5 comments about Akira (Geneon Signature Series).

1. In the years since Akira was first unleashed, a lot has changed in anime - and movies in general, animated or not. Animation has become more sophisticated, voice acting has gotten much better and I think Akira is a big reason why (along with the likes of Ghost In The Shell and Armitage III).
   
   I picked this up a couple years ago, and was mostly happy with my purchase. It sill looks as good as I remember, and the option to translate some of the grafitti and signs is nice for gaijin like me. However, I'm not as fond of the new English dub. While I don't remember the original dialogue line for line, this isn't the same. Some of the voices sound *off* and I'm pretty sure some of the dialogue was changed.
   
   I consider myself a fan of anime, not a fanatic. I'm not familiar hundreds of titles, I don't know everyone's name and I don't worship everything that comes out of Japan. I guess that's part of why I prefer dubs over subs. Even with the best translations, you don't get the full meaning unless you're familiar with the original language, in which case you don't need to be using the subtitles anyway. With the right voice actors and the proper way of translation and localizing the dialogue (and other things, if needed), you can convey the exact same thing, even if it's not a 100% accurate, word for word translation. Subtitles can't do much beyond tell you what the person is saying; they can't tell you how they're saying it, what they're stressing, stuff like that. Some things don't translate very well, and changing them to something that makes sense in the subtitles doesn't always work; you need something more, which English voice acting has a much better chance of doing.
   
   But that's just a matter of personal opinion. The English dub is the only thing I find flawed with this release. Of course, the movie itself has issues of its own - namely the rushed feeling that the end that seems as though the Akira Committee started to run out of steam. Some may point out that this doesn't tell the whole story that the manga version does or remain faithful to every detail in it, but that shouldn't stop you from seeing this movie.
   
   20 years later, Akira is still a must see if you're into anime that's not of the non-sensical sort. And even if you're not into anime, it should still be worth a watch or two. Just go into this with an open mind and be prepared to see or hear something new each time.
   
   Sure, it may not be the best anime ever, but it's still up there as one of the best around. Top 10 material, even.



2. An amazing trend setting Animated film; intense, believable characters, deep story line, incredible animation, sound, and music. A pivotal, groundbreaking work that has inspired animators and film makers since.



3. Akira in many ways put Anime on the map, at least in the US, but is deserves to be recognized as more than a gateway film into the world of Anime. It is the classic post-apocalyptic setting, a story about what happens when science and teenage hormones run amuck. The film tells the story of a teenage motorcycle gang, and their troubled, latent psychic and second in command Tetsuo. It is an examination of diverse psychology, The Will To Power, corruption in various forms, and ultimately, sacrifice. The artistry of the animation is still amazing almost twenty years later, and the story is just as compelling now as it was then.



4. It really is unbelievable just how many animes derived and used something from this movie. Obvious origins can be compared to Dragon Ball and Elfen Lied, but so many ideas were first featured in this film that later translated into full-length anime series. Aside from setting the groundwork for future animes, this film was also one of the greatest, if not the greatest, anime film ever made (though my favorite is still Spirited Away).
   The best aspect of this film, in my opinion, is the character development of Kaneda and Tetsuo, best friends in the film. While Kaneda evolves into a more empathatic person, Tetsuo makes the most dramatic changes, from a jealous and weak individual, to an insane, angry, blood thirsty villian, to a frightened child who clearly realizes his mistakes. Tetsuo has to be my personal favorite villian from any film, purely due to how well he is developed and the absolute human, kind-natured side to him that is apparent throughout the film.
   Besides that, the movie is the orgin of anime for most anime fans, and is an absolute must-see film for anyone in my opinion, even for those who don't usually like anime. I mean, who doesn't like an awesome story line, great character developemnt, big explosions with high intensity sequences, and a great ending in my opinion. One of the greatest anime films ever made, and the film that really started it all for anime's popularity.



5. I found this Anime to be enjoyable. Vivid colors and DTS sound envelope you into the movie. Backed by an interesting story.
   
   Very imaginative and captivating. However as good as it was I have sceen many other Anime's I would rate better then this movie. Still a must see.

5 comments about eXistenZ.

1. What a weird, creepy, bit of fun this is! It is reminiscent of "Naked Lunch" (and why not? Cronenberg did THAT one, too!). The game within a game within a game was Excellent! I find it odd that it was a flop at the Box-Office. I first saw "ExistenZ" the year it first came out on VHS, and enjoyed it immensely. Of course, I'm biased, because I'm a HUGE fan of David Cronenberg's works. Where David Lynch uses a feather floating on air, David Cronenberg uses a sledgehammer (of course, AFTER he has given it his trademark "biomechanical" look)!
   
   Some would say it has a passing resemblance to films such as "The Matrix", but I see it as totally unique. As in "Naked Lunch", we are treated to a trip through Cronenberg's twisted mind, where nothing is as it seems to be. Seeing it through the eyes of Ted Pikul (Jude Law), is this live? Or is it Memorex? Cronenberg leaves you to decide, but for just a little while, when you are treated to another "reality"! Good ol' Ted is being led around by Allegra Geller (Jennifer Jason Leigh), the creator of "ExistenZ", the newest VR game to hit the streets. There are others who take exception to this, however, and try to kill allegra. Ted is forced to do things he would not normally do, but he is pressed into protecting Allegra.
   
   This film is just a lot of fun! Oddities abound. The Uh...weapons, are....unique? Ted's rush to build one, at a restaurant is alternately cool and disgusting. "ExistenZ" is a must-see for Cronenberg fans, as well as anyone who would like an intriguing thriller/horror film!



2. Please note that this movie has nothing to do with those pills you see advertised on late night TV. :(
   
   
   ExtenZe Male Enhancement, 30-Count Box



3. At first sight, the pod looks horrible and squeashy. At the end of the show, I am left baffled by the character asking whether they are still in the game or not. That's the general feeling of this movie. One just doesn't know whether the game is still on or off, and if still on, on which dimension and how far advanced the players are in the game. It is an eerie thought that someday, maybe, those gamers out there might just slip into the gaming world and never ever return to the real world. Splendid performances from Jennifer and Jude. I find the movie a little too gory and violent, without a clear sense of direction or purpose. Plugging the pod to the spine is both horrifying and scary.



4. Ever wake up from a vivid dream and wished that you could make it into a movie? If you're David Cronenberg, you don't have to wish, and the result is Existenz, an ethereal, strangely sensual odyssey into a world only the subconscious mind could conjure.
   
   A weird little movie with a befittingly weird title, Existenz flew under the radar during the 'Summer of the Matrix'. On the surface, Existenz is little more than a vague narrative of two unlikely companions, played by Law and Leigh, who alternate between reality and a virtual reality game called Existenz.
   
   On a deeper level, this film is an an exploration of the meaning of consciousness and reality and revisits Cronenberg's fascination with the power technology has over its creators. It features Cronenberg's trademark gooey special effects and organic weirdness, but the most striking element is the conspicuous eroticism of existenz's virtual world.
   
   Existenz is an unusual but entertaining and worthwhile film, and though it fails to fully hit home with some of its philosophical arguments, it connects well enough on others. A host of familiar names and faces round out the cast. The DVD offers little in the way of extras (just the theatrical trailer, which I didn't bother to watch). Dolby 4.0 is available, picture quality is great (only widescreen is offered on this disc).



5. eXistenZ is a very interesting movie that follows the heroes as they try to succeed in the ultimate game of virtual reality. Jude Law and Jennifer Jason Leigh must go through a series of challenges to unlock the game and it's secrets. The thing that is most allusive about winning the game, is that it's not clear what winning means. In fact, it's not even clear what is part of the game and what is not. As they learn more and more about the inside and outside of the game, they come closer to solving the mystery of Existenz.
   
   This is not a new concept. The idea of a thriller wrapped around a virtual reality game has been done many times, starting with Videodrome and continuing through movies like Strange Days. But what really sets this movie apart is the interesting way it's done; the overtones of attraction, the sexual nature of the apparatus, the philosophical struggle between reality and fantasy. All of the concepts that make such an existential dilemma meaningful are here.
   
   The ambient filming and dark mood lighting of the film lend to a kind of overall *horror mystery* sort of vibe. All along, we are trying to determine what is real and what is fantasy. Are we in the game or out of the game? The way the camera work is done is a big part of that.
   
   Similarly, the cast is top notch. While one cannot always expect a good cast to yield good results, when it's combined with good writing the results are positive. And that is what we have here. Jude Law is consistent as ever, as is his co-star and the supporting cast. All the portrayals are under-stated. But the strong writing makes them impactful despite the methodical pace of much of the movie.
   
   The special effects are also nicely done. All of the effects have a role in the story. The technology used in the game is given a weird appearance, as if it was a strange body part that was removed at birth. All the little details such as these really made it clear to me what the message behind the movie was. You will have to decide for yourself what your interpretation is.
   
   Because of the philosophical nature of the story, the movie can be somewhat preachy. Not everybody is into that. The ending also left me feeling like they took the easy way out so to speak. Once again, you will have to make up your own mind. No spoilers here!
   
   Conclusion
   
   If you are attracted to weird, thought provoking, horror mysteries, this movie is basically in its own category. If you are looking for the simple scare and don't want a lot of preaching, this may move too slowly for you. As for me, this is one the movies I turn to often. As long as you are in for something far out, I highly recommend it.
   
   Enjoy.

5 comments about The Animatrix.

1. this animated movie didnt add up to my expectations. seems to me at times it let way off the matrix series and wanted to prove to be better. i would have loved to see just a animated version of all matrix movies rolled into this movie. but i expected too much i guess



2. This animation is a mini series of different views of the Matrix. The series are like various examples of how the Matrix function. It could be interesting for the animation and matrix lovers. However i do prefer a single movie rather than short different series.



3. There is no comparison to the Matrix Trilogy...
   Until... The Animatrix was released!
   
   This DVD includes 9 unreleased titles
   made buy the guys that brought you The Matrix!
   
   Each short film has it's own story and style.
   They still follow, to some extent, the idea that
   The Matrix was based off of.
   
   When can we say there's TOO MUCH technology? So far,
   I like where we're heading, it brought me this movie...
   But maybe some day we will reach the point where our
   world is run by it...



4. Animatrix is a set of short stories that take place in the matrix universe, each with there own animation style. To make this short I'll just say that it's worth it!



5. Let me say straight out, I have never been a fan of the Matrix movies. What started out as an obvious ripoff of John Woo films and Ghost in the Shell was drawn out into an unnecessary trilogy for purely financial reasons. The Wachowski brothers are without a doubt two of the biggest hacks in Hollywood, just look at the failure of their Speed Racer adaptation. However, the idea of the Animatrix was genius; take the premise of the Matrix, strip away all the useless martial arts attempts at action scenes and focus on the truly interesting part of these films, the story. The centerpiece is without a doubt the finest; "The Second Renaissance". This two-part story tells the most interesting piece of drama, the back story, and the dark depths to which this chapter goes show the true destructive nature of humanity. If only the films had focused on the first war between humans and machines, we might not have had such horribly acted pretentious dribble. Several of the other shorts are excellent as well. "Final Flight of the Osiris" demonstrates Square's perfection for human CGI animation (second only to Pixar), while Peter Chung takes his hyper-intelligent mold of anime to the extreme in "Matriculated". What becomes clear to the viewer after time and repeated viewings, is these artists are infinitely more creative than the Wachowskis, who should have perhaps stayed as producers on the film trilogy, and handed over directorial control to someone more capable, and more competent.

5 comments about Blade Runner (The Director's Cut).

1. Blade Runner was a five star movie that had an exceptionally good plot. It also featured astounding special effects which were amazing to see on the big screen. Much of this work was done with large scale models and fog machines that really helped to establish the atmosphere and feel of the film visually. Several of the screen and sound effects were taken from Ridley Scott's Alien, including computer graphic screens and miscellaneous electronic sound effects. In addition, the sets, models, and costumes were wonderfully organic, as were the original sets of Giger's from Alien.
   
   The story concerns humaniod robots in the first quarter of the 21st century that have intelligence and agility at least as great as that of the genetic engineers who designed them. The robots are called Replicants because they are physically equivalent to human beings down to their organs, blood and bone structure. The strength and speed of these androids is much greater than that of a human, and they can be a great deal of trouble to deal with.
   
   The story takes for granted that such advanced robots possess true consciousness and are quite willing to fight and even kill human beings in order to continue their existance which has been intentionally limited to a life span of four years. This is one of the few robot films to come out of Hollywood which does not depend on Asimov's three laws of robotics for the story.
   
   One new science fiction twist on robotics used in this film is the implanting of false memories of childhood, parents and a long prior existance. Though false, these implanted memories mean a great deal to the androids at the "emotional" level who carry photos of their false history, parents and childhood homes even when they are aware that these memories are false. This was a totally new concept to me as a long time fan of robots in science fiction film and gave me a new perspective on the value of memories.
   
   The film stars Harrison Ford who plays a special law officer or Blade Runner. As a Blade Runner he is authorized to use deadly force in the pursuit of "Replicants" to terminate (or retire) them on the planet Earth where their use has been banned. The story becomes even more interesting when the Blade Runner falls in love with a beautiful female Replicant who is used to calibrate the andoroid detection software used by Blade Runner detectives.
   
   One scene which was particularly effective involved Harrison Ford revealing to the female android that she is artificial, something she has been unaware of since activation because of her false memory implants. This is the scene in which Harrison Ford falls in love with this very beautiful "woman" because of her well portraid vulnerability, emotions and sadness at learning that she is artificial. She is deeply hurt and shattered by the new knowledge and the tough Blade Runner instantly falls in love when she breaks down and silently cries after hearing his revelation and convincing evidence.



2. Blade Runner has gotten so much praise since its debut in 1982, and when it was released then, it was a box office disaster. Many years later, it has become a cult favorite, and I can see why, but, I believe its only going to appeal to a "certain type of audience" The movie looks fantasic, and the visuals are well done for a film from the early 80's. The flim doesnt use action as its key, but tons of dialogue and there a tons of hidden meanings in the film (which I had to look up) which at times make it confusing and a bit to over-whelming for a sci-fi movie. This will appeal to certain types, but please dont think this is a sci-fi action film, because it isnt. The first 50 minutes have no action, and the movie as a whole is just to dark and to over-complex for someone like myself who is only an average sci-fi fan. This was my first viewing of the film, so I decided on the directors cut, which I dont know if this might have made things more confusing for me, since I have read there is a big difference between the DC and the theatrical version. I also hear there are many different cuts of the film. I still appricate somethings that are done here, and that is why I give the film credit. This is the first time that I have praised a film so much that I hated (well most of it) This isnt some piece of trash,(once again why I couldnt give it one star) it has been praised by many film critics, but once again, there was nothing in this that tickled my fancy. Be warned that this is a complex movie you are getting yourself into, U might love it, but I think for an average fan of sci-fi with an over-complex plot, it is only a C-. For those that are really into deep thinking movies espcially SCI-Fi, then you will probely think its an A+ Masterpiece.



3. What makes you human? Is it the flesh, bones, blood, and brain matter in your body? Or is it the experiences, emotions, the love, the joys, the angers, and the remorses? Would you be in the wrong to be a little angry if you found out you were manufactured for someone else's short-term use and want to confront, hurt, even KILL the "God" that put you in this position?
   
   'Blade Runner' asks all of these questions in front of a stunning backdrop of a dystopian future and a haunting, mesmerizing, almost sensual soundtrack by Vangelis. Mankind is depicted as dejected, dreary, and living day by day with seemingly no purpose in a globalized world of super-technology, futuristic cars and billboard signs, etc. The dehumanazation of man with the rise of technological and capital growth is strong here.
   
   The greater question of what defines humanity is asked when Rick Deckard (in an excellent subdued role by Harrison Ford), retiring police force "blade runner", is assigned to a final mission before his retirement, where he has to find and kill four "replicant" androids who escaped from a technological colony and have killed since their escape. Deckard grudgingly embarks on this quest. A romantic subplot intertwines him with a prototype replicant named Rachael (who doesn't know she is a replicant) and some more philosophical questions are asked.
   
   The emotionality of this film is just timeless. The film deals with the aforementioned questions of humanity as well as the ambiguity of clear-cut terms of "good" and "evil" and if they truly have any meaning at all, as well as the theme of alienation. The final soliloque delivered by Rutger Haurer, who plays the leader of the four replicants, is among the most haunting, timeless, and tear-inducing lines in cinematic history. It delivers an emotional punch like nothing else. And again, all this tension/emotion coupled with Vangelis' soundtrack and the romantic overtones of Deckard and Rachael gives for an extremely beautiful and dark atmosphere. I've heard one reviewer describe the vibe and visuals of th film as "the most beautiful nightmare you've ever head." I don't think you could give a better summary in one sentence.
   
   A flop upon its release (like many all-time classics), its appreciation didn't solidify much until its VHS release shortly after, whereupon it grew to be a cult classic and recognized as one of the best movies ever made. Essential doesn't even begin to say anything. But....essential.



4. I remember seeing this movie when I was a senior in high school. I thought it was pretty good at the time.
   
   Looks dated and weird now. I didn't enjoy it. Does not hold up well over time. Not my favorite movie.
   
   Don't waste your time watching this. Go find a good hobby like building bird houses or making beer.



5. I love Blade Runner. But my 3 star rating has to do with version unbox downloaded for rental. I'm not hip to the names of the various versions, but I had heard there was one with an annoying Decker narration... FYI - The version provided through unbox is, of course, that one. I think it was essentially added to the film to help those who like their films spoonfed - maybe for tv/cable release. I'm kind of annoyed about this because it is totally distracting.

5 comments about Vexille - Movie.

1. There is a lot of goodness to say about this movie and very little drawback. Let's start with the one thing that I didn't fully like then move on to the good stuff.
   
   Vexille Soundtrack
   The soundtrack, done by Paul Oakenfold was really good - but a little to hardcore in some of the action/fight scenes. We had to keep turning the volume down during those parts then turn it back up for dialogue. This is just a personal preference - many of you will likely love the heavy feel to it.
   
   Ok that's it for what I didn't completely like!
   
   Animation - superb. There was however, a very interesting aspect to the animation. The details on the characters (the people) were scaled back when compared to the details on the environment/effects/buildings/etc. You could see rich wood grain on the walls of buildings, but the character's hair barely moved in a harsh wind. Skin features were missing, yet mechanical aspects to body armor were complete with detail. It was an interesting perspective that the environment was more detailed than the actual people. Even things such as lighting effects from a vehicle were amazing to watch.
   
   Plot - also superb, and very impressive offering from Japan. Vexille is the main character of the movie - but you don't find out that it's actually the character's name until half-way into the movie. It starts out with a bang - Japan has cut off all uncontrolled contact with the outside world and has erected a very impressive barrier/shield around the entire island to prevent signals coming in or out - basically a total blackout of the island. A team of elite soldiers operating outside the auspices of the US and United Nations is tasked to infiltrate the island - the first "visitors" in 10 years - to determine if they are building a prohibited bio-mechanical technology. What's been going on in Japan for the last 10 years since the blackout? You'll have to watch the movie and see.
   
   This is a full length feature with exciting action sequences, violence, a bit of romance, and an effective storyline that has made me want to watch more animated movies like this. Sci-fi is thick in the plot, so expect a lot of "tech".
   
   We watched it with the English audio track and no subtitles, but you can watch it in native language with English subtitles if desired. There are a few special previews on the DVD, but they are mostly advertisements of other Japanese animations that are now available for purchase. Highly recommended for fans of action/adventure, sci-fi, and animation - even for those who don't necessarily choose animated movies, you'll forget that you're watching animation!



2. Having watched "Appleseed", it was pretty much a no brainer that I would be giving "VEXILLE" a try.
   
   The latest theatrical effort from SORI combining 3D and animation together that have made films such as the two "Appleseed" films has been quite exciting to watch and see develop overtime and just pretty much to see where animators are able to take things to a new level is always exciting.
   
   As a viewer, I'm open to new technologies and to see technology and well-told storylines come together.
   
   Of course, what makes things even more interesting is that SORI (Sori Fumuhiko) has evolved from his directorial debut with the live action theatrical hit "Ping Pong" back in 2001, produced the 2004 "Appleseed" film and here he is now as the director and screenwriter for the animated film "VEXILLE".
   
   With "VEXILLE", the creators of the "Appleseed" film are back with a storyline that I have to say is quite thought provoking and animation that is quite mesmerizing to watch but this is a storyline that I wish was fleshed out in several movies than just one.
   
   I have to admit that I really enjoyed the film.
   
   I really enjoyed the awesome animation, I really enjoyed the storyline but I would love to find out from SORI if there were scenes cut or if he would loved to have made this film a two-parter or maybe a trilogy.
   
   You get hooked on these characters such as Vexille, Leon, Maria and you just want more character development. Heck, even the main enemy scientist of Daiwa or even the corporation itself, you want to ask why did they do what they did. You are left with questions but of course, there is only so much you can cover in a film that is already at 105 minutes long.
   
   So, for me, I wish the storyline would lead to another film but pretty much the way everything was written, everything is contained to one story, one movie and focusing on the overall situation in Japan ala 2077 than the characters.
   
   With this exciting movie, you are just left wanting more and its a shame that the DVD doesn't have any special features. It's one thing for Hollywood companies to hold back and release so many multiple versions of a DVD but if there is one nitpicky thing I have about this DVD is that the Asian release gets the goodies, while those of us in the US will probably have to wait for a better release on Blu-ray.
   
   But all in all, the DVD is definitely solid. I really love how animation and technology have come to play with the "Appleseed" films and even "SOS: TOKYO METRO EXPLORERS: THE NEXT" to "FINAL FANTASY: ADVENT CHILDREN".
   
   It's good to see Japan taking chances on these type of films that utilize 3D and animation together and I know that it may not be the greatest thing for anime purists but for those who are able to accept technology and for creators to release something that is not just eye candy but having an engaging storyline is important.
   
   "VEXILLE" by no means is a perfect film but it's a very good film that features mind-blowing animation utilizing new technology.
   
   As for the DVD, it's barebones but for now, it's what is currently out and definitely recommend people giving it a try!



3. It doesn't come as a huge surprise that "Vexille" is from the people who brought the world "Appleseed" and its even better sequel "Appleseed Ex Machina."
   
   And in "Vexille," the cyberpunk flavor, the big mecha, and the futuristic world full of political and technological conflict are all firmly in place, along with some pretty slam-bang action sequences and a darker, grittier feeling. While it lacks some character development and feels rather bleak at times, it's still a pretty entertaining story -- now if only it had fleshed out the main cast a little more.
   
   About seventy years in the future, the world is worried about the advancement of robotics technology. So the UN orders them restricted, and Japan decides to cut itself off from the rest of the world.
   
   But ten years later, a biomechanical leg shows the UN just what has been going on in Japan. So the American tech police known as SWORD are sent into Japan to find out if the isolated country has been doing illegal robotics research, which no other country allows. They aren't, and the movie ends there. Seriously, the Daiwa Corporation has decided to guide mankind's evolution through machinery, and the the SWORD agents are met with a very warm, nasty welcome.
   
   After being rescued by the rebel Maria, Vexille finds that the biorobotics Daiwa Corporation has reduced the once-proud Japan to a vast, barren slum devoid of truly human life. Even worse, a nanotech "vaccine" transforms the Japanese into mindless machines. Vexille's only hope of saving herself -- and her lover Leon -- is to join forces with a small band of rebels before Japan is completely destroyed by Daiwa.
   
   "Vexille" is a very different animal from the "Appleseed" movies. While it has the nimble shiny mecha and exploding buildings, the focus is on political machinations and evil corporations whose morality makes your hair stand on end. There's no utopia here for our tough heroine -- it's more like one of the outer circles of Dante's Hell.
   
   The scenes in Vexille's home are colourful and streamlined, set in a futuristic city. But things get darker soon, taking us to the sickly yellow light and shabby shanty town of Japan, and things don't lighten up. And that devastated Japan is a pretty brilliant creation, both in its decayed misery and in the bleak future that its few remaining "fragments of humanity" have. The big flaw: the characters spend loooooong stretches of the movie just grimly talking to each other, with too little action.
   
   Fortunately when there IS action, the fight scenes are top-notch in quality -- it has exploding buildings, missiles, battling mecha and chases through a marketplace. The fight scenes grow in intensity as Vexille and Maria reach the climactic confrontation with the Big Bad Guy. And the semi-apocalyptic finale is both shocking and inevitable -- as well as a helluva way to end a movie.
   
   And then there's the jags, which are also quite cool -- giant wormlike masses of technology and metal that devour anything they come across. Not only are they wonderfully freaky, but they come across as a sort of cyber-sandworm from "Dune." Lovely.
   
   And the animation is pretty astounding, though it has an oddly rotoscoped look in some action scenes. It's detailed and gloriously vivid, despite its grimy, shadowy look. And that includes exquisite details like snowflakes being individually swept from a windshield, or a reflection in a transparent helmet -- or even a smooth-skinned, nimble mecha exploding into a building with almost stunning speed. This glorious look almost makes up for the stretches of relatively action-free plot.
   
   Perhaps its biggest weakness is in the characterization. It feels like they put a lot of effort into creating lifelike-looking characters. But despite the spunky Vexille and some touching moments from the Japanese cyborgs, the characters never quite come alive. Call it the "Final Fantasy: Spirits Within" effect. The best-rounded character is probably Maria, the tragic rebel leader who also provides a little romantic tension for our elf-faced heroine.
   
   "Vexille" is a flawed little semiprecious gem -- brilliant animation, a tough heroine and mildly horrific Japan. Flawed, but has plenty of chills and explosions.



4. ***1/2
   
   It's 2067 and Japan has become a nation completely cut off from the rest of the world because it refuses to adhere to a U.N. mandate banning the development and manufacturing of human-like androids. The nation has also set up a sophisticated magnetic force field that effectively bars all outsiders from entering its borders. S.W.O.R.D. is a secret U.S. special forces team sent in to find out what diabolical activities are occurring on the inside. The main character, Vexille, is a feisty female member of this special ops force.
   
   "Vexille" is a stylish and energetic dystopian fantasy, marked by imaginative storytelling, exciting action sequences, and animation that is a canny mixture of art deco, Soviet-era agitprop - with its heavy emphasis on facial shadowing - and technology-based futurism. Nicely done.



5. The plot of Vexille is complex and sophisticated and so is its animation/CGI/motion-capture, along with the depth of the ethical problems its plot revolves around. Good dramatic writing, coherent action and well-defined characters complete the package.
   
   In the end it's the rebels versus big business/government/evil guys with a mad dash to smash everything before civilization falls, etc. Even though that's a trite premise, it's still so well done that one doesn't mind. That action isn't meaningless and baffling is one clear reason why Vexille stands above so many other animes. Maybe the word is maturity. It's a see and re-see movie. If the drama doesn't get you, the painterly art
   will; see it and you'll see.

5 comments about Blade Runner (5-Disc Complete Collector's Edition) [HD DVD].

1. We all know the movie, which is one of the most interesting ever made.
   This collection of disk will give you everything you wanted ever know and see about the making of Blade Runner.
   There is also a disc with some delete scenes, alternate endings and several documentary on the production of the movie which will reveal many anedocts that are very interesting. The documentary will reveal that the movie production was extremely under budget for how it was intended to be shot by Riddley Scott and he had to make so many compromises to get it to the end. Too bad they did not have a budget on the line of many of today's Hollywood productions.
   The "final cut" blue ray disk, has an incredible quality. The film has been restored and I think colors and sharpness of the images has been enhanced using the latest digital technologies because the clarity and saturation of the colors is much better than any other version seen on disk or in theater. There also is one of the final scenes that has been completely re-shot using the latest computer graphics technology and finally makes the film to be as it was intended by the author.



2. The film was finally released in 1982 starring Harrison Ford as a Blade Runner named Rick Deckard; a bounty hunter whose task was to track down and destroy Replicants; robots that resembled humans in just about every way, except for a typical lack of emotion. He is challenged by an incredibly human, in nature Replicant, named Roy Batty, who was played by the white haired Rutger Hauer, Roy later being one of the iconic roles of his long career.
   Throughout the film humanity is questioned, as sometimes it seems as if Roy and his group of Replicants are more human than the one who hunts them. Often implying Deckard was a Replicant (an aspect never seen in Dick's book) was a way of asking ourselves if humanity truly was better than the machines they created. A compelling sci-fi epic, with beautiful set pieces Blade Runner received plenty of critical praise, but was overshadowed by John Carpenter's horror remake of The Thing and Steven Spielberg's heartwarming family adventure, E.T. The Extra Terrestrial, which were also in theaters around the time of Blade Runner's release. The complex Blade Runner didn't stand a chance against these two mainstream, appealing sci-fi films and struggled in the box officer, only making an estimate of $33,000,000; a $5,000,000 profit.
   Overlooked the year it was released Blade Runner would soon come to be one of the most beloved science fiction films of the `80s, managing to end up on many top film lists nationwide, and taking a firm place in cinema history. Director Ridley Scott, who thought he'd had too much cut from the original theatrical cut would later go back and release a Director's Cut in 1992; the film's tenth anniversary. Fifteen years later a dedicated Scott would return to the film again for its 25th Anniversary special edition DVD release, making what he entitled Blade Runner: the Final Cut. This final cut was soon accepted by the film's many fans as the definitive cut of the film.
   
   Scott went all out on the Final Cut and all the 25th anniversary DVD sets. Blade Runner is a masterpiece.



3. 
   Love the packaging for this great, ahead of it's time sci-fi masterpiece. Still like the original, rather than the re-issues.



4. This is possibly the best box set I've seen yet. All five versions of the movie are presented in this set beautifully remastered and in 5.1 surround. I cannot complain about anything about this. The extras included also are in perfect form. It is definately worth the extra money to get this set especially since it includes the workprint version only available here and in the blueray edition.



5. This set is the best box set I have so far. With all the different versions, I have no idea where to start. Well I got mine in August. I still have yet to watch everything on the DVDs but I'm getting there. I'm not very good with reviews but I have to say the versions are not that different from each other but still worth watching.

5 comments about Ghost in the Shell 2 - Innocence.

1. I have to agree with the folks who complained about the fact that the ONLY version we got of this feature-length animation film is one in Japanese with subtitles... to Everything. There is too much going on in this movie to have to pay attention to Reading for almost two hours! Grrr. And you have to read Fast! Because the lines go by so fast that I sometimes had to hit the pause button just to make sure I could read what was on the screen before it moved on to the next line. Imagine watching a whole movie via Pause-Play-Pause... A real drag. And not very entertaining like the first GITS movie was.
   I am Really Upset that I paid money for this that I can't get back because I opened the durned thing.
   So my advise to those English-speaking consumers out there who are interested in getting this is to wait to see if a version comes out With English voice-overs. Just like the First GITS movie.



2. If you've seen the first series, Stand Alone Complex, this movie will bore you. If you've only seen the movie and are looking for another one, then it's ok to watch once.
   
   Most of the movie is a collage of ideas from SAC. Worth watching, once, or if you just have to have every DVD which sways "Ghost in the Shell" on it. Otherwise, shrug it off. There isn't a single original idea in here.



3. ...because I returned the DVD and got a non-captioned version. So to all you people who insist on filling up page after page of complaints about the captions...STOP IT! I went scrolling through the 1-star reviews looking for differing opinions on the movie, and all people could talk about was Dreamwork's screwup.
   Let me also preface this by saying - I don't mind that there's no English dub. And no, I don't speak Japanese, but I like the sound of it. Would hearing dozens of Confucian-lite quotes in English over and over really have made for a better experience? I mean really, it's not like people spend the whole movie talking. I'd be willing to bet only about 50% of the movie has dialogue. I got an idea - why don't we just put an English dub on every great foreign film ever made? Seven Samurai, Breathless, Fellini's 8 1/2. Why not? Gotta make 'em palatable for Americans, right?
   Some of you people make me sick: "If I wanted to read, I'd get a book." Truth is, if you read books - EVER - subtitles aren't that hard. The amount of time it takes your eye to scan down and quickly go over a line of dialogue is not that long. But seriously, on to talking about the movie, 'cause I'm getting a little pissed here.
   Like many people upon first seeing this, I was just in awe. The melding of CG with the 2D animation is top notch. Look at that scene in the beginning when Batou is walking down the alley and tell me that's not photo-realistic!
   However, I watched the movie with a more critical eye lately, and plot-wise, there are a few problems. One, the dialogue. Entire conversations between characters are made up of quotes and parables. I mean, does everyone in the 21st century walk around with a copy of the Tao Te Ching in their pocket? Two, there is this feeling of malaise throughout the whole thing. Obviously, Oshii is trying to carry over the feeling of what is real/what is a soul? etc. from the first film. But there is no resolution to this conflict. The pedantic existentialism mostly revolves around "the soul of a doll" (Oshii even mentions this in the extras). The monologue of the Puppet Master in the first movie is much easier to take than all the crap that pours out of the hacker Kim's mouth.
   Third and final point - the last half of the movie absolutely drags, basically everything after Batou decides to go North. The overlong parade sequence, the slow walk into Kim's place. It's like they took the sequence from the first movie when the Major is on the boat looking at the Tokyo skyline and stretched it to absurd lengths. Don't get me wrong, it all looks beautiful (especially the parade stuff) but to what end is it serving? I mean seriously, the last half of the movie is like Valium in DVD form. And the mediocre action at the end doesn't make up for it. I don't feel that threatened by a whole army of killer nymphet cyborgs.
   So in conclusion, this is not a hands-down great film. It has great execution, but the ideas ultimately come off half-baked and unresolved.
   And a minor quibble, but what does the word "Innocence" in the title have to do with any of this?



4. The thing that bothered me the most about this movie is the PG-13 rating, which you can tell in the movie they strived for. No gore at all! Not that gore is the number one factor in an anime, but it feels like a more kid friendly version of the first movie. Also, with Studio Ghibli being involved, I thought the animation would be better.



5. This movie looks good but is unwatchable due to the lack of a English vocal dub, what a disaster. Sub-titles are one thing, but, come on now, not on anime of this quality, there is too much visually to take in besides reading dialogue! Oof!

5 comments about Robocop (20th Anniversary Collector's Edition).

1. I just received the DVD version from Amazon.com, some are commenting on
   the Blu-Ray for some reason. I was pleasantly surprised to find that it is in fact a Steelbook case. It's really cool, I own just about every release of Robocop and "case wise" this one is the best.



2. Re-experience a classic with a bevy of special features before the Aranofsky remake shifts into high gear.



3. In the near-future Detroit becomes so plagued by crime that the police resort to Robocop (Peter Weller), a cyborg police officer, in order to clean up the streets. However, Robocop, who has the mind of a human police officer who was killed in the line of duty, is plagued by nightmares of his death and is compelled to seek out the men who "killed" him and avenge his own death.
   
   After watching "Robocop", I mentioned it to a friend of mine, who told me that he had never really wanted to see this film because he always thought it looked kind of ridiculous. To be honest, up until a week ago, that's exactly how I felt about it too. However, after recently watching "Starship Troopers" and falling madly in love with it, I found myself seeking out other films directed by Paul Verhoeven and written by Ed Neumeier, no matter how bad they might seem, which inevitably led me to their earlier collaboration "Robocop".
   
   Yes, "Robocop" is a ridiculous film, but that's the whole point of it. "Robocop" is a far-fetched and ultra-violent satire of law-enforcement and I thoroughly enjoyed watching it. Between "Robocop" and "Starship Troopers", Paul Verhoeven is rapidly ascending the list of my favourite directors. He is an A-list director who takes B-grade material and turns it into grade-A final product. What is not to admire about this man? (OK, I have haven't seen "Showgirls", but I suspect that would answer my question).
   
   "Robocop" is an incredibly violent film (even more so if you watch the director's cut), which may upset some viewers, but to me the violence just added to the fun. It's not disturbing or disgusting, it's just over-the-top and adds to the satire. If you're the sort of person who considers over-the-top violence to be an acceptable form of entertainment, then you'll love "Robocop".



4. A hit film from the director of later box-office hit "Basic Instinct," the action movie "Robocop" is a classic. While I enjoyed the movie, I've gotta say that I've a small grievance. I played the Nintendo Game based on the film when I was a kid (and the music from the game sounded a bit like the main theme from the movie; I saw the film for the first time ever yeterday). Was a video game really neccessary to market this violent movie to kids? Could've been a Disney movie without all the graphic violence and strong language (hence the reason for my giving it 4 stars instead of 5).
   
   If a remake is neccessary, PLEASE MAKE IT A CHILDREN'S MOVIE, REMOVING THE GRAPHIC VIOLENCE AND STRONG LANGUAGE. Then, action figures & video games would be acceptable to market this movie to children.
   
   Rated R for graphic violence and strong language.



5. You don't really hear a lot about Robocop anymore, but this really was one of the biggest films of the 1980s. For a teenager like me, Robocop was the baddest dude in town back in 1987 - and now, twenty plus years later, he's still pretty much the baddest dude in town. The film really hasn't aged much at all, which came as a pleasant surprise to me. Some of the special effects involving the giant Enforcement Droid (ED-209) aren't impressive as they used to be, and that one shot looking down at someone falling to his death looks absolutely awful, but everything else, especially Robocop himself, works like gangbusters. It's still quite a gritty film, with loads of realistic violence (vintage Paul Verhoeven, in other words). In fact, Verhoeven had to edit out some of the film's over-the-top comic violence just to secure an R rating. Even the political satire and emasculation of an overly exploitative mass media still ring quite true, as we intermittently watch a couple of newscasters smile and laugh their way through one tragic news story after another. And those commercials! The brand new 6000 SUX that gets an impressive 8.2 miles per gallon, all of the stupid "I'd buy that for a dollar!" ads, etc.
   
   In this film's near-future setting, almost everything has been privatized, including hospitals and the entire police department of Detroit (now owned and run by the megacorporation Omni Consumer Products). The Old Man (Dan O'Herlihy) has long dreamed of replacing Old Detroit altogether with his own marketed utopia, but he needs to get crime under control before he can make Delta City a reality. Senior President Dick Jones (Ronny Cox) claims to have the answer - a gigantic, fully automated, heavily-armed Enforcement Droid known as ED-209. Unfortunately, ED's debut presentation runs into a pretty bloody "glitch." In steps Bob "It's All About Me" Morton (Miguel Ferrer) with his own idea of a part-human, part-cyborg super-cop. When newly-transferred Detroit police officer Alex Murphy (Peter Weller) gets brutally gunned down by the local crime boss and his henchmen, Robocop is born. He's a darn good cop, as many a criminal lowlife in town soon learns, but there's just one problem - he begins to remember his human past, especially his death at the hands of Clarence Boddicker (Kurtwood Smith) and his gang. Whether or not what is left of Murphy ever recovers a measure of his humanity, though, one thing is certain - the bad guys are going to go down and go down hard.
   
   You'll find a few of the most memorable scenes of the 1980s in this film - the unveiling of ED-209, Robocop's highly skilled shooting of a purse-snatcher using his victim as cover, and the big throw down between Robocop and ED-209. It's a great story with a great script, one that combines humor alongside lots of impressive violence and deep human themes (revenge, humanity, etc.). The acting is also quite good up and down the line, with Kurtwood Smith (best known today as the dad on That 70's Show) turning in a particularly strong performance as a bad guy's bad guy. This could have been nothing more than a high-tech shoot-em-up, and that alone would have made it a big summer box office hit, but Robocop is a much more complex film than you would normally expect, and that is why it continues to stand the test of time very well. This is just a darn good movie any way you look at it.

5 comments about Meatball Machine.

1. Well I thought? with all the talk and reviews that this is a good movie, well I just have to say it is no doubt one of the worse B movies I have in my collection. The gore is awful like the rest of the movie, maybe if the movie was English and not English subtitles it might get two stars instead of one. Keep your money stay away from this one, I paid two much for it, I wouldn't even give this movie away for free.



2. This movie has a great looking box. This movie has a great title. There are assuredly 20 bar bands at this moment, performing Monday and Thursday nights throughout this great land, now proudly brandishing "Meatball machine" on their fliers passed out in the local community college cafeteria. Terrific bizarre plot that is most assuredly ambitious and I was pulling for this one. Admittedly I'm kinda on the fence with the camp elements in Japanese "cyberpunk" genre. However CITIZEN CANE was not expected. I'm writing this review because it might be helpful for some of us/you B movie fans that are drooling at the dvd box picture and really want to hit that "one click buy" so they can sleep tonight. I know this movie is appealing just being displayed on the shelf or put on your collection list. But some of you should know The MOST IMPORTANT PIECE OF INFORMATION before you left click that mouse... hold on... If your a; "I just can't stand rubber suits kinda guy or gal". And you know who you are, then this movie will become tedious fast. I couldn't finish M.M. glad I saw it, but wish I hadn't bought it. Gave it away to a friend who probably didn't even notice the afore mentioned offense. It deserves a decent home where someone can love and nourish it.



3. The Good Things
   *Grossest movie ever! Loads of blood and perversity! (Reminds me a lot of the anime show "Gantz").
   *A few good gory fight scenes.
   *Good filming style. Lots of good camera angles. Has a distinctive look and style.
   *Production design is good. Imagine the monsters from the "Quake" or "Unreal" computer games in a movie.
   *Simple but interesting story.
   *Surprisingly good characters. Although many of them are perverts, the main character spends much of the film trying to act noble.
   *Romance is not overwhelmingly sappy, and is touching at some parts.
   
   The Bad Things
   *The squeamish should avoid this like the plague.
   *Pretty low production value (but the quality of the cinematography makes up for it).
   
   Ah, so this is what "Gantz" looks like if it was a live-action movie! Not only are the two gory as hell, but they also share similar themes and attitudes of sexuality. Plus, both deal with freaky aliens and stuff. Unlike "Gantz," however, this film works better at being scary and immersive. This is definately one of the better B-rated movies I know of, but it's not for anybody with a weak stomach.
   
   DVD has good video and sound quality, and contains a couple of featurettes, two additonal films ("Maximum Meatball Machine" and "The Original Meatball Machine"), and trailers.



4. Imagine all the people
   the sad ones
   the psychologically disturbed
   they become the host
   the vulnerable targets
   as the alien parasites feed on negative emotions
   occupy the human body
   and kill each other
   a bubbling cesspool of regurgitated filth
   mayhem
   disgust
   chaos
   love
   and lots of blood
   
   This is an unrestrained and penetrating experience, devoid of any conventional storytelling methods. It don't get much better, much more bizarre, much more insane and fun than this!!



5. You know the makers of the film are not taking themselves very seriously when the movie starts with two silhouetted monsters talking to each other. Meatballs! Tacos! This introduction is in English with Japanese subtitles, but the movie itself is in the Japanese language with English subtitles. The movie then starts with a fight scene between two cyborg creatures, the winner eating the other's strange heart-bulb. The film starts bloody, runs bloody, and ends bloody.
   
   Shy factory worker Yoji (a real weenie) has been watching a girl across the fence, but doesn't have the courage to introduce himself. One night he catches a co-worker trying to rape the girl, Sachiko, in the park. He tries to beat up the co-worker but fails, even though the man leaves Sachiko alone. The two go back to Yoji's apartment where Yoji has one of the strange creatures in a travel bag. He captured it in a pile of garbage after being beat up by a transvestite. As Sachiko confesses her dark secret, the monster comes alive, jumps out of the closet, and rapes Sachiko before turning her into a cyborg creature. Yoji of course does nothing, he's too scared. He runs from Sachiko only to be knocked out and found on the streets by a strange man who lives in a crappy apartment and seems to be the only person in Japan who's aware of the monsters and knows what they're doing. Then he turns Yoji into one of the monsters, but Yoji escapes to look for Sachiko.
   
   That's the plot. Very thin, but of course the movies isn't about the plot. It's about hungry little buggers who like to eat each other and raise havoc. It's about ropy tendrils, split heads, eye gouging, heart bulbs, slime, eyeball drills, gooey skeletons, and a little masturbation, a transvestite, and a prostitute for good measure. We're also treated to a little "monster vision", seeing humans from the creature's eyes. The aliens are funny, looking a little like a twisted beanie-baby with some goo thrown on it. And, of course, it's about blood, blood, blood.
   
   The photography is sketchy, using a lot of scene skipping and "flashes", the film isn't shot in video but it has the feel of video. The dialogue is stilted, and the acting just mediocre, and the FX a little cheesy. But you came here for blood and you'll get plenty of that. I'm not a usual fan of Japanese or Asian horror films, but 'Meatball Machine' is one of the rare ones I liked. With the humor thrown around the film like the blood, and some wild imagination with the cyborg creatures, it manages to raise itself from a typical foreign horror flick to something every type of horror fan can enjoy. Rent first. Enjoy!

5 comments about Ghost in the Shell SAC Complete 1st Season Collection Box Set.

1. This is the best anime on Adult Swim atm I feel. Samurai Champloo is good no doubt, but the storyline for GITS and GITS 2nd Gig are amazing. I own both box sets, all episodes and have watched both sets from start to finish. I am now re-watching the first episodes of GITS again. I cannot wait for more, buy this and you will not be dissapointed. Also GITS Solid State Society is just as good, but longer but the story rocks and it moves your through the movie. The scene with Togusa and his daughter will get your attention for sure.
   
   I need more GITS, hurry and make more episodes!!!!



2. An excellent series. The first season is highly enjoyable, though it focuses more on the specific events surrounding the Laughing Man incident than broad character development or exploration of the ramifications of the highly-plausible future world the series is set in.
   
   This series has more philosophical depth than any other I have ever seen. If you tend to get lost in the often-extensive dialogue you may not enjoy this as much.
   
   The packaging for the first season was also sub-par. The individual DVD cases come packed in a cheap paper box which is easy to rip, bend, or smash when opening and removing DVDs.
   
   That said, this is an excellent collection not to be purchased without the second season. Very enjoyable.



3. Very high quality series, the story is complex and involving, I was even able to get my mum engrossed in it. It's is a very rewarding wach because there's sctrong character development, genuine philosophical debate and amazing graphics and animation - just as in the original film.
   
   This review won't be popular because I'm going to point out things that your typical (male teenager) anime fan is too proud to point out. I am going to point out faults that people will notice when they watch, but i want to remind that this is a four star review - these weaknesses do not override the amazing storylines and characters, they simply knock off the fifth star.
   
   Despite the subtitles being far too wordy and moving far too fast (we had to pause-play our way through the many dialogue-heavy scenes) we got a lot out of the story. I would never watch this in English Dub (though that is the default) because I prefer seeing it the way the artist intended, but the English dubs are actually very good for a change.
   
   Once you can get past the usual sexism and stereotypes of anime, it is actually very enjoyable to see a strong female character in the Major, making strong decisions and having her orders followed without questioning her gender all the way through the series. It is unusual for anime to have such a strong flawless female character, but part of the reasoning i suspect, is that the Major is more than human, she's not mere-female, she's a cyborg.
   
   I can't belive noone's commenting on the ending. It's very open-ended, and anyone looking for resolution in the Laughing Man case may be disappointed, I was. I'm not usually into tying up all loose ends in such a complex series, particularly as there is another season of the show after this, but 2nd GIG focuses on a different case altogether. Just be aware that the Laughing Man arc is left open almost as if to let the character reappear at some stage in future series/films. But he is not a feature in 2nd GIG.



4. This is one of my favorite series of all time. There is really nothing bad with the exception of the episode titled 'Chat, chat, chat'. The show starts with a bang and does not let up as Mokoto and team move feverishly from case to case. The three main characters are wonderfully voiced in the English dub, surprisingly the Tachikomas sound better in the English dub also.
   
   I like the fact that the episodes are usually self contained with the exception of the Laughing Man arc. This is a cerebral, intelligent series that forces the viewer to expand their perception.
   
   FYI: Ghost in the Shell which is based on the Latin Deus ex Machina, in this series refers to the true protagonists: the Tachikomas. In the movie it was the Puppet Master who gained a 'ghost' or soul; in this series the Tachikoma's with thier superior artificial intelligence begain to show signs of a ghost, Motoko admits as much to them towards the climax. (no spoiler really)
   
   The only real beef with this season as opposed to 2nd Gig is the lack of a strong antagonist throughout the Laughing Man arc. There are plenty of beautifully written and protrayed secondary characters who are a delight to watch, such as Serano (of Serano Genomics) and Jameson (the fun guy in the small metal box). Many of the episodes serve to further develop the main chatacters with references to their past and/or their struggles in the present.
   
   Motoko is a brilliantly written heroine. I do approve more of her wardrobe in the 2nd gig, not because I didn't like her unitard but because she appears too feminine in the first series. The viewer is supposed to remember she is a woman, but in the 2nd gig you find yourself more involved with her character as the leader of section 9, not a chick in skimpy clothes.
   
   Batou is actually my finacee'f favorite character. He is technically the second most important character in the series, though I argue that Togusa steals the show later. He seems so perfect and unflappable at times that I really enjoyed seeing him in his own story arcs such as in episode 16 'chinks in the armor heart'.
   
   Togusa is my favorite and the only section 9 member without prosthetics. He also uses an antique revolver rather than the clip fed automatic pistol that is standard issue. His story arcs are much more involved and in depth and he actually 'stars' in more of his own episodes than any other character: episodes 4,11,20. In fact Togusa is who finally cracks the Laughing Man case and nearly pays the ultimate price as a result.
   
   The next major character is really a set of many, the Tachikomas. They are the true protagonists and the characters whom the anime is actually named for. They are childlike and curious with programming capable of expanding as they gain experience in the world. They each begin to develop singular personality traits despite their 'sharing' of all information (one always reads, one always uses a wrench as a horn...)
   
   Yoko Kanno is simply one of the greatest modern Japanese composers and the soundtrack is among the best ever written and produced. I highly recommend the CDs (many are included with the separate special editions).
   
   This review is rambling a bit, but let me also point out that my fiancee had never seen anime when I met her, on our third date we stayed in and she inquired about my disgustingly large anime collection. I played this and now she is an addict. So I recommend this to first time anime viewers as well as die hard addicts like myself.
   
   Pros: Masterfully written, great characters, lovely animation, stellar backdrops and scenery, music
   Cons: Only the Special Editions have the DTS sound (it is pretty amazing)
   
   Viewing Preference: English Dub - simply stated, this is the finest american voice cast I have encountered.



5. Contrary to what the editorial review says, SAC is not an offshoot of the Oshii film but a complete reimagining from the original Shirow Masamune manga. In mid 21st century Japan and after wars which have splintered the world and the people, complete cyberization is now possible thanks to technological advances and cyberbrains and memory/sensory augmentations are commonplace.
   SAC manages to be an excellent thriller/police procedural in a future that we can recognise. In a society where most people have access to cyberisation, this man-machine meld opens a wide horizon of possibilities but it also beckons hackers, intrigue, agents opposed to established power and plain old sadistic criminals. Humanity, in a word, is still humanity. This is the world cyber-crime specialists Section 9 move in daily.
   
   For those coming from the movie, SAC is lighter on the mood but doesn't lose the philosophical and puts it all in a contect of conspiracy. It can be quite a change of pace and it took me a few episodes to adjust. The GITS movie was an exercise in mood and ambience, much like the great Kenji Kawai music it has. Most of SAC's music is a mixture of rock/electronica and its driving beats establish the mood. Fortunately for us, the music is done by the amazing Yoko Kanno who is quite frankly one of the best, most innovative artists working in Japan today. If you've ever heard the quite different soundtracks to Cowboy Bebop, The Vision of Escaflowne, Earth Girl Arjuna, Wolf's Rain or even the one-off Magnetic Rose, you'll know what I mean. It's one of my favorite anime/movie soundtracks.
   Philosophizing is just now mostly done by little-girl voiced sentient spider-shaped tanks. It's AIs pondering of what makes human human. It's also humans living in machine bodies and how weird (or how natural) it can be. Very interesting stuff.
   
   On a final note, as a woman I couldn't help but notice that the world of GITS: SAC is violently a world of men. As a rule with very few exceptions, all people in power are men, all sex objects (whether flesh and blood, machine or both) are women. Most women who appear on the series are either victims, foils for the men or are there to play second fiddle. There is only one woman in power who appears on 2nd Gig (the second season) and she's widely held to be a puppet of her hawkish party.
   There is, of course, Major Motoko Kusanagi, the focus of the series, prime hetero male eyecandy and main gal whom the camera loves to watch lounging around her workplace in leotards and thigh-highs but who can pull back a helicopter with her bare hands. She could be much more but GITS can't shake its seinen roots ("geared towards males 18-30 years of age") most of the time.
   
   Still, it's a classic whom anyone interested in the current future of science fiction should watch.
   Very recommended.