No comments about Warman's Civil War Weapons.

4 comments about 100 Greatest American Currency Notes: The Stories Behind The Most Colonial, Confederate, Federal, Obsolete, and Private American Notes.

1. It is the rare numismatic book that is educational AND entertaining. This book is one of those rare books.
   I wrote a review of this book for the Bank Note Reporter, the newpaper for collectors of paper money. I have included an only slightly altered version of that review below.
   
   My best purchase at the Chicago Paper Money Exposition was a copy of the new book 100 Greatest American Currency Notes by two of my favorite numismatists--Q. David Bowers and David M. Sundman. Chet Krause and Cliff Mishler wrote a foreword for the book making that four of my favorites all in one book. No, that is not right. Tom Denly was something called valuations editor for the book so that makes five of my favorite--and greatest--numismatists all in one volume.
   In short, the book is beautiful to behold and a joy to read. That sums it up quite nicely, but I do have a lot more to say about it. I feel that I am particularly qualified to do this because I had started a book with exactly the same premise. I still have my notebook with my work. That means that they stole my idea! Of course that is easy to say after they have completed their work and I only have a notebook. It is also untrue. The original idea was Jeff Garrett and Ron Guth's popular 100 Greatest American Coins. Imitation is indeed the sincerest form of flattery. I must also say that Bowers and Sundman did a far better job than I would have done (not that I did not have a few enhancements).
   The basic premise of the book is to select and discuss the 100 greatest American notes. The authors have done this admirably. The basic methodology was to survey a wide group of dealers asking them to list what they considered to be the top notes. While the methodology was good and the results were great, my first complaint is that I would have liked to have learned more about the methodology. The authors tabulated the results then provided the discussion. As the creators of this project, they have a greater insight than anyone on the subject. I would at a minimum have liked to read more of their thoughts on the results, but these are small complaints.
   If you have not seen the book you can cast a silent vote right now for your top note or top ten. Now that you have done that, you will probably not be surprised that the clear favorite of the survey was the "Grand watermelon" ($1000 Series 1890 Silver Certificate). The authors expected it to be number one and I had it number one in the notes for my book. You have to figure that a note with a nickname like that would come in first or to look at it the other way that a note worthy of being first would have a nick name. Indeed, nine of the top ten have nicknames.
   Two pages are devoted to discussing the grand watermelon and each of the top ten notes. Thereafter it is one page per note. This is the meat of the book. Indeed, the book could just as easily have been something like 100 Great Paper Money Stories.
   The two Davids excelled in the preparation of the text to describe the notes. They supplemented the illustrations of the notes and their discussions with additional illustrations (some of these of coins (gasp)). Most ot these are excellent and some are great in both content and quality. They are a highlight of the book. This seems to be an appropriate place to mention the superb quality of book production. It is color throughout and truly excellent. My one complaint is that the book is in a large format 10 x 12 inches. Many people will consider this a feature. Authors (including me) like these large formats, but they are harder to read. They look great on the coffee table, but are difficult to handle curled up in a chair or in an airline torture seat.
   I did not know that the watermelon description of this note could be traced back to an 1891 newspaper story. Perhaps I had read this before, but if I had, I had forgotten it. The entire quotation from the paper is included. From the footnotes at the back of the book I learned this interesting tidbit. The quotation is "From an 1891 clipping, no day date, in a scrapbook compiled in 1891 and 1892 (now owned by Q. David Bowers)." I found many of the notes worth reading.
   Each entry includes a box with "historic Market Values" and "Commentary on Value." This is the work of the valuations editor. This book is not a catalog of values (I like that), but the inclusion of this information is interesting in its own right and is nice balances with the text and graphics. When I was working on my project, I had not thought of anything like this.
   Number two in the survey is the $500 national bank note. It is a good and obvious choice. It was also number two on my list.
   The third note in the survey is Massachusetts Bay Colony 5-shilling notes of December 10, 1690. It is the first government-issue American paper money (according to Eric Newman). Among other interesting (amazing) things that I learned in this entry is that in the 17th century the annual calendar ran from March 25 to March 24. I also learned that the unique example of this note resides in the Essex Institute, Salem, Massachusetts. That is certainly an appropriate city. I wonder if the note is on public display.
   The balance of the top ten are very interesting indeed. Instead of being great rarities they are dominated by relatively common notes and certainly are affordable in circulated grades to most collectors. The one exception is number eight, the "Spread Eagle Note" (Series of 1862 and 1863 $100 Legal Tender note).
   The others are respectively in positions four though ten (except eight): Lazy Deuce ($2 National Bank Note), $5 Educational note (Series of 1896 Silver Certificate), and Bison Note" (Series of 1891 $10 Legal Tender note), $1 "Educational Note (Series of 1896 Silver Certificate," $20 "Technicolor note" (Series of 1905 Gold Certificate, and the "Indian Chief" (Series of 1899 $5 Silver Certificate).
   The other ninety notes include a wide array of interesting and historical notes. The entry on every single one is worth studying, but to me the most interesting (especially for discussion here) are those that might not be obvious choices.
   United States fractional notes get two entries on the list. Interestingly, number 14, the fractional currency shield, is not a note at all, but a virtual collection of notes. Having said, that I think that it is a good choice.
   Four Confederate notes make the list with several of them having nicknames (the Indian Princess and Montgomery notes (two denominations making the list)).
   That vast, amorphous, and ill defined area known as obsolete notes are also included. Numbers 23 and 24 are Santa Clause notes and polar bear notes even though they are more categories than actual notes. Again, I think that they were good choices.
   I was pleased and even a little surprised to see both World War II issues (Hawaii and North Africa) make the top 100. They won their places because of their extraordinary historical reasons for issue.
   These various categories of notes included in the book are the apparent reason for the awkward book title. I offer this criticism with respect because I struggled with this problem in my unversion of this book. If you say United States notes you probably should not include Confederate notes. Colonial and Continental notes would not really fit. "Obsolete" notes would be in doubt too. Even American notes (as chosen) presents some problems. Does American include Canada? Mexico? I do not like the term currency notes, but I understand the problem. Bank notes does not fit because most of the notes selected were not issued by banks under any definition. Many people (unfortunately) would simply say currency but that is a very bad choice because currency is coins and paper money. In most constructions paper money does not work (100 Greatest American Paper Money). Even notes has some problems. Certainly, national bank notes are notes. but are silver and gold certificates notes? In the final analysis, having said that I do not like what we was used, but I do not have a better title.
   I love the book, but I disagree with some of the choices. That is one of the wonderful aspects of books of lists. They are certain to generate discussion if not controversy. I was surprised that no error or star notes made the list. I can understand that they can be excluded as being sort of varieties of other issues, but, still, I think that a token from either or both of these categories could have been included.
   You will probably not be surprised that I think that a military payment certificate should have been on the list. Having said that, I should be prepared to tell you which one. I gave that considerable thought in my work. I considered the unknown replacements and the unique replacements. Of course there is the Series 541 $5 with its attractive design and world record price history. I thought about the unique specimen booklets for Series 541 and 591. I really liked them because they have nicknames ("Comptroller Booklets"). Finally, I decided that the best choice would be the unique specimen and progressive proof set of Series 661. It does not have a widely recognized nickname, but it is still a good choice. I had a brief exchange with Tom Denly on this very subject after drafting this review. He said that he thought that if an MPC were to be included, it should be something like a Series 692 $10 or $20 because they would be very recognizable and would also be collectible. I like his thinking!
   There are other good features good features of the book that I have not mentioned. The formatter is all quite good. You can imagine my surprise at finding my name mentioned. Earning that honor as an old timer (my term) is a double edged honor. The selected bibliography and recap of the top 100 in an appendix are also useful.
   I expect that this will be a very successful book, just as the Garrett-Guth version on coins was. Can it generate more spinoffs like the 100 Greatest World Notes, or even the 100 Greatest National Bank Notes? I doubt it, but I would love to have both of those in my own library.
   If it is not obvious, I highly recommend 100 Greatest American Currency Notes by Q. David Bowers and David Sundman. It was published by Whitman Publishing and should be available wherever numismatic books are sold and even in many book stores at around $30.



2. This book was exactly what I expected. Good photos and stories behind 100 of the most famous notes in history. Great as a reference or as a coffe table book.



3. CS:
   
   I received this book and believe it is as expected. Price is at FMV (Fair Market Value). I have not yet proof read it but what I have seen it makes a great reference for those who collect currency. However, it would have been helpful to include the Friedberg number in the Appendix along with the description. Yes, this number can be variable but you have included prices that are also variable and approximate. It may have been better to give a ratio(range)year column price divided by the face value of the currency.



4. This is an incredible book to have in your library if your a collector of U.S. Paper Currency or not. Stunning pictures of each of the notes this book goes into great detail in discussing. I have this book and the 100 Greatest U.S. Coins book sitting out in my livingroom for all to see and everyone who has stopped by can not help but pick up these books. Then the oh's and ah's start pouring out !!! Absolute incredible book to have in anyone's private library without a doubt.

3 comments about O'Brien's Collecting Toy Cars & Trucks 4th Edition (Paperback) (Collecting Toy Cars & Trucks).

1. I've found most everything I was looking for all in one source! If you like collecting cars and trucks, you must have this book!



2. Information seems to be well organized and spelled out, but was disappointed that there were so few color pictures.



3. For Matchboxes, very difficult to find and reasearch based on a proprietary numbering system. Numbering system not clearly articulated in overview. I had to purchase a new "Matchbox specific" guide from another publisher.

No comments about Art Glass: How to Compare & Value.

5 comments about L.E. Smith Glass Company: The First One Hundred Years: History, Identification And Value Guide.

1. This is a great identification guide. The book has hundreds of photos arranged every way you can imagine - by color, by pattern, by item. Felt includes an interesting history of the L.E. Smith company and useful information about the marks, etchings and decorations on Smith pieces. A section at the back contains thumbnails of all the book's photos for quick reference. You'll find lots of those items you've "seen somewhere" but could never identify. This book is well worth the price for any collector of elegant and/or novelty glassware of the last century.



2. Tom Felt's L.E. SMITH GLASS COMPANY: THE FIRST ONE HUNDRED YEARS blends a historical overview with an identification and value guide perfect for L.E. Smith glass collectors. Measurements, maker's marks, years of production and color photos of pieces throughout make this a 'must' for any serious collector of the glassware.



3. We are fairly new glass collectors and have found this book to be very helpful. The estimated values seem a bit on the high side and have quite a large range, but do give you an idea of what things are worth. We collect Moon & Star and have never found such a complete listing as in this book.



4. Loved the book!!! Has pictures of glass pieces that I am collecting with a value along with the photo.



5. I found the text to be very informative. The pictures were clear and the descriptions were accurate.
   The histtory of the LE Glass company was helpful in identifying the value of items I have purchased and am presently selling.
   I would highly reccomend it to persons that are collecting or have an interest in the history of american depression glass ware.

No comments about 100 Baseball Icons: From the National Baseball Hall of Fame and Museum.

4 comments about Brilliant Knits: 25 Contemporary Knitwear Designs from the Kaffe Fassett Studio.

1. As a warning, almost half of these designs are already published in Rowan magazines. The remainder, all new for this book, are often variations on Mably's style, which is similar to the well-known Kaffe Fassett's, although much simpler. The sweaters are really abstract, skirting the avant garde, although the fundamental styles are basic pullovers and cardigans. It's the color schemes that are dynamic and innovative, although Mably shows most of the sweaters in bright, bold, and sometimes almost garish color combinations. Since I prefer a more classic and muted look, it is difficult for me to see past the colors to the actual sweater and choose my own schemes. However, if you like lots of color, this book is an excellent choice. Most of the yarns used are Rowan (with some Jaeger), which is a sad choice since if you have used Rowan yarns, you are aware that as soon as a pattern is published, Rowan stops manufacturing the yarn. For instance, some of these patterns call for DK soft, which was recently discontinued. Pluses to this book are the introduction, which is concise and helpful, bearing tips on handling intarsia and fair isle in a nicely laid out presentation. Also, Mably introduces each pattern with a brief notation that describes his inspiration and intention, adding a charming touch. The patterns themselves are clear and simple to read, as are the large-size black and white charts, although there are no size diagrams, making it difficult to substitute yarns or handle your differing gauge. A huge plus is the photos of the sweaters. Unlike some publishers who concentrate more on the dramatic pose of the models, obsuring the sweater, this publisher paid lots of attention to showing the sweater. You know exactly what you are looking at and getting, including two or more photos of the sweaters, even with back views, to give you a strong idea. The book is really excellently executed, on fine quality paper. A nice presentation. I'm only sorry that these sweaters aren't my sort -- but if you like Mably's cover sweater, I'll bet you find you'll want to knit most of those included in the book!



2. Brandon Mably is a member of popular knit designer Kaffe Fassett's studio. I really liked many of Mably's designs, which are in some ways simpler and bolder than Fassett's--though clearly inspired by his mentor. But the design work here is spotty. Some of the ideas such as a Gypsy-striped scarf and vest, are simple in concept but look stunning. Others are Kaffee-clones, such as stars on complicated backgrounds. And there are complete departures from the Fassett style, such as a sweater with an intarsia design of pitted olives. Very cute.

   The problem with this book, however, is that the quality of the knitted models varies from great to just awful. I would never have let some of those photos see the light of day, let alone the pages of a book. Knitting boo-boos jump out of the page such as uneven motif joins in intarsia, bulgy and uneven increasing above the ribbing and other amateurish-looking knitting that would have a competent knitting editor shouting naughty words. Another problem is the reliance on Rowan yarns, which are expensive and go out of production rapidly. If you want to reproduce these styles exactly, in the colors and weights of yarn specified, you may find yourself on a wild-goose chase. And the yarns used are often cotton. Now, cotton is able to be dyed in deep and bright colors, and the sheen on a mercerized cotton yarn lends a brilliance to knitting that a matte wool cannot achieve. But knitting intarsia (a technique where yarns are knitted in independent color zones and linked on the wrong side with a twisting method) is incredibly difficult to do with cotton. This is because cotton drapes and does not adapt to fill gaps in tension variations. Wool is forgiving in this matter and the fuzzy surface also hides knitting flaws. With cotton yarns, the inevitable variations of hand knitting are magnified, though master knitters can compensate. If you are not experienced in intarsia, let me tell you that a horrific experience awaits you if your first attempts are with cotton yarns. So be forewarned. If you don't believe me, look at the "Olives" sweater which sadly illustrates the difficulties that even an experienced knitter can have with cotton and intarsia. Tragic.

   The sweater shapes in this book do vary from the wide and loose Fassett style (that does not always flatter the wide and voluptuous among us) and there are slimming v-necks and nicely done tunics. That's good. There are many design ideas here that are interesting and attractive, as well as some good colorways. However, other color choices were garish and muddy-looking.

   So, if you like the Fassett style and are looking for more inspiration, you may find it here. But the uneven quality and the fact that many of these styles were previously published in Rowan books elsewhere, limit the value of this book.




3. Well presented clear photographs and graphs Hard to decide which to knit first



4. Very inspirational knitting in this book. Be prepared to spend a wad on yarns as they call for many, many colors. Nice items, something for everyone.

5 comments about Bottles: Identification and Price Guide, 3e (Bottles: Identification and Price Guide).

1. Don't buy this book. It is a waist of money and time. I have a lot of old bottles and can't find one of them in this book. It says it is the best book for bottle collectors. If it is, why can't I find even a Vicks Vapo Rub cobalt bottle in it?? I am very dissatisfied.



2. I have a copy of this book, along with dozens of other books on antique bottles and collecting them. It is one of the least worthwhile of them all, and I am including books published in the 1960s with more listings, better photos, etc. The book shows mainly bottles that are more easily found in the West, and chances are that the bottles you want to find info on will NOT be listed. (Of course, no book can list them all, as there have been hundreds of thousands of different bottles made-just in the US alone). But Mr. Polak's book is a hyped mess of misinformation, fuzzy b&w photos (although he does include a lovely centerfold layout of several beautiful bottles in full color!!) and a "quick course" on identifying the age of bottles which is almost useless, as the problem of learning the true age of a bottle is not always as simple as he makes it sound. The list of glass factory marks has been copied from other writers who copied from Julian Toulouse's book on bottle makers' marks, and some of those are in error just as he first presented them in 1971. Production dates of bottles listed must be taken with some caution. Some of the bottle club information is very outdated, having been lifted from old magazines that are 20+ years old. Information is often vague, with little explanation of exact condition, damage, or the exact embossing variant being referred to, which can make a HUGE difference in the value of a bottle in some cases. I think every bottle collector should have a copy, but mainly as another checklist they can refer to, in order to help find out what all is out there in the field of antique bottles that they MIGHT eventually run into at antique malls, bottle shows, yard sales or by digging them themselves. Values are mostly overrated, some are too high, some are too low. Overall, this book is an example of the type of material that I find disheartening: Lots of HYPE, but not much solid, worthwhile information for the serious bottle collector/hobbyist/historian/digger/amateur archeologist out here!!



3. This book is a very difficult book to use. No index, bad alphabetizing of lists, no cross referencing. It lists mostly high-end bottles, and ignores others. It has pages of useless content. e.g. bottle club listings, bottle dealers, etc - all things that are out of date a month after publication and best found other ways. That space could have been used for something useful, like an index. I recommend this to no one.



4. I've been an Antique Bottle Collector for approximately 10 years and have bought all of the previous editions of Bottles: Identification and Price Guide. While the other 3 editions have been excellent and a great help, the 4th Edition is by far the best of the group. The front part of the book with respect to how to understand bottle collecting,the history of bottles and glass, and digging for bottles (which I do) is an excellent update. In addition, the updated pricing sections along with the photographs, both black & white and color, are also extremely helpful. I find that the other area that provided a great deal of help is the back section of the book. The Trademark Section, Glossary, Clubs and Dealer Guide, and Bibliography. Overall, Mr. Polak has done a great job providing a super updated 4th Edition. The book makes mention that it has been called the "Bottle Bible" and I can understand why. It's been extremely helpful to myself and many of my fellow bottle colletors.



5. A lot of good info for the beginning collector and a fair reference for all.

2 comments about Lighthouses of New England (East Coast).

1. This book is not only very informative, but full of wonderful photographs. It is an interesting read and lovely to look at.



2. When I received this book as a gift I expected that it would be another lovely book of New England photos to keep on the guest room bookshelf. I was pleasantly surprised to find myself caught up instead in the beautifully-written text. Who knew there were so many intriguing myths, legends, historical facts, and entertaining anecdotes about the people who built, populated, and even haunt New England lighthouses? This book turned out to be a terrific history lesson and an all-around great read.

3 comments about Five Gold Rings: A Royal Wedding Souvenir Album from Queen Victoria to Queen Elizabeth II (Royalty).

1. A wonderful display of that special wedding. It was like the Queen was showing these momentos to me herself.



2. There's something irrepressible about a wedding of royalty. Even the most jaded of us is capable of maybe an 'awww' or two as we get to see a bit of a fairy tale come to life. There is pomp everywhere, from the fabulous gown and jewels that the bride is wearing, the wedding cakes and favours, to public displays of the wedding gifts.
   
   This handsome little souvenir album is to commemorate an upcoming wedding anniversary -- that of England's Queen Elizabeth II and Prince Philip, who will have been married for sixty years, in November 2007. It is also a look at how Royal weddings have changed and evolved from fairly private ceremonies that were witnessed by close family members and courtiers, to now what is a spectacle watched by millions on the television and launching a flurry of books, magazines and various souvenirs from the pleasant to the grossly tacky.
   
   The five weddings themselves occur in a period of time that spans just over a century, from 1840 to 1947, with the criteria that either the bride or groom would be a monarch of the United Kingdom.
   
   The first wedding is that between Queen Victoria and her cousin, Prince Albert of Saxe-Coburg-Gotha, in 1840. Victoria had been Queen of Great Britain for two years when her wedding was celebrated, and public curiosity was intense as to who she would choose to be her consort. With the rise of new printing techniques, there were now ways that the public could observe, albeit from a distance -- there were special prints and panoramas that were printed to feed the curiosity about the event.
   
   About twenty years later, the next royal wedding occured, this time between Victoria and Albert's eldest son, Bertie, the Prince of Wales and the future Edward VII, and his fiancee, Princess Alexandra of Denmark, 1863. Now there was the art of photography to add to the documents; some of these were hand-tinted to create a nearly painting like quality. The gifts were also more opulent, and this time, were described in a special magazine that supplied all of the details from what the guests were wearing to engravings that showed various aspects of the wedding service itself.
   
   Thirty years later, another wedding occured, this time between Bertie's son, George, Duke of York, and his cousin, Princess Mary of Teck, in 1894. This time, celebrations and public notice were high, with various royalties from around Europe visiting to pay their respects. The gifts were put on public display this time, and admission was charged, with the proceeds going to a charity. The bride's trousseau was described in various ladies magazines in lavish detail and illustrations.
   
   The fourth wedding was that of George VI and Queen Mary's second son, Albert, Duke of York, and Lady Elizabeth Bowes-Lyon in 1923. No one really expected them to become sovereigns of Great Britain, and so the celebrations were not quite as extravagant as might be expected. But one notable addition was that this was the first royal wedding to be filmed, and soon there would be opportunity for anyone to see it, all for the price of a ticket to the cinema, and sitting through a newsreel.
   
   The fifth wedding was in 1947, with that of two of Queen Victoria's great-great-grandchildren -- Princess Elizabeth, and Prince Philip of Greece. After the dreary years of WWII, and the troubles of rebuilding, London was ready for a celebration. The outpouring from the public was immense, and it seems that all of England took the day off for a holiday. The marriage proved to be one of the most successful in the royal family, and appears to be still quite solid after nearly sixty years.
   
   Each wedding goes into some detail about the clothing, providing pictures and closeups of the brides' gowns, showing some of the intricate sewing and decoration that went into the making. As was traditional, all of the clothing worn were made from British materials and designers. What I found especially beautiful were the samples of lace and embroidery, often with monograms and special designs incorporated into the designs. A very brief history of the couple is also included, talking a little about their childhoods, and what happened after the weddings. At the end of the book, there is also a listing of what music was performed at each wedding, with a few surprises tucked in.
   
   What may surprise you is what you will not find in this book. There isn't any mention of Lady Diana, or of the notorious wedding of Edward VIII and Mrs. Simpson.
   
   For anyone interested in royalty, and how what started as a private celebration soon became an opportunity for public celebration, this is a lovely, well-made and designed book. The photographs and pictures are unusual, many of which I had not seen before, and gave a sense of intimacy.
   
   The author, Jane Roberts, is the Royal Librarian, and has compiled a beautiful little volume on the lore of royal weddings. For anyone interested in the English monarchy, it would be a nice addition to their collection.
   
   Five stars. Recommended.



3. A wonderful book that takes you back in time for 5 royal marriages. I had a splendid time reading and looking at the photos. I have been watching the "Royals" all my life. I remember the day Elizabeth and Phillip were married, and this little book just made those memories much more clearer than ever before! A "must" for "royal watchers"!!