5 comments about Chuck Amuck: The Life and Times of an Animated Cartoonist.

1. Chuck Jones is one of the best known people in the animation business. He's been in the animation business for over 65 of his 88 years(as I write this review, he'll be 88 on the 12th of this month!).

   This book lists all of the cartoons he's been involved with (Warner Bros, MGM, Dr. Suess specials, and many others). Also, he talks about growing up, how real life inspired his cartoons, what it was like working in Warner Bros studio, pays tribute to partners Tex Avery, Friz Freleng, Mike Malthese, and Abe Levitow, and talks about other projects he's done (like his How to Draw From the Fun Side of Your Brain). And as the other reviewers have pointed out, there's an animated cartoon of the Roadrunner and the Coyote on the pages of this book.

   Since this book was originally published, he's produced one video in the 1990's (Chariots of Fur) and the historical and whimsical book Daffy for President (available through the US Postal Service).




2. Rather than an autobiography, this book is more a collection of musing from one of America's greatest storytellers (he just happened to tell his stories with pictures shown in rapid succession!) From his love of Mark Twain to his contempt at studio management, we see not how his life unfolded, but rather how Mr. Jones created his vision. Though there is no drawing instruction, I have to agree with the plethora of lists that this should be on the shelves of every animator, professional or aspiring, as it illuminates what goes into a great cartoon before penicl ever touches paper.



3. The world lost an animation genius recently with the death of Chuck Jones. Luckily, there is a book like this that celebrates the animation genius he was. Arguably, Jones was the father of some of the best Warner Brothers cartoons ever made, including "Duck Amuck," "Duck Dogers in the 24th and 1/2 Century," and my personal favorite "What's Opera Doc?" He also is responsible for giving us such great pieces of pop culture as the original "How the Grinch Stole Christmas."

   Part autobiography, part instruction, part tribute, this book shows us the man behind the screen, or should I say behind the pencil? We often wonder where a genius comes from - Chuck seems to say from anywhere. His mark on the development of the cartoon is undeniable, and monumental. But just as you cannot appreciate art fully until you know about the painter, so it is with Chuck's cartoons. I have a greater appreciation for the work that goes into developing these 8 minute masterpieces. Yes, it's true that Jones gave us some of the clunkers in the 60's as the Warner Brothers studio (and the MGM studio) animation division gasped what seemed to be its last breath. But it's all the more amazing that Chuck could produce such works given what little he had to work with. The world would be poorer were it not for the gives Chuck has given us, including Wile E. Coyote (super genius!),and the Road Runner, Pepe Le Pew, Marvin the Martian and many others. His style was distinctive, his contributions monumental and behind it all, he was a fascinating and talented man. This book stands as a tribute to this genius now that he's no longer with us.




4. Simply put, this is the best book ever written about Looney Tunes, and what it took to make them. Chuck shares entertaining behind the scenes info about the Termite Terrace and the people who worked there. Chuck say's that it was quite normal to see the animators look like they were going to wack each other with a mallet. Chuck also tells stories about those notorious poducers, Leon Schlesinger (whos lisp was used in Daffy voice) and Eddie Selzer. When Eddie said "I don't want any gags about bullfights, bullfights aren't funny!", Jones and Mike Maltise had something. Result: Bully For Bugs. When he said the same thing about camels to director Fritz Freleng, the result: Sahara Hare. Though Eddie is quoted as saying about Pepe Le Pew, "Nobody'd laugh at that s**t!", he happily accepted the Oscar for "For Scent-imental Reasons", a Pepe Le Pew cartoon. That (and many more) hilarous titbits are spread throughout this superb book, including high-quality backgrounds and scenes for "Duck Dodgers in the 24th and 1/2 Century" and many others. Also included are many drawings and many photos of the directors, animators and producers. The most illistruated and well thought out book about cartoons ever made.



5. tremendous text for classic bugs bunny enthusiasts. brings a new found appreciation for the masterminds behind the character development and the environment they "grew up" in.

5 comments about Washington: The Indispensable Man.

1. George Washington is known, of course, as the "father of our country"; that's not completely true, but what is true is that without Washington we might still be flying the Union Jack; he was "The Indespensable Man". He was a reticent, self-controlled, man who never let others get too close; this makes a biographer's task difficult, but it hasn't kept a LOT of people from trying. Washington may well have more published biographies than any man who ever lived; thus, we look hard at each new one, as if daring the author to justify his choice of subject. The volume here is James Thomas Flexner's abridgment of his own multi-volume work, and a wonderful offering it is.
   
   Part of the problem in a study of Washington is the immense wealth of available material; Washington was famous from his mid teens on, building a great military reputation at an age when Jefferson was still in school, and Patrick Henry was tending bar. The great Douglas Southall Freeman who wrote the definitive multi-volume biographies of both Washington and Lee commented on the differing problems; Washington was famous early; Robert E. Lee didn't "hit the big time" till he was 55, so a biographer has to hunt for the early material [again, this hasn't stopped a lot of folks from trying].
   
   Flexner has chosen to focus on the centrality of George Washington to the process of our becoming a nation...Washington was viewed as superior by his own contemporaries; their deference to him was as natural as breathing. Adams and Jefferson were better educated, many were better writers or public speakers [yes, yes, I know; Jefferson was a real thorn in his side...but that was later, and he still showed respect]. BUT, Washington had the limitless strength of character, the absolute refusal to quit no matter how bad things got [in 1776, they were pretty bad], without which we could not have won our freedom. It remained for Jefferson to think up, and write down, the ideas that make us work, but first, the battles had to be won......
   
   There are lies told about Washington, some important, some not...he never chopped down a cherry tree...he did not have wooden teeth [he had around nine sets over the years, mostly ivory, or animal teeth, spring hinged, set in a lead base...I've seen one set...hideous]...he was not without passion, he just controlled it well. Washington was not without faults; he was over ambitious, but always for the public good...he married Martha for her money...he was a lousy son to his Mother, but then Mary was a lousy mother, a real "Mommie Dearest"; still, George got his strength of character, and his horse riding ability, from her. The only real public blot I can find comes from the Presidential years....his lack of faith in Edmund Randolph.
   
   George Washington is tough for us to get a good handle on; alas, that was true for his contemporaries, too. The reasons that he is difficult to "figure out" are very different than those that Jefferson is, but still real. Everybody needs to read one good bio of Washington; this is a pretty good choice, easily readable, and readily available. Other good choices are Joseph Ellis' "His Excellency", Willard Sterne Randall, and Richard Harwell's one volume abridgment of Freeman's magnum opus [the full seven volumes are impossible to find at a decent price]. There are one volume versons of sets by Washington Irving and John Marshall, the latter abridgment done by Marshall himself. These are pretty much for people like me, and are only available thru specialized venues like Mount Vernon, or The John Marshall House. [both authors met Washington, though Irving was only seven; neither mentions Sally Fairfax...] If you want to read them all, go for it; if you only want one, try this.....



2. This just isn't sufficiently accurate nor well-written given its hype and other ratings here. One example is at page 13, where Flexner describes young Washington's trip to a French fort at the confluence of French Creek with the Monongahela ("now Franklin, Pennsylvania"). The problem is that French Creek flows into the Allegheny, not the Monongahela.
   Another problem occurs when he describes (p. 24) how Washington accompanied General Braddock at the disastrous defeat at Turtle Creek in July 1755. Of course, Washington was 23 in July 1755, having been born in February 22 (Feb 11 by the old calendar), 1732. In the next chapter, he describes how after Braddock's defeat the British Army left Virginia defenseless, so the Virginia Assembly created its own army, and Washington "now twenty-two" was elected colonel (page 28).
   In an early battle of the Revolutionary War he describes how Washington held a strong position at White Plains, NY, but was outflanked and decided to move to higher hills near New Castle. Although New Castle, NY and North Castle, NY are close geographically, the hills in question are in North Castle.
   The book is also written in an annoying manner, using words (not quoted) like "unwisdom" and "plaguey." The writing seems at the level of a sophomore term paper. There have to be better one-volume biographies.



3. As a student for some reason I have never been able to focus on the founding fathers. I have read an assortment of biographies of Revolutionary-era politicians and military leaders and always emerge with only the faintest understanding of who these men were and what the different issues were being debated in the 1780's and 1790's. This book is the first one I've read from this period that really held my attention. Too bad I didn't have it on hand when I took my first class in American history but perhaps it might come in handy somewhere down the educational road.



4. This book is a "distillation" of the author's award winning four-volume biography of Washington. "The extreme reduction of scale - to about one fifth - dictated that, if the shorter work were to have its own integrity and literary effect, the material would have to be revisualized and rewritten. Except for the account of Washington's death, the text is almost altogether new." (viii)
   
   The literary style is excellent. The narrative, however, stays so close to Washington that the historical context of his life is often only hinted at, and at times left out entirely. The chapters are, in almost every case, less than ten pages long. The book reads, with exceptions, like a series of extended, well polished essays written from selected notes compiled for a longer work - which I suppose is exactly what it is.



5. This is an excellent book. It is well written and very informative. Not having read all of the single volume biographies of Washington, I cannot testify to its being the very best, but surly it must be one of the best. The book is Flexner's single volume abridgement of his four-volume biography. Being only one quarter the size of the complete work it cannot be as detailed, but it nonetheless provides a very coherent and compelling portrait. Perhaps the best accolade that I can give is that I now I want to know more and I am considering reading the complete Flexner series. As might be expected from the subtitle "The Indispensable Man" the book paints the most favorable picture possible and shows why Washington was indeed the "Indispensable Man". He was indispensable not only as the leader of the army but also as America's first president. His firm hand set many of the precedents that shaped the office of president.
   
   While Washington is shown in the most favorable light the same cannot be said of Jefferson and Hamilton. Both (but mostly Jefferson) are shown to be more loyal to their party (the Federalists in the case of Hamilton and the Republicans in the case of Jefferson) than to Washington. Confidences were betrayed, especially by Jefferson. If there was a villain in this story it was Jefferson, who is painted as one who was willing to bring on war with Britain in order to support France and to further his vision of an agrarian America.
   
   One word of caution - this book is not a military history of the American Revolution, or of the detailed causes of the revolution, the writing of the constitution or the complete history of Washington's presidency. All of these things are covered, but not in the detail provided in books devoted specifically to these subjects.

No comments about The Autobiography of Benjamin Franklin.

5 comments about Doc Holliday: The Life and Legend.

1. Excellent research by the author , considering the lack of documented historical records.He certainly captured the spirit of lawlessness that prevailed at the time.



2. This book arrived on time, and was in as good of condtion as promised..if not better.



3. I was given this book as a gift. I enjoyed the movie Tombstone back when I was in college, and Doc Holliday certainly is a colorful Western outlaw. So I was really looking forward to reading this book to get the facts behind the legend. While I think the author did an admirable job researching the book, I felt his text was too dry much of the time. I couldn't understand how an author could take an exciting outlaw who interacted with so many famous characters and write out the story in a way that made me picture a monotone college professor speaking. Back in the 1990s I read John Myers Myers biography of Doc Holliday and I remember enjoying it much more. Maybe it wasn't as well researched or documented, but it was definitely more lively.



4. This is a truly masterful work. I bought it as I was interested in Holliday and the development of the West. What I found was an historical book with much about the society, economics and culture of the mid-19th Century South, as well as the rapid migration to the central and Southwest. Facinating and exceedingly entertaining and informative.



5. Doc Holliday books always suffer from the well-known fact that Doc left absolutely no written record of his own. He is, as has been noted, known only through the eyes of others. Some of his contemporaries, like Bat Masterson, are probably accurate in their appraisals. However we can never know much more about Doc himself unless something that he wrote shows up. And, it probably never will. The letters from him to his cousin are probably all gone. So we are left with a bunch of facts that we can rearrange and interpret all we want, without any guarantee that we are any closer to the truth. The author of this latest book does a good job of arranging and stacking what is known about Doc, and does a nice job of interpretation. I liked his ideas about Doc's gravesite, but wonder about the pictures...a couple of them don't seem to be of Doc (are they generally accepted to be, or not?). The author also does a nice job of questioning, appropriately, some truths that have been more or less accepted with little proof over the years (like Doc riding alone across the High Plains). A final comment: this book is dry, but is written in such a way that readers can make their own interpretations about Doc and his motivations, character, etc. Overall, a good, worthy addition to the Doc library; unless something new is discovered, this book will give you everything there is to know about Doc Holliday.

No comments about Harry S. Truman: The American Presidents Series: The 33rd President, 1945-1953 (The American Presidents Series:).

5 comments about Land of Lincoln: Adventures in Abe's America.

1. "Land of Lincoln", by Weekly Standard staff writer Andrew Ferguson, is about Abraham Lincoln in contemporary America. Ferguson visits and talks with everything from a meeting of Lincoln-haters, to the new Lincoln Library in Springfield, Illinois, to a convention for Lincoln impersonators, presenting each with a lightly humorous touch. As a native Chicagoan, I particularly enjoyed Ferguson's reminiscences about time spent at the Chicago Historical Society (I loved the displays too); and his historical chapters, when he describes Herndon, Lincoln's former law partner and by far the most important source of information on Lincoln's life, and the great journalist Ida Tarbell (the scourge of John D. Rockefeller). Like Abe, Ferguson writes "with malice toward none, with charity toward all", in a book that I found humorous, informative, and thoughtful: a lovely meditation on Lincoln and on the America that he has so profoundly influenced.



2. While Tony Horwitz turns his attention to other subjects, this will serve as a classic followup to Confederates in the Attic: Dispatches from the Unfinished Civil War.
   
   This short history of our images of Lincoln is written with humor and casual style, and merits its "classic" rating by Ferguson's brief concluding remarks that frame Lincoln's role perfectly. I won't spoil it.



3. This is a really enjoyable and insightul look at how Lincoln has become a commercial product and how the greatest American president has morphed over time in the American psyche. While the tone of the book is mostly light and playful, the final chapter on the commemoration of the Lincoln monument left a tear in my eye, and, because of the preceding chapters, I didn't see it coming! Ultimately, the author reminds us of the true meaing of Lincoln's contributions to our history, and why he matters so much. I can not think of anything I did not like about this book, and I'm almost inclined to give it five stars, but it does not quite have that heft. In any case, I recommend it highly.



4. Where's Lincoln to be found these days? What shape is he in? What difference does it make? Andrew Ferguson's dormant interest and affection for the great man was shaken awake when the Richmond Sons of Confederate Soldiers went into public opposition of a new Lincoln statue to be unveiled. Sure, Richmond had been the Confederate capital, but how could anybody be against that in 2007? He set off to find out, and the resulting travelogue makes for one of the most interesting, enlightening and hilarious Lincoln reads in years.
   
   There must be 100 portraits in here of all species of Lincoln people. Lincoln lovers, Lincoln haters, Lincoln cynics, Lincoln imitators, collectors, docents, committee people, statue people, and so on. The variety is no surprise. Lincoln was the quintessential American, and, love him or hate him, his story is forever bound up in the meaning of America. If the story of America is human nature set free, one can hardly wonder 140+ years after his death that many in this commercial republic would come to see Lincoln as brand name, as franchise, as business guru, as kitsch-slinger, and as reflection of ordinary screwballs who fancy that Lincoln was as common as they. Ferguson's character vignettes of these various Lincoln (and Mary) people are sometimes as short as a single sentence, but they're often laugh out loud funny. It seems the more attenuated a particular Lincoln purveyor's connection was to the real thing, the funnier--and more rapier-like was Ferguson's description. Ferguson was more than an honest Seeker here.:)
   
   So, is there any real Lincoln left? Is he more than an eBay heading or a Disneyfied wax figure or another good reason for a sale? Ferguson had to search hard, but I think he found that the tablets are being handed down. Maybe in bits and pieces, and probably to fewer than before. And to whom, that can be surprising... two of the most endearing subjects in the book, the two who seemed to "get" Lincoln the most, were foreign born. One was a Thai couple who discerned that Lincoln was America's great man (and Jewish, to boot), and who honored him by setting out a fresh porkless meal daily in their restaurant in an Arab neighborhood in Chicago. And the other was a very old Czechoslovakian man on death's doorstep who travelled all the way to Springfield to honor Lincoln at his burial shrine. One supposes, though, that even the Lincoln jugglers and the clowns are somehow a little better off for the association. And isn't that something? That despite being chopped, sliced, diced, scrambled and pressed into a thousand understandings and uses, Lincoln still makes the world a better place?
   
   Underneath the humor, this is a serious Lincoln book and a trenchant commentary on America's understanding of itself. I'll read it again, and I hope it gets a prize.



5. This is a fun to book to read. Beyond that, it's hard to describe just what it is - part history, part travelogue, part research essay, part meditation. But it is this breezy back and forth that gives the book its strength. Ferguson's writing style is loose, anecdotal, engaging,and graceful. (His chapters on travelling with his teenage children will ring especially true to any history buff who has bribed their children to too many historical sights.) Think along the lines of Bill Bryson.
   
   An easy recommend.

5 comments about A Slave No More: Two Men Who Escaped to Freedom, Including Their Own Narratives of Emancipation.

1. There have been many books about slavery and the brutality of the life that so many people had to endure. Much of this has been documented by authors and historians, and told about in history books and fiction alike. Part of this record includes the slave narratives, first person accounts, written by slaves themselves, that detail their hardships and trials, and most of them, recounting their path to freedom. David Blight has two such narratives in his new, and frankly, phenomenal new book: A Slave No More: Two Men Who Escaped to Freedom, Including Their Own Narratives of Emancipation. This is a book for your shelf.
   
   Blight starts the book with a brief review of the history of slave narratives, the distinct differences between pre and post-emancipation narratives, and how these two remarkable narratives fell into his possession, both within six months of each other. He then retells their own lives, giving background and general information (including some from other slave narratives) to make the two men's accounts more whole.
   
   The rest of the book is the actual narratives of both John Washington and Wallace Turnage. And what a powerhouse of writing both of these narratives are. Both men, finding their path to freedom during the Civil War, both with help from the Union army. But each man found his path to freedom in his own unique way, and both accounts are riveting memoirs of using wits, guts, and determination to ensure their survival.
   
   It's so personal to read these. You get a sense of the men behind the words, it's almost like you are eavesdropping on a grandfather recounting his younger days to a granddaughter. The narratives are edited by Blight, but he largely seems to keep a hands-off attitude with both of them, leaving the reader the chance to experience the author first hand. You leave the narratives painfully wanting more ... even though Blight has provided more.
   
   These narratives paint a picture of true American heroes. Men who lasted, despite incredible odds against them, to live and thrive beyond the situations they found themselves in. When Washington gets to live, as a freed man, in the same house in which he served as a slave, the sense of triumph is palpable, even though Washington is not gloating one bit. Much has been said about the brave soliders that lived and died for the American cause. These two men exemplify that to the fullest.
   
   I finished this book with a sense of awe and wonder with these two men, and a desire to want more. This book is a true piece of scholarship, adding to the growing richness of slave narratives. Hopefully, as time progresses, we will unearth more views of this time long past, to remember and appreciate once again.
   
   A true five star book!



2. History buffs in general will find "A Slave No More" a highly valuable read. For students of American history, and particularly for those who are interested in the Civil War and Reconstruction period, this book is must reading. There are not many first-person accounts by former slaves available to us. This volume contains two such narratives, hitherto unpublished: one is by Wallace Turnage and the other is by John Washington, both former slaves who found their way to freedom during the Civil War. David Blight presents them here in their original form "with virtually no changes to the grammar and spelling," although he has done some minor editing in their structure (primarily providing paragraph breaks) to assist in reading.
   
   The reader is not, however, immediately thrust into the narratives themselves. Blight spends the first 162 pages introducing us to the two writers, using genealogical data, and to the context in which the narratives were written. Turnage's and Washington's escape to freedom occurred during the chaos of this nation's most bloody war (over 600,000 casualties) and amidst a political and cultural conflict (state's rights and slavery) which had been ripping the country apart for many decades. It is, I think, essential to understand the plight of the Black slave on a personal level, to understand what it means to be someone else's "property," completely and totally subject to someone else's will, to recognize and accept that slaves were not thought to be fully "human." Blight does an outstanding job of providing the necessary background for the narratives.
   
   I recommend this book to all readers who love the study of history. It is a valuable contribution to the genre.



3. The book provides an in depth look at the lives of two black men who were determined to escape slavery. The book also reveals the hopelessness experienced by slaves in their daily lives. It also exposed the cruelty of slave owners, who were considered in all other respects to be genteel and upstanding citizens in their community.



4. This book makes the Civil War period and slavery come alive, partly through the real voices of 2 emancipated slaves, and partly through the consumate writing skill of the author. The level is just right: carefully documented sources (endnotes) that authenticate the story, plus a wonderfully accessible writing style that is clear, never boring, and quietly compassionate. This is an engaging book I recommend even to those having only a casual interest in history.



5. Recently two new important African-American slave narratives have come to light, published here along with scholarly commentary for the first time. They are considered significant by historians because they support a theory that slaves played a role in bringing about their own freedom. Traditionally slavery is thought to have ended with Lincoln's Emancipation Proclamation - Lincoln freed the slaves, we are taught in school. However, is it possible that the slaves themselves played a role in their own freedom, that their own actions, conscious or not, helped bring about Emancipation? This is what today many historians contend, and these two narratives support that view. "For most slaves", Blight says, "freedom did not come on a particular day; it evolved by process." It was the process of waves of slaves escaping into Union lines as the war moved south, often forming shanty towns of "contrabands" (as the Union called escaped slaves, they were initially classified by the north as property). Eventually something had to be done about the"contraband" and Lincoln signed some limited laws that gave them freedom, which eventually morphed into the Emancipation Proclamation. But it was the slaves desire for freedom, willing to risk life by escaping, that forced the issue of Emancipation. Further, many of these freed slaves then took up arms and joined the Union army. It is estimated over 700,000 of the nearly 4 million slaves found freedom through this "process", the remaining 3.3 million achieving freedom with the 13th Amendment.
   
   Whatever the historical debates, these narratives are interesting and even thrilling. Although not as well written as Frederick Douglass, in many ways the adventures of these young men are more real and tangible - as private documents they were not written to be published, not filtered through an editor. They were meant for friends and family and thus have a rough, raw real edge to them.
   
   David Blight has done a great service to historians and the public by both publishing the original sources and summarizing and expanding on them. Each of the two narratives has a corresponding chapter that re-creates the narrative in more detail and clarity for the modern reader. In addition there are two chapters that examine what happened to the men after the war including some fascinating pictures. No two slave narratives are alike and these will surely not disappoint as important historical case examples and thrilling stories. America has two new unsung heroes representative of 100s of thousands who sought and found their own freedom.

5 comments about Under a Wing: A Memoir.

1. There can be no doubt that Reeve Lindbergh's memoir is the most touching book about that family that I have read. Through her eyes we go beyond the covers of other books and see what it really meant to be a Lindbergh.

   They were almost a closed society onto themselves, yet they still experienced the same joys and sorrows as the rest of us. We find the man who was depised as an isolationist to be a concerned and loving father who read to his children.

   We dine with the children at their grandmother's house and we soar above the Connecticut house on Saturdays. The famed aviator at the controls and a bored child in the rear seat.

   After reading this book I felt very attached to this famous family. Being the same age as Reeve herself, my only knowledge of the Lindbergh's was the famous flight and the kidnapping as I read in history books. Now, after this book, I feel as though I have become part of them.

   It can only be summed up in one word, wonderful.




2. Reeve Lindbergh tells stories that we want to hear about everyday life with her famous, complicated father and her intelligent, artistic mother. Reeve's delicate, precise prose is reminiscent of her mother's style of writing. A reviewer said of Anne Lindbergh that she "combed" her life for meaning and the daughter seems tuned into that same compulsion. It helps that she writes with as much insight as did her mother. The passage that describes the hours mother and daughter spent together after the death of Reeve's child is heartbreakingly revealing of the private Anne and her anguish after the kidnapping and death of her own child. Reeve's reminiscences of flying with her father (she was not an enthusiast) and her longing for her enigmatic father are poignant. She does not avoid discussing Lindbergh's perceived anti-Semitism; she does not attempt to defend him but rather keeps her emphasis on the effect this controversy had (and has) on her connection with him. I challenge any daughter to read Reeve's account of her visit to her father's childhood home without weeping.



3. What I especially like about Reeve Lindbergh's memoir is its candid and utterly sincere tone. This is not a dusty historical treatise; it is a simple sharing of thoughts and experiences. The reader is drawn into the life of a young girl with remarkable and famous parents. We already had an idea of what it was like to live with Charles Lindbergh from the diaries of his wife, Anne Morrow. Now Reeve's book gives another view, helping to round out the picture. Along the way she presents us with snapshot images that offer glimpses into his character. Charles Lindbergh wasn't an easy man to understand; and if he is difficult for us adults to get a handle on, what was it like for his offspring? Reeve tells us in her straightforward and heartwarming manner. This book should be an essential part of any Lindbergh fan's library. I highly recommend it.
   
   Richard Salva--author of Soul Journey from Lincoln to Lindbergh [UNABRIDGED]



4. I really have enjoyed reading Reeve's memoir of her family. She has an amazing memory and can describe details of any past situation like it just happened minutes ago. I am always amazed by people who can do that (especially since I am not one of them). I come from a famous family too and enjoyed reading this book because I have always been fascinated at hearing about someone elses recollections of the past. Reeve's family experience isnt much different than my own family's and in some cases I laugh because some of the stories she has told (i.e. burping a fountain pen) is the same as my familys. My grandfather, who's stories are much the same as Charles Lindberg's, was also raised in Minnesota (St. Paul & Hallepin) so I was delighted to hear Reeve inform the reader of her father's recollections of this same period and place.
   
   Reeve writes her book in a way which makes you feel like your her best friend. She opens her soul to you and pours out all that makes her happy and sad. Although I am confident that this book will be considered one of the best memoirs of its time, I am sure that her family will be very glad she wrote it because she has unearthed the legends of her family's past and how it made them who they are. This is truly a great book...



5. Reeve Lindbergh gives a most interesting overview of her very famous parents - her father with his eccentric behavior - her mother with her focus on life through the eyes of a true poet. Her parents would be proud of her writing skills and her father would probably have given her rare praise for this particular book as well as her others. Kathleen Wyatt

3 comments about Eudora Welty : Stories, Essays & Memoir (Library of America, 102).

1. At the time of her death, Eudora Welty was widely regarded as America's single greatest living author. Although she produced several critically acclaimed novels, including the Pulitzer Prize-winning THE OPTIMIST'S DAUGHTER, Welty achieved her greatest fame through mastery of that most difficult of all literary forms, the short story.

   Welty's skill with short stories is amazing, for she possessed a talent that combined a remarkable ear for the spoken word, meticulous observation of physical world, and the truly mysterious ability to slip almost effortlessly into the very marrow of the characters she depicts. Her comic stories are perhaps best known to the public in general, but she is equally at home with provocative and unsettling material, and although her tales are most often firmly rooted in America's deep south they have a sense of humanity that transcends the limitations of purely regional literature.

   In addition to stories previously collected under the titles A CURTAIN OF GREEN, THE WIDE NET, THE GOLDEN APPLES, and THE BRIDE OF THE INNISFALLEN, this Library of America publication also includes the independently published stories "Where Is the Voice Coming From?" and "The Demonstrators," nine selected essays, and Welty's memoir ONE WRITER'S BEGINNINGS. A chronology of Welty's life up to 1996, textual notes, and general notes (including Katherine Anne Porter's introduction for A CURTAIN OF GREEN) are also included. This book (and its Library of America) companion, EUDORA WELTY: COMPLETE NOVELS) are essentials for any one who admires Welty's work and wishes to possess it in handy, collected form; those who have had limited exposure to Welty's work, however, might be better served by smaller collections.




2. "Listening," "Learning to See" and "Finding a Voice," Eudora Welty entitled the three chapters of her autobiography "One Writer's Beginnings," the concluding entry in this collection, one of the two Library of America compilations dedicated to her work. And while these may be steps that most writers will undergo at some point, Welty's compact autobiography is notable both because it allows a rare glimpse into the celebrated writer's otherwise fiercely protected private life and it illustrates the roots from which sprang such extraordinary protagonists as "The Ponder Heart"'s Edna Earle and Daniel Ponder, Miss Eckhart and the Morgana families in "The Golden Apples" and, of course, the anti-heroes of her Pulitzer Prize winning novel "The Optimist's Daughter," Judge McKelva, his second wife Fay and (most importantly) his daughter Laurel.

   A native and - with minimal exceptions - lifelong resident of Jackson, Mississippi, Welty received her first introduction to storytelling as a listener; and early on, learned to sharpen her ears not only to a story's contents but also to its narrator and its protagonists' individual nature: "[T]here [never was] a line read that I didn't hear," and "any room ... at any time of day, was there to read in, or to be read to," she notes in "One Writer's Beginnings," adding that the discovery that all those stories had been written by someone, not come into existence of their own, not only surprised but also severely disappointed her. Equally importantly, family visits to relatives brought out the born observer in her; each trip providing its own lessons and revelations, each a story onto itself - the seed from which later grew the literary creations collected in this compilation and its companion volume. At the same time, her father's interest in technology introduced her to photography as a means of capturing visual impressions, one moment at a time; and when traveling around Mississippi as an agent for a state agency (her first job) she learned to use that camera as "a hand-held auxiliary of wanting-to-know" and discovered that "to be able to capture transience, by being ready to click the shutter at the crucial moment, was [then] the greatest need I had" ("One Writer's Beginnings:" Not surprisingly, her photography was published in several collections which have found much acclaim of their own.)

   Thus, from early childhood on, Eudora Welty not only had a keen sense of the world around her but also, of words as such: of their existence as much as the interrelation between their sound, physical appearance and the things they stand for. Encouraged by her mother, a teacher, and over her father's worries (he considered fiction writing an occupation of dubitable financial promise and, worse, inferior to fact because it was "not true") Welty embarked on a writer's path which would lead her to award-winning heights and to a reputation as one of the South's finest writers, with as abounding as obvious comparisons to fellow Mississippian William Faulkner in particular; a literary debt she acknowledged when she wrote that "his work, though it can't increase in itself, increases us" and "[w]hat is written in the South from now on is going to be taken into account by Faulkner's work" ("Must the Novelist Crusade?", 1965). The Library of America dedicated two volumes to her work; one containing her novels, the other - this one - her short stories, essays (some, like her autobiography, based on a series of lectures) and her autobiography.

   An approach that Welty developed early on was to consider the publication of her stories in periodicals merely a step towards each story's final shape, and she generally revised her stories before including them in collections. This compilation brings together all her short stories in the versions intended to be final by Welty herself: the 1941 edition of "A Curtain of Green and Other Stories" (her first short story collection), the 1943 edition of "The Wide Net and Other Stories" and the 1949 edition of "The Golden Apples" - each collection suffered substantial editorial revisions in subsequent publications. Included are also two stand-alone short stories ("Where is This Voice Coming From?" and "The Demonstrators"), the first one inspired by the 1963 murder of Mississippi NAACP leader Medgar Evers and revised by Welty over the telephone after having been accepted by "The New Yorker," to avoid a potentially prejudicial effect of its original ending on the then-impending trial.

   A keen observer, Welty was also a writer endowed with a sharp sense of humor and satire, and with the gift to brilliantly use location, localisms, accents, patterns of speech and customs to make a point. Not a single word is wasted: "Marrying must have been some of his showing off - like man never married at all till *he* flung in," we're told about King MacLain in the opening story of "The Golden Apples," "Shower of Gold." And you don't have to learn anything more about the man, do you? Equally as instructive on Welty's writing are the eight essays included in this collection, all taken from the 1978 compilation "The Eye of the Story" and dealing with particular aspects of her own fiction as much as, more generally, with "Place in Fiction" (1954) and the fiction writer's role ("Writing and Analyzing a Story," originally published in 1955 under the title "How I Write" and substantially revised for its inclusion in "The Eye of the Story" and "Must the Novelist Crusade?").

   "There is no explanation outside fiction for what its writer is learning to do," Eudora Welty maintained in "Writing and Analyzing a Story;" explaining that each story references only the writer's vision at the moment of the creation of that story, and the creative process itself: nothing that can be "mapped and plotted" but a product taking shape in the process of creation itself, giving each story a unique identity of its own. And while her fiction, alas, can no longer grow any more than Faulkner's, she has left us enough of those unique creations to cherish for a long time to come.




3. Each new volume from The Library of America, the non-profit publisher that has become the de facto literary hall of fame, is a cause for celebration. Its goal of preserving in an enduring format the best fiction and non-fiction is a significant bulwark against the encroaching tides of cultural relativism that attempts to render any value judgments meaningless, as well as a consumer society that insists that if it ain't new, it ain't good.
   
   In the case of Eudora Welty, we're given two volumes: a collection of five novels ("The Robber Bridegroom," "Delta Wedding," "The Ponder Heart," "Losing Battles" and the Pulitzer-winning "The Optimist's Daughter"), and another of her essays, her memoir "One Writer's Beginnings" and her short stories. From her first published short stories, "Lily Daw and the Three Ladies" in 1937, to her last novel in 1972, Welty captures with her highly readable style and sharp eye and ear the varieties and eccentricities of Southern life.
   
   But while the South claims Welty as one of its own, she may not necessarily return the favor. Teh cause is both geographic and a matter of choice. Although she was born in Jackson, Miss., in 1909 and lived there all her life, her father was from Ohio and her mother from West Virginia, a state created by the Civil War that went for the Union. This isn't Margaret Mitchell we're talking about here.
   
   Then, in her essay "Place in Fiction," she stresses that while it is important for a writer to capture the feeling of an area, it is not the paramount goal in fiction:
   
   "It is through place that we put out roots ... but where those roots reach toward ... is the deep and running vein, eternal and consistent and everywhere purely itself, that feeds and is fed by the human understanding."
   
   But what pedigree does not provide, her environment probably did, for her work contains those elements poularly associated with Southern fiction. "Delta Wedding" celebrates the Southern family through the sprawling Fairchild clan and its passel of sons, daughters, cousins, aunts, great-aunts, nieces and nephews, all involved in each others' lives to a degree rarely seen today.
   
   Many of her stories revolve around characters marginalized by society, struggling to exist and reach out to others: the simple Lily Daw who tries to evade the determination of the town's ladies to either marry her off or send her to the asylum; the generous, slightly retarded Daniel Ponder who would give away everything he has at the drop of a hat; the demented Clytie in "A Curtain of Green," who rushes about looking in people's faces until, seeing her reflection in a barrel of rainwater, dives in and drowns.
   
   Eudora Welty was a sharp, perceptive writer, and her enshrinement by the Library of America is most welcome.

5 comments about American Caesar: Douglas MacArthur 1880 - 1964.

1. This is perhaps the best biography of an American ever written. Manchester juxtaposes the good MacArthur (the military genius and patriotic family man) with the bad MacArthur (the megalomaniacal general whose lapse led to his entire air force being destoryed on the ground at Leyte; not even his wife called him "Douglas"). MacArthur is still one of the most polarizing figures in American history; I have spoken to WW2 and Korean veterans who either love him or hate him. This book is a study of greatness. No matter your opinion of MacArthur, one cannot deny the fact that he graduated from West Point with one of the highest averages ever, or how his post-war control of Japan shaped that nation's history. An excellent look into the life of an American Hero/Villain.



2. william manchester & his work are a national treasure. i picked this up after being blown away by manchester's 3-volume churchhill series.
   
   few historians can produce a work like this that's both painstakingly researched & scholarly and so well-written and absorbing. be it churchhill or maccarthur, manchester always takes the long view in terms of how his subject fits in the pantheon of great leaders.
   
   this volume about america's greatest general of the last century provides both a great history of the time period (wwi-korea) as well as a colorful & in-depth look at one of the great personalities of american history. as with churchhill, macarthur is complex, courageous, brilliant and flawed.



3. General Douglas MacArthur is one of the few military figures in American history who, even today, evokes heated partisan responses. The title of the headline for this piece clearly tells where this writer is on the partisan divide. The nickname "Dugout Doug" goes back to the days when after the Japanese invasion of the Philippines General MacArthur got himself out of harm's way, with a due fanfare, while his subordinates and the troops for the most part got left behind to face the brunt of the Japanese forces. It was not pretty. This story and many others are detailed in the late journalist William Manchester's biography of the general.
   
   The history of the United States has produced a few military figures who were flamboyant. It has also produced a fair number with some military skills. It is, however, unusual to have the two come together as they did in the self-advertised grandeur of MacArthur. Europe has had some familiarity with the `man on horse back'. One thinks of France, in particular. In America that notion, at least publicly, has not been presented by military leaders while in uniform. MacArthur was an exception. Manchester is not incorrect to see that if there were such a candidate for the role of Caesar (or its modern variant, Bonaparte) in the United States MacArthur by skill, élan and appetite fit the bill. That thread runs through the whole story line here.
   
   No one can question that MacArthur had exceptional military skill in both World Wars, especially his role in the Pacific in World War II. One, however, should note, and note carefully his role in dispersing the Bonus Army in Washington, D.C. in the early 1930's. That might provide a taste of what the American Caesar had in store if he ever took power. Furthermore, one should note that MacArthur was well out of his element when he faced essentially `unconventional' armies in Korea. Call it `limited warfare' if you will but he totally underestimated his North Korean and Chinese opposites in the age of new `warfare'. Later American generals faced, and are today facing, similar conditions. And making the same wrong estimation. That MacArthur's reputation has mainly survived his Korea debacle owes more to hubris, including his own, than reality. In any case, read this book to get a flavor of the old American Army and its most well known general.



4. I could not put the book down... Douglas MacArthur's life from beginning to end was so interesting... His life had meaning... Say anything you wish about his personality but his accomplishments during his life will never be out done... Well written book.. and well worth reading...



5. This superb biography examines the many sides to General Douglas MacArthur (1880-1964); superb commander in war and peace, vain malcontent, and megalomaniac. The author begins by examining his famous father`s service in the Civil War. Then we learn of MacArthur's upbringing and days at West Point (graduating first in his class in 1900), and his reckless bravery during World War I. As the author shows, MacArthur was a progressive-minded superintendent at West Point from 1919-1922, and chief of staff during the 1930's (where his aide was Major Eisenhower). Then we learn of his skilful island-hopping as commander of U.S. forces in the Pacific during World War II. My late uncle served in the Philippines and cursed MacArthur's name 50 years later, but Mac was talented and sparing of his soldier's lives. Ironically, his greatest success may have been as military governor of occupied Japan, where he helped implement democratic reforms. Then came his blundering command in Korea (1950-51) where he misread Chinese intentions and went over President Truman`s head - for which Truman rightly fired him. Mac had previously doubled-crossed President Hoover over the Bonus Army and made juvenile threats to President Roosevelt over retaking the Philippines. In his last years, he advised against action in Vietnam. As the author shows, a complex figure, talented but flawed.
   
   William Manchester (1922-2004) was a superbly readable historian, who used a nice mix of quotes, memos, messages, and family life to describe MacArthur. The result is a well-crafted, balanced account of a man the author probably disliked but admired. Readers should also consider the author`s other superb books, THE GLORY AND THE DREAM, ARMS OF KRUPP, etc.