4 comments about The Knife and Gun Club: Scenes from an Emergency Room.

1. Richard's provides an unbiased look into the world of emergency medicine at Denver General hospital and Denver Emergency Medical Services. This book couples full page black & white pictures with interviews with various health proffesionals. A true look at the events and emotions surrounding emergency care.



2. The Knife and Gun Club gives a candid and uncensored look into Denver General Hospital's Emergency Room and Paramedic Division. Richards has captured the spirit of the personell of the Denver General ER. As an EMT trained at Denver General and the daughter of one of Denver General's first paramedics, I found this book very accurate and true to life. It spares no detail and gives the true flavor of one of the nations top trauma centers and emergency departments. If you have any interest in the emergency field, I suggest you read this book for a truthful look into an emergency room and the lives of the people who work in the emergency system. This book is fabulous, and very well written. Richards pulls the reader in to Denver General and all its supporting emergency systems. I have never read a better documentation or representation of the way emergency medicine in all its aspects truely is.



3. This book is an honest look into what goes on in a busy, public emergency room. It's filled with amazing black and white photography that captures so much emotion and drama. In between the pictures are candid interviews with the emergency room staff...their stories about the harsh reality they work in astonished me. This book is so much better than any medical TV show simply because everything in this book actually happened...and the true stories are better than anything I've ever seen on TV.



4. I am a nurse practitioner who has worked in trauma centers (mostly inner-city ones) for more than 20 years. "The Knife and Gun Club" was not only a trip down memory lane for me but also a decent reflection of the trauma business as it still occurs across the US -- the only really obsolete material in the book is the technology.
   
   We have a higher success rate with really severe injuries now because the science has advanced, but unfortunately the social and economic forces that created the Friday Night Knife and Gun Club have not abated. Rather, they've increased, so the Club now meets every night in most cities in the US, with penetrating trauma (from knives, guns, ice picks, screwdrivers, etc.) increasing for the past 20 years.
   
   If I were to recreate this book in the current system, the only thing I would add is the impact of 48 million uninsured and the change in hospital emergency departments as they have become primary care providers for those uninsured. These are the people who wait for 8, 12, 16 hours to see an ED provider because they cannot afford to see someone before an illness becomes serious.
   
   Richards' book is (and deserves to be) a classic.

1 comments about Print Magic!: Creating Crafts Using Digital Photos and Art.

1. The details on doing the projects are good and most measurements are stated in imperial and metric which is useful. Both the computer steps and hands on steps are understandable. I really like the humor with the teddy bear shirt and the Andy Warhol style shirt is going to be given alot this Christmas.

No comments about Monochromes: From Malevich to the Present (Ahmanson-Murphy Fine Arts Books).

5 comments about Adobe Photoshop CS2, Revealed, Deluxe Education Edition (Revealed (Thomson)).

1. I was using Chris Botehlo's Adobe Indesign CS2 Revealed, which is an excellent, clearly written book, so I naturally bought this book when I needed to learn Photoshop. Unfortunately, Ms. Reding's ability to convey complex instructions is lacking. The instructions are very disjointed and confusing. With no particular offense meant toward Ms. Reding, I strongly suggest that she partner with Chris Botehlo when writing the next edition of this book.



2. I'm half way through this book. Although I've used Photoshop extensively for some time, I have learned a lot in every chapter. The explainations, exercises and tips are all good. Unfortunately, the editing was poor (mostly little mistakes, but they waste the student's time). Also, the index failed me the few times I tried to use it.



3. This is a great book that shows the hows and gives you the whys behind it. I recommend for any beginner Photoshop users.



4. This is a textbook I needed for a class, but I'm enjoying it anyway! There are a few items in here that seem to be done with less skill than the professor's method, but all in all, it seems like a good, user friendly book.



5. The book does what it says and it will teach you Photoshop but the text can get a little confusing. For instance during the final projects and the end of the books some of the techniques they ask you to do are not to be found in this book nor could I find them in the index. Some of the steps it asks you to do are repetitive and have nothing to do with the task at hand.
   
   On the other hand I have learned a lot about Photoshop from this book and I am now confident in using the program. I do suggest reading the text in between the steps seeing how that clarifies a few things for you. For what its worth this book is worth the price and is great for anyone wanting to learn Photoshop.

5 comments about Essential CG Lighting Techniques with 3ds Max.

1. It is a good book. It really helps to understand different notions about the cg lighting. Well structured and uses everyday language.
   Tutorials are good, sometimes maybe to long, but they help to structure and have an overview of the matter.
   I recommend the book to everyone who want to have an understanding of how to set up lights in 3dsmax with maximum efficiency.



2. This is a good looking book with full color prints. One of the tutorials was highlighted in 3D Magazine as an example of 3 point lighting. I experienced some difficulty with some files when I tried to use the radiosity plugin. Also, one tutorial has missing files. The instructions kind of jumble together in think prose. Not easy to follow. The material, however, touches on light theory, shadows, HDI, and renderers. The HDI tutorial is a good one to introduce you to the concept and yes, HDI maps are included. I think this is a good cocktail table book. Nice discussions and great graphics. Can't take learning specifics about Max lights seriously. But good discussion and some good examples.



3. Advanced user aren't going to learn anything revolutionary, but over all this is a good beginner/intermediate level guide to CG lighting. As with many other Focal Press titles, much of this book's contents are covered in Max 9's own tutorials and user reference.



4. 416 page which explain how to use light on 3ds...once finish it you'll be a light creator master!



5. I have read this book from cover to cover and multiple times for some chapters. There are two reasons I like this book
   
   First, most chapters start with basic theories and offer some tutorials which reader can try themselves. The tutorials are very easy to follow. The structure help learn new concepts as well as how to use Max.
   
   Second, this book almost touches every aspect of CG application in Max, such as radiosity, indoor, outdoor, MR, texture baking for games, shadow etc. By reading the book, it also help navigate and read Max help contents which are usually boring to read.
   
   In short, it is a good book especially for persons who already know something about CG and interested in 3ds Max.

2 comments about The Queen Anne House: America's Victorian Vernacular.

1. Really a well done book on one of the great American house styles. The text is highly informative and the images are crisp and well executed. Overall, I was pleased with the houses chosen, some are quite reserved and some are massive and grand. I do wish the author had chosen one of the great Galveston Queen Anne style mansions, instead of the simple quant home chosen to represent Galveston, the city has some spectacular mansions in this style. Though having said that i still highly recommend this wonderful book, if you have a love for Queen Anne, you will not be disappointed, unless you happen to be a Galvestonian.



2. Generally, books of this type fall into two categories - either they are dense textbook-like examinations of a particular style of architecture that lack visual appeal, or they are beautifully illustrated with minimal text that amounts to fluff. This book is a triumph in that it combines the best of both. It is at once visually appealing and informative. Both the professional and the layperson will find it useful and enjoyable. What an exciting concept!

5 comments about Managing Your Photographic Workflow with Photoshop Lightroom.

1. I have only Scott Kelby book to compare with Juergen Gulbins and Uwe Steinmuller book. Both have their advantages. Managing Your Workflow with Photoshop Lightroom is a simple with book with straight forward easy to follow examples. Kelby book has mare examples for advance uses of Lightroom. Workflow makes a good reference book to use for every day use. Kelby book gives good advance step by step procedures for different images.
   
   I will continue to use both. Like most of Kelby books his humor detracts from the information. Maybe he should write a joke book.



2. An excellent book if you want to learn how to work with Photoshop Lightroom.
   No frills, no ego's from the writer interfering with the information. Just plain information how the programm works. Clear explanations, following the workflow.
   Just what I needed.
   Four stars due to the principle that things are not perfect, because it is made by humans.



3. I get tired of Scott Kelby's humor but at least his books are readable, and useful. This book, well, I suppose all the information is there but I kept drifting off from the dull text and even duller PC-inspired graphics (they could at least use Mac screen grabs). I think the front cove pretty much sums up the book.
   
   It looks and reads like your basic college text book. It's going back



4. I completely disagree with the positive feedbacks regarding this book for a variety of reasons. I took it fascinated by the "covers Version 1.2" note, thus suggesting a specialized "version 1.2" text, a most current book of them all, an advanced insider instruction to Lightroom. The dilemma about Lightroom is that it keeps changing from version to version. Users of this program know about its immaturity and stability issues. "Version 1.2" really sells in such conditions.
   
   Another reason to pick this book was that I like to read the essays from Outback Photo and the FotoEspresso Online Magazine by the same author. But the reality with this particular book is different:
   
   1) Too short to really provide any add-on value to the standard Adobe's manual, and to the many web-zines. 200 pages, minus approx 50 *not* about Lightroom at all, make this book too short to cover any advanced issues in the 5 main modules of Lightroom. This book is virtually just as brief and insufficient, as is the PDF file provided with the Lightroom by Adobe.
   
   2) Tries to please everybody at the risk of not satisfying anybody, to quote the great Donald Knuth from one of his forewords. For example, do you really need to buy a specialized "version 1.2" Lightroom book to learn about what is a Jpeg and what is a RAW file? Yes, its true! This thin booklet spends a few pages to tell you revelations that Jpeg has different levels of compressions, and, yes, you guess it: You should use the lowest compression for highest quality.
   
   3) Digresses into usage of other software and/or hardware. Do you really need whopping 3 full pages with screen shots from a Huey screen calibration software? No, you surely do not need that, a product flyer and a self guiding menu will do it! Besides, Huey is only one possibility. We have also all the "Spiders" and several more. In any case, I would rather be using the manual provided with the device instead of buying an extra book about something else, to look into it for another copy of a hardware gadget manual. I use Huey, its fantastic. And trust me, the menu is self guiding. You ought to press the Next button and proceed with the instructions. These 3 pages 191-193 in this book should be better devoted to Lightroom.
   
   4) Poor print quality. It is really kind of difficult to talk about color, and look at the pale faded looking print by rokynook press. These images look like projected through a light gray filter.
   
   5) Instructions seem to be very MacIntosh oriented, thus not attracting the vast majority of users, who are rather likely to use Windows and see completely different Lightroom menus. Its basic statistics...
   
   I am at peace with author attempt to describe the workflow between Lightroom and Lightzone (8 pages), but this shows even more how few information is about Lightroom 1.2 per se. Do you need more examples of "not to the topic"? Have you seen compact flash cards in a box? Jeez, now you can! Have you seen a card reader? Now you can too.
   
   One puzzling thing about Lightoom are its color curves. I am a seasoned computer scientist with a PhD, I do photograph for 30 years, and yet I fail to make any use of them based on information and instructions provided so far. I would rather be still using RawShooter, but Adobe bought and shut it down to "assimilate" its user base for Lightroom. A look into Adobe's forums shows just how many people are confused, if not lost in Lightroom's baroque interface, shuttered by bugs, malfunctions and poor performance. Such program needs instructions of more experienced photographers, who maybe stand in direct contact with Adobe development team and can explain what the manual and own experiments fail to provide.
   
   Would you believe that the ENTIRE set of development operations, what includes these dreaded tone curves, is covered on mere 32 pages (pages 78 to 111, chapter 4.) Can we really learn anything new but to see another enumeration of menus and sliders in such a brief description?
   
   Example: Split toning, half page 98. ..."split toning can also be (mis)used to reduce the blue cast of your shadows." Excellent, I am excited! Lets see it, lets learn!! Oops, there are no instructions, no lesson of just how to (mis)use the split toning to work on the blue shadows... This was it! Authors said "it can be used" and that was it. This is the KIND OF VALUE PROVIDED BY THIS BOOK. I am sorry, this does not do it.
   
   My recommendation is to take rather Mikkel Aaland's book, what is clearly my favorite among the otherwise hastily thrown books about Lightroom.



5. I am a self-taught Photoshop hack. First started using it when version 3 came out (on a TON of 3.5 floppy disks). I have been able to use it enough to generate/ edit web images, scan prints, etc. It is grossly overpowered for what I use it for, but it's all I know and the company I work for is willing to pay for it. I am equally inept in my photographic workflow processes. I just take pictures, use my limited knowledge of Photoshop to get them to a point where I like the finished product, and go on my merry way. Until now.
   
   Managing Your Photographic Workflow with Photoshop Lightroom is helping change my bad habits. Originally written to cover Lightroom 1.2, the processes are still applicable to 1.41, the latest version I am using. I had seen Lightroom and sort of dismissed it as just more $$ to spend until I started reading this book. Managing Your Photographic Workflow with Photoshop Lightroom has given me insight into using the tools contained in Lightroom and how using them will affect my images. At just over 200 pages, this book is full of images and practical examples. I used to edit my images exclusively in Photoshop. Now I do most of my post processing in Lightroom, exporting the results to be uploaded into flickr, iStockphoto, or burned to CD. I doubt I would have changed my habits were it not for this book. Needless to say, it is highly recommended if you have been curious about using Lightroom.

No comments about Picasso Line Drawings and Prints (Dover Art Library).

5 comments about Industrial Light & Magic: The Art of Special Effects.

1. Pér tutti quelli che vogliono sapere come fanno i film, per tutti quelli che amano Star Wars con tutti i suoi segreti, direi che questo è il libro che fà propio al caso vostro.Scritto in un inglese molto facile è un libro che può veramente appassionare



2. Years ago I longed for this book, as it sat on the shelf in the local book store(it was not cheap). I received it with much gratitude on my birthday. Now as a teenager I found a reinterest in this book, and was overjoyed when the next book "into the digital realm" came out. For anyone who is captured by the magic of special effects, this is for you.



3. Thomas Smith was general manager of Industrial Light and Magic a year before he came to write this impressive book. The book is centred around the film special effects creations of ILM between 1975 and 1985. This includes the then "Star Wars" trilogy, two Indiana Jones movies and other lesser known projects. For the Star Wars fan theres plenty to learn about one of your favourite movies. This book is lavishly illustrated with full colour photos including triple page or gatefold images. The focus though is on how the effects are done and who did them at ILM. From the art work in developing concepts of storylines, through modelling, creature creation, the actual filming methods and matte image creation to the finishing touches of animation and optical compositing this book gives a gradual demonstration of the work of a special effects company. For someone with no knowledge what so ever of special effects this is a good introduction and to those involved it must be fascinating as well. As Thomas Smith points out, while film fans still love the movies from this era (1975-85), movie goers constantly seek new visions on screen. The digital era has brought movies like Toy Story etc but these were just figments of imagination at the writing of this book so its worth noting Thomas Smith's far-sightedness in the final chapter on digitized movies. The format of the book is to take each department of the special effects process and show what it does and where its part comes in the crafting of a movie. In each chapter there are short biographies of the leading people in each area of effects, this is a nice touch as it can serve as guide for those interested in getting involved. Its worth noting, many of those profiled have a long interest in their specialty going back to their youth and through the various twists and turns of working in an industry knew of other members of the ILM company before actually joining this now esteemed organisation. Thomas Smith by no means is setting out to sell ILM's considerable expertise though he tells the story of a company making dreams into reality, itself moving from an idea to a serious business proposition. (As a final note another book on movies of this period Paul Sammons "Future Noir: The Making of Blade Runner" contains insightful descriptions about the crafting of a movie not least its special effects.)



4. No one would ever have guessed that when Industrial Light & Magic opened its doors in Maren County that day way back in 1975 that they would produce the standard by which other special effects and other effects houses would be judged. ILM has formed the cornerstone of LucasFilm Ltd. a company that has spawned more spin-offs such as THX Sound, Skywalker Sound, all held neatly under the Lucas Digitial banner. Back in the days of Star Wars it was mostly using what was already known, and inventing everything else. ILM has been at the forefront ever since, from the early days of motion control cameras controlled by Apple computers the latest CG marvel like Galaxy Quest, Phantom Menace or Mission to Mars.

   The Art of Special Effects deals more with the older films-those before 1986, illustrating a time when computers were not so large a part in the film-making process. It gives the reader a great look at the sheer amount of detail that went into the models, the props, costumes from Star Wars to Explorers, from Raiders of the Lost Ark to the some of the Star Trek films, ILM constantly and consistently proven to innovative. The book as a whole is on a level lower than, say, Cinefex magazine, assuming that the reader doesn't know how blue screening and rotoscoping works or how miniatures are lensed. It is light reading without getting itself bogged down in too much technicality, for those who want that, read Cinefex.

   It also strikes me that this book is also best at presenting a dying era. A time when model makers kit bashed hundreds of plastic models just to build a Super Star Destroyer - few companies bother with that any more when everything can be rendered on a Silicon Graphics box and Maya and Soft Image software. Such films as Star Trek: Insurrection used few practical models and a completely CG Enterprise-E. The time of the supremely detailed, hand crafted model or set may be at an end, and I think the industry will be sadder for it. Partially because when I read Cinefex, a lot of what I see is the same-different movie, different space ship, but they're all rendered the same way and most use the same software, with only minor modifications or original code going into it to get a certain look or solve a certain problem.

   I suspect the Digital Realm of the movies, while producing better special effects, lacks the mystique of knowing that several people labored for months to build that model. That instead it was modeled by a few people over a period of a week. (Though it should be noted that a lot of films, including the Phantom Menace, used practical models). I suspect their days are number.




5. Great book for anyone who loves cinema, starwars or special effects.
   The whole history of George Luca's Industrial Light and Magic.

5 comments about Colorado, 1870-2000.

1. John Fielder is one of America's greatest living photographers, and he brings his love of the Colorado wilderness to this book. His re-shoots of Jacksons 19th century photographs are both beautiful and thought-provoking.... the photographs make it worthwhile.

   On the other hand, the text is a different story. Reading a text-only version of this book, one might conclude that the title is a misprint, and that the book should really be called "Colorado 1970 - 2000." Fielder roamed across Colorado capturing the changes in places like Kremmling, Denver, and Ouray, but the text never tells us anything about these places, or why they changed, or why we should care. Instead we get chapters about oil shale and the Forest Service.

   Ahem. If I wanted to read about the relationship between Forest Service bureaucrats and small Western towns, I would have bought a book called "The Relationship Between the Forest Service and Small Western Towns." My book is called "Colorado 1870 - 2000." That is what I want to read about.

   It's true that oil shale schemes, government agencies, and others have played a role in shaping Colorado in the past 30 years. But before that there were events like the Silver Crash of 1893, the City Beautiful movement, the Depression, World War II, and Urban Renewal. You won't read about those in this book.

   The pictures are beautiful, and the text is well-written (if misplaced and unwanted). Just don't expect to learn much about the places you are looking at- except that they are very pretty.




2. There appears to be some confusion as all of the reviews of the original "Colorado 1870-2000" big book are credited to this, the paperback "Colorado 1870-2000 Revisited: The History Behind the Images". This book is a companion book to the original. It takes each photo set from the big book and goes into detail about the location, changes, and how Fielder acquired each photo. These are the things that, being left out of the original, made several people give the big book negative reviews. While it would have been nice (and certainly less expensive) to have everything in one volume, we now have the information for which those disappointed with the big book were looking. While the big book is a piece of coffee table art, the Revisited book fits neatly on your bookshelf, ready to be taken down to answer those questions posed by your friends perusing the big book. I take a bit of offense at having to have paid for two different books, but they belong together and I feel were money well spent; the big book for the beautiful photos and the revisited book for its entertaining and educational material.



3. This book is excellent in look, feel, and quality. It is intriguing to see how much landscape has changed in 130 years. Many times for the better and many times for the worse. In every case it is very interesting to see two pictures side by side and compare 1870 with 2000. The photographer was very meticulous to capture every shot as closely as possible to the original perspective and frame, which really enhances the "then and now" feel of the book.



4. I noticed the review that said this book was worthy of "permanent display on your coffee table." Well, I don't think that will be possible with my book, as the binding fell apart after 6 months. The book has gotten a fair amount of use, but nothing out of the ordinary. I've since seen a similar problem with a couple of the display copies at bookstores (which is why they've been demoted to display copies). So I don't think this is an isolated problem. It seems like the book is so big that they didn't make a strong enough binding for it. So just a warning for this thinking of buying this book. The good news is that, on the advice of one of the reviews, I bought Colorado: Yesterday & Today to replace my copy of Colorado: 1870-2000. I agree that it is the better book and now it will be on permanent display on my coffe-table.



5. This book is an amazing capture of what has happened to our world. You are able to see what scenes were like 150 years ago and compare what they are like today. The photographers are so exact that people have been placed in the scene at the exact site. If you wonder if global warming in real than take a look at this picture. You can see the glaciers and rocks change between the pictures. It is amazing and wonderfully done. I bought 3 for Christmas gifts and now want to buy one for my own family.