2 comments about Lighthouse Spotter's Guide.

1. Lots of good information on lighthouse background, lots of pictures and let's you know if it is open to the public. I will be using it as a reference.



2. Is there anyone who is not fascinated by the sight of a lighthouse? Growing up in Nova Scotia,lighthouses were as common a sight as a post office,church or a fire station. All through the years, whenever I was travelling,I always made a point of looking for lighthouses and spending a little time with them.I often thought it would be fun to really "get into" lighthouses,making a special effort to search them out ,read up on the history and things that have happened in the area,maybe sketch or photograph them,talk with the locals,and on and on. I imagine there are people who do just that,but surprisingly,I have never encountered any of them in my travels. As an avid Birder,I naturally gravatite to them in my search for birds. Over the years ,I've seen many. To say which is my favorite is difficult. I guess the answer that Roger Tory Peterson,North America's most famous Birdwatcher,gave when asked,"what is your favorite bird?" His reply was;"the one I'm looking at ,at the time."; applies just as well for lighthouses.
   I guess I'll just have to take lighthouses as I come upon them,because with all my other intreests,there's just not enough time to go around.
   Being a Birder ,and familiar with Field Guides,I was very happy to find this Guide for lighthouses. So much so,I bought one for my friend,who is much more "into" them than myself. Needless to say.he was thrilled to get it.
   For anyone who is fascinated by lighthouses all over the US and Canada,I can tell you now ,you'll want it. The book is excellently constructed,was published in 2005,will last a long time,and won't go out of date,simply because they're not constructing any new ones. Several hundred sites are covered and the Guide is loaded with beautiful,clear photographs. I have seen many coffee table type books on lighthouses,but never such a comprehensive one as this; it's loaded with information.

5 comments about New Orleans.

1. This book provides a very realistic - as opposed to the usual touristic - look at New Orleans and inside homes. Of course, some rooms are highly individualistic, even eccentric, but that is what helps make the city unique. Few of the photos could have been shot from a tour bus, or in any other community. I'd guess that this book is owned primarily by New Orleanians & that they are all very happy to have it. I lived in the Crescent City from birth until retirement and these are the first photographs to make me homesick.



2. I have been to New Orleans millions of times and this is the best all around book. The author has really, really researched and pulled up ALL kinds of interesting tidbits.
   I think that Compass guides in general are the extra travel books one buys. I wanted more than Fodor's has because I already know all the best places to go. I think that she had good choices and you could use it as your only travel guide.
   I think some readers were disappointed because maybe they were taken back by the exorbitant prices hotels charge. Hotel-wise , you don't get much for your money unless you go in summer or during Christmas.



3. One of my all-time favorite books. The stuff of dreams and nightmares too.

   This is an utterly luscious picture book. Chock full of photos of real interiors. Real homes of artists and the creative. Homes of people who love peeling wallpaper and cracked plaster; and especially those who love living in the midst of art works, or deeply personal collections.

   The homes of people who love the humid haze, moist clay-scented New Orleans.




4. One of my all-time favorite books. The stuff of dreams and nightmares too.

   This is an utterly luscious picture book. Chock full of photos of real interiors. Real homes of artists and the creative. Homes of people who love peeling wallpaper and cracked plaster; and especially those who love living in the midst of art works, or deeply personal collections.

   The homes of people who love the humid haze, moist earth-scented New Orleans.




5. This book has great interior pictures of some glorious New Orleans homes. Unfortunately when I've been there, I didn't have the opportunity to go inside to see the many interior styles. This book gives me the opportunity to see the beauty inside, that I've only been able to view from outside. Great book for those of us who love and appreciate the city!

No comments about Creating Medieval Cairo: Empire, Religion, and Architectural Preservation in Nineteenth-Century Egypt.

1 comments about Living Barns: How to Find And Restore a Barn of Your Own.

1. This book is informative and offers some good advice. The photos are encouraging and nice to look at.
   
   I would highly recommend this book to anyone interested in converting the wonderful open space of a barn into a residence or use commercially.
   
   Thank you,
   
   Cheryl Erb

No comments about Giving Preservation a History: Histories of Historic Preservation in the United States.

No comments about Buying Time for Heritage: How to Save an Endangered Historic Property.

No comments about Structural Analysis of Historic Buildings: Restoration, Preservation, and Adaptive Reuse Applications for Architects and Engineers.

1 comments about Lookout Cookbook: A Collection of Recipes by Forest Fire Lookouts Throughout the United States.

1. if you're interested in history and anything associated with lookout fire towers as well recipes created from the folk in the towers well you'll be delighted. this is an excellent book. i purchased for a friend and now after thumbing through i must purchase for myself.

5 comments about Gotham Restored: The Preservation of Monumental New York.

1. Rudnick's book is monumental both figuratively and literally. In photographing the restorative work performed on New York's most recognizable structures, Rudnick has forever preserved an important piece of Americana. With a discerning and creative eye, he juxtaposes images of exquisite detail and grandiose sweep, of human form and man-made object, of decay and renewal. One of my favorite shots is that of Liberty's internal spiral staircase (p. 75). This photograph could just as easily be a study in abstract form; three ghostly lights punctuate an array of metallic angles and curves in an enormously deep field of vision. Another stand-out is a view of Liberty through scaffolding (p. 67). The torch rises dramatically above the gridwork, suggesting that American freedom can never be constrained. There is obvious forethought to Rudnick's work -- as in a shot of ironworkers on the Brooklyn Bridge perfectly framed by the Twin Towers (p. 49) -- but his photographs never appear cliched or stilted. Gotham Restored offers up new rewards with each viewing. It should serve to place Rudnick among the pantheon of living photographers. Highly, highly recommended.



2. This book is beautifully conceived. The photographer, James Rudnick, had the foresight and the love for these icons of New York City to preserve them photographically for generations to come.
   The design is elegant. The text is interesting and important.
   A great book.



3. This beautifully designed book presents monumental icons in a way that is both insightful and inspirational. The subject matter in this work is so very familiar (the Statue of Liberty, the Brooklyn Bridge, Grand Central Station and the NY Public Library) that it would have been temptingly easy to trivialize and display these structures as they are frequently seen in glossy calendars and travel books. In contrast, Rudnick's exquisite work transcends these more commonly seen depictions. His intimate knowledge of, and obvious reverence for, the structures allows him to share with the reader unique perspectives that revitalize our appreciation for these great national treasures. The book celebrates the exhaustive and impressive work that the restorations entailed and the presence of the various craftspeople in the shots allows one to appreciate the enormous scale of the projects. Those who spend time with this book will never look upon these colossal structures in quite the same way again.



4. A curious thing happened to me as I read the text and looked at these photographs. They made me feel somehow comfortable and pleased. I realized this after going through the entire book. It was comforting to see how these standard landmarks are rejuvenated to be enjoyed for time to come. Far more than a "coffee table" book on famous sights (or sites), the images are embued with the authors sensitivy to the aesthetic of the structures and the city. If you love New York you will enjoy this volume. Wonderful book and a great gift for anyone who knows NYC.



5. James Rudnick has created not only an everlasting memorial and tribute to New York, but has set the standard of excellence by which all others must attempt to meet. The book design is elegant and exquisite. The photographs are some of the most beautiful of the city I've ever seen.

   Philip Bogdan

5 comments about Preserving the World's Great Cities: The Destruction and Renewal of the Historic Metropolis.

1. It is a great survey book of some amazing cities. I tend to agree with what has been written. But just a word of caution, Tung's writing style will start to grate as every chapter ends with somewhat of a flourish. I think it detracts from his obvious love of cities and preservation.



2. In March of 1995 author Anthony M. Tung journeyed to 22 of the world's greatest cities in order to study how architectural preservation had failed and succeeded in some of the most artistically and historically significant urban areas around the globe. Having served for many years as a member of New York City's Landmarks Preservation Commission, Tung sought to understand how the complex issue of urban conservation was handled around the world and to gather in one book a body of very basic information about this practice.
   
   Until the 20th century, each new stage of architecture and construction referred substantially to previous stages; in Western culture, there was a "direct aesthetic line" connecting the architecture of classical Greece, imperial Rome, the Romanesque period, the Renaissance, the Baroque, the Rocco, and all forms of classical revival that followed, with even divergent traditions like French Gothic or English Tudor making use of common architectonic elements. Cities tended to be harmonious, each new generation of buildings blending with older buildings to a great degree.
   
   In the 20th century however, many age-old aesthetic traditions were abruptly discarded by a modern, new, jarring architecture, built often at vastly different scales than older buildings, of completely different materials, built with new methods, buildings that were consciously designed to have a complete lack of relationship with the previous continuum of form. In Cairo for instance skylines once dominated by domes and minarets of mosques are now ruled by looming massive hotels. Massive gray residential slabs now dominate the remaining parts of historic Moscow. In some cases, as in New York, new buildings were built over and around preserved historic buildings, making them appear toy-like and ridiculous. Further, these buildings of alien scale and design often hopelessly fractured any urban architectural harmony, often forever, as what was destroyed can either never be replaced or only replaced at great financial, legal, political, and economic cost.
   
   Older cities of handcrafted buildings, made of natural materials from the immediate environment of the city, reflecting the historical values and physical characteristics of unique urban cultures Tung wrote now constitute a "finite resource from a closed period of human cultural evolution." Much of the unique architecture of the world's great cities - ancient Roman ruins, the cross-cultural traditions of Singaporean pernanakan architecture, buildings that show a great "specialness of place" - is still in danger in many places of being replaced by a global monoculture, of older unique buildings being replaced by comparatively poorly constructed structures that are generic in design and that differ little in response to local environmental and social surroundings.
   
   Why were older buildings replaced? War certainly plays a factor as might be expected, though by and large Tung feels that city residents themselves are responsible for building replacement. Sometimes older handcrafted buildings are replaced for what were laudable reasons, such as slum clearance, attempts to give the poor a better quality of life, though often irreplaceable but fixable buildings were demolished rather than rehabilitated. Some cities, such as Vienna, Charleston, and Amsterdam (which are detailed at length), bucked this trend, either saving old buildings or constructing new public housing with a conscious effort to maintain local architectural traditions. More often than not though making money was the goal; speculative real estate and construction in the name of progress fractured urban landscapes, as out of scale skyscrapers thrust into the London skyline and ugly hotels of poor artistry were erected in Cairo.
   
   Sometimes destruction or replacement of older handcrafted buildings seemed nearly unavoidable; Kyoto for instance, largely spared bombing in World War II, for centuries a city with buildings comprised of shoji (sliding walls of light wood frames covered by translucent paper) and tatami (rectilinear straw mats of standardized dimensions that covered the floors), were rapidly being replaced post-war by modern Western buildings that could more easily accommodate such innovations as modern plumbing and electricity. Tung related how this "culture of destruction" is being reversed, efforts in this regard aided by uniquely Asian views of preservation (often times ancient buildings are wood and are partially or wholly rebuilt periodically, the emphasis often in China and Japan on preserving the original form not as in Europe or America the original material) and permanence (Japanese buildings were traditionally built to withstand natural disasters and wars by being flexible and if destroyed by being easily rebuilt).
   
   Sometimes architectural preservation - or destruction - was dictated not by war or by progress but by ideology. The Third Reich demolished the landmarks of Warsaw as a punitive action against the Poles, Nazi architects purposely identifying key Warsaw buildings and purposefully destroying them (additionally many were destroyed in actual combat). As an act of defiance, Polish architects risked their lives (and quite a few perished for their efforts) to document this heritage before it was destroyed, hiding plans and documents during the Nazi occupation and then completely rebuilding the city as an act of remembrance.
   
   Tung recounted many successes in his book as well as failures. What are the common denominators in successful preservation? Clearly economic underdevelopment causes decay and destruction of historic assets. In a detailed chapter on Cairo, Tung discussed how the city's massive problems posed by skyrocketing population growth, extensive poverty, and an endemic culture of illegal settlement and corrupt, byzantine bureaucracy have caused residents to perceive conservation as a lesser priority and have created unique environmental challenges to the city's priceless Muslim architecture thanks to air pollution and a rising water table. Citizens of cities have to have in addition to the means of preserving the city a will to do so; while many of the historic districts of New York were listed and are protected thanks to the efforts of the residents of those areas, Venice, despite widespread international support, is decaying as fewer and fewer Venetians actually live in the historic city, not only affecting city politics and budgets as residents of the historic city lose clout to those outside the historic city but by simply not being present to provide such upkeep.



3. this book is a wonderful read. it should be a mandatory read for all city planners/architects. there is so much we can learn from the successes and failure of other cities' efforts in preserving their heritage.

   for most people, it's still a great treat coz' the stories of how these great evolves are just mesmerizing. the tale of the reconstruction of warsaw is a moving moment of human history. and the decaying of ancient cairo is tragic and upsetting. the author manages to tell these stories in a context relevant to all of us, as a city dweller or a visitor in a globalized world. he also makes us aware of the complex underlying forces behind the metamorphosis of these urban fabrics.

   i am looking forward to visiting or revisiting these great cities after reading this book. and i am eagerly waiting for a sequel that uncovers the stories of other great cities like prague, kathmandu, bangkok, shanghai, new delhi, sydney, buenos aires, havana, istanbul, barcelona...




4. For close to three decades, I've tried to understand why some cities preserve their historic and architectural fabric, while others destroy theirs. I now have a much better understanding about the political, social, and economic dynamics underlying preservation, or the lack thereof. Moreover, the author articulated some basics that no previous book ever did. Like, what is holding up all those building in Venice? And why did Warsaw, almost alone among cities ravaged in WWII, rebuild its historic fabric? The author not only answered my Warsaw question, but moved me to near tears in the process. (Why isn't this heroic story being made into a movie?) In short, buy this fascinating, informative book!



5. What makes a city great? How do you preserve a great city? Why do you preserve a great city? Who can preserve a great city? As you finish this well crafted review by Anthony Tung of the evolving fate of 20 famous cities from around the earth, you feel the answers to these questions are within your grasp. A great city is a living manifestation of the society that built it over the centuries. It can be preserved by the dedicated and enlightened effort of those who live in it. Only they can develop it in a way that recognizes the changes of time without giving up their cultural heritage. Great cities are the architectural fabric of civilization, showing how it evolved in various parts of the world as societies developed within a particular regional environment. Its residents, if they can maintain their culture and heritage in the face of change can preserve it, supported by benevolent assistance from others when needed.

   This book makes clear that there are also common threats of destruction each of these amazing cities must face. Beyond the ravages of time, which can clearly be overcome in a stable situation, three become apparent in reading the stories of these great cities. They are destruction from war or by conquering invaders; deterioration as the original builders move out and are replaced by those who are poorer, less educated and ironically often subjugated by the original builders; and destruction to make way for more modern and impersonal buildings and infrastructure based on the influence of modern global society.

   I wish to thank the author for the journey he shared with me. When he was writing about those cities I have visited, such as Paris, London, New York or Mexico City, he captured the essence of their heritage in a way that rang true to my experience. When discussing the state of those I would like to see; Beijing, Kyoto, Cairo or Athens for example, his descriptions were again lucid and highly credible. They made me want to visit the city and try to comprehend its past and its fate for myself. Written in a style that makes you feel you are in these great cities vicariously, this book not only makes you want to visit them, but also to do your part to help preserve the heritage of the city that you call home.