No comments about Sierra Club 2009 Wilderness Calendar.

5 comments about Adobe(R) Photoshop 7.0 Classroom in a Book.

1. Takes you step by step, just like a classroom. Covers items you can't figure out on your own!



2. Bought this ages ago, when I was considering Adobe Photoshop Qualification. Now, Photoshop integrates tutorial videos into its newer Photoshop models, but the Classroom in a Book was an excellent way to learn. It provides images on a disk to work with while you follow along in the guide book.



3. For the most part it covers the basics of photoshop, nothing to complicated. It explains the ground-level functions in a way that anyone can understand. If you want to become a image master then this is a great starting place for the Photoshop beginner.



4. 
   I was expecting a guided class ,instead I found no instructions at all, no exercises to practice on the CD.
   I was sitting in front of the photoshop screen with a picture and that's it.
   I guess it would be better that the publishers explain somehow that you need a previous knowledge of the program.
   It must be good for people who just need to upgrade previous knowledge, but I won reccomend it if you don't have it.



5. One thing I have learned after using Photoshop for over 15 years is, there is always something else to learn. The Photoshop 7.0 Classroom Book is a great tool for this purpose.

3 comments about Creative Photoshop: Digital Illustration and Art Techniques, covering Photoshop CS3 (Digital Workflow).

1. I have never met a Photoshop book that has enraptured me like this one. This guy is fantastic, he brings a new look to the power of Photoshop. I don't know a Photoshop user who won't be challenged and inspired by this book. It encompasses everything from collage and montage to painting and vector drawing and in a very accessible way. It's a winner it should get 6/5 stars.



2. I really can't recommend this book enough. The tutorials are easy to understand even when dealing with advanced techniques. It could be a bit much if you are brand new to Photoshop but I doubt it. I don't think anyone looking into purchasing a book of this types would be at all disappointed. There are other tutorial books out there but this one has subjects and artwork that are truly engrossing. Not only are the tutorial format and content superb but the author offers an online community that can be accessed through his personal site. Here you can ask for help on problem areas from other readers and often the author himself and also post your own work that the lessons have hopefully helped you to create. An easy 5 stars, great work.



3. I purchased this book on a whim and was pleasantly surprised by the quality of its content. Lea takes readers step by step through simple and very complex design techniques. His instructions are easy to follow and, unlike many other Photoshop books I have picked up, just as easy to apply to other projects!
   
   Having access to the author through the reader forum on the book website makes this an even more useful tool. Any tips that might seem vague are easily explained by the man who wrote the book - and other readers that have overcome similar problems. I have worked through several books on Photoshop, but this has been the best by far!

No comments about Classic Essays on Photography.

5 comments about Planet Earth: As You've Never Seen It Before.

1. XXXXX
   
   "The authors of [this] book (producers of the [Planet Earth TV] series) are extremely grateful to the [TV series'] production [the production team consisted of almost 25 people], post-production, and camera teams [the camera team consisted of more than 55 people] for their talent, dedication, and determination. The result of their hard work on this challenging series is not only obvious in the television programmes but in these pages. The stories they unearthed and the trips they organized were the inspiration for much of the text, and many of their unique images [or photographs] illustrate this book."
   
   The above is found in the first paragraph of this book's acknowledgements section. According to this book's cover, it is authored solely by Alastair Fothergill, one of the TV series producers. However, according to this book's title page, there are five more co-authors (all producers of the TV series) making it thus authored by six people altogether.
   
   This book (a "New York Times" bestseller and endorsed by Oprah Winfrey) is supposed to be a "companion" to and a "mirror" of the TV series which "took four years to make [and was] filmed in more than 200 locations worldwide." However, don't get the idea that this book is simply a rehash of the TV series because it definitely is not.
   
   This book consists of two outstanding features:
   
   (1) exquisite, revealing, and unique colour photographs (of which I counted more than 360 captioned ones)
   (2) text (which is quite comprehensive and informative)
   
   To give the potential reader a "feel" for this book, I will give the chapter titles and a brief description. Note that the first chapter should be read first and subsequent chapters can be read in any desired order:
   
   (1) The Whole Earth (Gives a general overview of the entire planet and orientates the reader.)
   (2) Frozen Poles (The ultimate places of extremes, the Artic and the Antarctic.)
   (3) The Great Forests (Between the poles and the equator lie huge tracts of forest. These forests have great effects for both the wildlife living there and for the health of the entire planet.)
   (4) The Great Plains (These plains cover more than a quarter of the planet's land. They support the greatest gatherings of wildlife anywhere on Earth.)
   (5) The Great Sands (Deserts are the hottest, most arid regions of the world. Only the hardiest of plants and animals can survive in these areas, each with a special repertoire of tricks.)
   (6) Mountain Heights (Mountains epitomize wilderness--remote high-altitude places, where only the hardiest of animals survive the cold.)
   (7) The Underworld (Caves are the least known environments on land, are home to some of the strangest animals, and offer unique landscapes and thrilling experiences. **This is my personal favourite chapter.)
   (8) Fresh Water (All life on land is dependent on fresh water. It is the most precious resource on Earth.)
   (9) Rain Forests (Reliable year round sunshine and regular rain downpours result in a rich rain forest with a variety and complexity of life unmatched by any other habitat on Earth.)
   (10) Shallow Seas (These are by far the richest parts of the ocean. It's in these seas that you find the coral reefs, the sea grass beds, the kelp forests, and 90% of the world's commercial fisheries.)
   (11) Open Ocean Depths (The deep and open ocean covers more than 60% of the Earth's surface. It regulates the climate, conditions the atmosphere, and contains some of the least known and most extraordinary animals on Earth.)
   
   Finally, there are some problems with this book. Note that these problems in no way affect its readability but are irritations (at least to me):
   
   (1) In the book's front material is a world map with the names of the continents, oceans, selected seas, and other selected landmarks printed directly on it. (This map is not indicated in the table of contents.) As well, there is a numbered list of almost 55 features whose numbers are printed on the map. This map is untitled and there is no explanation of how it's to be used.
   
   When I first came across this map, I assumed that it was unimportant and forgot about it. It was not until I was well into the book that I discovered accidentally what it is and how it's to be used.
   
   This map is a locator map. The idea is that when you come across a place, feature, etc., in the main narrative, you look it up on the map. For example, if you came across in the main narrative the Himalayas, you then go back to the map to see where these mountains are located.
   
   The numbered list of selected landmarks is used in the same way. For example, the list of landmarks indicates that the Great Barrier Reef is #52. When you come across this reef in the main narrative you are then supposed to find this number on the map to discover the Reef's exact location.
   
   I think this is a good idea since this actually adds another dimension to the book. However, I found another problem. The reader is not told when to refer to the map. So what you end up doing is guessing if a particular place, feature, etc., is on the map. I guessed wrong many times and thus became frustrated.
   
   My question is why is there no instructions on this map of how it`s to be used? As well, in the main narrative, why isn't the reader told when to refer to this map?
   
   (2) The same problem goes for the photographs in the book. The reader is not told when to look at a particular photograph. You either have to read the entire narrative on a page and then look at the photograph (many pages have more than one picture per page) or you have to guess when to look at a photograph when you come across the name of a particular animal, feature, etc., in the main narrative.
   
   (3) Much of the material in the text gives some highly specific detailed information. Why isn't there any credit given as to where this information was obtained?
   
   (4) All the back material (most notably the index) in this book is not indicated in the table of contents.
   
   In conclusion, this is a fascinating book where you truly get to see the planet "as you've never seen it before." I leave you with the final paragraph of the book's Forward (written by (Sir) David Attenborough):
   
   "This remarkable and beautiful book should stand not just as a revelation and celebration of the wonders that our planet retains at the beginning of the twenty-first century. It surely must also be seen as an eloquent rallying call to all of us who care for the Earth's welfare to redouble our efforts to protect those wonders that still survive."
   
   (first published 2006; foreword; locator map; 11 chapters; main narrative 305 pages; index; copyright; names of some people that made the television series possible; acknowledgements; picture credits)
   
   <>
   
   XXXXX



2. Not only did I receive this product faster than expected, it was brand new and it was one of the most amazing books I have ever read with some of the most exquisite photography I've ever seen!



3. if you believe in God or not, i dare you to look at this book and not be in awe of nature. my husband and i enjoy looking at this book any seeing God's wonderous creation. anyone who has children should get this book. they probably won't read every word, but they will learn a lot from the pictures.



4. I have not had the chance yet to review this product. I'd thought I'd purchased the dvd set for this same title, so was surprised to receive a book. I decided not to return it, but I know I will enjoy it.



5. BEAUTIFUL BOOK TO HAVE. NOT ONLY IS IT INFORMATIVE, BUT THE PICTURES ARE TRULY A PIECE OF ARTWORK.

5 comments about Mixed Emulsions: Altered Art Techniques for Photographic Imagery.

1. When I was little, my mom was hired to "color" BW photographs for a local photographer with special paints. With her extra photos to practice on, I played around with the colors and chemicals and had such fun, often making the unknown ladies' lips horrendous shade of reds or purples to blues that clashed with their dresses, hair color, and/or glasses. I still laugh when I think about it and little did I know how my play would have actually been valued as a unique artform so popular today. This book brings back the FUN when playing with photographs printed on various media. Fun while doing art allows for creative freedom of trial and error. What I found to be extremely important about this book is that it gives you IDEAS to play with and test on your own. Suggested products, often those you have in your typical art box, can produce unique imagery when combined with photographic imagery. The importance of art today is the factor of playing with products to see what works and what doesn't AND how to make it look apppealing to others and draw them into the image for various reasons. No - this book doesn't give step-by-step information for each product used, but it allows you, the artist, the freedom to try things for your self.
   
   I love the numerous TIPS provided throughout the book - many are common sense, but others really come in handy in the understanding of the product application on various media (i.e. what works well or what doesn't work - e.g. antiquing with walnut inks - using different types of pens and implements to vary the writing/marking style, using a spritzer for various spattering patterns, crumpling the paper before inking to get a crack-line ink pattern, etc.). These tips may give those who want a more detailed step-by-step info a heads up if they are afraid to try things on their own. So consider the Tips handy information to work from during your creativity process with photograph art.
   
   Many sections have a linear TIMELINES on how products were developed and used over recorded history (e.g. oil painting on images; woodblock prints to modern printing and stamping; development of acrylics; use of oil pastels and pencils in art; development of the felt tip markers and their uses; stencils; inks; history of paper;...and so much more to list here). Additional information on where to get products and what products were used on various projects throughout the book is provided on the latter pages along with a section of "Portfolio of Art" showcasing numerous artists along with an excellent glossary for reference.
   
   Last - the author and I encourage all artists interested in the modification of photographs in mixed media art to really explore the possibilities. Combine products and techniques. Test new things out. Feel free to EXPLORE, CREATE, and EXPAND your horizons and see what you can do to make photographic images sing with a special theme all your own. Use your old photographs (that is those you don't care if they get ruined), photocopy them, scan them onto different products (silk, handmade paper, vellum, etc.) and then use modifying products to create something that speaks to you. Angela Cartwright's book "MIXED EMULSIONS" can give you the courage, as it did for me, and will inspire you to go in paths you may not have thought possible when exploring art using photographic imagery as the basis of each art piece created by you.
   
   Anyway - isn't that what ART is all about?



2. This book turned out to be much deeper into mixing media in art than it seemed to be at first. It will be a great experience to try more of them.



3. Though I am able to make a lot of different crafts as I've been a teacher in France during several years, and author of one book released in 1999 in French, I precise, I always had problems with using photos in my crafted items, as I often had very bad surprises. That's why I bought this book, to learn, to know more about working on and around photos.
   I also like to find something different and original, not always the same "how to do this or that", and I must admit I learned new things with this book, it made work my imagination, it is original, we feel the author knows her stuff very well, but there are also other artists' creations, and it is really very well explained, even for beginners.
   So, I recommend this book which is, I think, useful, even absolutely necessary in any crafter's studio or home.
   Yael
   "Une Nouvelle Vie Pour Vos Objets" Authors : Yael Bolender and JP Delpech, Didier Carpentier Publisher on Amazon Canada and France



4. This is a great book, full of inspiration for anyone who is looking to dabble in altered photographic imagery. Written by Angela Cartwright (if you've never seen the Sound of Music shame on you), the book contains very generous amounts of ideas and tips for your next altered project. There are some images from other artists as well, such as C.W Slade, Claudine Hellmuth and Traci Bautista to name a few. Even if you're not interested in altered imagery, buy it for the art work within it. Worth every cent and wait to cross the oceans to get here..



5. Angela gives a raw honest instructions that are easy to read & achieve your own results. A great buy

5 comments about Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema.

1. The book "Sound Design", the expressive power of music, voice, and sound effects in cinema, is one of my favorite in my collection. I always recommend it to colleagues and customer. During my technical seminars-workshop and product training sessions, I have often taken inspiration from the book, particularly the sections "TRY THIS" that the author has included in various parts inside it.
   
   The book is written with great passion!



2. Sonnenschein effectively covers the theory behind shaping the soundtrack, and gives great examples of the ideas in action. I loved the candid quotes from masters like Ben Burtt, Gary Rydstrom, Walter Murch, Dane Davis, and others. I started noting down all of the films he mentions as examples of good sound design, until I noticed Sonnenschein was one step ahead and had already noted them all in the back. Only 4 stars 'cause I personally wanted more technique and a little less theory.



3. This eloquently written book describes the rhyme and reason behind all the sounds - music, effects, and dialogue - that are blended together to create the sophisticated soundtracks we're accustomed to. Sonnenschein, a director, musician, and award-winning sound designer, combines practical wisdom with sound theory and exercises to inspire and educate both new and experienced sound professionals. The book will appeal to non-professionals and other filmmakers as well because it's fun, entertaining, and enlightening. The author clearly loves and knows the world of sound and it's a joy to be brought into this world.



4. This was an interesting book, and it really gave me some new perspectives on sound design. Sonnenschein focuses on the organization and mindset of sound design, rather than the technicalities. I especially liked the excerpts from top sound designers such as Dane Davis (The Matrix, Drugstore Cowboy), Gary Rydstrom (Backdraft, Saving Private Ryan), and Ben Burtt (Star Wars, Indiana Jones).
   
   My only knock on the book is that Sonnenschein was repetitive at times. The book would be about 30 pages shorter if he didn't repeat points that were made in previous chapters. Never the less, it was an interesting read, and I still think it is a great resource.



5. I am very glad, that I found this book. It helps me think about making sound design in a very deep point of view.
   I love it!!!
   Thank you David Sonnenschein:-)
   
   Jan Sleska
   student of sound engineering

No comments about Tim Walker Pictures.

5 comments about Portrait Photographer's Handbook.

1. This is an excellent book including both technical and creative information. What most impresses me about this book is that it is not "dumbed down". I also think it is geared toward the more intermediate level audience. Itt is not a beginner or primer book. You should already be doing some portraiture work to get the most out of this book. Lots of beautiful sample photos and their camera settings included.



2. This book had a few good tips in it for portrait work. I feel though it is over-priced for what you get. It is not really a book that I would read more than once, so to me, this should just be borrowed or checked-out at the library instead.



3. I saw the high ratings for this book and thought it would be great to add to my collection. While the pictures are vivid, the book is a disappointment. The focus seems to be primarily on digital photography. If you're using digital then this book might be good for you. I was hoping to have a book that offered insight into both. My focus is film. It always has been and always will be, as I love working in the darkroom. I enjoy to learn primarily from film based books because I have a chance to see what can be done without relying on viewing the image in the digital viewing area. I also get to see what work is done in the darkroom as opposed to PhotoShop. This book deals too much with both digital and PS editing techniques. As such, it's not a book that will go great on my shelf and I'll probably end up selling it in a garage sale someday. A waste of money as I am sure I won't get as much as I paid for it.
   
   If digital is your medium then this book might work for you. If you're looking for great film techniques you may want to look into another book. Or at least look at an older edition of this book.



4. Well, I bought this book based on glowing reviews. I should have checked it in the local bookstore first.
   
   Cons: The book is loaded with so many soft focused images and pretentious poses as if there are no other technique. There is no life in those images. Some of images clearly overprocessed in Photoshop with oversharpened eyes and blurred faces. So, if you are into soap opera looks and poses this is certainly a book for you.
   
   Pros: On the other side the author (and his contributors) does know his trade . Lighting, composition,color etc look very professional. It is just so boring



5. "Portrait Photographer's Handbook" by Bill Hurter is a valuable resource for anyone interested in portraiture. It starts off with a pretty useless discussion of camera format/size. It then launches into lenses, film and so on. All of this is fairly elementary but useful as a review. However, when Hurter gets into metering, lights and light modifiers, things get more interesting. Chapter 3 is devoted to posing (there could be more on this). Chapter 5 discusses portrait lighting. While this might be a review for some, I found tips and tricks that I really appreciated. The lighting diagrams were well drawn and the illustrative photos were very good. (It sure does help to have beautiful people to photograph!). Chapter 7 on outdoor lighting was useful to me (I don't do that much outdoors). Chapter 9 on corrective lighting and posing techniques was well done. Chapter 10 was on PhotoShop retouching techniques - very good basic stuff. See also "Skin" by Varis. In short an excellent book, clearly written, and beautifully illustrated by some of the top portraitists (is there such a word?) of our day. I would have liked a few Karsh portraits included, but that's just me. Recommended.

3 comments about Looker.

1. There's a little bit of the voyeur in all of us. It seems like Richard Kern is in a good position to take advantage of this and provide an excellent collection of photographs. Unfortunately, this book is a bit of a disappointment.
   
   Part of the disappointment comes from the simple fact that a professional photographer can't be a true voyeur; or, at least, he can't publish those photographs in a book. Geoff Nicholson hints at this a bit it his opening essay. However, Mr. Nicholson also sets up expectations in his essay about furtively trying to take photographs on the street that are not realized in the photos that follow.
   
   That is not to say that there aren't some good photographs in this book. Early photos in a sequence, particularly the photos taken outdoors of a single subject are often quite compelling. They truly seem to capture a person unawares; however, as the sequences go on, and the models get into states of further undress, the pictures are obviously staged, which destroys the voyeuristic quality.
   
   In some ways, Mr Kern is trying to capture something next to impossible to capture well. Still, he manages, occasionally, to capture more than I expected. If his focus would be on what he achieved in the earlier part of the photo sequences here, I think he would have been more successful.



2. Richard Kern is obviously a talented photographer, but I came away somewhat disappointed with this book. It purports to show young women in candid moments in various stages of undress. But one thing it WASN'T was noticeably erotic.
   
   There's an oriental girl shown eating corn-on-the-cob topless. And later she's shown spitting out toothpaste into the sink, also topless. There's a very porno-oriented image of a panty-less girl bending over in a van, exposing her vagina. And another highly un-erotic shot of a girl apparently squatting down in the wilderness to do her business. Also, why the photos of guys in a book supposedly dedicated to showing us beautiful nude women?
   
   On the positive side, there are a couple of photos of girls with other girls that I thought promising. And there's another girl shown in an office setting with a hand on her shapely rear end. It would have been a whole lot hotter had it only been a female hand!
   
   But overall, I would not have purchased this book had I known how weak the overall content inside actually was. It's needlessly crude, and too many of the models are unattractive or in poses that make them appear so.



3. The book itself is excellent quality and very nice to look at, with large full-page or even two page spreads. But the what the author is actually going for is a bit more confusing. Looking at the cover of the book, you're expecting a voyeuristic look into the lives of these beautiful women, but the pics seem to be more random than that. The pics go from very normal and boring, to expected voyeur, to highly unrealistic or voyeuristic pics that seem more like softcore pics for a much more adult type of publication. In conclusion, the book is a beautiful hardback with lots of content, I just wish there was more of the voyeur and less of the boring or the over the top, unrealistic content. Sticking to the central theme would have benefitted the book more.