1 comments about Architecture in the Emirates.

1. I know nothing about Architecture, but I love it.
   
   I mean, I love watching nice buildings and knowing what's beyond them -who made them, how, etc.-.
   
   So, this GREAT BOOK -as all Taschen publications- allows you to travel to the Emirates without even moving from the coziness of your living room.
   
   If you like architecture you'll love it -and i you know, even more-.
   
   A great book for those who like to know more about this fantastic paradise of zillion bucks buildings...

5 comments about New York's Fabulous Luxury Apartments: with Original Floor Plans from the Dakota, River House, Olympic Tower and Other Great Buildings.

1. If you live in New York City, this is a great book to see what the building "insides" look like. Although I don't live there, I still enjoyed seeing the floor plans and getting a very brief descriptive of each building. Just a fun book to look at and imagine yourself living in one of the more grand one-floor coops or condos. Fun to dream! The only downside is that some of the floor plans were so small that I needed a magnifying glass to identify the room layout.



2. Originally published under the title 'Apartments for the Affluent,' this book is aimed at a very narrow audience indeed. Alpern takes us through 75 luxury Manhattan apartment houses in chronological order, from 1869 to 1974. Each building has a full-page b&w photograph, a diagram of a typical floor plan, and a quarter-page-or-so description. Alpern explains the reasoning behind the various room arrangements, and how that reasoning evolved over the years. I enjoyed this book immensely, but it's not for everyone. If you ever walked by an older high-rise apartment building and wondered how the rooms were arranged and why, this slender volume will fascinate you. Otherwise, you may prefer a book that's a more general survey of the topic (including some by the same author).



3. Finally I got a hold of this book! Great floor plans; but as usual, I would have liked more interior pics (hardly any).



4. This book provides excellent descriptions and floor plans of many of New York's finest apartments. It proved to be a great guide book on a recent trip to the city.



5. This book is a must have for any fan of architecture. A glimps into some of the most amazing buildings, complete with floorplans! My personal favorites: The Langham, 1107 Fifth Ave, 960 Fifth Ave, 625 Park Ave, River House and my ultimate favorite, the late great 410 Park Ave. I am so glad I discovered this book.

5 comments about The Japanese House: Architecture and Interiors.

1. Don't expect much content in textual form. The book is a photo book, and there are many excellent pictures of japanese houses and interiors in terms of themes and photographical skill.
   
   What is totaly contradictory to this, is the poor low-budget color printing chosen by Tuttle publishers. The pictures are devaluated by a easily seen coarse printing sreen.



2. Take the text with a huge grain of salt. It says nothing original about the Japanese aesthetic (terms like "elegant", "minimal" and "harmony with nature" abound); it contradicts itself on a few key points (is the half-height tea-house door for guests, or the host?); and in one caption it identifies a Go board as a "game of mah-jong". Oops.



3. I bought the book for inspiration in designing my retirement home. It is that. Lovely pictures and ideas for anyone interested in Japanese design.



4. The photography is beautiful. This book shows the best of ancient and modern Japanese design concepts.



5. Compre este libro para conocer mas de la cultura japonesa en el recinto mas sagrado para una persona, su hogar. La cultura japonesa es sumamente rica tanto en belleza como en practicidad y este libro me ha servido para idear refugios dentro de mi casa y asi evitar la rutina diaria y todo lo "fast" que la vida occidental tiene. Recomiendo mucho este libro para aquellas personas que quieran hacer de su casa un lugar equilibrado, que esten planeando alguna reconstruccion o hacer una casa nueva.

3 comments about Indian Art (Oxford History of Art).

1. I purchased this book for my own enjoyment and to supplement the required readings for my Asian Art class. It is a visual delight, inspiring, and highly informative as well.



2. This is a necessary corrective to previous, stale surveys of Indian art. It gives full attention to the whole range of art and architecture and also stresses the strong contribution of Islamic, tribal, and women's art. This is the standard volume at this time.



3. Although Partha Mitter has written a much better book "Much Maligned Monsters", this book is a total flop. It is hackneyed and bending backwards to be politically correct. For example, a major portion of the book is devoted to Islamic Art (712-1757), but the Islamic kings did not even get properly established in India for 400 years after the putative beginning of this period. Mitter's understanding of the earliest art is less then exemplary and his choices from the most recent period are idiosyncratic. I was greatly disappointed in this book.

1 comments about XS: Small Structures, Green Architecture.

1. Note carefully the words in the title of this book, 'Small Structures.' In spite of the copy on the back of the book, this is not a book concentrating on small houses. This a book on all kinds of small structures. They may be viewing platforms, a bridge, a pigeon loft, a monument, an emergency shelter made out of an ocean shipping container, a camera obscura, a work of art, or indeed there are a few houses here.
   
   What this book is really trying to do is push the state of the architectural art just as far as it can be pushed. Here are structures that are ecologically responsible, wildly creative and showcase the advanced thinking that the premier architectural firms can do when removed from the restrictions of building yet another McMansion.
   
   As you look at these structures, some give you ideas that you'd really like to try in your next building, some of the others just look weird and don't fit into anything that seems reasonable.
   
   All in all, I found it a stay up late and look at every picture just to see what they might think of next kind of book.

5 comments about Arcadian Architecture: Bohlin Cywinski Jackson-12 Houses.

1. The content of this book is wonderful and BCJ are to be commended for their work.
   
   The actual book, however, is VERY poorly put together. The binding on every volume I've purchased has started to disintegrate from the moment I've opened the cover. I've purchased and returned several copies because of this (ultimately having to return the book entirely).
   
   For this reason, I can barely give it a single star in terms of rating. Had it been bound like every other book I own, it would earn a 5-star rating.



2. It is a very nice book and one that my son wants very much to add to his liabrary as he is studying architecture. The book seems to be coming apart, only strings are holding it togehter. It looks like the glue has pulled apart where we have started looking at the book.



3. Bohlin Cywinski Jackson have a long illustrious history stemming from Wilkes-Barre, Pennsylvania, to Seattle, Washington. As such, this beautiful collection of twelve "arcadian" homes represent the tip of the iceberg of their collective work. In these immaculate residences you will find their signature details, many of them by James Cutler, who worked with Peter Bohlin on the Gates Residence and other projects. You will marvel at the romanticism of the Adirondack Retreat on Lake George, New York, with its granite boulder fireplace and natural cedar and fir interiors. Then there is the Endless Mountain House, located in Northeastern Pennsylvania, with its projected balconies atop crumbling fieldstone walls with a towering chimney anchoring one end of this evocative residence. The house appears as though it were built over ancient ruins. Nestled within these idyllic residential projects is the Pacific Rim Estate, co-authored by Bohlin and Cutler for Bill Gates on Lake Washington, near Seattle. It is a stunning work, not so much in its assemblage as in its marvelous kit of parts, from a barrel-vaulted garage buried into the wooded landscape to the beautiful timber connections in the main body of the residential complex. Here we see brute concrete and heavy timber blended naturally into the landscape, making for a surprisingly unassuming compound that incorporated many sustainable design features, including recycled heavy timber posts and beams.



4. This is one of the most well crafted books on a single architect. The scale and quality of the photographs, the packaging, it is the best gift you can offer to someone who has a passion for materials and detail.



5. an absolute treasure. this quite weighty volume covers the top-notch residential work of BCJ in great detail - beautiful drawings and photography all work together to illustrate these wonderful buildings... highly recommended!

5 comments about 10 X 10 _ 2 100 Architects 10 Critics.

1. The publishers did a fine job on the quality of this book. Although 10x10 was not at all what I was looking for others may find it useful. I found that it had extremely contemporary design throughout, current and old. Its focus was more on the very soul and defenition of contemporary that is shown in form. I am not a designer or architecht, but am sure that type of person would get more from the book than I did. Basically I was looking for a collection of ideas that could some how be implemented into other forms, but I was not successful. All I could see was page after page of a revolving theme that I now know does not appeal to me in its purest form..



2. Im an architecture student at the University of Florida and this book, including 10x10 are a must have. Simple as that. Full of pictures and small captions describing projects. Great for a student in design courses.



3. As a web designer, going through this book of beauifully designed homes and buildings give me layout and design ideas. Full color with large pictures and descriptions, I would reccomend this book for starting architects.



4. I am currently a design student - and this is an indispensible resource for recent and fairly obscure architecture. Has full rich photos and a wealth of information inside. Great selection of buildings as well. The photos can be used for ideas on detailing to spacial organization. I highly recommend this to anyone who needs to get a fresh breath of air and clean out the cobwebs. Everytime I close it I am ready to design.



5. I was thrilled when I received this book. Being an architect myself, I appreciated the excellent photos and disussion of the featured persons in my profession. A wonderful book that will be a worthwhile read for anyone with an admiration or even mild curiosity in the subject. Highly recommend.

5 comments about The New Urbanism: Toward an Architecture of Community.

1. I grew up in what new urbanists would probably call a paradise. It was a real community in which neighbours were really neighbours. People did sit on their verandahs and converse with their neighbours on the street. There was an understanding that one could borrow things if the owner wasn't using them. It was considered polite to tell the owner if he was there but if he was away one could just borrow the thing and tell him when he came home if one was still using it. In short it was everything new urbanism wants. This was in a moderately large city in Canada.

   There were two things wrong with this paradise:

   a) it was not about verandahs, facing the street etc. It was about control and conformity. The neighbourhood protected itself by frowning on unexpected behavior. There was an expected range of interests and an expected range of activity. If someone went out of this range, one could expect social sanctions unfailingly. The dark side of Jacobs 'eyes-on-the-street' is Foucault's 'gaze.' The neighbourhood worked as an exercise in power. The verandahs and street life were instruments of that power. Heaven help anyone who had non-standard interests.

   b) the neighbourhood was unsustaining. With the growth of the personal rights ethos, the ability of the neighbourhood to control its inhabitants fell away. No longer could the neighbourhood fathers take action to control petty teenage misbehaviour. Instead personal rights and social policy took these controls away from the neighbourhood and gave them to government agencies. As a result the neighbourhood is now perhaps not unsafe but definitely uncomfortable. No one leaves tools or equipment out now in case a neighbour needs to borrow it. Everything is locked up. The doors are firmly closed and neighbours now complain to the police instead of discussing thier joint problems.

   New urbanism seems to miss this point. Neighbourhoods are about local power. For some people this produces a comfortable paradise. For those slightly different it creates a jail of conformity. Some people thrive in it. Some peole will be stifled. Neighboourhoods are an exercise in hopefully beneficent control. Architecture does not create this control. It can destroy it certainly and make it impossible but it cannot create it.




2. I have only had the book a day and already it has given me great pleasure and joy. I love the fantastic pictures and diagrams. The computer digitalizations on a few existing towns today and what they could be like were truely fasinating. I couldn't help not liking the indepth descriptions of numourous cities, towns, and villages from around the country and canada as well. This book had colorful photos and diagrams, this book to me is pure genus!



3. A very good appraisal of design examples of new communities with also a consistent theoretical approach to New Urbanism concepts. This is a necessary reading to those that want to be updated with the best design practices of integrated urban spaces.



4. The basic principles presented in this book are the stuff that dreams are made of. I have shared the ideas presented in this book with many of my friends and they all want to live in communities such as this. We've been strip-malled, mega-malled and automobilized to near-death. New Urbanism as presented here is like a million breaths of fresh air.

   It is best to read the basic principles presented in the front of the book first. It may look like dry reading at first but as you get into it, your interest will be piqued at first, then grabbed, and you won't want to put it down till you've read it all. Having read this part you will be armed with the knowledge that, to date, no development or developer has had the guts to follow the principles completely. All of the projects presented include some elements of New Urbanism but none of them have it right. One of the other customer reviewers of this book, Ken Wing, missed this entirely. Hey Ken, there is no people in the Seaside pictures because they want the reader to see the architecture! Those who don't get it, or are afraid of change, tend to trivialze New Urbanism and mis-represent it.

   Once you have read this book, you, like myself will want to immediately pack up and move to a New Urbanist community. Better ones are coming out of the ground each year and I hope to see one near me real soon.




5. This is a good book about bad ideas which-because of their influence-simply must be read. The problems with New Urbanism stem from five implicit premises it shares with other approaches to city planning. Consider them in turn.

   1. The same design approach is appropriate for both cities and suburbs.

   Peter Calethorpe claims the application of urban design principles "regardless of location: in suburbs and new growth areas as well as within the city" is a "simple but unique contribution of this movement." City planning, however, has often applied suburban principles-such as buildings as islands in a sea of grass-in both cities and suburbs. New and old share the underlying belief that the design problem of cities and suburbs is similar. Yet 40 years ago, Jane Jacobs showed us that cities were places where people had to feel safe amidst strangers, which fundamentally distinguished them from suburbs and small towns. The result when premise meets reality is laughable.

   For example, the chapter on the upscale, private golf community of Windsor, FL devotes four full pages to the castle-like entrance building where visitors must pass a security checkpoint. Perimeter walls form an important design element of South Brentwood Village, CA. The text and captions don't mention them, but they show clearly in the illustrations. Unless New Urbanism's model is the medieval walled city, it is hard to see these as urban.

   2. Community is primarily a matter of buildings and their arrangement.

   Those who have not received years of professional training easily fall into the trap that community has to do with people. Planners know better. Community is about buildings and the spaces they enclose. The planners' view is most apparent in the illustrations they choose. Seaside, FL's chapter is typical. Seaside requires front porches, because they supposedly encourage sociability. Seaside's front porches appear in 17 photos. Exactly one porch is in use. Of the six photos showing Seaside's public pavilions and gazebos, but one is in use. The photo of the pedestrian-friendly sand walkway is empty. The planners are proud of their porches, pavilions, paths and gazebos. They constitute "community." Who needs people?

   3. Appearance is more important than functionality.

   Planners design and evaluate with primary reference to aesthetic standards. The design must work at some level, but that limits rather than drives what the planner does.

   For example, the proposed conference center entrance in Montreal is a grand staircase, but it is hard to imagine anyone using it except joggers seeking a challenging exercise regimen. A large stair is also proposed for a park in Communications Hill, CA, not to get up and down, but to "terminate the view from a nearby street."

   The plan for part of Brooklyn, NY, shows a seven block length of Atlantic Avenue taken up by five buildings with nearly identical facades, three one-block long, and two two-blocks long, blocking two cross streets. The centerpiece of this stretch? A two-block-long parking garage. Does anyone really believe vibrant street life could exist here?

   4. Inside the boundary, plan. Outside, ignore or conquer.

   A convention of the planning field concerns how the area surrounding that planned for is portrayed in plans and renderings. Of course, the planner's work is always shown in living color and full detail. Two basic approaches are followed in showing surroundings. In one, surroundings are simply left out, as if the planned area were a space station, or the sole settlement on a virgin continent. In the second, surroundings appear in monochromatic outline, making the viewer aware there is a context, but giving little information about it. Whether this convention is cause, effect, or coincidence, what is clear is that it strongly parallels planners' values and thought process.

   This premise can be seen in action in what is perhaps the worst single design feature in the book. A "major goal" for the Clinton area of New York City was preservation of the few remaining low-rise buildings, including a corner gas station. To the planner, this meant the gas station was "outside" the planning area. Not content with surrounding it with an eight-story building taking the rest of the block along both street frontages, the planner proposed building a canopy on air rights over the gas station, thus engulfing it, amoeba style. Such bizarre design makes sense only when one starts from the planner's premise that what is outside the plan is at best something to be ignored, and at worst an obstacle to be overcome.

   5. Give planners complete control. They know best.

   The desire of planners for complete control is evident from the opening essays, where the wants and ideas of "businesses and public officials" are referred to as "hurdles," and the changes a planner makes to incorporate others' ideas are called "accommodations" and "compromises." Examples of building codes to limit architects and builders to the planners' vision grace several chapters. The pinnacle of control is achieved in Mashpee Commons, MA, where the developer retained ownership of streets to avoid zoning setback requirements.

   The premise that we would all be better off if we would just do what the planners want stems from their deep seated belief that they know best. I hope it is apparent by now that this hubris has no basis in ability or performance.

   As horrifying as these five premises are, it hasn't stopped New Urbanist planners from getting plenty of work, and in many cases getting their plans built. For suburban developers trying to create a simulacrum of pre-WWII, small-town America ala Disneyland's Main Street, the New Urbanism is probably harmless. For cities, the stakes are considerably higher. Cities have already suffered immensely at the hands of planners, and in their current state can hardly afford another round of arrogant ignorance. New Urbanist planners have already been to work on New York, Los Angeles, and Montreal. Read this book before they come to a city near you.

4 comments about Morphosis: Volume IV (Morphosis; Buildings and Projects).

1. 
   this was a good all around book. Morphosis and Thom Mayne's style of architecture is something every person serious about the study of recent developments in modern architecture should have in their collection, no matter how much you buy his theory and approach. The book is very well done, the content level is definitely worth the purchase. Far too many architecture books these days are nothing more than pictures, this book definetely provides one the best balancing acts I've seen thus far.



2. If you are an architect or architecture student, you must have this book. Great price! fast shipping!



3. This is more a review of the books about Morphosis than the works of Morphosis. The first monograph is still essential to my library, and is highly accessible and analytical. Unfortunately, the second monograph was almost incomprehensible. I mean, I literally couldn't make out what I was looking at. The third major monograph from Rizzoli was better in this regard, but of course that snapshot of the from at that time showed a lot of promise but little built work -- yet. So this monograph comes along and a whole lot has happened for Morphosis in the meantime. While the graphics are complex still, often overlapping and vignetted, I can make sense of them. Also, it's just great, really an inspiration to not only see work built, but to see it executed so well.
   
   I would always like to see more detail drawings in these monographs, but with a few exceptions, I've just learned to live without them. It's my one criticism of this book really. The analysis is less, um, didactic than the first monograph, but you do get a certain joy out of figuring some things out for yourself. In the end, while the forms of Morphosis are complex and the high-lines-per-square-inch drawings add to that, ultimately, the process, idea and problems are apparent in the work itself. It's cleverly presented and clear in idea if not simple in execution.



4. This is truly a must have in any architecutal book collection. 400+ color pages, showing recent projects. I have found this book a great reasource for my studies.

5 comments about Bali Houses: New Wave Asian Architecture and Design.

1. A beautiful book well balanced in terms of text and pictures. The quality of the pictures is second to none. Compared to other books about Balinese style mostly focused on interiors, this one captures not only the essence of the interiors but also open spaces and gardens.



2. Great photography and awesome scenarios. It really brings the feeling of being in Bali. And the decorations show the artistic side of the new interiors of the open living. It inspires my clients when they come inside my furniture store. Of the books I have from Bali, this is certainly the one with the best pictures!



3. Being a Decorator, this comes in handy for clients who like the look of the Tropics. It's a complete book of ideas, design strategies, and an overall look into another world of comfortable, colorful, Paradise influence to bring a little joy to the reader.



4. This is a genuinely fine book. The photographs are spectacular, with fine color and resolution.
   The text isn't too in-depth about houses in Bali, but the pictures speak for themselves.
   I wholeheartedly recommend it, got me?



5. Good overall but not as informative as Bali Modern another book by same author. PHotography excellent.