5 comments about Tudor Style: Tudor Revival Houses in America from 1890 to the Present.

1. This book offered plenty of ideas in my restoration and planning process of my tudor home. Great buy for the $$$



2. This is a very good book, the houses chosen are first rate and the text well researched and informative. The images are very well done, they are crisp and well presented. Some of the houses chose are amazing, frankly Tudor is not my favorite of the Eccletic styles, I really prefer Beaux Art and Georgian, but this book made me appreciate the beauty of the Tudor. I highly recommend this book, it made me fan of the style.



3. The photos and houses shown in this book are fantastic, both the old and modern dwellings. I have many books on Manor houses and old english houses but the photos shown in this book are the best I've seen. I was very interested to see the modern tudor style houses that have been built in the USA like the one shown on the cover. I bought this book from Amazon and it was delivered to Australia in top condition. A great buy and people visiting my place have picked it up and had a read because it captures the eye.



4. I caught a glance of the book on my architect's desk, and immediately ordered it the next day. I was not disappointed.
   
   Tudor Style gives an excellent overview of the English Tudor influence on architecture in the United States. I particularly enjoyed the narrative that accompanied the pictures throughout the book - very well written and researched! The picturesque neighborhoods and historic homes featured were inspiring examples of what truly draws people toward this style even today.
   
   An excellent book for anyone who appreciates timeless architecture and european-influenced design.



5. This book is long overdue. There's really no exclusive published works in print on American Tudor Revival architecture, except for this. It is a beautifully photographed and organized book, with nice fonts and well-balanced photographs. There are a few holes, though. Styles and geographic concentrations aren't focused on well enough. The section on Philadelphia Tudor Revival ingores a rich and very diverse Tudor variety in favor of a few French country houses. Also, the 1950s and 1970s mixes of ranches and split-levels with Tudor sensibilities are ignored, either out of distaste or pretension. The modern Tudor section is dominated by one very large McMansion with mock Tudor references. In all, the book is unfit for study but is basically a very pretty coffee table book.

No comments about Sustainable Commercial Interiors.

1 comments about Color, Space, and Style: All the Details Interior Designers Need to Know but Can Never Find.

1. Color, Space and Style is a plethora of useful information, tips of the trade, ideas, and resources at your fingertips.
   
   The content is easy to read and understand with well thought out categories.
   
   Full color pages outline the design process from start to finish.
   
   It is obvious a great deal of energy, time and effort went into its creation. A must read for anyone interested in interior design and design related fields, in fact would be an excellent tool in a teaching environment.
   
   Bravo!

4 comments about Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture.

1. Anyone who designs buildings will benefit from reading this book.
   
   It's no secret that many buildings today are at the same time technologically advanced and tectonically primitive, that despite their long-span, multi-zone, taut-skin gizmos they still look shoddy. If, as a non-architect, you suppose there is some kind of planned obsolescence that is designed into buildings as with cars, you are mistaken. Paradoxically, this is only the appearance of shoddyness--our structures could last longer than the pyramids, they only look as if they might fall down.
   
   The insightful and subtle critic and theorist Kenneth Frampton wrote this in 1995 to explain the discrepancy to architects. His subtitle is The Poetics of Construction, and that is what his book is about. If you wonder: what poetics? you might think of W.H. Auden's remark, 'when civilization is becoming monotonously the same all the world over...in poetry, at least, there cannot be an "International Style."'
   
   Frampton talks about a poetic formal dimension that transcends technology and materials. The tectonic culture of the title is the mastery of the craft of building, and it is easier understood when you can see the drawings and photographs that accompany the text. Frampton is himself a master in, amongst other things, making his point with architectural images you haven't seen before.
   
   Frampton has spent many years studying the tectonic culture of the great practitioners of modernism. Like a Sherlock Holmes of architectural history, he sees the significance of the smallest detail and how it can fit into the larger scheme. He puts this talent to great use in the six chapters where he analyses buildings by Wright, Mies, Auguste Perret, Louis Kahn, Utzon and Scarpa. The work of others is also considered: Foster, Herman Hertzberger, engineers like Boot's-of-Nottingham's designer Owen Williams and Pier Luigi Nervi, H.P. Berlage, Aalto, late le Corbusier, there are many more.
   
   He ends with Renzo Piano. He sees Piano's Building Workshop as an exemplary way to practise architecture, and though recently completed projects like the NY Times Building are missing (this came out twelve years ago, remember) there's no reason to think Frampton's changed his mind. Nevertheless the book could do with an update. Koolhaas, Gehry, and many other stars whose far reaching influence is spacial rather than about master craftsmanship in building, don't appear here; but what about Japan (there's only one reference to Ando and none to Ban)? Incidently, Frampton--remembering, probably, that when architects move on there is a tendency to throw out the baby with the bath water--notes that tectonic culture must be considered in addition to other things, like space, and not instead of them.
   
   Jeremy Hawker



2. It might be arguable whether Kenneth Frampton is an excellent architectural theorist, but he is definitely one of the most critical analysists and knowlegeable historians.
   
   Frampton, in this book, opens a new window for us to look at and to think about architecture. He first defined the term 'tectonics' culture with the theory of Semper. Then he critically analyses the tectonic quality of some of the modernist masters' buildings (Mies, Kahn, Wright, Utzon etc).
   
   People might argue that studies architecture only by their tectonic quality reveals only partially of the architect's intent and this is why I think Frampton misunderstood Mies' intent. However, one could not disagree with Frampton's critical architectural analytical skill.
   
   One of the biggest problems of contemporary architecture theorists is lacking of professional knowledges and architectural analytical skills. This makes architecture theory as an over generalized conceptual debate. As a result, it ultimately delineates the 'professionalism' of architect: one either work or think. 'Studies in Tectonic culture' built a new bridge to save our professionalism from 'no-brainers'.



3. I have read this book in 1996, and found it very useful for any architect who wants to further his knowledge of modern architecture. The insights of Mr. Frampton with his deep and wide knowledge of architecture makes this book a must have for any architect. It is a different point of view in the theory of architecture than the normal story telling book of Architectural history.



4. The book contains black and white high resolution photos and architectural drawings. Frampton's text is well written, to the point, and downright interesting. A must buy for any serious architect!

5 comments about The HOK Guidebook to Sustainable Design.

1. A fully comprehensive, up-to-date and well organized compendium of sustainable design and construction techniques, this book seems to keep fining its way onto my desk again and again for various projects. There are piles of publications on sustainability, this one however, is profound in its completeness, usefulness and quality of information.



2. As a senior vice president and firmwide sustainable design director at HOK, Mary Ann Lazarus combined her expertise with the professional experience of the other two design principals and leaders of sustainable design at HOK, Sandra F. Mendler and William Odell, in "The HOK Guidebook to Sustainable Design."
   
   "The HOK Guidebook to Sustainable Design" is one of the most comprehensive books on LEED and sustainable design. It is not a LEED AP exam prep book. It is a book to assist you in doing actual sustainable design. It covers checklists of actions and how-to information arranged by the LEED® categories (SS: sustainable sites, WE: water efficiency, EA: energy & atmosphere, MR: materials & resources, and EQ: indoor environmental quality), "Ten Key Steps" for the design process, specific guidance for sustainable design per building type, and 18 useful case studies from HOK's real projects.
   
   "The HOK Guidebook to Sustainable Design" has 480 pages and many color interior photos. It is a must-have for design professionals and one of the best books on LEED and green building design.
   
   Gang Chen, Author of "LEED AP Exam Guide" & "Planting Design Illustrated," LEED AP, AIA



3. Although I normally read books in twos and threes on the same topic to gain varied perspectives, this is the first time I am writing a single review encompassing two books. They mesh together so well that I cannot imagine studying this subject without having BOTH in hand.
   
   The two books are Sun, Wind & Light: Architectural Design Strategies, 2nd Edition and The HOK Guidebook to Sustainable Design.
   
   Start with the introduction in the Guidebook, which is blessed with a Foreword from Paul Hawken and see especially page 13 where the cost benefits are shown, with 48% energy savings for Gold, 30% for Silver, and 28% for Certified. See also the illustration on page 15 that I have reproduced in the image I am loading for both books: the old decision model was Cost at the top, with Schedule and Quality anchoring the triangle. the new decision model still has cost at the top, but Schedule and Human Health, Safety, & Comfort are on corners of this new pentagon, and the bottom is achored by Quality and Ecology, or what Paul Hawken would call in his books, "true cost" to the Earth and Humanitas.
   
   NOW shift to the Contents and the Detailed Contents of Sun, Wind, & Light. As one reviewer notes, this is a course book. I did not recognize it as such, I saw it as one of the most gifted complete collection of factors to learn and apply that I have ever seen for ANY topic of study. The content and organization of this book is nothing short of Nobel-level "wow." Finish going through this book.
   
   NOW go back to the first 218 pages of the Handbook, and study the checklists and varied helpful boxes and explanations. The rest of the book (217-459) is case studies of specific buildings, each a few pages, that can be left for last.
   
   At this point, I went into the Glossaries and Bibliographies of both books. Each is distinct, neither supplants the other. They must be taken together. I read Glossaries, and Indices, as content, and use them as a form of "second look" (in extremely complex books, this is actually where I start).
   
   NOW go back to the Case Studies in the Handbook, and read each from the point of view of what "take away" lessons are there for your own building.
   
   Reading these two books was a real treat. Outside my office kitchen is a deck with an 11 point system for attracting birds from bluebirds and bluejays to cardinals, gold finches, two kinds of woodpecker, and a flicker as well as the more common birds. I believe in diversity, and I believe that if we don't get our act together and start living up to the ideals of Natural Capitalism (see other recommended books below), our world will go sterile and dark before out great-grandchilden can share in the beauty of this planet. These two books are part of the solution, and I am in serious awe of those who made them available to all of us, and at reasonable prices to boot. Well done!!!
   
   Blessed Unrest: How the Largest Movement in the World Came into Being and Why No One Saw It Coming
   Natural Capitalism: Creating the Next Industrial Revolution
   The Ecology of Commerce
   Ecological Economics: Principles And Applications
   For the Common Good: Redirecting the Economy toward Community, the Environment, and a Sustainable Future
   The Soul of Capitalism: Opening Paths to a Moral Economy
   Capitalism 3.0: A Guide to Reclaiming the Commons (Bk Currents)
   The Philosophy of Sustainable Design



4. I am a property owner considering LEED Certification for a building remodel. As a starting poijnt, I have read the LEED guidelines at the Green Building Council website. However, I was looking for something more substantial to help understand the process. "The HOK Guidebook to Sustainable Design" fills that purpose.
   
   This Guidebook is written by the HOK Architectural firm which has been one of the leaders in sustainable design. The book has three sections. The first chapters are a check list of design guidelines and questions that one needs to explore during the LEED design process. The second section looks at sustainability issues as related to certain building types and the final section are a series of short articles on LEED projects the firm has worked on.
   
   This Guidebook is on its Second Edition and is invaluable for all those interested in LEED certification. It is well written and clearly organized. It is an expensive book but well worth the price. It is a great introduction into what is becoming an important area of design. Highly recommended.



5. The most comprehensive book yet on sustainable design and green architecture. If you can have only one book in your library on sustainable design, this is the book!

3 comments about The Architecture of the City (Oppositions Books).

1. It is a fundamental piece of work on the theoretical study of architecture and cities. The topic that Rossi documents and discusses is far from being concluded, which demonstrates the relevance of this publication edited for the first time about 40 years ago.
   
   I'd recommend this lecture to those involved in the formal study of architecture and urbanism, who might be looking for a solid theoretical basis towards the definition of a "urban science", or simply as a reference to understand the new "urban artifacts" ("urban facts" would be a more accurate translation in my opinion) that occur in our days cities.
   
   As it has been mentioned, this is an excellent book, although I-would-not recommend it as a first approach to the subject. The topics are treated more with academic rigor than practical value, this might be disappointing to anyone who only wants a simple, easy-to-read book about cities and their construction.



2. The practical work of Aldo Rossi is known to may, and has attracted a great number of followers for its common-sensical approach to architecture, at a time (the 60's) when Modern architecture ran out of steam and fell into a vacuous "play of forms" without sense nor content. Yet the theoretical foundation of the Rossian work remains fairly unknown, and it is distilled into 2 works: the paradigmatic "Architecture of the City", which was a serious attempt to readdress the role of architecture in the urban context [something ignored by most Modernists]; and the "Scientific Autobiography" which is a witty essay of a great architect's discovery and experience of architecture and life... This work,the "Architecture of the City", is definitely the more scholarly of the 2 books translated into English, and despite some of its contestable aspects [the romanticization of the Mietskaserne in Berlin for instance], it still presents itself as one of the key documents on urban thought in the twentieth century, along with Corbusier's "Urbanisme" and Koolhaas's "Delirious New York". Definitely recommended for students of Architecture and Urbanism...



3. i liked it and would recommend it to a friends family

1 comments about M. F. K. Fisher among the Pots and Pans: Celebrating Her Kitchens (California Studies in Food and Culture).

1. As a person who has spent half a lifetime reading anything and everything on or about MFK Fisher, I eagerly awaited the arrival of this book. Although I found it enjoyable,for the most part it was mostly a lot of information lifted from MFK's own writings about her kitchens, and the many places that she lived. The newer material was good, describing a bit more in depth what Mary Frances was going through during times of upheaval and illness, and there were some wonderful photos of the places that she had lived. The illustrations were lovely. All in all, it was a nice read- and makes one want to go to the bookshelf and pull down one of MFK's own, and read them again- they never go out of style!

1 comments about Santiago Calatrava: Complete Works, Expanded Edition.

1. I bought Santiago Calatrava's book as a gift but I was dying to see the pictures and his work. I totally recommend it.

1 comments about Loblolly House: Elements of a New Architecture + DVD.

1. LOBLOLLY HOUSE: ELEMENTS OF A NEW ARCHITECTURE features a different award-winning house design: an adjustable double-skin facade situated off the coast of Maryland's Chesapeake Bay. Its integrated systems offer minimal impact to the site's ecosystem, and it's actually more than an experimental model: it's a step towards element-based mass housing and promises much for architectural change. This monograph examines KieranTimberlake Associate's creation and considers its impact on further prototypes of revolutionary design choices.
   
   Diane C. Donovan
   California Bookwatch

5 comments about Modernism Reborn: Mid-Century American Houses.

1. I was looking for mid-century houses that were more in the middle classes, and you do not get that here.
   
   These are all high-end, very expansive homes, similar to the type one might come across in Dwell magazine. The book is nicely set up, with thick, distinctive paper used, and the book coming encased in cellophane, implying 'you're getting something very sophisticated and special here...', something I neglected to pick up in reality [but again I was looking for something else]. I also did not like the contrived use of marketing (paper and cellophane wrap). Always a bad sign.



2. If you want a strong, national (not just LA or Palm Springs) overview of mid-century modern, this is a good bet. Very well produced, beautiful imagery.



3. The author provides a good overview of the history and restoration of 35 architecturally significant houses
   of the 1930's through mid-century. The only thing keeping it from getting a 5 star rating is it's small format,
   resulting in smallish pictures and smaller floor plans. These wonderful houses deserved a larger page size,
   say 12" x 12", to show them to the best advantage. Still, given it's relatively modest price, this book provides
   a lot of information between the covers.



4. 
   We are in danger of losing our mid-century domestic architectural heritage.
   
   Yesterday's flat-roof, ultra-modern "home of tomorrow" is often perceived as the cramped and impractical "teardown" of today. Most real estate agents will confide that "Modern doesn't sell," and those modernist homes that are sold are usually fodder for the bulldozer; razed and discarded to make way for another McMansion.
   
   Sometimes it seems that the only folks who have any fondness for "Home, Sleek Home" are advertising directors (who love to feature hip mid-century homes in TV commercials and print ads), and subscribers to Dwell Magazine (and subscribers to the Dwell Magazine lifestyle).
   
   In his book MODERNISM REBORN: Mid-Century American Houses, architectural critic Michael Webb demonstrates that there is a growing appreciation for cutting-edge American residential architecture of the 1930s through the 1960s, and in it he highlights the intrepid homeowners who've assumed stewardship of 35 of these "Contemporary" domiciles of long, long ago. Tersely written, illustrated with floor plans, and enlivened by nearly 200 color photos by noted architectural photographer Roger Strauss III, MODERNISM REBORN explores the unique histories of these homes, and chronicles the research, labor, and expense that the adventurous owners have lavished on their preservation, restoration and sometimes, expansion.
   
   Nearly all of the 20th Century architectural greats are represented here--Frank Lloyd Wright, Richard Neutra, Philip Johnson and R.M. Schindler--as well as iconic modernist structures such as Pierre Koenig's Case Study House #21, Ludwig Mies van der Rohe's Farnsworth House, and Charles and Ray Eames' own home-studio. Webb presents homes that embody various modernist impulses in thematic chapters that prove that there was no one right way (or Wright way) to be "modern."
   
   Webb's survey argues a case for Modernism as a mode (or ideal) of living, rather than a mere style (or styles). Indeed, these light-filled, open plan, spartanly furnished "homes of the brave" imply an enlightened lifestyle of Zen-like purity somewhat at odds with the ever more acquisitive and materialistic American way of life.
   
   Don't read too much into the Modernist rejection of consumerism, however, because these designer homes were status symbols in their day, and to furnish a home with "Modern classics" like Le Corbusier's Petit Confort sofa, the Eames lounge chair and ottoman, and a pair of Mies Barcelona chairs will set you back several grand. Modern don't come cheap.
   
   Ultimately, the stories that Webb weaves about the people that commissioned, designed, built, restored and live in these homes are every bit as enlightening and memorable as the homes themselves. In fact, the author makes their histories seem inseparable, as if house and owner are joined in partnership against philistine taste, obnoxious neighbors, natural (and unnatural) disasters, and metal fatigue.
   
   This is not a scholarly study, but Webb assumes a certain level of cultural awareness and familiarity with architectural terms in his reader. It is a fine book with a fresh look at a perhaps overly familiar subject, and is well worth owning for the photos alone.
   
   Reading MODERNISM REBORN makes one wonder how the home of 1950 will inform and inspire the home of 2050, the mid-century home of tomorrow.



5. I bought this interesting book because I wanted something that would cover, visually, the best of mid-century American architecture. As another reviewer has said, don't expect a full technical account of the background to these beautiful houses but if you want excellent exterior and interior photos in a well designed and printed book, 'Modernism reborn' is the one to get.
   
   The fact that these thirty-five houses have all been restored in some way gives the book extra interest. Many of them were featured in the architectural press years ago when they were first built and these are the photos you usually see in books. Some of them were neglected but fortunately the current owners thought restoration worthwhile and this is how Roger Straus photographed them.
   
   An interesting companion book to 'Modernism reborn' is Classic Modern: Midcentury Modern At Home by Deborah K Dietsch, not directly concerned with the architecture but more to do with the furniture, fabrics, lighting and style that made these houses such wonderful homes. If only I could afford to live in one!
   
   ***FOR AN INSIDE LOOK click 'customer images' under the cover.