Adorno's other works: Minima Moralia, and Negative Dialectic.



5. Marxist politics aside, Adorno and Horkheimer's staggering critique of post-enlightenment thought takes everything we "civilized" people take for granted and burns it---in front of your kids.
   
   The examination of the oft-overlooked philosophy of the Marquis de Sade is especially significant, as it critiques the rogue philosopher while paying him his long-overdue respect as a true man of philosophy.

5 comments about Landscaping with Stone (Home Landscaping).

1. I love the full color pictures - it gave me all sorts of ideas. I just wished there were a few more pages on "How to do it" I'd recommend this book though for the price - it was awesome.



2. Beautiful book, well put together, LOTS of pictures. I especially liked the way the author covered different styles of stonework. I'm not a fan of very formal design and he included examples of more informal, earthy landscaping.



3. What beautiful and innovative designs this book has. My husband and I wanted to landscape much of our property with stone. We actually did more than planned because we were so impressed by much of the ideas in this book. A concern of ours was the price. Much of the simpler projects you find you can do yourself (such as the small retaining wall around the garden), which saved on additional labor costs. We were guided which stones to use, and stones that could be found around the property. For the work that was a bit more extensive we called in a professional and showed him from the book what we wanted. He was very much impressed with this book himself.



4. Pick this up if you are always at Menards, Home depot, or you just like to play with rocks, on a friday night. It did occur to me after I read this, that my friends may think that I am wierd, because I read a book about rocks and how to place rocks, all on a...you guessed it...FRIDAY NIGHT! LOL! I am not cool!



5. From single stone placements to walkways, patios and garden rooms, this book will provide you with endless ideas and inspiration. The instructions are thorough yet easy to follow. A must for a resplendent garden!

5 comments about Designing with Succulents.

1. 
   
   This book covers it all--the names, the arrangements, the instructions for propagating, the various tips, etc.
   
   Stunning photos. Clear prose. The perfect guide to starting, or expanding, your succulent garden.



2. This book is destined to be page-worn very soon. As a neophyte gardener of anything further than the basics, there are many ways to use plants that are new to me. I love the idea of utilizing non-cacti succulents for so many reasons: conserving water in our parched Central Texas land, conserving time because I won't be out there every day trying to save something from dying in the heat, and the exotic looks of the leaves and blooms that these plants can offer.
   
   The author loves succulents, and gives beautiful ideas for which ones work well together, the habits of various species, and she even has gorgeous photos of some beautiful RED Aloe plants that are out there. I stayed up quite late last night reading this one, and it's one of the few gardening books that I want to read every word and not just look at the pictures. A wonderful book! I can't wait to put some of her suggestions into my garden.



3. Designing with Succulents
   
   What a terrific book. I am a novice gardener, and found this to be a real page-turner. Color pictures on every page. Plenty of info on care, resources, inventive ideas for really lovely designs - just inspiring. Don't hesitate on this one. Happy gardening!



4. I initially purchased "Designing with Succulents" because it has a chapter on "Growing Succulents in Colder Climates". I live on the coast in the Pacific NW and as we hardscaped the yard I was determined that I was going to plant drought tolerant succulents that were hardy enough for our climate, could survive frosts and occasional snow, as well as the salt spray and wind. The entire book proved invaluable in my project; it is full of wonderful photos, provides how to details, as well as inspiration, to design your garden and emphasizes the selective choice of succulents with more common companion plants.
   
   While I wandered nurseries with my post-it-note covered book, I was constantly told that we could not grow succulents in our area; they would have to be taken into the greenhouse for winter etc. DwS provides the necessary detail on the plants to determine which species are going to be hardy enough for your conditions and gave me the confidence to proceed with my landscaping project. It also made succulent converts out of a couple local nurseries!



5. I absolutely love this book. Besides the great pictures and information regarding the care of succulents it has given me some fantastic planting ideas! As an avid succulent and cacti collector I was looking for a book to help me integrate the two in my garden. The themed section of the book is my favorite. Among the many ideas it shows you how to have a ocean theme look to your garden. I am now putting together a reef themed planter.

1 comments about The Vertical Garden: From Nature to the City.

1. A different type of garden, designed for an area where real estate is invaluable, "The Vertical Garden: The Nature of the City" is Patrick Blanc's look at these creations that can be created in almost any urban setting. To the city they bring a visually pleasing image in an area where people only ever see is asphalt and concrete. The gardens can range from any height, from half a story tall to slowly growing up the sides of skyscrapers. Covering the history and skills involved in creating such gardens, "The Vertical Garden" is a must for anyone who wants to create a magnificent arrangement of plant life and doesn't have much horizontal to work with.