3 comments about Reflections.

1. Guido is a fantastic photographer. I think the book is one of the best of him. Take a look in the book. I'm shure that you'll love it.
   Cláudio Colavolpe



2. Buy this book first then read the reviews. The photos are excellent quality and content. If you enjoyed Guidos last book 'Private Rooms',then you are going to enjoy this one. The pictures are somewhat similar except that they follow the reflections theme. I only have minor complaints, which don't affect my rating in anyway. First, the book is smaller than the previous book for the same price or even more since amazon decreased the discount. Second, Guido appears in some of the photos which scares me cause he looks like a vampire (joking). Third, I wish all the pictures were blank from the back so I can frame them without loosing the other pictures (ofcourse I won't do that with my book). Bottomline, this book is a treasure and I can't wait for the next book



3. I was very disappointed in the quality and compositions of the photographs in this book. This book was published for a good cause but one would think the "professional" photographers would be more creative in their props and lighting. Save your money. Don't buy this book.

No comments about Magic Lantern Guides: SONY DSLR A300/A350 (Magic Lantern Guides).

1 comments about Final Cut Pro HD for Dummies.

1. Note: For Mac users only. But then again, most of the people wanting to do things like edit movies are using a Mac already.
   
   Final Cut Pro HD, is the latest version of the Final Cut program. HD stands for High Definition, and this version is indeed capable of editing HD video. But like with a lot of other software packages, the basic tools that you will use every day form the basics of the package, and they can be learned in a short time. Then as you reach points where you want to do more you can go back to the book to catch up on each point as you need it.
   
   Final Cut is suitable for editing the movies showing you new baby, or if you really want to you can use it to get just about as sophisticated as you need for that feature length film you are making with your A-List actor friends. As with all the For Dummies books, this book isn't really for dumb people, it is for people that are just un trained on this particular package. It's a good book.

No comments about Canine Behavior: A Photo Illustrated Handbook.

5 comments about Starting Your Career as a Freelance Photographer.

1. This book contains a lot of infomation on how to get started on photography from a business perspective- However a lot of the chapters are taken from other books. Also it is very dry reading- kinda like reading a text book, its stuff you should know but you probably take a few naps before you actually finish the book.



2. When I first encountered this book and glanced through its index, after noting that it had been published by the American Society of Media Photographers and Allworth Press, I expected it to be a version of "ASMP Professional Business Practices in Photography"...light. The latter book was designed to help professional photographers with the business aspects of their careers (but I found it omitted reference to many important business questions). I was wrong.
   
   This book purports to be aimed at people who are interested in becoming professional freelance photographers and it starts out simply in the first part with a broad overview, including comparisons of the advantages of attending a photography school and apprenticing to a professional photographer and selecting equipment. It was simple stuff to be sure but I'm told many people entering the career need this type of information.
   
   But when Part II came, there was more meat. It was a first for me to encounter a photography business book that actually talked about where the new professional was going to get his startup cash: family, friends, a working wife, or even (highly unlikely) a bank loan. The short chapter on location and leases even referred to things like zoning and subletting. There was even a section that talked about the collection of sales taxes and resale certificates for tax exemption. The chapter on insurance covered a topic you never hear even experienced photographers talk about although you know they all need it.
   
   Part IV on negotiating contracts and prices even had a pricing model that looked at the costs of creating photographs and suggested that if the photographer could not set his prices high enough to cover his costs (including his own draw) he should not enter the business.
   
   Part V called "Photography and the Law" discussed copyright, privacy and hiring an attorney. It even had a section on income taxes with suggestions on how to keep the books, which combined with an earlier reference to the software Quicken, talked about an issue that the new photographer usually doesn't even think about facing.
   
   You may have noted that I haven't discussed Part III on marketing, which I found the weakest part of the book. It was disjointed and not comprehensive, although most photographers would probably benefit from reading the short but well written chapter called "The Web Site as Marketing Tool." If you want to understand what's involved in marketing I would suggest Scott Bourne's little book "88 Secrets to Selling & Publishing Your Photography."
   
   This is not to suggest that this is the only business text a freelance photographer will ever need. Far from it. With the exception of the chapters on copyright and privacy and releases (which I think covered the fields very well) every one of the issues raised by the book will require more extensive study. But the book will highlight areas of the business of photography of which the beginning freelancer would never think until a major problem exploded in his face. Presumably, that's a good enough reason for him or her to read the book.



3. I am not a freeelance photographer, but wanted to learn what it takes to be one. I will definately keep my day job!



4. This is a MUST HAVE for getting you off the ground in your photography career!



5. This is definitely a "starter" book. It has lots of good overall advice and was full of things to keep in mind when starting a business. I really wanted a book that was a little more detailed and had more information (and examples) about sample business plans or marketing strategies. Although I found the information on copyrights and calculated overhead very useful, I didn't find the rest of the book as informative as I hoped.

2 comments about Animals in Motion.

1. Muybridges momumental work photographing animals in all different gates and poses and tests of ability. Using sometimes up to 100 cameras for a single set up to gain what is now the definitive guide for animators in understanding the motion of animals. It all started with a $25,000 bet: Eadweard Muybridge and a friend argued whether all four of the horses hooves leave the ground completely at any point during a gallop. Being funded for the project, Muybridge proved to be the winner in saying that horses do in fact leave the ground for a momentary second in their strides. The book begins with an anlaysis of locomotion, going over the walk, the amble, the trot, the rack (or pace), the canter, the transverse-gallop, the rotary-gallop, and the richochet, along with the leap and buck and kick. There are roughly 4,000 photos in this collection which claims to be the largest collection of animals in motion. It features not only horses but lions, deers, oxen, elephants, birds and kangaroos. From this development, Muybridge not only discovered that horses gallop with no feet touching the ground, but his discovery led to motion pictures, in which his photos is a very crude version of cinema today. Later he designed a viewer called a Zoogyroscope (or Zoopraxiscope) which, similar to a Zoetrope, was a carousel with slits which you look through while it is spinning to give the illusion of motion (or persistence of vision). Today these pictures are looked at for a couple of reasons, mostly as nastolgia for one to have wonder and excitement of this simple cinema, but it also is a great reference for modern animators. In fact, for those looking at animation, I can tell you that if you ask for an application to Walt Disney Animation Studios, they will give you their requirements and texts, this will be on the list. Highly reccomended for the artist, graphic, fine arts or animation or anything else you can dream of.



2. The images of the dray horses pulling heavy loads is worth the price of admission for me. This is a great reference for artists who want to create realistic images of animals in motion. It's a fabulous settler of bar room bets. It's a source of animated gifs for web designers (I have the running cat image that's been going around.)

   For people who want to understand animals in general, this is a good reference. I never thought that all the ways an animal can go from point A to point B each had a name to it and that a quadruped can have so many ways to move.

   Its an interesting historical piece, too. People do not see horses doing useful work any more and it's a reminder that we all had a life before internal combustion. Its an interesting chapter in the history of photography and the history of art, too. (Painting was never the same after people figured out how animals really moved.)

5 comments about Ellis Island: Ghosts of Freedom.

1. I Love this book, the pictures are beautiful, the design and layout make the pictures and quotes very moving. As a photographer I admire the quality of the work, and the bright vivid prints. I love that most of the images are full pages, sometimes spread across two pages, with small text labeling the room, or part of the property. There are no frames, page designs, or paragraphs to take away from the imagery. For more information and details the photographer includes a section of thumbnails with descriptions, stories about the room, or the shooting conditions, or even bitd of history. The thumbnails and text are at the back of the book with an arial shot and map showing the layout of the buildings. It really helps to peice together the history of Ellis Island. The quotes including add to the emotion behind the images, and I like that they were on parchment paper, so that you can see the pictures behind it. The books are being enjoyed by me and my mother, who is very interested in the hostory of Ellis Island, while I enjoy it for the photography. Great book to own, everyone should have a copy.



2. The pictures speak of the passing of time with such a quietness. One can only imagine the complete opposite when Ellis Island was a sea of humanity speaking and crying and hoping while glimpsing NY's famed skyline so nearby. So many hopes realized, so many unfulfilled.



3. I found this book to be stunning and thought provoking-I wondered about how frightened and angry immigrants must have been to be treated in such a way after what they went through before.



4. As an artist, I purchased this after my artist friend showed it to me, to use as a guide for selecting particular colors and/or color combinations in abstract paintings. It is amazing that the light in the photos has been captured as it truly was--not altered or enhanced with SW to convey a particular mood. Everyone I have showed this to has been propelled to stop and look through every image in the book--it draws you in as you flip through the pages. The colors portray emotion. Content is one of a kind. Highly recommended.



5. The photographer has really captured the feel of Ellis Island. A visit to the island is a must for people visiting New York. Whether this was the first stop for your ancestors on their arrival to the new world, or they came through other ports of entry, I think the general experiences were the same. All the feelings of expectation, fear, joy or the disappointment of making such a long journey only to be detained or turned back while in sight of the "promised land" are tangible in Stephen Wilkes' images.

1 comments about Crop Circles: Signs, Wonders and Mysteries.

1. On the basis of the color plates alone, this book is worth the price of purchase--a great and eye-catching addition to your coffee table. But it's also an informative chronology of the phenomenon. Other books may delve deeper into the scientific and geometric aspects, but none that I've seen compare with the visual impact of this one. If you're looking to view the crop circles from the comfort of your living room, this is the book for you.

4 comments about Film Lighting.

1. Kris Malkiewicz has assembled some of the finestcinematographers and gaffers in the world to create a must-have bookfor all aspiring and working Directors of Photography. This book is both technical and creative in description of design and technique. From Nestor Almendros, ASC to Vilmos Zsigmond, ASC and other contemporary greats in-between--the reader learns lighting of sets, close-ups, background plates and much more. Both soft-light and hard-light techniques are covered too. Reading the meter is discussed by Caleb Deshanel, ASC who states, "Basically I use the meter after I have finished lighting" to Malkiewicz who states, "a caucasian face has about 35 percent reflectance, but a black face reflects less than 16 percent." He goes on to explain the proper technique for exposing dissimilar facial colors with reflective metering. The late James Wong Howe, ASC and Jordan Cronenweth, ASC are quoted describing their day-for-night techniques. All in all this book covers the basics and beyond and has served me well as a reference book that I consult from time to time, and recommend to others.



2. I am an aspiring D.P., interested in lighting and camera operation. This book gives a good insight to the relationship between D.P. and director. It does not give dull "how to set up lights," but provides some interesting information provided by some outstanding cinematographers, many are members of ASC. I found it to be an excellent read.



3. I am a director and found this book to be really intersting. I really enjoyed hearing advice and techniques from a collection of accomplished cinematographers and gaffers. Too many books just merely point out that there are many ways to approach lighting a scene. This actually shows how different people choose to light particular scenes.

   The only complaint that I have is that it is a bit out-dated. Personally, I use a lot of newer lighting equipment that was not mentioned (especially Kino Flo lights). Nevertheless, still probably the best lighting book I have encountered.




4. If you are looking for a good, instructional book on lighting setups and techniques...keep looking. This book may be useful to a seasoned director or gaffer, but is rather useless for beginners. This is essentially a book on interviews, and while has some techniques discussed throughout, is not presented in a way that would be useful for someone hoping to learn the finer details of lighting.

No comments about Archive Fever: Uses of the Document in Contemporary Art.