5 comments about A Field Guide to American Houses.

1. I bought this book as reference material on the advice of an architect friend. He told me "If you need help figuring out the style of a house then buy this book" and he showed me his copy. He was right. The book is well organized which helps compare styles quickly and the many black and white pictures of houses that the author uses as examples are great because the b&w contrast helps your eye focus on details. This a great book to have in any architectural office. Its great for novices and experienced alike.



2. As a writer, you need lots of details to keep the reader interested, and this book has details on houses most people wouldn't know. Of course, if you give no details the story is not interesting, and if you give wrong details, some reader will know it and be disapointed. A book like this can be invaluable.



3. After some introductory chapters on the history and theory of homebuilding, the McAlesters commence with descriptions of the different styles. Each major style is described with a large stylized diagram with its identifying features labeled, a description of the major subtypes, descriptions of the style's unique elements, a paragraph on the frequency and locations of its occurrence, some historical comments, and then dozens of black and white photographs. The styles are ordered roughly chronologically, from native dwellings and colonial houses in 1600 to the neoeclectric houses of the 1970s and 1980s. (Even my 2006 printing ended with the 1980s.)
   
   I read the field guide cover to cover - something I never before done with a field guide. By the end, it seemed repetitive, but overall I was impressed with almost everything about this book from the introductions to the last diagrams. Every time I travel though a historical neighborhood, I am glad that I read this book.



4. Great book!!! I'm using for my company to get a true representation of many styles for many of the house I'm designing. A great resource for any firm!!!



5. great at housing history
   great describe for the house component
   good picture to show handy book to show at real estate

2 comments about The Architect's Studio Companion: Rules of Thumb for Preliminary Design.

1. As an architecture student, I was required to purchase this text book to accompany my studio course. I have quite often reached for this book from my expansive library of required texts to find answers to rules of thumb for preliminary design. I found that this book is very good at explaining the basics that one needs to accommodate early in the design process. If you are looking for something dealing more with code regulations, this is not really the book to purchase. It includes a wide range of topics which can help answer many student questions. I have been happy with my purchase!



2. This book is designed to help architects in their design of new buildings. Spedifically, the book is organized about the common building codes in place around the United States. The intent of the book is to minimize the time that an architect need spend on checking building codes themselves so that he can proceed to working on the design of the building.
   The book establishes a simple system of seven steps to help the architect in his initial design effort.
   
   The first step is to determine the Building Code and occupancy, then check as to what types of construction are permitted by the code, move on to a preliminary structural design, consider using daylighting, plan for mechanical and electrical systems, determine building code requirements for egress and accessibility, and finally parking.
   
   By having all this informaion at your fingertips a great deal of time can be saved.

5 comments about Professional Practice for Interior Designers.

1. I used this book in my professional practice class and a co-worker of mine borrowed it to study for the NCIDQ - she said many of the ethical and business related questions that appeared on the test were covered in this book. It is really well written and easy to follow. The CD has good resources, like mock invoices and POs that you can open and edit.



2. thick book,man. I have to carry it to school for my class.
   it has all need about Inerior Design profession



3. The reviewer prior to myself I feel summed it up best when describing this book. The author has written the book as if she's always been your trusted friend. She writes in a way as if she is actually talking to you.
   
   Other books I've read often come across a bit too technical and slightly over my head. This one is more down-to-earth, packed with good advice, and one can sense her sincere concern for the reader to understand.
   
   I really love the entire book, especially the chapter dealing with ethics. Since there are many "seasoned" designers who seem to lack ethical conduct, this book is great for beginners and veterans alike.



4. It was fast
   It was what I ordered
   Im happy, they're happy
   Win Win!



5. I have practiced interior design for over 20 years and still found this book to be invaluable. The information about legal ramifications and insurance coverage was enlightening but also sobering. It's a must read for any design firm principal or freelance designer.

2 comments about Transmaterial 2: A Catalog of Materials That Redefine Our Physical Environment.

1. Transmaterial II is a great catalog of the new materials and combinations of older ones for quick reference. It is thought provoking with succinct descriptions of products Brownell has come across in his research. Most of these products and materials are cataloged by single manufacturers, which is usually the only manufacturer as these are all innovative designs. Applicable to many industries, the book is laid out in sections: 01 Concrete, 02 Mineral, 03 Metal, 04 Wood, 05 Plastic + Rubber, 06 Glass, 07 Paint + Paper, 08 Fabric, 09 Light, and 10 Digital. One page per product with MasterFormat reference, pictures, synopsis, and an easy-to-follow rundown of product characteristics and contact info. Brownell came to lecture at my school and is quite thought-provoking and long-sighted. Great reference for any design student or professional. Can't wait 'til the next edition.



2. Cannot recommend this book highly enough - it does a great job of finding cool, interesting, ground breaking materials and then providing information on how to source them. A must-have reference for any designer, interior designer or architect who prides themselves on staying abreast of cutting-edge materials. (And since materials are the palette of the designer this book will go a long way to keeping you on the leading edge of design as well.) Not to be missed.

5 comments about Sustainable Urbanism: Urban Design With Nature.

1. I'm a UNLV Landscape architect student (4th yr) and this book has been used as one of the text books for two classes so far, design studio, and urban land use. The concepts all relate to sustaining our planets resources and lowering our urban footprint. It presents the concepts from historical, present and future view. It has many illustrations,and is a terrific reference book.



2. Every once in awhile you find a book that becomes a new favorite. That happened recently with the arrival in our Livable Communities Coalition offices of this fabulous book by Doug Farr. Not long after receiving and beginning to read it, I had the pleasure of facilitating a workshop for the development of a "sustainability element" for the master plan for an intown Atlanta neighborhood. We are now organizing the outcome of that workshop for consideration by the neighborhood and the city. It feels as though Farr has handed me the answers to a final exam before I have to take the test.
   
   Farr's book combines passionate, compelling arguments for design reform with more than 100 pages of short essays. The essays explain how to implement sustainable urbanism and present case studies to illustrate his points. The book has given me a logical framework for organizing and connecting concepts and recommendations. And with just the right amount of detail - enough to get the point across, with where to go if you need more.
   
   Reduced to its most basic tenets, Farr's sustainable urbanism is walkable and transit-served urbanism integrated with high-performing buildings and infrastructure. As Farr puts it, high-performing infrastructure is an emerging field that combines many strains of reform: smart growth concerns about the financial burden imposed by new infrastructure for greenfield development; the New Urbanist's desire for humane, pedestrian-scaled infrastructure design; and the green building movement's focus on resource "greening" and consumption efficiencies.
   
   If smart growth, sustainable development or healthy communities interest you, and especially if you also work in the nonprofit or for-profit arenas for these causes, buy and read this book, and buy another and pass it on.



3. Doug Farr shows a comprehensive understanding of sustainability rarely seen in this movement. Too often different professions work on greening their product in isolation. While they may be doing wonderful designs they are not linking with other elements and professions to make these improvements complimentary and exponential. A LEED Platinum building built on farm land miles from the city center is not a comprehensive solution (and should really not be able to get a platinum rating.) Mr. Farr shows how to create an integrated approach to building where the "green" structure is consciously tied into the communities' transportation, utilities, culture, and work life creating a truly sustainable environment. Every public official and city planner should read this book.



4. Thank god for the current trend toward the generalization of textbooks.
   
   I don't mean generalization in the sense of broadening or watering-down of subject matter, but rather in writing: many more texts in relatively technical fields are being written so that they can be appreciated interdisciplinarily, but professionals in related and sometimes even slightly-unrelated fields, and other folks who may simply be interested in the topic. It's good marketing, too, of course - it opens up much larger markets both academically and professionally, and as long as the book contains enough authority to convince instructors and professionals to purchase (or trust) it, it's a win-win situation for the publisher and author as well as the audience.
   
   Douglas Farr's Sustainable Urbanism: Urban Design With Nature (Wiley, 2008; foreword by Andres Duany) falls into the category of win-win for everyone. A very well-illustrated primer on the subject, it appeals to planners, architects, landscape designers, engineers and other folks interested in integrating their work into the larger natural environment.
   
   Duany - the great architect and urban planner whose work with Arquitectonica shaped what we think of as "Florida modern" and whose current firm, DPZ, has become a de facto leader of the New Urbanism movement - suggests that the problem with such books is often that they most often fail to engage the reader in any kind of dialogue by simply being too technical, or by failing to instruct by simply being too exhortative and dogmatic. Luckily, Farr gives more than enough data and instruction in the dozen linked essays and case studies to instruct - but never loses sight of the fact that he's along with us for the ride, not talking at us but at our elbow, learning along with us, sharing both successes and failures and an honest interest in building communities that complement, rather than exclude, the unmanufactured world.
   
   There's so much more here than just part one's "Case for Sustainable Urbanism." Other sections focus on the type of leadership and communication strategies most helpful in implementing both small and large-scale projects; technical tools and special techniques for community involvement are also explored extensively. Other chapters discuss the role of density, how to approach corridor situations, diagramming neighborhoods and the various types of housing that complement specific types of neighborhoods, "biophilia" - including everything from designing walkable streets to integrating wastewater management - and extensive essays on high-performance buildings and infrastructure. The last section of the book is given over to case studies, which both illustrate the preceding chapters with easy-to-understand real-world examples of sustainable success stories & offer solutions for those of us slogging through similar projects or at an impasse with a particular audience.
   
   I recommend the book without hesitation to any planner interested in integrating sustainable projects in urban infill or exurban growth environments, as well as other aficionados of new urbanism topics. It's an entertaining read AND a necessary reference; it will replace several books on the already-overloaded shelves of a number of planners I know.



5. Chicago City Planning Consultant Doug Farr has written a great book, Sustainable Urbanism: Urban Design with Nature.
   
   Farr combines new urbanism with green development in a clear and logical manner. He believes that "sustainable urbanism" is more than designing new Leed certified green buildings. It also includes the creation of green sustainable neighborhoods, and includes plans for sustainable urban development. He combines the strategies and principles of new urbanism with environmental improvements very well.
   
   Farr explains the evolution of the design reform movement. He outlines strategies on how to lead and promote sustainable urbanism.
   
   Doug Farr did an outstanding on form based codes for our neighboring communities of Bloomington and Normal, Illinois, and in developing plans that enhanced the environment while creating new urban space. I strongly recommend this book.
   
   Craig Hullinger AICP City of Peoria, Director, Economic Development

5 comments about The Codes Guidebook for Interiors.

1. The fourth updated edition of Sharon Koomen Harmon, IIDA and AIA Katherine E. Kennon's THE CODES GUIDEBOOK FOR INTERIORS is a 'must' for any in-depth architecture or design reference library. It's the only guide devoted exclusively to codes relating to interiors alone, and explains all standards, federal regulations, maintenance of commercial and residential interiors alike, and more. This edition has been revised, updated and expanded to include many changes and more detailed coverage.
   
   Diane C. Donovan
   California Bookwatch



2. This is the best textbook I have found for my introduction to building codes course. The study guide makes it an indispensable tool for teaching the basics and the complexities of modern building codes.



3. Good for interior design students- must have this book to understand how to comply with todays' design laws.



4. I am a registered architect, and purchased this book for the purpose of studying for the NCIDQ interior design licensing exam. I had no idea how clearly, simply, and comprehensively it would cover the IBC code (and some others). I'm sure it will be an asset for my NCIDQ preparation, but even more so, I have been able to reference it for my architecture practice.
   
   GREAT BOOK!



5. Could studying building codes actually be fun? Much to my surprise, when you combine this book with the companion study guide workbook it is. The author presents the information on the codes clearly and in logical order. I am studying for my NCIDQ exam and was really nervous about the "codes questions" until I got this book.

5 comments about Apartment Therapy Presents: Real H Real People, Hundreds of Design Solutions.

1. This is a great book for small space organization and design. It follows the same approach as the Apartment Therapy blog but is edited to include the best in a variety of styles, budgets and sizes in coffee table format.
   
   If you feel the need to be a cheapskate, you can find many of the house tours on the blog; but once you go to the blog, you will probably become a hopeless addict and have to buy this book any way for quick reference.
   
   If you are considering this book, make sure to get AT's 8-step Home Cure too.



2. i've been reading the ApartmentTherapy.com blogs for a few years now, and my mom sent me MGR's first book, "Apartment Therapy", which was a quick and awesome read...which i also made real by joining an AT Cure.
   
   So, for my mom's birthday I bought us both copies of the new "Apartment Therapy Presents" picture book - which rules! It's full of great ideas and very pretty apartments, photos, tips, tricks, you name it.
   
   I'm very impressed.



3. I'm a modern design junkie (magazines, books, blogs, web sites and oh yeah, actual decorating of our 975 square foot condo in a 100-year-old building). When I heard about this book I couldn't wait to get my hands on it. . . but I was a little disappointed. I enjoyed the text and the way each person/couple did something different with their space -- and those tiny apartments were amazing! -- but I was disappointed with the photos and the captions. I thought the photos looked sort of amateurish, and should have been bigger. Sometimes they referred to an object in a caption, but it was hard to find it in the photo! Often, the photos showed only a tiny section of a room, when a complete view and perspective would have been much more helpful. Overall, I enjoyed this book, but with these caveats. Anyone else feel that way?



4. Seriously. One of the most inspiring books I own. And yes, I really do ration a chapter a night so (hopefully) it never ends! One thing you'll learn - all creativity is apparently born in IKEA. Who knew?!



5. This book is as good as I expected it would be; tons of ideas and ingenious solutions to space problems. Very talented people who achieve an individual look usually without mounds of money.

No comments about Marie-Antoinette and the Last Garden at Versailles.

5 comments about Fill Your Oil Paintings with Light & Color.

1. Really terrific book! I highly recommend it for anyone beginning in oil paintings as well as seasoned painters. It is down to earth, great instruction and his paintings are beautiful! You can definitely see his growth in his painting in his second book - also terrific, however the second book - Painting Inside and Out - reads in places like an advertisement for a couple of companies and products - didn't appreciate that much, but otherwise - also a fantastic book - even for the photos alone -



2. I have been painting and studying art for many decades - this is a really great book! I keep re reading!



3. Great book, was told about this from an art instructor, saying this was one of the best you can buy and have in your library.



4. I purchased this book because of all the great reviews it received. I was not impressed. Everything was way too simplistic. If you're an intermediate or professional painter, you will not learn anything from this book that you don't already know.
   
   Also, where was the light and color? I must've missed those pages.



5. AWESOME book packed to the full with inspiring paintings & photos, really practical tips for the would be painter, and help over all those overwhelming and sometimes insurmountable difficulties confronting the aspirant oil painter. Replaces mystery with method. I'm really thrilled to have discovered Kevin Macpherson's approach to painting "plein air" and am already seeing the fruits of applying it.

5 comments about Atlas of Novel Tectonics.

1. maybe I was once again fooled by how sexy this book is, but I pandered to every word Jesse and Nakano had for me inside. The short entries are well composed and illustrated, have great arguments, and the entire thing can be gobbled up in an afternoon or two.
   
   Currently the book is in my bag, and goes pretty much wherever I do.



2. get it... that's all i have to say. there's no reason not to own it.



3. Reiser and Umemoto (henceforth R&U) have put together a wonderful role model of a textbook in a field that erroneously prides itself on having NO textbooks -- that is, by having far too many "must-read" books that remain disconnected and often irrelevant to the problem of learning HOW TO GO ABOUT wrapping one's head around this thing called Architecture. Without turgidity, mysticism, pedantry, or pretentious narcissism, the authors elegantly demonstrate one version of architectural head-wrapping: THEIRS. But make no mistake: to call it 'theirs' is only to specify the site of the (unavoidable)subjectivity that propels this kind of demonstration. And the clarity with which this demostration is done is yet another demonstration of the refinement of their subjectivity.
   
   This book, along with those by George L. Hersey, is one of the very few books in the field that can actually help one in reducing the confusion in trying to understand what Architecture as a DISCIPLINE really deals with, so overcrowded it is today with so many extra-architectural issues/agendas. After all, it was never Architecture as such that was confusing or difficult to understand. People with clubby exclusionary motives, aided and abetted by academic survivalists -- the small sort of people Dryden derided as 'criticules'(teeny weeny critics) -- have made the topic into the unnecessarily convoluted intestine that it is today. And given the paucity of well-paying or creatively challenging work for architects in the real world, this nefarious practice of obfuscation will likely continue since "all forms of power are always accompanied by some form of mysticism."
   But I digress.
   
   I mentioned George L. Hersey's books earlier as exemplars of clarity. I was thinking of his `Architecture and Geometry in the Age of the Baroque'. There you see what actually qualified AS an architectural problem for architects like Borromini and Guarini. You also see the INTENSITY and COMPLEXITY in the SIMPLICITY of the problems they chose to deal with. This kind of architectural cathexis (focus of interest) is something that got lost a while ago with people wasting their vital fluids arguing over possibly important but ultimately extra-architectural issues like low-income housing, importance of having porches, evils of capitalism, etc -- issues that are really a matter of political will, compassion, self-control, and/or common sense.
   
   Enter R&U:
   Knowledgeable admirers of the Baroque that they are, they remind us what it really means to "play ball" in Architecture: ripped-pantyhose mediations on Heraclitus be damned, Architecture, like Baseball, has its internally generated/regulated rules that demand consistency with how Nature designs; and playing a great game regardless of all external factors (politics, ideology, economy, management, the weather, etc) is really all that counts in the end.
   
   In five sections, R&U demonstrate the very thing they profess to practice - strategies of ordering - by crystallizing the perennial topics of Architecture. The five headings are:
   1. Geometry
   2. Matter
   3. Operating
   4. Common Errors to Avoid
   5. The World
   
   Under those five headings, Reiser and Umemoto present short discussions based on themes that are often paired into their basic Yin & Yang. Some examples:
   Difference in Kind / Difference in Degree
   Variety vs. Variation
   Selection / Classification
   Classical Body / Impersonal Individuation
   Exact / Anexact-yet-rigorous
   Continuity / Discontinuity
   Intensive / Extensive
   
   No doubt there are ways of looking that go beyond the binary but I agree with this manner of presentation for the clarity it can offer to the student who needs to first get his conceptual house in order anyway.
   With their confident yet quiet presentation, R&U steer clear from trying to be clever or pointlessly esoteric. Every illustration serves to enhance the point they are trying to get across. And the point is always and consistently ABOUT HOW ONE MIGHT GO ABOUT DOING this thing called Architecture which essentially operates - without necessarily being delimited thereby in its possibilities - as a finite set of limits within a SYSTEM - a coherent system of desire and sensibility, as opposed to a smorgasbord of personal whims, tastes, styles, and personal baggage.
   
   Discussion of each topic is accompanied by quirky but spot-on illustrations ranging from stress diagrams to engravings of Solomon's Temple from Villapando to Max Ernst collages to selections from their own projects. (Whether, if, and how well R&U actually applied these very principles to their own design work is a matter outside the scope of this review.)
   
   Being teachers as well as practicing architects, R&U thoughtfully included a section (Section 4) that should be particularly useful for most architecture students who often end up getting the short end of the stick after going from one teacher to another without there being any rhyme or reason to the arbitrary sequence in which they are exposed to ideas.
   
   The value of this book lies in its status as an exemplar of clarity in terms of its strategy of perception/observation, not necessarily in its enormity of scope, exhaustiveness, logical throroughness, or profundity in the application of Deleuze's or DeLanda's ideas -- which in this case is not really an issue.
   As an exemplar, this book points a way possibly toward a New Architecture (again) but more importantly, a New Honesty/Modesty/Clarity in speaking/writing about Architecture.



4. This book gets lots of play right now in (big "A") Architecture schools. I'm a firm believer that if your thoughts are clear, your writing is clear. This book embarks on many dialectical examples that are explained with too much "difficult writing" for its own good. Grad students of the world, beware the three DDDs that inspire some of this writing: Deleuze, Derrida and Delanda. They plow enormous fields in complicated patterns and only yield a kernel or two. Ironically, I admire Reiser + Umemoto as architects and am looking forward to a book on their more recent work.



5. An unxpectedly fine book on architectural theory that's rooted not in politics or aesthetics or lit-crit theory, but in the worlds of physics and engineering-- a look at architecture and architectural possibilities based on the sinews of buildings rather than the ideology of architects. I'm an historian by training, and an aficionado of architecture and design theory. Reiser + Umemoto have created a small book that offers a view of postmodern architecture seen through the lens of the physically possible. Anyone who wants to imagine new cities and new styles of building needs to consider the sheer physical constraints of design, and this book is a fine place to start.