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5 comments about Academy Award Winners' Movie Posters (The Illustrated History of Movies Through Posters Series; Vol. 3)).

1. Bruce Herhsensons' series of poster books have become the bible of the poster world. The images captured are of extremely high quality and are a must have for any collector of movie materials. I highly recommend these series of books to anyone who is interested in the subject matter.



2. This book, along with its companion volume, "Best Pictures Movie Posters" is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with Academy Award winning movies, illustrates innumerable examples. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com.



3. This review can easily apply to any of the books in the Bruce Hershenson edited series of film poster history. Hershenson rightly treats film graphics not just as pop culture artifacts but true works of art. His books are filled with a curator's eye for superior choice and reproduction, each poster in striking color and with a clarity of printing that rivals most any coffee table art book. Somewhere between advertising and illustration, film posters, like book jackets and record covers, inhabit that imaginative and atmospheric zone where one art reflects another. It's not just the history of film or the history of film design, it's a history of twentieth century Saturday afternoons and Saturday nights. How often we would go into the dark theatre armed only with the ideas and ideals of the posters outside, and then return to them afterward, perhaps with nodding affirmation or smirking disillusionment, but still a vision of what could be. This series of books should be subtitiled: THE FINE ART OF ANTICIPATION, for no matter if expectation was filled or emptied by the films behind them, their posters kept on shining.



4. Gorgeous color reproductions of great movie posters remind you how captivating the appeal of movies has been. Bruce Hershenson's books are a tremendous value, and his efforts to record movie history through poster art represent a real service to movie lovers.



5. For lovers of film, film history, and specifically, poster art, Bruce Hershenson's series of full-color books is the cream of the crop! And, the quality of printing and photography is superb, with razor sharp images and vibrant colors.

2 comments about Vintage Hollywood Posters II.

1. For anyone who loves movies, this is a wonderful eyeful of beautifully reproduced posters.



2. I have been so impressed with Hershenson's series of books on classic movie posters that I have purchased them all. I hope he keeps it up. These are beautifully produced allowing me to really understand how a movie was promoted when first released. The best posters have always been works of art but as they have become collectibles it has become expensive for most of us to own older posters. These books certainly make it possible to appreciate the beauty of the design and graphics. My guests are really impressed too. I leave a few of the books out and they always are the center of conversation as people both find their favorite films and discover somethings they never knew existed. I hope these books keep coming for a long time. Thanks for selling them.

2 comments about Collectors Value Guide to Early Twentieth Century American Prints.

1. I was mislead by the title, I thought I was getting hundreds of
   artist and examples of their prints, but the book is on Parrish and Fox with a couple of other artist thrown in. Not at all what I was
   looking for.



2. This book covers 6 american artists from the turn of the century and includes important facts for each. It covers prices, condition, histories of the artists and much, much more. I like the way the book is laid out, it is easy to follow and understand. I judge collecting type books on how much I can learn and retain and I have learned a lot from this one. I highly recommend this one.

5 comments about Cartoon Movie Posters.

1. All of Bruce Henderon's books are worth a dozen times what he sells them for; flawless, stunning reproductions of great movie posters. Buy them ALL!



2. As previous reviewers stated, this is a marvelous book, & it does have far too many Disney & Popeye posters in it. Considering the wealth of other 'vintage' cartoon posters that are around (even just searching on the net), Im suprised they didnt have a better selection for us to look at. Otherwise, Im very happy to have this book, and I'd LOVE to see a volume 2 some day!!!



3. I'll be truthful: I received Bruce Hershenson's CARTOON MOVIE POSTERS as part of a "grab-bag" special he was throwing a couple of years back. My tastes lie in the somewhat more arcane area of Horror & Science Fiction posters. What would a guy like me who covets copies of posters like BEAST WITH 1,000,000 EYES want with...harmless, namby-pamby kid's stuff? Plenty, as I soon discovered once I opened this excellent book. First-the reason I had been so unaware of cartoon posters, especially ones from the seven minute variety, is that so many of them are practically extinct. Cartoons, being the VERY bottom of the bill, were treated as 4th-class citizens, and if the studios bothered to make a poster at all, there weren't very many of them and the vast majority of those were tossed. What a shame! This book, which contains close to 400 exqusitely printed images, is an absolute riot of color and imagination that easily rivals any of my beloved fantasy pieces. Starting from cartoon pioneer Windsor McCay in 1911 and ending with the X-rated FRITZ THE CAT in 1972,(and touching on all points in between), Bruce includes examples ranging from the obvious (Disney, Warner Bros, & Fleischer) to the wonderfully obscure (there are several pages of pictures from Ub Iwerks'fairy tale cartoons from the 30s that are gorgeous, more than a little strange, and as rare as hen's teeth.) If you have even a passing interest in movie posters, it is mandatory that you order at least a couple of Hershenson's poster volumes. If you are a rabid, hopeless poster fiend like myself, they are invaluable for both reference and entertainment. Everything about them is first-rate: the printing, the choice of posters (ah, those 30s & 40s Disney 1-sheets...!)the short, inobtrusive, well-written snippets regarding the history of various posters: it's very tough to find fault here. This is the perfect gift for hard-core poster geeks and casual film/cartoon aficonados alike. Five stars all the way, and...abbah-dee, abbah-dee, abbah-dee....That's All, Folks!



4. Everyone has their own favorite film genre (animation, action and adventure, science fiction, etc.). Next to crime/film noir films, animation is mine. The beautiful thing about this book is the unexpected. Rather than delve into the standard Disney fare (which is included in great detail nevertheless), this book includes artwork from posters from "lesser seen or only mildly popular" titles. Besides Disney, everything from Fleischer to Avery is represented, works of art that can only be bought for thousands of dollars today at many of America's high echelon auction houses. If you are the least bit interested in the jaw-dropping beauty of what has become a lost art -- the exercise of drawing images associated with the advertising of a Hollywood film -- this is the book to have. This book is part of movie poster maven Bruce Hershenson's exhaustive multi-volume series of books highlighting the history and beauty of what much of mainstream America has only in the last ten years begun to recognize. And that is movie posters are a "popular art" form that can stand proudly next to all other styles of art from gothic to modern, from expressionist to impressionist. Great film art borrows from all of these styles and this volume, which focuses only on posters associated with animated films, illustrates innumerable examples whereby despite the restrictive nature of the genre (cartoons), not all posters went in the same direction in terms of style and presentation. From Pinocchio to Popeye, Hershenson and Allen have built an incredible archive (and legacy) of images in all of his books, capturing a period (when all posters were drawn by hand and then printed, as opposed to today's method of using photographic stock and manipulating them digitally and printing them by the thousands) that would otherwise be lost forever. A fine book for any collector (get the hardcover edition if you can, it's harder to find; if Amazon doesn't have it, it's available from Mr. Hershenson directly at mail@brucehershenson.com).



5. This review can easily apply to any of the books in the Bruce Hershenson edited series of film poster history. Hershenson rightly treats film graphics not just as pop culture artifacts but true works of art. His books are filled with a curator's eye for superior choice and reproduction, each poster in striking color and with a clarity of printing that rivals most any coffee table art book. Somewhere between advertising and illustration, film posters, like book jackets and record covers, inhabit that imaginative and atmospheric zone where one art reflects another. It's not just the history of film or the history of film design, it's a history of twentieth century Saturday afternoons and Saturday nights. How often we would go into the dark theatre armed only with the ideas and ideals of the posters outside, and then return to them afterward, perhaps with nodding affirmation or smirking disillusionment, but still a vision of what could be. This series of books should be subtitiled: THE FINE ART OF ANTICIPATION, for no matter if expectation was filled or emptied by the films behind them, their posters kept on shining.

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