5 comments about Get Your House Right: Architectural Elements to Use & Avoid.

1. Remodelling made easy with this visual book. I worked out some details on a remodel alongside my contractor using this great resource. The book is mainly illustrations of the various ways (right and wrong) to change your home without the use of an achitect.



2. A local Architect recommended that I get a copy of this book. I am staff to the local historic zoning commission and always can use assistance explaining architectural concepts to applicants. This book is a reasonable articulate resource that alows an applicant to see the problems he/she might be having with a design. This book is easy to read and it presents clear and useful solutions to the mistakes that many applicates and their architects seem to want to make. I have gotten copies for all of the Commissioners and I am working with the Library system to make sure all of our libraries have a copy.



3. A lot of work went into this book. The overall presentation and layout is friendly and easy to the eye. The illustrations are very effective and easy to understand. The language is simple and clear. What you get is a book that is very practical and that explains in great detail the dos and don't of design. While the focus is residential the principles can be applied to all types of buildings. Highly recommended.



4. I bought this book about a month or so ago. I have read through it once. While I will skim it again, from time to time, I'll be keeping it as an irreplaceable reference manual for home design or purchase.
   
   The illustrations are gorgeous and pure genius. Most of them are NOT CAD drawings, but honest-to-goodness pencil illustrations, which all have a definite artistic flair to them.
   
   The premise is simple: the Greeks and Romans got it right, and modern home designers try to ape their aesthetic without doing the requisite homework make awful looking houses. Once you read this book, you'll never be able to go into a rich new suburban development without easily being able to point out the painfully obvious design gaffes that abound. That's the downside--you're an instant architectural snob after one read. But the upside is that when it is time to YOU to buy or build, you'll know precisely what to look for and what to avoid.
   
   Marianne Cusato has proven her genius with the "Katrina Cottage" design, which will probably set her for life financially. I hope it does, so she can focus all of her energies toward the classicist movement. I'd sure love to hire her to design my next home (if I could ever afford her now).
   
   The modern architectural ethic of the last century, emphasizing a lack of details, machinelike designs, and a material driven ethos (steel, glass, and concrete) is absolutely put to shame by the Greek and Roman orders of proportion, balance, and detail. Hopefully, Ms. Cusato and her classicist colleagues can put the last few nails in that coffin. I could live the rest of my life quite well without having to view another gawd-awful building that looks like it was designed by Fisher Price.
   
   This book is a masterpiece.



5. I would have to say this is by far THE best book I have found for designing authentic traditional style homes. Say goodbye to cookie cutter - every designer should have a copy of this book beside them when they design, or else memorize it!
   I am not a HUGE reader, but I was so enthralled with this book, that I read about 125 pages in my first and second sitting. Ok, it has a lot of pictures, but still that is pretty good for me. I usually lose interest quickly. :)
   Don't hesitate to buy this book. It is a deal at any price. It WILL help you "Get Your House Right", save money and increase the value of your home tremendously in the process.
   This should be standard issue at all technical schools, colleges and anywhere that teaches how to design good quality authentic buildings that are pleasing to the general public.

2 comments about The Architect's Studio Companion: Rules of Thumb for Preliminary Design.

1. As an architecture student, I was required to purchase this text book to accompany my studio course. I have quite often reached for this book from my expansive library of required texts to find answers to rules of thumb for preliminary design. I found that this book is very good at explaining the basics that one needs to accommodate early in the design process. If you are looking for something dealing more with code regulations, this is not really the book to purchase. It includes a wide range of topics which can help answer many student questions. I have been happy with my purchase!



2. This book is designed to help architects in their design of new buildings. Spedifically, the book is organized about the common building codes in place around the United States. The intent of the book is to minimize the time that an architect need spend on checking building codes themselves so that he can proceed to working on the design of the building.
   The book establishes a simple system of seven steps to help the architect in his initial design effort.
   
   The first step is to determine the Building Code and occupancy, then check as to what types of construction are permitted by the code, move on to a preliminary structural design, consider using daylighting, plan for mechanical and electrical systems, determine building code requirements for egress and accessibility, and finally parking.
   
   By having all this informaion at your fingertips a great deal of time can be saved.

5 comments about Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture.

1. I travel a ton and I am so sorry I didn't climb Brunelleschi's Dome. After reading this book, I want to go back, just to climb and see all the details I just read about. At times the book got slow and technical, but it was overall fascinating.....Stands the test of time....



2. The story of Brunelleschi's Dome is about a unique architectural accomplishment, one that has not been surpassed in the hundreds of years since it was built. The story is not just about the Dome, but about Brunelleschi and his competitors. It even gives us a glimpse of the era in which it takes place.
   
   The book is short, only 167 pages. It is somewhat superficial; it does not delve too deeply into any one aspect of the Dome, the people or the time in which it was built. Readers with specialist knowledge or interest in any of those areas might be disappointed. Some of the descriptions of the building technics used and of the engineering of the Dome left me confused. More diagrams would have helped.
   
   While this book does not have enough information in any one area to interest specialists, I thought it was a great read. It was an well written narrative on an interesting topic I would not have known much about otherwise.



3. No, this isn't a book about an Italian guy with a big head, although Filippo Brunelleschi certainly had a massive ego. Brunelleschi's Dome is about the city of Florence generally during one of the greatest periods of genius and creativity in human history. It is also, specifically, about the life of Filippo Brunelleschi, a classic genius of the Italian Renaissance, and his magnificent dome which dominates the skyline of Florence to this day. Like so many of his contemporaries, Brunelleschi had a high level of expertise in a variety of fields. He was an artist, an engineer, a craftsman, a philologist, and an overall solver of impossible problems. He was also a bit of a whack-job whose failures were nearly as spectacular as his successes.
   
   With this book, Ross King has penned an engrossing popular biography of Brunelleschi, as well as a history of the construction of his famous dome. While the book goes into some detail regarding the engineering behind the construction of the dome, the prose is never heavy and is written so that the layman, such as myself, never gets bored or lost.
   
   My wife and I visited Italy in 2000 and climbing to the top of the Duomo was one of the high points (literally!) of the trip. I wish I had read this book beforehand! I therefore highly recommend it to anyone who is planning a visit to Florence. It will give you that much more appreciation for the amount of work--and genius--that went into the construction of the Cathedral of Santa Maria del Fiore.



4. The dual papacy had been resolved in favor of Rome (1416). Florence was the interim home for the Pope while permanent quarters were being readied in Rome (1420). Florence considered itself the new Athens of the western world, and on August 19, 1418 Filippo Brunelleschi submitted his design for the dome of the city's new cathedral. His design pushed the technology of bricklaying to never seen before sophistication, producing a dome 143 feet in diameter; a dome which is still the largest masonry dome in the world. His radical design and construction techniques for the double-walled dome required no temporary central scaffolding and support.
   
   The work was interrupted by disease, war and political upheavals. Finally, the octagonal dome was completed in 1436 and the lantern on top of the dome was completed in 1461, fifteen years after Filippo's death. Ross King weaves a wonderful story about this technological feat. This book should appeal to all art, architecture and history buffs.



5. King's book is historical, but it reads like a novel as it weaves Italian history in with the fascinating account of Brunelleschi's rise from nowhere to become one of the greatest architects and engineers in history. Having toured the Florence Duomo and wondered "How did they build that with no heavy equipment," it is amazing to find out how they really did. This book is reasonably short; well written; and very informative. Highly recommended.

5 comments about Wind Power, Revised Edition: Renewable Energy for Home, Farm, and Business.

1. Paul Gipe has provided a thoroughly readable text presenting all details necessary for selecting and managing a windfarm. It is clear that he has dedicated his life to this technology.
   
   This text provides charts and equations for sizing windmills. It includes numerous recommendations for selecting vendors and contractors for installing a windmill, and lots of maintenance details. What I found particularly interesting was his descriptions of past failures and why they failed. He warns you of danger signals when buying a windmill such as:
   
   The maximum capacity for generating electricity from a windmill is determined by its rotor not its generator.
   
   I am still in the process of reading this massive text but the first 200 pages have been enlightening. I highly recommend this text for anyone involved in establishing a windfarm for municipalities and others. This is a must read.
   
   If this review was helpful, please add your vote. Thanks.



2. This is a very technical book. Loads of details. Eye opening for any amature thinking "Oh, I'll just get a windmill and I won't have any more electric bills!" Worth reading if you really want to produce green electricity. You need considerable land, about a year's worth the wind data for your particular site, more than a few thousand bucks, and even then, you may still find that it won't pay for itself. One thing I didn't think about is that ice can form on the blades and fling off- hitting your home, a neighbor's home, or a car...
   Is it a good book? Yes. Very clear, complete information on the topic.



3. Are you starting from zero knowledge regarding wind energy? Do you want to get up to full speed in a reasonable amount of time? If yes, then this is definitely the book for you. Paul Gipe has captured the essence of not only the fundamental technology but also the industry in general. Once done with this book, you will have the cranial capital to dig deeper into the engineering, the municipal or national scene, or the fundamentals of financing including energy-cash flow analysis. There is plenty of nitty-gritty for whatever side of the technology you prefer to understand, including building your own system. And there are many specific and anecdotal examples to support the many scenarios described. Yours is sure to be one of them. To paraphrase the late Abby Hoffman - *Buy This Book* You'll be up to 60 mph (26.8 meters/second) in no time.



4. Wind Power, Revised Edition: Renewable Energy for Home, Farm, and Business
   
   This book is the bible for learning the history and current configurations of wind power and a welth of information as to how to set up your windmill and problems you may run into with your utility company. It is required reading for anyone thinking about setting up a wind generator.



5. Paul Gipe truly knows his industry. Whether you're thinking about installing a small wind turbine or want to invest in a megawatt model, you should make this your first purchase. You'll feel like you've completed a college course on wind power after reading this book.

No comments about Thom Filicia Style: Inspired Ideas for Creating Rooms You'll Love.

5 comments about Universe of Stone: A Biography of Chartres Cathedral.

1. I've taught an interdisciplinary course entitled "Cathedrals and Other Great Churches of Medieval Europe" a dozen times (twice in England), had Malcolm Miller as a guest lecturer (and tour guide at Chartres in one of my three visits there) and Peter Gibson of the York Minster Stained Glass Workshop as a guest lecturer (and tour guide at York Minster twice), visited more than a hundred medieval and renaissance great churches, and read at least parts of more than half of the books and articles listed in the seven-page bibliography of this book, and, in my judgment, no other book comes close to this one in providing real insight into understanding the great medieval churches. For my course, I used a reader I developed comprising excerpts from dozens of different books to give my students the breadth of ideas, opinions and knowledge needed to understand these great churches. Like many other compilations it suffered from wide variations in the "voices" of the various authors and from unevenness in coverage of the diverse subjects that students needed to grasp the significance of these monuments. I dreamed that some day I would have the time and energy to assemble a coherent anthology -- maybe one with a title like: "Everything You Ever Wanted to Know About Medieval Churches . . ." but, alas, retirement reared its ugly head and the motivation to do so disappeared. Now, however, Philip Ball has fulfilled my dream, and although he has done so in the context of a single great church, much of what he has written is applicable to most of them. His book makes me wish I hadn't retired so I could use it as a text. Not every reader will understand all of the nuances of the many subjects Ball covers in this book, but every reader with any interest in medieval churches will find this wonderfully well-written book to be not only a fascinating read but also a great addition to his or her library.



2. While I've read many books on Romanesque and Gothic architecture, and have visited Chartres, I've always been frustrated by the lack of information available about the actual people who created the monuments. What a pleasure to finally find a book that focuses both on the intellectual movements that fueled the Gothic age, and the clergy and builders who were instrumental in the creative process.
   
   While the book is excellent and well-written, I refrained from giving it five stars only because I think a reader would benefit from additional sources highlighting architectural details and comparisons with other cathedrals.



3. The author sets the bar high: a book that describes the design and building of the cathedral at Chartres while putting it into the context of medieval philosophy, theology, technology, science, politics and economy. In theory a laudable goal, but in practice a muddle. This reader was alternately bogged down in overly-long and involved chapters discussing the differences between scholastic Platonists and Aristotelians and disappointed that there wasn't more about the cathedral itself. Ball is a journalist who has obviously done his homework -- there's an extensive, multi-page bibliography and he quotes from dozens of experts -- but in the end this feels like a well-written overview of other people's writings on the subject, rather than an original look by a writer with any strong convictions himself. About halfway through this book I had the nagging thought I would have done better by re-reading Thomas Cahill's lively "Mysteries of the Middle Ages" and my nephew's illustrated copy of David Macaulay's "Cathedral." There's no shortage of wonderful books on Chartres and the building of the cathedrals and the curious reader should consider them seriously before investing in this book.



4. Why would someone write a biography of a BUILDING? Well, if you've ever been to Chartres Cathedral about 45 miles south-west of Paris, you'd know why. Chartres continues to provoke us with its emotive power, and its place in the history of Gothic architecture is firmly secured at "page 1" in our texts. That's why it was so exciting when we found out that there was a new treatment of Chartres being released this summer, and many reviewers, including those at The Economist and The Financial Times, took time to present the book to their reading audiences worldwide.
   
   Ball's treatise on Chartres is a truly wonderful additional to the evolving library of Gothic. As a person who is familiar with the literature, I can easily say that his work here will make possible the introduction of this topic to an entirely new generation of people who are captivated by this most evocative of art forms. Ball has done what can be classified as nothing less than a superb job of collating, digesting, and then restating in clear, meaningful words the voluminous amount of material that is available on the subject. And this is no small task: the topic is the subject of attention of everyone from mechanical engineers, masonry experts, art historians, medieval historians, and even education historians. Most of these works are undeniably fascinating and tremendously enjoyable to read. But you will find yourself having to put on your "engineer's hat" to read Heyman's The Stone Skeleton: Structural Engineering of Masonry Architecture, then put on your "art historian's hat" to read Coldstream's Medieval Architecture (Oxford History of Art), and your "photographer's hat" to read Schultz's Great Cathedrals. There are dozens and dozens more books still on the open market just like these, and they all play an important role in helping us further understanding this fascinating topic. But Ball's book deftly summarizes and explicates many of the major themes of this content, and allows us to absorb it all in one text. I must confess that the book exceeded any expectations I had, and I am thoroughly impressed.
   
   Ball's book covers far more than the physical elements of Chartres cathedral. We peer into the world of medieval scholasticism and Platonic thought in the cathedral schools of the 12th century to investigate what role, if any, such thought had on the development of the Gothic style. We read about Chartres' predecessor building, St. Denis basilica, just north of Paris, and the impact Suger had on this form there, and consider the potential linkages between these structures. We also take a quick course on medieval construction techniques, and listen to some of the hypotheses which engineering architects have devised to explain how such buildings could be constructed without electricity or power tools. We see how stained glass was manufactured, why the blue windows of Chartres are so unusual, and even hypothesize that "Chartres blue" may have been imported from other glass foundries outside of France. We also review the varying theories of the sequence of Chartres' construction that may explain its physical irregularities (for example, was the building constructed from east-to-west, or from west-to-east, and why are there "mismatches" between sections of the structure?).
   
   There is much, much more. But all along the way, we are provided a wonderful, comprehensive introduction to the times, history, and settings of that "vulgar style called 'Gothic,'" which is regarded as one of the pinnacles of architectural and artistic achievement. If you are a Gothic enthusiast, get this book to enjoy and savor, the first new book on the subject in some time. But also buy a copy for a friend. There is probably no better way to introduce Chartres cathedral and Gothic architecture to a new generation of enthusiasts.



5. Philip Ball's "Universe of Stone: A Biograpahy of Chartres Cathedral" seeks to explore and explain the philosophical roots of a society and culture that produced Chartres Cathedral, an archtypical masterpiece of Gothic architecture. Balls himself admits the hurdles he faced: "Arguably, then, it is a foolhardy eneavour to say anything about 'why' Chartres Cathedral was built, which in the end what this book attempts to do. But to my mind, it is only by confronting that question that we can fully experience what this most extraordinary, most inspiring building has to offer."
   
   Ball is inevitably limited in his efforts by the lack of extensive detailed records from that distant era, as well as by the profound differences in our perceptions of the world than those held by people of the 11th and 12th centuries.
   
   The first half of "Universe of Stone" is especially challenging to the reader as the author lays out the background to the medieval mind: Aristotle and Plato and Augustine and Bernard of Clairvaux and Peter Abelard and the rise of Neo-Platonist philosophy with its emphasis on rational order. The pace of the book's narrative picks up when practical matters of design and finance and construction are considered, with the author citing records of numerous other Gothic building projects to explain what must have happened at Chartres. Along the way, Ball addresses and discards many popular myths, such as the design of the Cathedral incorporating mystical knowledge and that cathedral-building was a manifestation of popular civic enthusiasm.
   
   The attentive reader of "Universe of Stone" will be rewarded with a better understanding of the medieval mind as well as the practical realities of constructing such marvelous buildings.

5 comments about Inside the Not So Big House: Discovering the Details that Bring a Home to Life (Susanka).

1. I bought this book because I am looking to renovate my house and I found it very useful. There are plenty of photos of the various details in the houses and a great explanation of how to achieve a similar look. It is an excellent source of ideas if you're looking to transform your home.



2. This is one of my favorite books. I love Susanka's style - modern, but also friendly and warm. The layout of the book is excellent too, lots of photos with helpful annotations.



3. Absoultely amazing insight ....worth every penny; the quality of the photos alone will justify the purchase....it will be the single best expenditure that you can make in building a new home or remodeling an existing area. Makes things so clear that everyone will get it. They say "You don't know what you don't know"....after reading this book and her others in a series....you will know what you did not know that you did not know...Just buy the book and you will understand what I am saying



4. I bought and then gutted a 1960s, three-story, 3,700 SF office building. Serving as my own architect and general contractor, I completed the two lower floors as offices for my professional engineering firm. I then turned my attention to converting the third floor into a luxury two-bedroom apartment.
   
   Although my original intent was to make the apartment a rental space, family circumstances of a regrettable but common kind will soon require me to make the apartment my own residence. With the floor plans nearly completed, I realized that the "oh my God" reaction from first-time visitors that I was seeking required great attention to detail.
   
   During the design of the office portions, I had studied about a dozen design books from Amazon and now wanted resources for the architectural details of the apartment. (Architectural details include windows and doors, floor, ceiling, and wall finishes, cabinetry, molding and other millwork.) With architectural details well done, the apartment or home looks inviting and interesting even before furnishings and decorator items are added.
   
   This book was the third to arrive of the ten I ordered so far. The first two were entirely forgettable, but this one yielded a dozen good ideas.
   
   The 210-page book has a chapter for each of twenty-three projects, each by a different architect. Most projects were renovations of a home of 1,200 - 2,100 SF. Architectural interior detail styles range from craftsman and usonian, to contemporary and gentle modern. Each project is notable more for the interior design details than for the building exterior or site.
   
   My favorite, but not my only source of ideas, was a Block Island cottage by the Newport architect, James Estes. My apartment, located at a charming 1900-vintage village center of a NYC suburb is 15 miles from the nearest salt water, but the quiet serenity and color palettes of an ocean-front cottage had been in my mind as an organizing concept for some time. No matter that the large band of windows on the east end overlook a parking lot instead of beach and ocean.
   
   The Amazon listing shows the cover photo, a project not to my liking. You can page through the other pages available on Amazon for other samples. Note the excellent color photography and the expert and well written commentary of Sarah Susanka, the principal author of the many volumes of the Not So Big House series. Co-author Marc Vassallo is an architect, and he now writes fulltime, including fiction.



5. I am hooked on Susanka's books describing how to give our homes more of the character found in 50+ and older homes. I'm hoping to build using some of the detailing she explains, instead of having to buy an old house and renovate, in order to get a cozy, unique and homey dwelling.

5 comments about Working Alone: Tips & Techniques for Solo Building.

1. If you use just one or two tips from this book (and you will) it is worth the investment in time and money. It is well written with simple concise instructions and advice. A little humor goes a long way toward making this an easy enjoyable read.



2. I have no read the entire book, however at a glance, I can see that there are many helpful ideas. Surely worth the $



3. Dobra ksiaka dla pracujacych samotnie lub dla tych, ktorych pracownicy zostawili "na lodzie". Zawiera sporo przykaldow jak dac s obie rad samemu. Autor zwraca te uwag na to, e niektóre prace powinny zostac wykonane przez podwykonawców ze wzgledu na wymagane doswiadczenie lub regulacje prawne. Polecam. Wydane pieniadze nie beda zmarnowane. Jest to dobra inwestycja.



4. This is a book I saw on store shelves for a while, then couldn't find it anywhere. So, I was very pleased to find it online. It is everything I was expecting, very informative. Lots of useful information for doing carpentry work, that may need a helper for a short time. A great deal of help if you don't need the helper longer than a few minutes.



5. If you have never done any type of construction, buy this book. Even if you have only visited a construction site once in your life this book is below your expectations. The majority of the book is showing that taking two pieces of wood nailed at 90 degrees with a triangle placed perpendicular to the joint in different jobs. I thought I would learn something new but I was wrong. I would have returned it but it would cost just as much to ship it back as it cost in the first place.

5 comments about Frank Lloyd Wright The Houses.

1. This is a great book for fans of FLW. We visited his house when we were on vacation in Chicago and saw several of the other homes he had designed. This book is full of superb photographs - not just of the exteriors but of the interiors too, so you can see the furniture and fixtures that he designed.



2. This is a lovely coffee table book with mostly spectacular color photos of most of Wrights houses, including many interior shots. There is not much historical information but this is covered in other books.



3. This book was a wonderful eye opener. It will appeal to the reader for crisp pictures in beautiful settings and landscapes as well as the various style phases Wright went through architecturally. For Wright aficionados, there is a detailed, but not too intense history of his style, works and personal history as he changes design elememts during his career. Grand interior shots only enhance the overall attraction. The book will add diversity to anyone's collection.



4. 
   This is a necessary book for all who study architecture. Why? Because the photography conveys something close to the reality of Mr. Wright's works, especially so when it comes to the interiors.
   
   When I was studying architecture in college in the 1970s, the BEST photography books about Wright's oeuvre were "In the Nature of Materials" and the very expensive Wendingen Edition. Both are presented in black and white and while that kind of pared-down quality may have suited the age in which the International Style was still in its ascendancy, it did nothing whatsoever to convey the true sense of a Wright space--specifically interior space. The intimately human scale of these spaces was missed.
   
   And color is so much a part of Wright's aesthetic, and without it, one is in dreary Kansas instead of Oz.
   
   Living in the northeast, it was not possible to see many Wright buildings first hand, until that trip to Chicago... and then what a revelation! These spaces were not cold grays but marvels of ochres and greens and wood tones and conveyed so much more serenity than those older photos could suggest.
   
   Happily, future years placed me in conjunction with many of the Midwestern buildings, and a day trip could take me to Wisconsin or Michigan or other less-frequently visited residential and commercial works by F L W. Friendships with original Wright clients or owners of Wright houses opened other doors--I have experienced about one third of the places in this book, so--trust me--the photos do them justice and are almost as good as being there.
   
   I would guess that anyone who has been in these places will tell you that this book gives a very fine representation of these spaces. And thankfully, more and more of these spaces are open on a regular or annual basis for the student or admirer of Wright to visit. Some residences are even now B&Bs. Wow!
   
   The fine articles that accompany the photographs are also most helpful and enjoyable.
   
   If you find this review helpful you might want to read some of my other reviews, including those on subjects ranging from biography to architecture, as well as religion and fiction.



5. There are many different aspects to highlight when studying the work of one of Americas' greatest architects. The part of his work that is probably the most accesible, are his private houses. It was great to see all these houses together in one beautiful volume. The photographs are stunning, and it is great to see so much attention paid to the interior of these houses, as Wright was responsible for most interior design too.
   As a professional or just a fan, when you love Wrights' work and want to visually enjoy it to the fullest, this book is a must have. The only thing better is to buy one of his houses...

5 comments about Creating a New Old House: Yesterday's Character for Today's Home (American Institute Architects).

1. My husband and I are thinking about building a colonial revival home. I was hoping this book would give more examples of what it really takes to make a new house old. What I found was that there was one BRIEF example of each different architectual style with a very general description. There wasn't much to sink our teeth into. The pictures were pretty, but
   the information was too general.



2. My husband and I are just beginning the process of building a custom home, and this book has been a wonderful resource for me. It is helping me to learn what it is that makes an old home feel so established, and how to achieve the same permanence in a new structure. The photos are gorgeous, and the accompanying text is useful (unlike the frou-frou text of many home design books). If you don't mind that all of the homes were clearly built with extravagant budgets, this book provides fodder for beautiful fantasies...and some nuggets for inclusion in a more modest home, as well.



3. Great book on how to update older or run down homes. The pictures are beautiful. It is a book on fine taste in home building.



4. When building our new house; we turned to this book for inspiration.
   The brand new homes in this book feel rooted to the ground. They have quirks and nooks like an old house full of character would have.
   There are rooms with a brick wall, hinting at an addition built on over time, although it's a new house.
   The subtle character that gives an old house its charm, is on full display with this beautiful book.
   I couldn't recommend this book more!



5. This book was very interesting to look at. The pictures were great if you like old style homes. The title is deceiving. I was looking for a more modern looking style but this book is still a looker but if you're looking to modernize an old home, I would recommend Colonials: Design Ideas for Renovating, Remodeling, and Building New (Updating Classic America) by Matthew Schoenherr.