4 comments about Warman's Barbie Doll Field Guide: Values and Identification (Warman's Field Guides).

1. First thought upon getting this, it's tiny! I've been waiting at least two months for this book to come out and I was a tad upset that the price guide is not up-to-date. NOTHING that came out in 2002 is in there, nor are any non-collector dolls listed.

   If you need a pocket guide to carry to conventions, it's perfect. If you want something to help you figure out how much to bid on E-Bay, it's perfect. Otherwise, just get it for the vibrant color pictures (No black & white) , which strangly have dolls that haven't even been released yet.




2. What a wonderful book! The Warman's Barbie Doll Field Guide is packed with useful information and great color photographs. And all at a super affordable price. I'm impressed. The book is designed as a take-along pocket guide, yet it's amazingly complete and thorough. It covers six decades of Barbie dolls, provides several hundred color photographs, a history of Barbie, critical identification information, -- including how to identify Barbie No. 1 -- fashion sets, designer dolls and a price guide to more than 1,500 dolls. It's perfect for a gift or for yourself, or even as a gift for yourself. I have several Barbie books on my shelves, and that's where they stay. But this little dynamo is never going to leave my side.



3. This books size makes it convenient to carry around to garage sales or toy shows. But the content could be better, some dolls are depicted with inaccurate prices and some vintage doll's aren't pictured in their proper outfits with proper accessories. So this can become confusing for the beginner collector. However there are "warnings" listed with some vintage outfits stating that Mattel has made a reproduction (these are worth far less) of it. This is a great feature if you are not a Barbie expert.

   A good book for the beginner, but I recommend using this guide along with a larger more detailed Barbie book.




4. According to my little friend who received this guide as a gift, It is easy to understand, teaches you some very interesting Barbie history, and show great photos of early Barbie, how they progress and their value. She highly reccommends it.

1 comments about Half-Dolls Price Guide.

1. I don't received the book about Half-dolls. I pay already my card Visa and I don't received my book.
   Please what the problem?
   Heliane C. Fonseca

5 comments about Forever Barbie: The Unauthorized Biography of a Real Doll.

1. This is not a "pro-Barbie" book, or an "anti-Barbie" book. It is an exploration of all aspects of Barbie the author finds significant. Topics include:

   The history of Barbie's creation, her marketing and engineering by Mattel.

   The differences between male and female executives in handling of the Barbie line.

   Ruth Handler, Barbie's creator, and other prominent women in Barbie's life such as Charlotte Johnson, who designed her clothes in the early years, Judy Shackelford, Mattel's first female vice president, and Jill Barad, the marketing director & later Mattel COO, who pioneered the "We Girls Can Do Anything" advertising campaign in 1984.

   A history of Barbie and ethnic identity (unfortunately someone had clipped pages out of this chapter in the library copy I read, so I can't say too much about it.)

   Explorations of symbolic, sexual, & psychological meanings of the doll.

   I found this book fascinating. A very enjoyable read. While it explores both the positive and negative views women have had of Barbie, I especially enjoyed the positive, including Barbie's history as a single independent career woman, the powerful career women involved in her creation, manufacture, & marketing over the years, and the somewhat fanciful but enjoyable discussion of her as a mythical archetype of the feminine.

   I like when this book ventures into realms of the bizarre, like the exploration of Barbie's image in the context of fetishism and pornography. I suppose some people might be disturbed or offended by this, however.

   I was frustrated by the lack of a list of illustrations, since photographs appear throughout the text, & are often mentioned later in the book. It's hard to go back and find the picture she's talking about.

   I was confused by the author `s seeming lack of awareness that people might read the book 6 or more years after its publication. For instance, she refers to women of the Barbie generation as "women under 40." I had to think to realize this included me, since I'm not under 40 now, but I was when the book was published in 1994. The confusion will increase as years go by.

   This is too bad, since the book is a unique treatment of Barbie in cultural context, and should be read well into the future by students of popular culture as well as individuals who like to ponder such things. Unfortunately, it's out of print. This makes it unlikely that a 2nd edition will ever appear, which is also too bad, since I would love to know what the author has to say about innovations subsequent to its publication, such as Barbie's new more lifelike proportions, and the introduction of her belly-button.

   Some people might find this book too intellectual, or possibly over their heads. Probably many people who like to ponder the meanings of popular culture are anti-Barbie, and might be turned off by the book's positive spin on the doll. Barbie enthusiasts might be put off by the negative spin, as well as the stranger explorations. I love the book, but I have to admit it's not for everybody. Maybe that's why it's out of print. But if you are open to both sides of the Barbie controversy, and like to wax philosophical and think about things, this book is definitely for you.




2. This book isn't the next _war and peace_ nor was meant to be. Just like that dude J. Alfred Prufrock, it's good for swelling a crowd, and giving you something less-embarassing than watch television to do when you want to just relax. Analyzing pop culture, learning obscure facts about something I am vaguely ashamed of myself for being interested in in the first place . . . mmmmmmmm, pass the oreo ice cream, please. The author definitely shares my sheepish fascination with Barbie. His/her(?) text explores many aspects of our relationship with Barbie - as children, parents, adult women, queers, artists, etc., as well as a lot of very interesting background info on how she was created, the company who has promoted her over the years, and the toy industry in general. Holding my interest *without* getting so serious that I wished the book had come with a discussion section that met once a week, _Forever Barbie_ was like a long, interesting cultural-analysis chat with an amusing girlfriend. I would read it again in a few years or recommend it to friends . . .



3. On the one hand, this is an impressively researched book written with humor and intelligence. I'd love to see a new edition tracking some of the more recent developments in Barbie's empire. But some of Ms. Lord's arguments drift unpersuasively far into psycho-sexual realms. When she used an obscure 43 minute 1987 documentary as her three-page focus for the conflicting causes of eating disorders, she completely lost me.



4. I know you think I am a little young for this book but trust me it's great! It's so good! I never looked at a Barbie the same way again! This is a must-have for Barbie fans! I like how she talked about how Barbie made African-Americans and American-Asians feel undermined what with not a lot of ethnic Barbies being sold now. I loved loved hearing about the collector things and the weird people who think Barbie is the most fabulous thing ever. She also covers feminism, society's messages towards women, anorexic stars, and rituals that seem to be incorporated into Barbie play. And she gives some neat background dirt on Mattel. He, he!
   I did not like how she said the pregnant Midge doll was "icky". This book is cool with lots of photos and stories of interesting people and disturbing artists as well as the acessories made to make up for Ken's groin loss (lol) and the secret messages implanted in Barbie's accessories. I will never see Barbie as a cheap piece of skinny plastic anymore. Now, she is society in doll form. Believe it!
   Wamina!



5. I grew up thinking that Barbies were evil dolls that were part of the Establishment's plan to keep women in their place. I never had a Barbie and I only gave one to a child who specifically requested it. After reading this book I realized that I had been too hard on Barbies. They were part and parcel of our culture, not part of a plot. Just recently I read a "Best Toys for Children" review that still recommended dolls for girls and toy trucks for boys.
   
   The author covers a tremendous range of Barbie-related material, and the book seems to have been well-researched, with many good references.
   
   I began to wonder what it would have been like to have had a Barbie (instead of a working toy cannon), so after finishing the book I went to Toys R Us to see the current Barbies. Then I went to a thrift store.
   
   There were dozens of Barbies at the thrift store, most of them hanging feet-up, naked in plastic sacks. I bought one of the few of them that was dressed and took it(her?) home. She (I haven't named her) has been sitting on the edge of the sofa all week. I am trying to get a feeling of what it is to own a Barbie doll. I look at her, but she just stares into the distance. I could not tell you if she is dreamy or disdainful. I get absolutely no "velveteen rabbit" emanations.
   
   All I can think of is a poem I read long ago - Keat's "Ode On a Grecian Urn"*.
   "She cannot fade, though thou hast not thy bliss,
   Forever will thou love, and she be fair!"
   
   She is, I guess, what you make of her, and still reflects our culture.
   
   *I looked it up.

5 comments about Boys' Toys of the Fifties and Sixties: Memorable Catalog Pages from the Legendary Sears Christmas Wishbooks 1950-1969.

1. I come from a family of 7 boys. We all grew up wishfully dreaming every Christmas of GI Joe and erector sets found on the pages of the Sears Wishbook. This book brought so many memories rushing back - of things I fondly remembered and things I had forgotten about - I can't count them. My wife bought it for me last Xmas, I'm going to buy a copy for all my brothers this Xmas.



2. I liked the catalog, but was dissapointed to see that all of the pictures were black and white (I think I do remember pages in the 60's that had color). It looks as though someone just copied the pictures on a plain copier, and slapped this book together. The idea was very good, but don't expect the quality of true Sears Catalog pages.



3. for those of us who grew up in a certain era and were products of the commercial age this book will bring back many memories. having had a dad who worked in the field until i was 7 i was spoiled and got about anything i wanted. try explaining to a 7 year old that dad no longer gets all the freebies he wants! well worth the time for any boi boomer!



4. The type of catalog i would i would like you to send is sound effects, ice skates, record players, and so much more. So that would be great.

   thank you
   from
   Emile Alston




5. Boys Toys of the Fifties and Sixties is a terrific book for us boomers who grew up in that era. There's no color inside the book, but that may have made it too expensive to print. I found the b&w pages clear, no problem reading them.
   
   You'll find most of your favorite toys in here, as well as those pre-inflation prices. We tend to forget our parents didn't make much money in those days, so everything's relative.
   
   Obviously they did not include all the pages from each year's Sears catalog, but the representative pages give a nice sample. As you read through this book, you'll find yourself slipping back 40 or 50 years when times were much simpler and toys required more imagination.
   
   You'll see great toys from Louis Marx (my favorites), Mattel, Kenner, and the other big names of the time. The descriptions are fun too, probably written to appeal to the 8 year-old mind.
   
   If you come home from work with a headache or have some worry, this book is great escapist reading. I think you'll enjoy it.

No comments about Mexican Girl and Boy Paper Dolls.

1 comments about Toys: MTV Overground #3 (MTV Underground).

1. great cross section of today's contemporary toy scene. designer vinyls and more! check out the insurgents wilderness gruppo toy line by www.rocketworld.org . ;-)

No comments about Traditional Fashions from India Paper Dolls.

No comments about Collectors Book of Dolls Clothes.

5 comments about All About Doll Repair & Care: A Guide to Restoring Well-Loved Dolls.

1. This book had exactly what I needed to know to repair my 54-year-old doll. Although her restoration is incomplete, I feel that it gives me the knowledge to forge ahead and finish the job.



2. I bought this book because you can never know too much about repairing dolls. Everyone has a hint or two that you haven't thought of yet. The best basic doll repair book out there, in my opinion, is still Marty Westfall's book on Doll Repair and Restoration. But, this book is a good basic start and has good pictures. Just not as detailed as you might need.



3. The book was pretty elementary. Most directions referred to using the author's products.



4. Very little information about restoration of composition dolls. Author seemed to promote selling her cleaning products vs utilizing common every day products. Adequate information about quick fixes for hard plastic & vinyl dolls.



5. I had my old doll from 1947 and in sad condition. This book gave me the info that I needed. You should see old Belinda now!

5 comments about Queen Mary's Dolls' House.

1. England's Queen Mary--grandmother of the current Queen Elizabeth II--commissioned the construction of her extraordinary dollhouse (or "dolls' house" as it is referred to here) in 1921, during her own reign. It resides at Windsor Castle, as it has since being constructed there. Designed by Edward Lutyens (famous for his graceful furniture), the house is a reproduction of Windsor Castle right down to the last nail--almost literally.

   David Cripps' photography beautifully captures the interiors of this amazing dollhouse, from the grand to the plebian. Here is the linen closet, each batch of towels tied with different-colored ribbon to denote whether they were intended for the nursery, the staff, or the kitchen. Here is a lacquer cabinet with gilded stand, dovetailed working drawers, and gold-leafed decoration. Here is a bed, complete with pillows, bolsters, sheets, blankets, and even a tiny walnut-handled bedwarmer. The toilet, complete with toilet paper discreetly placed in a bowl alongside, really works. The toothbrushes are made of ivory and have bristles made from the hair of a goat's inner ear. In the cellar, bottles of Chateau Margaux are properly corked and waxed and labeled. The pantry shows real bows of Fry's Chocolates sharing space with McVitie & Price biscuits, barley sugar candies in hefty glass candy jars, and Frank Cooper's Seville Marmalade in squat jars tied with brown paper and string.

   The garage houses a miniature bicycle with brakes "in perfect working order," not to mention a Rudge motorcycle and sidecar, a seven-seater Rolls Royce limousine-landaulet, a Vauxhall, a "Sunbeam open tourer," and two Daimlers. Gorgeous royal crests are hand-painted on each. The house even has its own petrol pumps and fire appliances, as was normal for large houses in that era.

   The house's garden is splendid despite the absence of a single living thing. The lawn, made of cut green velvet, boasts several tiny mowers (both motor-powered and not), and the nearby garden has its own lovely benches, hoes, spades and the like. There is even a robin's nest, complete with eggs, and a tiny, tiny snail.

   Perhaps the most extraordinary thing in the house is the book collection. Famous authors were asked to contribute their own works. Arthur Conan Doyle obliged by submitted "How Watson Learned the Trick," an original 500-word short story done in his own handwriting. The bookplates for each of the books were designed by beloved Winnie-the-Pooh illustrator Ernest Shepard. Rudyard Kipling submitted not only two poems, but illustrated them himself as well. Other well-known authors who gave their own works to the Queen's house included G. K. Chesterton, Joseph Conrad, Robert Graves, Aldous Huxley, Hilaire Belloc, Rose Macauley, W. Somerset Maugham, and Vita Sackville-West. Topping off the fine works of this distinguished crowd are the leather-bound autograph books--one each for famous folks from stage and screen, famous folks from the military, and famous politicans.

   There is even a room for storing the scepter, crowns and other regalia--all featuring flawless gemstones!

   The details are endlessly fascinating and the house and its furnishings so well-constructed that without a tennis ball or coin or some other everyday real object, you easily forget that everything your eye falls upon here is miniature. For those who cannot get to Windsor Castle themselves to view the house in person, this book offers a very fine tour.




2. With a couple of corrections of the first review, I'd like to make sure that it's known that Queen Mary did not commission this dollshouse. It was the original brain child of the Princess Marie Louise, who spearheaded the creation of the house. Queen Mary was "extremely surprised" but agreed. The initial shell of the house was erected in Lutyen's office, then removed to the drawing room of his house in Mansfield Street in London.
   
   It was unveiled to the press, once completed, in the Mansfield Street house, then moved and reconstructed in the Palace of Arts at Wembley. It went from there to Windsor Castle, then to an exhibition at Olympia. In February of 1925, the house was returned to Windsor Castle. The Daily Mail donated a glass case through which we can now view the dollshouse in Windsor Castle.
   
   This wonderful book has photographs of the letters written by Princess Marie Louise to all the firms and manufacturers involved in the dollshouse creation, as well as numerous photographs of the interior and furnishings. Pictures of tiny dollshouse ledgers, keys, and even a garden snail grace this book.



3. To further correct the first reviewer, the Doll's House is certainly not a copy of Windsor Castle. It is nothing like it. Windsor Castle is a CASTLE - stones and very old, and big. The Doll's House is an "ideal home" of the early 1020's - albeit intended for royalty and not for your average Joneses.



4. I was so enchanted by Royal Collection Official Guide Book to Queen Mary's Dolls' House that I ordered this one figuring (correctly) that there would be other unique pictures. This is the better of the two books - nearly three times as long and filled with more pictures, especially detail shots of the tiny furnishings and decorations. I am charmed by Cripp's method of showing scale: he poses the tiny cricket bat next to a regulation cricket ball, and the little golf clubs next to a real golf ball. This also includes a section on how the house is aging: fading wallpaper, damaged paint, etc. All of the pictures, except for a few that are historic, are in color. This is unfortunately out of print, and may be more expensive, so the purchaser will have to weigh issues of cost and availability for themselves. I think that either would do as a souvenier.
   
   If someone is really interested, I would recommend getting both books. The Royal Collection Official Guidebook is a pretty good buy at $11.95 and a nice supplement to this one. A very few of the shots are in both, but not enough to make them redundant to the person who wants all the information they can get. Generally, the duplicate shots are slightly large in the S-W book. To compare and contrast the two, while the S-W book has more of everything, the RC book still has some unique shots. The photographs in this book take in the entire room, while the RC book often shoots the room at an angle, cutting off part of the room, but what is shown is sometimes in better focus and a bit larger. To compare the shots of the Queen's bedroom, the Stewart-Wilson shot shows the entire bedroom. The Royal Collection shot, at an angle , reveals some additional details such as the fire screen and the chinoiserie cabinet, but cuts off the exteme left-hand side of the room. (Her Majesty has apparently been rearranging her decorative items since the S-W book.) The S-W detail of the 18th century pietre-dure table concentrates on showing the design on the top. The RC detail shows more of the table and the objects normally on it. The historical sections, revealing how the house came to be built are the most different, and the RC book has more pictures of people who participated in creating the doll house and of the room in which it now sits with the Phillip Connard mural. The captions are overlapping, but not identical, and so one gains more information by having both.



5. Lutyens, the architect of Queen Mary's Dolls' House, also designed the city of New Delhi and the Viceroy's House, one of the largest and most unique palaces in the world. Sadly, he was one of the world's greatest artists, but is remembered only for this (comparatively) tiny tourist attraction.
   
   Tourists, architectural students, and historians should buy this book. This is the only thorough analysis of any of Lutyens' buildings, and as such, is an important historical document above and beyond its tourist appeal.