5 comments about Reading Lolita in Tehran: A Memoir in Books.

1. This is an extremely important book because it gives the women of Iran a voice, and one that has been heard around the world. This book is many things: a discussion of English literature, a memoir, a history of the last 30 years in Iran, and more. It is especially worthwhile for those interested in women's issues, Iran, and literature. Just a word of warning--for those not familiar with the writings of Jane Austen, Nabokov, Henry James, or Fitzgerald--parts of this book may not make much sense. May there be freedom and democracy one day in Iran.



2. I avoided this book for fear of voyeurism. Abuse of children, or the artful justification of it in even an attenuated form, is not something I want to encourage, and I assumed the point of the title was, ¨How paradoxical to be reading something so naughty with veils over our faces!¨
   
   Fortunately that was wrong. Nafisi seems rather to be using a story about the exploitation of one girl, as a literary doorway into a society in which all girls are treated badly. That was what I was hoping for, in finally picking up the CD of this book (which I listened to while driving through Amish country in Ohio!) -- to learn more about life in Iran from a sensitive critic of the regime.
   
   Overall, the book is good enough. Nafisi's descriptions of her students, and the other characters, are acute. You do come to understand what life is like for women in the most radical Islamic countries -- at least for women educated to think like Westerners.
   
   But at the same time, I didn't always get the feeling of getting inside the thought processes of another culture, here. Nafisi does not always seem to mediate a general view of life for women in Iran, but more of ¨what an American forced to live among Islamic Leninists¨ (see Naipaul) would feel. Her description of Islam is so uniformly negative, one does not much get inside the head of its proponents -- unlike with Naipaul.
   
   My other complaint was that the book dragged at times. The author has descriptive talent, but sometimes lets it get away from her. Sometimes Nafisi gives the readers too much interior dialogue -- read with a rather gloomy seriousness, in the CD version.
   
   All in all, while good, I'd probably prefer a shorter version of this book. Maybe a printed version, which one can skip forward at times, would in this case be preferable.



3. The author was a specialist for Western literature in the Iran of the Islamic Republic. That was of course a no-no and she lost her university job in 1995. Before finally emigrating to the US (where she is now probably a suspect as a sleeper of some kind), she did a remarkably courageous thing: she continued teaching girls in English language literature at home for two more years. The main message of the book is the story of the lessons and of the fate of the girls in a country that has gone back dramatically in civic freedoms.
   I was reminded of this book, which I read a few years ago, by the discussions after I posted reviews of the novel and the first film Lolita. I realized that there are more interpretations of Lolita, the novel, than was mentioned in the discussion. For the group of women who read the book in Tehran, what was in the forefront was that somebody who has been forced to be with somebody that she didn't want to be with, can rise up and escape.
   In a way though, Lolita is not really the main subject of the study group. The book ought to have been called Reading the Great Gatsby in Tehran or reading Jane Austen. Both take a lot more space. Obviously the title was chosen by marketing criteria. The title with Lolita sounds more interesting and it has a much better rhythm.
   I am as often puzzled by the reactions here in Amazon. Where do all the negative reviews come from? Does the Iran have a fifth column of literate people who can write reviews?



4. Having traveled in the Middle East this summer I looked forward to reading this book and learning more about Iranian history and society. Unfortunately I gave up about halfway through. My list of complaints is long: Nafisi's writing is terrible and in desperate need of an editor. She recalls lengthy conversations verbatim, ad nauseam. She somehow always comes out being right during the many arguments she has throughout the memoir. The characters are one-dimensional, particularly the men. Her book group (which I foolishly assumed the book was about) disappears and re-appears in a disjointed manner; I never came to care for any of the group's members as they were portrayed. Her comparison of Nabatov's Lolita to the plight of these women is baffling. Most frustrating of all is English Professor Nafisi's manner of shooting down anyone who disagrees with her INTERPRETATION of literature. No, actually, most frustrating of all is knowing that this book became a best-seller and Nafisi received great accolades for it.



5. Azar Nafisi was the right person (an intellectual and writer) who was in the right place (Tehran University) at the wrong time (The Iranian Revolution). Having lived in both America and in Iran, she was in unusual position of teaching American Literature at a time in Iranian history when America was demonized as the Great Satan. In soft and exquisitely-recalled detail, she describes her professional struggle to keep her class interested in Western works like Nabokov's "Lolita" and Fitzgerald's "The Great Gatsby." Her struggle was to remain true to the meaning of the texts at a time when even leftist and secular students saw these works as evidence of Western decadence. Her personal struggles are also detailed, notably her attempts to remain free of the veil at a time when armed thugs and armed government morality squads roamed the streets.
   Nafisi's eventual departure from the university prompts her to hold class in her own home for interested students, mostly women. These students come from all over the political and religious spectrum, but are united in their love of literature. Nafisi and her students find themselves drawn into a relationship that touches on their personal lives, proving again the transformative power of literature in even the least hospital climates.
   The voice of Nafisi is quiet, deliberate, thoughtful, lyrical and courageous. More headstrong as a young woman, her defiance of government oppression and terror is more measured, but no less strong. But "Reading Lolita in Tehran" is far more than a memoir one woman's experience under a brutal regime. As she details the conversations and arguments that break out inside her classroom, we become more than spectators. We too are in attendance and begin to appreciate the depths that her favorite authors -- Austen, James, Nabokov, Twain and Fitzgerald -- are able to plumb in their novels. Nafisi's skill in drilling down to the bedrock values of these stories, even to the point of finding commonalities between the American novels and the Iranian experience, is surprising and seems all but inevitable.
   In spite of its length, I found this book very engaging. The occasional scholarly reflections were often staged as lively discussions among characters, even a scene in which a book was put on trial. A wonderful read for those who love literature and who would like a peek into the darkest years of the Khomeini-led Iranian revolution.

5 comments about Apples and Oranges: My Brother and Me, Lost and Found.

1. I did not like this book. It was hard to find out where she was going with her story. I would not recommend it to any of my friends.
   Mary Pichette



2. This is a really uninteresting chronicle written by an elitist intellectual who makes no effort to connect with her audience. She seems to find her own navel more intereting.
   
   
   Very sorry for her loss- but is this really something which needs to be in print?



3. While her journalism has always been great, this memoir is a small masterpiece, must reading for anyone who has a sibling, or doesn't. Thanks to Marie Brenner, Carl Brenner will not die. He becomes an unforgettable character. So does she. Sensitive, witty, poignant, absolutely elegant. I cannot recommend the book too highly.



4. Marie Brenner tells us right away in her author's note that she is untrustworthy, with her comment that "conversations, events and dialogue have been reconstructed." Reconstructed events? Come on. Not only that, but she doesn't seem to care about accuracy even to the geography of the area of Central Washington she's describing, such as calling the Wenatchee River the Columbia. Maybe this could be excused if she told a good story (and it was marketed as fiction) but she tries to cover her lack of a true story by fragmenting the chronology, dating some chapters, leaving others without dates, and jumbling the whole mess. There is a lack of insight or attempt to draw the reader closer to either of the characters. By the end, you can see why her brother was so annoyed with her.



5. Written with heart, wit, and honesty, Apples and Oranges explores the complexities, absurdities, and hidden bonds of a difficult sibling relationship. Brenner dives into dark waters and comes up glistening with a special truth. It made me laugh and cry.

5 comments about Half-Assed: A Weight-Loss Memoir.

1. Jennette Fulda tells a remarkable story of determination. It's an incredible journey of dispair, joy and redemption. Fulda tells it like it is with honesty and large doses of humor. Anyone who is seriously overweight can relate to her stories. Only an obese person can truly understand life in a fat-unfriendly society. Her weight-loss journey is not an easy one but Fulda seems to have the inner-strength needed to succeed. She tells her own story without offering specific weight-loss advice. This is NOT a diet book. In fact, she refuses to discuss her exact method of losing weight. The diet she followed remains unnamed. She follows a healthier way of eating and tries to banish bad foods from her life, but there are a few mishaps and setbacks along the way. She knows it has to be a permanent lifestyle change. It's a journey of self-discovery on all levels. Her weight immobilizes her with so many aches and pains until exercise becomes her salvation. She is ashamed and self-conscious of her weight but her will is strong. It is her story and no one else's. She doesn't want to be come a weight-loss guru and doesn't preach for or against any way of thinking. She has her own views on fat acceptance and weight loss. It's up to the reader to find what is the right path and how to begin. Here story of dispair is one that so many seriously overweight people can understand. In Fulda's case, dispair becomes hope and hope becomes cautious joy as she nears her ideal weight. She tells her story with a humor that is often self-depracating. It's no secret that she succeeds in her quest before you start the book. She no longers suffers the stigma and pain of severe obesity. Readers just beginning their journey to weight loss might be put off with some of the humor. Fulda often uses humor to hide her pain, embarrassment and humiliation. Her humor can be a bit disparaging for a person who is still obese and the pain, embarrassment and humiliation is still a daily routine. She describes how she sat in an arm chair her weight spilled over the sides and looked like a muffin top. It's a funny visual unless being a muffin top is your reality. There is great joy in knowing that someone did succeed and ended the misery and pain of obesity. Her experiences show that the obese person is not alone in their suffering. Although obesity is a national epidemic, there are few books that address this issue in such a frank way. This is a gem of a book for anyone who suffers with obesity and seeks hope.



2. This is a fabulous book! It was like reading an autobiography. Only I haven't lost half of me. Jennette is very entertaining and very motivating. I wanted to get out and start running every time I read this book. I've already passed it on to my mom and a co-worker as well. Love it!



3. Being one of the millions of obese people out there, I saw this book at the library and picked it up... Half-Assed: A Weight-Loss Memoir By Jennette Fulda. I can't say that I knew about her beforehand from her writing [..] But after reading Half-Assed, I'll be adding her to my blogroll and re-examining my own weight issues.
   
   Contents: A History of Fatness; Living Large; The Snooze Button; No Epiphanies; Diet and Exercise; Stumbling Blocks; The Incredible Shrinking Woman; The Girl in the Mirror; Too Small for My Britches; Two Weddings and a Funeral; Trail Mix; I Should Know Better By Now; My Online Waistline; Acquired Tastes; Decloaking; Half-Assed; The Secret; Killing the Fat Girl; Notes; Acknowledgments; About the Author "Before" and "After"
   
   Fulda doesn't set out to write a book about her weight-loss program or some secret formula she discovered. This is nothing but a raw look at the pain and realities of being fat, and the struggles she had in losing over half her body weight. And in my opinion, that's why this book works so well. The celebrity weight-loss winners all seem to want to "sell" you on their methodology and program. Fulda doesn't go into any great detail about what to eat, how much to eat, exercise programs, and the like. You learn her fears and self-loathing as she climbs to over 360 pounds. You're listening to her live through the fits and starts of finally getting traction on her weight loss goals. And more importantly, you also experience her ups and downs over the many months that it took to get to her current half-Fulda state. I enjoyed watching her mindset change as she went from someone who she felt didn't deserve any attention to someone who knows what it's like to be "normal". She's brutally raw in her writing style, and she doesn't pull any punches about the difficulties involved in making such a radical change to your body. It's also refreshing to see her current attitude towards her body. She's still at a point where the charts would say she's "chubby", but she also is comfortable with that knowing from where she started her journey. It's nice to see a weight loss story that doesn't end with the person becoming supermodel-thin and a fitness magazine covergirl. Fulda is no different than you and me... Flawed, imperfect, but working away on life.
   
   If you're looking for a "do this, this, and this" book, head elsewhere (or go over to her blog). But if you want to understand and experience life through the eyes of someone who's been there and is still working at doing that, read away.



4. I don't do a lot of reviewing, although I READ others' reviews. Guess I'm too lazy. I did want to post a comment about this book, because the unflinching portrayal of the ongoing process of getting thin was very familiar, and at times almost painful, but I also laughed out loud ALOT!(which I don't even do with Road Runner cartoons).
   Looking forward to ANYTHING else this author writes, whether it relates to weight or not.



5. This is not just another diet book but a book about what really happened during those years of losing weight. I get frustrated with success stories that don't delve into the mind and emotions of the struggle to succeed. Or often times when they try to explain the journey after-the-fact it just comes out sounding so cliche' and empty. Fulda breaks the mold with this book and brilliantly communicates raw and real emotions of the struggles, victories and failures of her phenomenal weight loss achievement. Her commitment is the key to her attitude progression from 'fat girl syndrome' to 'weight loss mentality' to 'athletic decision making'.
   
   There are no secret recipes, instructions or food rules, no exercise plans, etc, etc and thankfully so. If you don't know what to eat or how to exercise by now then you may not be ready for this book because this is where the rubber meets the road. This isn't about how to eat but about how one person got it done and is keeping it done! Not everyone is ready to hear about the struggle when they are still making 'plans' to lose weight but for those of us who are in the trenches this is a MUST READ! This is about a girl who didn't quit - a REAL American hero.
   
   Though thoroughly entertaining this book is not meant for sensitive people. There are times when the language is quite rough and her merciless thoughts about others are a little tough but that's what this book is - her inner thought life. You may even get offended (like you would if you could read the minds of people around you) but I'd encourage you to get over it quickly and read on. I finished this book in 2 days, I don't even know how I found it because I wasn't looking for anything like this on Amazon but it showed up...to use Jeanette's words, my computer must know I'm fat!

5 comments about Madness: A Bipolar Life.

1. I have seen what Bipolar can do to people. This was really an eye opener.



2. Excellent book. Riveting and exciting look at the life of a very manic bipolar woman. Easy to read but hard to put down.



3. I have a daughter who was diagnosed with early onset bipolar at age 11. She is now 22 with a 20 month old child and alcoholic (probably bipolar but won't seek help)husband. Marya's book was written with graphic discriptions of manic and depressive episodes. You can really feel her pain. This book should be great for someone who doesn't realize the trauma and pain that goes with this disorder. I was left with a sad, discouraged feeling. Although there are brief times of remission, I already felt that there is no way out of this nightmare. Maybe Marya meant the book to be that way as this is a serious illness with no cure just treatment sometimes effective and sometimes not.



4. Having recently entered into the confusing world of having a child diagnosed with bi-polar, trying to tease out a distinction between mental illness and drug and alcohol addiction, watching different psychiatrists prescribe different medications, along with the child being a hostile patient, i.e. doesn't want to talk about what's going on---this book is a brilliant insight into what's going on inside a rapid cycle bi-polar head. I recognized some actions of my son throughout this book and finally got a sense of what it must be like inside his brain. This book gave me a new appreciation for the pain he is trying to hide or run away from. And also gave me insight into how I can better be there for him in his mental illness while not enabling his addictive behavior. This illness is not fun and there seems to be a lot of differences in how to treat it, especially as the field of study on bi-polar appears to be expanding and new treatments are on the rise but not consistently throughout the psychiatric profession.
   
   Marya Hornbacher has done a great service for me by writing in such vivid prose her ongoing dilemma. Admittedly, my reading on bi-polar is not exhaustive, but this is the first book I've read that truly captured the tyranny of this illness. Ms. Hornbacher is a truly gifted writer. I do not envy her the ongoing struggle she faces, but she sure dug deep to write this. Throughout the the painful descriptions of behavior and feelings shines a courage that lifts my hopes for my own son.



5. Marya Hornbacher's Madness is one of the most compelling books I have ever read. I do not often read nonfiction, but found myself at times forgetting that this was all true. Hornbacher has a gift with words and phrases and her writing is beautiful. At times, the story itself is disturbing, but for anyone who has lived with bipolar or someone who has it will love the book. It must have taken great courage to write a book that takes her own struggle with mental illness and use it to help others understand that they are not alone. Truly, it is one of the best books I have ever read and the single book that has most helped me understand this disease. After reading this one, I suggest you read The Center of Winter, also by Hornbacher.

5 comments about The Year of Magical Thinking.

1. Joan Didion has captured the very quiet and lonely side of surviving the loss of a spouse. Her tone is somewhat dry and even, yet underneath you can hear her trembling. Yes, the year after is probably the hardest and her title appropriate. When faced with unexpected loss, due to trauma or sudden death, there is always a sense of disbelief. Magical thinking is necessary to carry you through the initial shock and grief. Her detailed portrayal of the first year marked by the last year of her husband's death is so grounded and painfully real. I read the book in one evening and couldn't put it down. I don't believe Mrs. Didion wrote this book to help anyone cope with their own losses, but rather to share the experience she had so that others who also have their own year of magical thinking would know they were not alone. Waiting for Odysseus



2. I couldn't get through it. It starts on the night they had dinner: she made the fire, she set the table, she prepared dinner, she mixed the salad, she got him a scotch, she got him another scotch. Is this from another era? When she quoted etiquette from 1922 it seemed appropriate, although that actually was kind of interesting. Then she said she often got the same grief stricken feeling on those days she woke up after they had a fight. It's just too old fashioned for me, wanting to please her husband so much.



3. It is rare that a title conveys so much meaning. And I guess it takes as strong a personality as Joan Didion to say it is OK to have self pity - although she managed to function at a high level when her daughter was in danger, making herself knowledgeable enough to talk to the doctors almost as an equal. It must have hurt knowing that the airplane ride to California could possibly have caused her daughter's death.
   
   As a Didion fan, I was disappointed at first at the absence of her familiar rhythms, but they soon appeared. I wish I had read this excerpt from the book before reading her novels (p.7, paperback): " As a writer,.......I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs, a technique for withholding whatever it was I thought or believed behind an increasingly impenetrable polish." Didion was thrilled at the heartfelt complement of her writing received from her husband shortly before his death.
   
   I noticed John was apparently reading, it was at the top of his stack, "Five Days in London: May 1940" when he had 5 days left to live, (p.216-217), but Didion doesn't make a point of this. I guess the year of magical thinking was over. This was a memorable, interesting book, but if you are not a Didion fan, I can see why you might find parts dull.



4. TYOMT started out very well written, but quickly turned tedious and repetitive. Didion treats grief as if it is unique to her and no one else in the world could possibly know how she feels. Such a shame that the book was probably only published because of the author's status in the literary world.



5. I am glad that I decided to borrow and not purchase The Year of Magical Thinking. While it is fresh and original in its presentation of the facts and the author's reactions to a tragic personal experience (sudden loss of her husband followed by equally unexpected illness and loss of their only daughter), it is also surprisingly hollow. With all due respect to the indisputably talented Joan, if she'd gone back to the basics for this one, I might have appreciated it more. #1, journaling if for one's journal, not one's memoir. #2, that something is "true" does not alone make it interesting. Why does this truth matter? What does it mean? What is the purpose of the tale? Perhaps Joan was rushed by publishers. I'm nearly certain that if she had waited a few years before finishing and publishing a memoir about her astonishing experiences with death and loss, The Year of Magical Thinking would be an entirely different (and better) book.

5 comments about Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure.

1. I enjoyed this book more than I thought I would, and I loaned it to my daughter's 8th Grade English teacher who promptly assigned the entire class to write their own 6-word memoirs. It's fun to write a few of your own, and you could also apply the 6-word description to a vacation or other event. My memoir? Life improves with age and experience.



2. In November 2006, Smith Magazine challenged readers to write their memoirs in six words--no more, no less. One thousand of the submissions are printed here, with more to be found on their website. Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure is not an easy book to review, so don't think of this as an actual review; think of it a challenge. Here is a sampling of six-word memoirs from the book to provide inspiration.
   
   Some writers tell their stories with humor and self-deprecation:
   
   >> Woman Seeks Men--High Pain Threshold.
   >> My first concert: Zappa. Explains everything.
   >> Aging late bloomer yearns for do-over.
   
   As you would expect, there are many bitter or bittersweet references to relationships gone bad:
   
   >> Girlfriend is pregnant, my husband said.
   >> Just in: boyfriend's gay. Merry Christmas.
   >> Let's just be friends, she said.
   
   Some lucky people sent memoirs that radiate contentment.
   
   >> Alone at home, cat on lap.
   >> Hope my obituary spells "debonair" correctly.
   >> Wasn't born a redhead; fixed that.
   
   There is the contingent who describe themselves without judgment:
   
   >> Gave commencement address, became sex columnist.
   >> Mormon economist marries feminist. Worlds collide.
   >> Still lost on road less traveled.
   
   And last but not least, the philosophers who distill life experience into a greater truth:
   
   >> Palindromic novels fall apart halfway through.
   >> Cheese is the essence of life.
   >> Wandering imagination opens doors to paradise.
   
   We're all busy people, each with a story to tell. C'mon, what's yours?
   
   Linda Bulger, 2008



3. I am a writer myself, when I get a moment I grab this book. I read a few six word memoirs, get a few chuckles and I can put it down without worrying if I'll forget what I was reading. It's perfect for a flight or
   when you have some time for yourself.



4. As with MOST of the books and a lot of the music I purchase, I "heard it on NPR!" I mean, really!! Listening to the awesome interviews of authors and musicians discussing their work is the very best way to find out about them. I presented a copy of the Memoir book to each of several friends at dinner recently, and they immediately responded EXACTLY the way I expected and hoped -- they started reading aloud as they paged through the book. My moment was complete!! I, of course, have a copy for myself and plan to continue to enjoy it. The other reaction that folks have is to try to write their OWN six-word memoirs. Really great idea!!! Kudos to those who compiled the book!!



5. The book was great; everything as described by Michael Smerconish. The work shows how much can be said in so few words. I am enjoying the book.

5 comments about Gift from the Sea: 50th Anniversary Edition.

1. This is a very touching book and it brings up many feelings that I needed to get in touch with. I would highly recommend it.



2. I have never been a big fan of books on CD. This changed with Gift from the Sea with the forward by Reeve Lindbergh and beautifully read by Claudette Colbert. This is a beautifully written and recorded book. I keep it in my car and play it quite often. I have orderered additional copies to share with friends. It is indeed as relevant today as it was fifty years ago and probably even more pertinent in today's fast paced world where we fail to slow down give ourselves alone time to comtemplate our lives. Reeve Lindbergh's forward about her mother was a lovely bonus. Although I have not read any of her children's books, I have read everything else she has written that I can find and encourage anyone who has not read her books to check her out on [...].



3. This book came very highly recommended by two friends who are avid book readers. However I hate to admit that the book did not move me as much as my friends claimed that it moved them. I was more interested about the background references to the author's personal life and how the book came into being. That I would have read voraciously. The book is short but I don't intend to read it again to see what I missed. I believe a book either moves you or it doesn't. This particular book despite other rave reviews did not move me despite my great affinity for the sea and women writers. I wonder if perhaps if the book would have touched me differently if I read it in the beach rather than on a plane which I did.



4. What timeless wisdom there is in this little book. Although it was written many decades ago, the challenges and issues faced by Anne Morrow Lindbergh are the same ones faced by women in today's crazy, bustling world. In fact, although women in Siberia, Cameroon, or Ceylon might not have her specific set of circumstances, they can still identify with Lindbergh's ponderings about a woman's life, her obligations, her relationships, and her needs. She lived in an upscale suburb of Connecticut and was the mother of five children, and yet there's something in her writing that can touch the souls of women everywhere whether in a grass hut or trailer beside a busy highway
   
   The chapters in Gift from the Sea center on Lindbergh's musings during a two-week vacation at the shore. Leaving husband, children, and house behind, she lives in a bare beach cabin without heat, telephone, plumbing, hot water, rugs, or curtains. She finds simplicity beautiful and longs to take it home to Connecticut when her vacation ends.
   
   Lindbergh takes a shell at a time and describes it in relation to other things in a woman's life. For instance, the moon shell reminds her that quiet time, solitude, contemplation, and "something of one's own" is needed. The double-sunrise represents the pure relationship found in early stages of friendship and marriage, and she reminds the reader that there is no permanent return to an old form of relationship since all are in the process of change. The oyster bed symbolizes the middle years of marriage and family, especially as the home itself grows and expands to accommodate the growing family.
   
   I first read this book when I was a young mother and could readily understand Lindbergh's comment that saints were so rarely married woman because of the distractions inherent in raising children and running a house. "Human relationships with their myriad pulls--woman's normal occupations in general run counter to creative life, or contemplative life, or saintly life." Now in midlife, I can better understand her affinity for all the shells as reminders that each cycle of the wave, the tide, and the relationship is valid.



5. Listed as a 'summer read' in a local magazine list - I hadn't heard of this book. I picked it up and finished it from one afternoon into the next morning. And -- there was nothing surprising or new to be found here in the book - the pace at which its written and the uncomplicated natural way Lindbergh examines her life and her impressions of life's stages will have me passing this book on to many people in my life.

5 comments about Murder of a Medici Princess.

1. Isabella de' Medici (1542-1576) sparkled among the glittering ruling family of Florence, but she was tragically snuffed out in the prime of her life. In a further injustice, her brother Francesco, the Grand Duke of Tuscany, tried to erase her from memory, an injustice that Caroline Murphy has done an admirable job of rectifying in this fascinating biography of Isabella.
   
   Isabella was the third child of Cosimo I de' Medici, Duke of Florence (second cousin of Catherine de' Medici, the Queen of France) and Eleonora di Toledo (of Spanish nobility). The Duke and Duchess enjoyed a very happy marriage, and Isabella had a happy childhood and particularly an excellent education. In 1558 it was arranged for her to marry Paolo Giordano Orsini, a degenerate profligate from a prominent Roman family. He was created Duke of Bracciano on account of his Medici connections, but Isabella visited his castle only briefly. She opted instead to stay in her beloved Florence, where she lived a luxurious, celebrated life independent of her husband in Rome. (She had an affair, and he had many.) Her independence was possible because of her husband's indebtedness to her father and her father's influence--he was soon elevated to Grand Duke of Tuscany.
   
   After Cosimo's death, his eldest son Francesco became the new Grand Duke and was much less sympathetic to Isabella. He reneged on Cosimo's promise to provide for Isabella's two children (Paolo was busy spending his children's inheritance in Rome), so Isabella stayed in Florence to negotiate the children's affairs. Paolo started asking her to join him in Rome, but she used the negotiations as well as her health as an excuse to refuse. Eventually matters came to a head when Francesco banished Isabella's lover and Paolo went to Florence ostensibly to take Isabella on a hunting trip. Instead, Isabella was cruelly murdered by her husband and a henchman, apparently with Francesco's approval. Her cousin/sister-in-law was similarly killed at this time for the same reason: the Medici family honor. Murphy points out that Francesco sanctioned these honor killings to punish female adultery even though he let much graver crimes go unpunished in Florence--and even though he humiliated his Habsburg wife by keeping his mistress as practically a rival duchess. This is all in sharp contrast to his father Cosimo's having upheld law and order in the city and allowed loose (but not humiliating) morals at court.
   
   Like other powerful and independent Renaissance women--Veronica Franco and Mary Queen of Scots spring to mind--Isabella was both a product and a victim of her time. She enjoyed a degree of autonomy that was rare until the 20th century, and she perished under a medieval system that subjugated women. ("Honor" was an admitted legal defense in Italy until 1981!)
   
   Murphy tells this compelling story well--her writing is fluid if occasionally choppy, and the main characters come to life in the context of local and European politics. I recommend this book to anyone interested in the Medici family or the lives of Renaissance women.



2. This is the fascinating true story of Isabella de Medici, the spunky socialite of Renaissance Florence. She seems like the type of girl you'd want as a friend--independent, interested in the arts, and quite a flirt. The writing is very fluid--you cheer as Isabella runs the show and gasp at her husband's bold violence.



3. At first, I scoffed at the title, thinking that this might be a work of fiction, and a real potboiler at that. And to be honest, despite my fondness for historical novels, nearly every other novel set in the sixteenth century seemed lately to be centered on either Tudor England or Renaissance Italy -- and both of them done to death.
   
   But in spite of my misgivings, this turned out to be a stunning read. Caroline Murphy, author of a previous book on women and politics, has continued her stories of women who played an influental role in the backgrounds of Italian history. This time, the focus is on the city of Florence and the powerful Medici family.
   
   Begining with the fall of the Medici, the book focuses on a member of the junior branch of the family who brought the glory back to Florence. Cosimo de' Medici was a consummate politican and manipulator, but also a fervid patron of the arts and architecture. With his wife, the beautiful Eleonora di Toledo (who was known as La Fecundissima) they had eleven children, many of them sons, but Cosimo's favourite was his daughter Isabella.
   
   A middle child in a huge brood of offspring, she was closest to her brother, Giovanni, and they could be found together constantly, playing games and partnering each other in dancing lessons. Several paintings survive of the princess, a lovely dark haired child with expressive eyes and nearly a smirk on her lips as she surveys the world before her. Clearly she is her father's darling, and knows it. When it came time for her to marry, her father brokered a deal with the Orsini family, based in Rome, and a wedding to Paolo Giordano d'Orsini, a young man with an itch for power and money, and seemingly in love and adoration with Isabella to judge from his letters.
   
   But Cosimo slipped a small clause into the wedding contract -- Isabella would only accompany her husband to his home in Rome if she wanted to. It was a curious condition to the marriage, especially in a time where women were considered to be not much more than two legged birthing machines and subject to abuse and violence from their spouses. For a time, all went well between the couple -- Paolo was off working for advanage of both the Medici and the Orsini, with Cosimo supplying plenty of money for his spendthrift son, and keeping his daughter by his side. He indulged her as best he could, supplying her with the trappings of the high life in the artistic capital of the world.
   
   Isabella created a world of poets and music, sending a steady supply of letters to her husband, letters that were filled with assurances of her love and devotion. But read between the lines, and something else emerges. There's a sly quality to the letters, something that bothers the reader, and if read carefully enough, it becomes clear that Isabella doesn't care very much for her absent husband, and is determined to live her life as she chooses. Even if that means having a lover or two.
   
   The story takes on a much darker tone as it progresses. Her beloved brother, Giovanni, dies of malaria along with another brother and their mother, word comes of Paolo's affairs with various prostitutes in Rome, and Isabella's own growing irritation of her husband. And when Cosimo dies, Isabella tries to keep her glittering fantasy of a life going, but it might already be too late...
   
   This is a tale that is not for the squeamish, as Murphy doesn't hold back on the lives, and especially the deaths, of various members of the Medici family, and also of more ordinary folks. The book is filled with details about daily living, clothing, food, the art of spectacle, and the role of servants and those unseen. What I found very interesting was that the book shifts the focus to women, who usually get shoved to the background of most history. And the subject of the book, Isabella de' Medici, I had never heard of before.
   
   I happily recommend this book for anyone interested in Renaissance Florence, especially for life after the heyday of Lorenzo di Medici. Caroline Murphy has created a story full of life here, creating a woman that is very vivid and aware. The use of family letters is very effective, giving insights into how their minds works, their hopes and moving them beyond the surviving images that have come down through the centuries.
   
   Along with the story, the book is full of black and white drawings taken from the time, which give little snapshots of the world that the Medici moved in. A map of Florence at the time give a sense of place. A genealogical chart sorts out the many branches of the Medici family, and helps to keep everyone straight. Along with the illustrations in the text, there is a gorgeous collection of colour plates, with several paintings of Isabella along with the other players in the story. An extensive bibliography gives enticing suggestions for further research, along with footnotes and an index.
   
   I suspect that this is a book that is going to hit one of my top-ten book lists for 2008. It is a stunning story that breathes new life into what I had thought was a stale topic, and has renewed my interest in Renaissance life and culture.
   
   Caroline Murphy has also written The Pope's Daughter, which does have a tie-in to this story, as Paolo is the grandson of Felice della Rovere, another woman of the Renaissance who was able to hold her own and more in what was very much a man's world.
   
   Five stars overall.



4. I knew very little of this family and this book is easy to read, easy to follow and yet, it was FILLED with history and facst. WONDERFULLY written!



5. Caroline Murphy's new book is another "must have" for lovers of remarkable lesser-known royal stories. One is taken into the extraordinarily "ahead-of-her-time" life of Isabella de Medici, a Renaissance princess and daughter of the first Grand Duke of Tuscany. A thoroughly gifted, cultured and independent individual with an interesting personality that still resonates after 500 years, Isabella was unique among female royal women of the time in her ability to live her life on her own terms, even as a married woman, which truly defied all convention. From the title, obviously things do not go well in the end, and with recent tomb excavations mentioned in passing at the end, the full extent of murderousness in this generation of the Medici is only nowadays fully coming to light. If you think your family is dysfunctional, you will feel as though you grew up in the very bosom of normality after learning what eventually happened within this once-upon-a-time "big happy family."

5 comments about Bright Lights, Big Ass: A Self-Indulgent, Surly, Ex-Sorority Girl's Guide to Why it Often Sucks in the City, or Who are These Idiots and Why Do They All Live Next Door to Me?.

1. As always Jen had me laughing out loud! So much so, the tears from laughing cause me to not be able to continue reading!! I look forward to reading more from her ............ I can totallt relate to her on a million levels!!!



2. This is another hilarious novel by Lancaster! I loved her first one and this one did not disappoint as well! I laughed out loud so many times, even when I brought the book to Jury Duty! Jennifer Lancaster sure knows how to bring a smile to your face. I most definitely recommend this one and I can't wait to get started on her third, Such a Pretty Fat. She is witty, straight-forward, and tells it like it is, but you love her anyway!



3. Okay, i know i shouldn't let my political views impede on my book selection. i have close friends who are republicans. i fear my husband is a closeted one. And I enjoyed her last book. But, i felt a frisson of alarm when she mentioned having Fox news on all the time and ripping down an anti-Bush poster. When she wrote about reading an Ann Coulter book, i felt repusled and could not get past it. She would write something funny and i'd think, "but she reads ann coulter!" For whatever reason, that greatly diminished my reading and enjoying the book and will dissuade me from purchasing another.



4. Lancaster's first book was all about ironies...the loss of her job, the eventual demise of her bank account...the subsequent near-eviction out of a ghetto apartment, etc. This is what made her so endearing. This second book however, just gets on one's nerves. There are Jen's lists, the emails, the "footnotes" and of course, the chapter to contend with. All the while with sentences. that. end. up. written. like. this. Aaggh!! In Lancaster style, she. is. trying. way. too. hard.



5. Jen Lancaster is a fantastically funny author. She is sarcastic, and quick witted. She is able to laugh at herself (and practically eveyone she meets) - I throughly enjoy her writting, it's complete entertainment. So far, none of her books have disappointed me.

5 comments about The Complete Persepolis: Now a Major Motion Picture.

1. In the chapter "The Shabbat", set before she leaves for Austria in 1984, Marjane describes how Iraqi Scud missiles start raining down on Tehran, killing her Jewish childhood friend and neighbor, Neda. However, according to Jane's Intelligence Review and other sources, no missiles reached Tehran before Iraq's Al-Husayn missile programme in February 1988. Why would she lie about this?



2. Without harping too much on what has already been said about the political observations that Satrapi makes or her commentary on the limits faced by everyone (and most especially) women in Iran, the truly inspirational achievement of this work is how honest she can be about herself in the story. That with everything whirling around her, the fact that she can be honest about both the good and the bad of the relationships she'd been in, the despair both at home and abroad, the flickers of hope that she clung to during the darkest times and how (true to the reality of a hopeful young woman) the very worst thing that can happen is ultimately to let down yourself and to let down your loved ones is stark and amazing. The scene where she loses the trust and the good standing with her grand mother is heart-breaking and yet could happen to any teenage girl anywhere in the world. That it's depicted in basic drawings doesn't detract from the power of the moment in the least.
   
   And not that graphic novels these days have any trouble being seen as legitimate art, but Persepolis certainly puts a nail in the coffin of the arguments made by detractors.
   
   Trust this book for it's emotion, for it's personal honesty, for it's attempts to always find something good even under the most extreme circumstances. It is not a history book. It is a personal history book. And it is one that deserves applause.



3. I was surprised to find it was in comic strip format, but I enjoyed the lite reading.



4. This is my first Graphic Novel, but not my last. I loved the story and I felt that the book had a really nice flow. Marjane Satrapi as an exceptional story teller and has a very strong voice. I read this shortly after seeing the movie, and though I loved the movie, I felt that it left alot of important stuff out. The book really helped fill in some of the gaps, and you also got to see Satrapi's personality a bit more. I look forward to reading her other works. If you have never read a Graphic Novel, this is a great place to start.



5. I got this book as a gift. Honestly, I wasn't so sure at first. It is written like a comic book. But as I read it, I realized that it reads just like any book and that the comic pictures make it that much more interesting and unique. I learned a lot from this book, too. I would recommend it to anyone.