5 comments about The Heart Has Reasons: Holocaust Rescuers and Their Stories of Courage.

1. Enhanced with an informative foreword by Christopher R. Browning, The Heart Has Reasons: Holocaust Rescuers And Their Stories Of Courage by folklorist and oral historian Mark Klempner is the account of how many valiant people worked at great personal peril through the Holocaust and Hitler's Reign to save Jewish children and others from being murdered in the Nazi death camps. Guiding readers through the epic and heroic tales of these Dutch rescuers, The Heart Has Reasons vividly recounts deeply terrifying efforts of ten gallantly individual experiences. Superbly presented and an important addition to the growing library of holocaust literature, The Heart Has Reasons is very highly recommended reading, especially for all historians and students of the Dutch involvement in World War II.



2. Mark Klempner is a masterful storyteller. Although 'storyteller' may make you think of fiction, this story is not fiction. Mark has poignantly shared interviews with Dutch resisters and rescuers in a way that won't let you stop thinking about them. He asks big questions and gives important answers about learning from the righteous and from history.



3. The dark cloud of disaster can't hide the brilliant light of joy and altruism in the human spirit. Somedays I don't turn on the news; it's too depressing to bear. But in this book, author Mark Klempner gazes unflinchingly at one of the blackest episodes in human history . . . and finds there hope and lessons for living.
   
   Klempner interviewed ten of the "Righteous Gentiles": people who risked all to save Jewish children from the Nazis. A folklorist and oral historian, Klempner lets his subjects take center stage and tell their stories in their own words. This is precious documentation of the experiences of a generation that is passing on.
   
   As counterpoint, Klempner relates the autobiographical saga of his own search for an ethical compass. This journey led him from the amoral canyons of the Los Angeles music scene to explore his Jewish immigrant roots in Europe. Klempner also includes historical and political essays that place the individual stories in the context of world events. The narratives are not homogenized into a smooth package. Think of these gems as displayed in their natural state, not cut and mounted so as to preserve the authenticity of the historical record.
   
   To sum up, this book contains:
   
   * Fascinating true stories, very accessible to the casual reader.
   
   * Primary source historical material, lovingly preserved.
   
   * Troubling questions about ethics, psychology and the meaning of life; pat answers not included.
   
   * Inspiration, and proof that in the face of the most horrifying threats imaginable, some people will step forth and risk all to do the right thing.



4. As those who celebrated the construction of the World War II Memorial in Washington, D.C. worked hard to make clear, we are reaching an important point in the history of the world - there will soon be no survivors of the World War II period left alive. The commentary on the presidential elections in France mentioned that this is the first set of candidates for the high office with no experience of the war. This same situation is true for those who experienced the Holocaust, in its various dimensions - there will soon be no one left alive to tell the story directly. In a world where Holocaust denial ebbs and flows, this becomes a problem. Projects such as Mark Klempner's `The Heart Has Reasons' are truly important, in helping to keep alive the memory of those who had direct experience.
   
   Most people in the Western world are familiar with the Diary of Anne Frank, but fewer are aware that there were many stories of heroism among the Dutch during the war. However, the overall survival rate of Jews in Holland was among the lowest in occupied Western Europe. There were people who helped hide and shelter Jewish people, at tremendous risk to their own lives. `Those who decided to help Jews in Holland had to be willing to disobey the Nazi measures and resist the Nazi machinations to relegate Jews to subhuman status. They had to cross the line from being law-abiding citizens to enemies of the state. They had to act from the heart, come what may.' This book is about ten different people who took it upon themselves to come between the Nazi efforts and those who would be victims.
   
   Mark Klempner is listed in the credits as a folklorist and oral historian. Given that narrative theology is a particular interest of mine, his background and method of development fits with my own ideas of how to develop history into a memorable and lasting element of culture. It was also an important development for Klempner. The final paragraph of his introductory piece speaks to this: `Spending time with the rescuers was, for me, a transforming experience. They welcomed me into their homes as though I were someone special - a characteristic inversion - and showered me with hospitality and kindness. I soon was looking at them not only as people who had made history, but also as people who could teach me a different way to live. I've come to think of them as radiant specks around the black hole of the Holocaust, and they've become a radiant presence in my own life as well.'
   
   Klempner presents, after his personal introduction, a chapter on the background of the history, which includes both general history of the development of the Holocaust as well as specifically Dutch history - the NSB (Dutch Fascists), the piece-by-piece encroachment on Dutch rights and Jewish rights during the occupation, and overall development of a resistance to the oppression. The heart of the book, however, is in the ten stories of those who put security, family and life on the line to help those in need.
   
   The names are important, for the Holocaust gets lost in the abstraction of numbers. But all stories are personal. Heiltje Kooistra found inspiration for her actions in her own religious faith - `If you love Jesus, how can you not love the people and tradition out of which Jesus came forth?' Rut Matthijsen was a behind-the-scenes operator in the resistance, who looked past the discrimination: `Years later, when I went to Israel to receive the Yad Vashem award, I was asked, "Why did you help the Jewish people?" The emphasis being on the word Jewish. But that was Adolf Hitler's emphasis. I helped them because they were people.' Hetty Voute spent years in prison for her efforts, as did her friend Gisela Sohnlein. Clara Dijkstra ended up being the second mother to a girl she rescued, a relationship that continues to this day. Some, like Kees Veenstra, are very private about their actions, preferring to consider himself an ordinary person. Janet Kalff tapped into her Quaker background for strength, whereas Mieke Vermeer drew from a Calvinist background. Pieter Meerburg's actions came out of a humanism not borne of religious conviction, but out of respect for life. Theo Leender's relationship with God can sometimes be stormy, but his faith in doing what is right did not falter.
   
   These are not people who looked for personal reward - in fact, just the opposite is the case for several of them. Many remained generous beyond their wartime efforts; Klempner mentions one man who had a stack of fund-raising letters from charities, who always found time to help even the smaller causes with a little bit, saying, `Even a small donation can give a lot of encouragement to people doing good work.'
   
   This book was a gift to me, both spiritually and literally. I was offered the chance to read it months ago, and it took a long time. The stories could not be rushed through as if it were one more text to read; I found myself with tears of anger, frustration, and occasional joy throughout many of the stories (and it is hard to read through tears). Klempner has given rare insight into a side of the Holocaust little known but very important, and very powerful witnesses who give hope to the future.



5. I just read the following about this book in the Journal of Ecumenical Studies: "Well-written and highly accessible to average readers, it is a book for sharing and giving that would make an excellent choice for book clubs, as well as synagogues and churches interested in interreligious dialogue." As someone who is waiting for it to come out in paperback for use in my book club, I heartily agree.

5 comments about When I Was a Soldier.

1. When I saw the "JUV" label on the spine of Valerie Zenatti's memoir I must confess I was quite a bit apprehensive about delving further into the book than its front and back covers. However, I must urge you not to make such a mistake; this book merits a read, not just a look.
   
   I was born and raised in New York, about half a world away from Israel: the notion of entering mandatory military service upon turning eighteen is so alien that I had to continually remind myself while reading that this work was not by Robert Heinlein but rather by Valerie Zenatti. Nonetheless the latter, serving as protagonist and narrator, does a wonderful job shepherding her reader through compulsory "peacetime" military service. This is hardly the demoralizing world of boot camp we have all seen 307 times in literature and film. Valerie isn't dressed-down by an evil drill sergeant, her head isn't shaved, and she doesn't lose her identity to become a faceless cog in the military machine.
   Valerie's story and rite of passage is much subtler. She drifts apart from her friends but only as much as can be expected. Her superiors are more often than not women a few years older than her. At the conclusion of the story she doesnt find herself in a pitched gun battle but instead in a routine surveillance op. The freshness of the tale never ceased to keep me involved.
   
   Politically the book is fairly neutral. Characters express both left and right-wing sides to Israel's questions, with the author actually falling more on the former. Though I am not someone intimately acquainted with the struggle between Israel and its neighbors, I beleive that this book would be acceptable to most audiences. First and foremost it is the story of an 18-year old girl; it rarely stops to comment on politics and certainly never preaches.
   "When I Was a Soldier" is an exceptionally quick read (indeed so much so as to be a detriment; though the book has a decent narrative structure I would have preferred more of Valerie's second year and a less abrupt ending) and a good one. It has not lost its wit, charm, or exigence in translation and I thoroughly reccomend it.



2. When I first saw this book, I thought I was in for a great war story. This book is more than that. Zenatti tells her fantastic story about how she managed to leave her friends and family, loose her boyfriend, and still work so hard in the Army that she earns to be in the Secret Service. Usually when you read biographies, you think of endless boring facts, but when you read this, it's like you are right there with Valerie. You feel what she does, and you just get right into the story. I recomend this to, well, everyone. If you do plan to get this book, I hope you will enjoy it as much as I did.



3. Book Review of When I Was A Soldier:
   When our grade was assigned to read a nonfiction book, I groaned. The class then went to the library to pick out, either a biography, an autobiography, or a memoir. I searched and searched for a book that didn't look too boring, but all were things like Jane Arre or something else without a plot. I was on the verge of despair, when I saw a book in the corner of the room that didn't have soft watercolor pictures of ladies in frilly hoop skirts and a scrawling title, but that had a picture of a young girl in an army uniform on it with the title When I Was A Soldier. Ever since I was little, I've always wondered what it would be like to be a soldier and for many years I had the dream of one day joining the army and being a hero that girls everywhere would look up to and say that girls could do anything. Now that I've grown out of that aspiration, the feminist part of me, and the interest in the army remains, so I picked up the book. The back cover had a passage form the book on it that mirrored perfectly my views; "Why should I hide the fact? I'm fascinated by my submachine gun. They're instruments of death and we're finding them easier and easier to handle. We don't think for a moment that we might that for real someday. But at the same time, it's the ultimate sign that we really are soldiers, on completely equal terms with the boys. And it makes me feel proud." It's perfect. I checked out the book and put it in my locker to take home, and eventually forgot about it. That night I remembered it and started reading. I couldn't stop.
   This book is a passage in Valerie Zenatti's life that illiterates the duties, drawbacks, and rewards of being in the Israeli army. She writes about the average soldier in a peaceful base far away from any fighting. You wouldn't expect this; I was expecting wondrous heroics and endless action. But I was wrong. Valerie describes her two years in the army with a sense that she is living through it at that very time, and not years later. She vividly describes the conditions at her bases and her tasks with the emotions of a growing teen-ager. She writes about her anger and sorrow on losing friends and lovers, and her wishes for the future on gaining new ones. I was very impressed by this book and how it was written. I highly recommend this to young adults and those who have a bad stereotype of nonfiction books. This will change how you look at the genre. I truly intend to read more nonfiction books in the future.



4. Being both informative and inspiring, When I Was a Soldier really lets you see the world through a girl soildier's eyes and get a glimpse into Jewish culture and history.
   This book is about a girl named Valerie who starts off as your average 17 year old. However, when she turns 18, she is forced to join the army, and her life turns upsidedown. As she juggles her friends, family, the army, and the despair of losing her boyfriend, she holds tight to her dream of one day writing a book.
   With determination, hop, persistence, and bravery, Valerie Zeratti shows shows the world what it truly means to be a girl soilder.



5. In the book, When I was a Soldier, in my opinion, this was a very good memoir. The author, Valerie Zenatti, did a great job about writing what its like to be in the military for Israel. I really felt a sense of connection with the characters in the book. She did a great job at writing about scenery, character building, and self-inquiry.
   This book did a good job writing about scenery. When I was reading her descriptions of the surrounding area, I really almost felt as if I was there and I was easily able to picture the spot she was talking about. When she was talking and describing Tel Aviv, I could picture what it looked like in my mind. Her character description was also very well done. When she described certain characters I could imagine what they looked like without much thought. The descriptions she used were very in depth, but easy enough for almost any one to understand.
   The book also did a great job at showing her self-inquiry, it almost made me think about myself. From the time she left her home, to the time she left the military, she changed a lot. She started to question about the ways she thought or acted. When I read this book I also thought about the way I thought about some things. She was once immature and more worried about what people thought about her, she cared more about some guy who would stand her up rather then being the stronger person. When she started to question that, she started to become stronger, and now she cares more about doing what is right for her and what is best for her, rather then worrying about what some other person thinks. This memoir made me think about that a little bit as well.
   The character development in this memoir was also done very well. Her character started as a co-dependent eighteen year old about to go off into the military and she only cared about her boyfriend and her friends and she needed them. By the time she got out of the military, she was independent and didn't need her friends to live but still loved to have them around. Her other characters that she was with in the military also built up a lot of their own personalities as the memoir progressed. A lot of the characters in the story, by the end, had their own personalities and contributed their own special part to this memoir. In my opinion, that is one of the things in this memoir that made it very good.
   (And theres my extra credit for critical lit)

4 comments about Anne Frank: Life in Hiding.

1. This is another book about Anne Frank that I get the chance to read. Although there are many biographies about this wonderful human being, this book is the closest one that can answer the questions that all Anne Frank fan has. I did for many years just read the Diary over and over but I wanted more! This book is definetly more! It tells you more about the relationship she had with her family and the rest of the people in hiding. This is a girl who could hardly see the light coming from her window and the only green thing that she could think about was a huge chestnut outside the Annex. This book describes this little things that she cherished and that she no longer had....her freedom. She didn't either had freedom of speach inside the Annex due to the critics about her attitude. This book develops more information about why Anne acted like she did and why she had an open opinion about everything. It also gives you a bigger idea of why she didn't like her mother and develops more about her childhood around her family and her friends. I hope all readers that enjoy the Anne Frank writings will enjoy this description about her persona. Is a total different thing to read her diary knowing more about her life and early aspirations. ENJOY!



2. The summary on this book is this is a book about Anne Frank. It tells about her life and her diary. Also it tells about her troubles and her problems. In this book, people are put into concentration camps and poision gas room by the Nazis. If you don't know who the Nazis are, they are a type of group that dosen't like Jews.
   Anne was born in 1856.Anne was very adventrous. She liked to write, so at the age of 13, her mom and dad bought her a diary. Anne was very talkative. Sha always got into trouble.
   Some problems that she faced is hidding.She was hidding from the Nazis. She was hidding with another family and a dentist. Also another problem she faced is physical changes.
   Some ways she solved her problems is by writting in her diary. In her diary she would write about things that were going on in her life. Another way she solved her problem is by hidding. This is a problem solver because if she didn't she would be in a concentration camp.



3. This book is filled with the ups and downs of Anne Frank, how she handles her problems, how life was being Jewish and happy memories of her life. It tells how Anne was a very energetic girl who had fun with friends and was very social. However, it also describes how hard life was for her, being Jewish, going into hiding and being captured and being transported to different concentration camps. Anne was born on June 12, 1929 in Frankfurt Germany. During her time in hiding she kept all her secret thoughts in a diary that her mother and father (Edith and Otto Frank) gave to her the day she turned 13(June 12, 1942). Anne had a very strong bond with her father and sister (Margot) but not as strong with her mother but she still loved her dearly. This is a wonderful book and I recommend it to anyone who is interested about Anne Frank.



4. This book is magical, because it shows you and makes you feel like you are the scene. It made me think how hard it would be to live like a young Jewish girl called Anne Frank living a life with guns being shot and having to move so much.
   I can not imagine living like Anne that can only go to shops that have the Jewish signs, and not much of the stores had them. Anne was very brave to put up with this stuff every day. She is unbelievable, she was a great person. You should read this book because it can give you information and show how lucky we are that we have freedom to go anywhere we want to go.
   I had a lot of fun reading this book and it showed me how lucky I am to be here in the United States. This book also taught me how cruel Hitler was to the Jewish and other people.

3 comments about The Vienna Paradox: A Memoir.

1. Marjorie Perloff, the noted and prolific literary critic and comparativist, has written a thoughtful introspection about the intersection of her life with the complexities of the fading Vienna of the 20's and thirties. It's a dizzying array of contrasts and passages: not only her (and her family's) adjustment to American society of the 1940;s and 1950's, but the passage of Arnold Schoenberg, and the contrast of John Cage and Schoenberg. Perloff sheds a personal light on the ambivalences towards Jewishness and the imperatives of conversions. The photographs of girls in dirndls and her prestigious grandfather in morning suit are stunning reminders of the power of illustration and the evocation of period. Though this is memoiristic, Perloff remains a literary critic and there are efforts to re-address Adorno and Gombrich (for example)in terms of their own refugee pasts. Marjorie Perloff changed her name from Gabriele to Marjorie, her school from PS 7 to the fashionable Fieldston, her academic address from Catholic University ultimately to Stanford. The book is about what change means, how it reiterates, to someone whose life was abruptly forced, by the Anschluss, into a totally new mode of looking at the world and thinking about it.



2. 
   I picked up a copy of The Vienna Paradox: A Memoir, by Marjorie Perloff because the idea of a memoir about Vienna intrigued me, and because I've always been enthralled by the critical mind of this noted and innovative literary scholar. After I'd read it, I ordered some more copies to bestow on friends, most of whom have no particular interest in Vienna whatsoever.
   "Why are you giving me this book?" one of my more suspicious friends asked me. "What is there about this book that sets it apart from all the immigrant narratives, from all the nostalgic recounting of `old Vienna,' from all the other autobiographies that people turn to when they begin to realize that time is passing and whatever they don't set down will be forgotten?" The central distinction is this: Perloff doesn't just record her own experiences or those of her family and friends, she uses those experiences - the experiences of her extended family, experiences of other famous emigrants from Vienna, together with information about books, museums, websites, as well as restaurants, street guides and all kinds of other information - for other purposes than telling about her self. She's not seeking her own `roots,' but draws on those roots to examine some of the important and pressing questions that only a critic of the world with great experience, perspective and expertise can ask.
   What Perloff is exploring with her delineation and examination of the civilization in which her family was nurtured and from which it was expelled is far more complex than just where she comes from, or even what really were the negative effects of the Holocaust. She is asking what are the functions, the potential and the limitations of civilization: what should we value in culture, what should we discard, what can we know, what can we improve, and what are the individual limitations. At one point Perloff quotes Wittgenstein
   if we think of the world's future, we always mean where it will be if it keeps going as we see it going now and it doesn't occur to us that it is not going in a straight line but in a curve, constantly changing direction. (33)
   The lessons from history are not imperatives for the future, and therefore every detail must be examined, and it is the role of the artist and the critic to perform this examination, and to edify . Therefore Perloff delineates the achievements, on all sides, of her family - their successful careers in Austria and elsewhere, their connections, their accomplishment throughout - but she also notes their failure to perceive and/or act within Austrian society to counter or prevent what was to come. Except for some foreign bank accounts that came in handy for the family after their escape in August of 1938, there seems to have been little understanding of the dangers inherent in the historical situation. If Grandfather Schuller was allowed into Italy because of a welcome from Mussolini to his former negotiator, it was not political foresight that made Schuller prepare an escape route for a Jew, but belief in Austria transcending personal considerations that saved him.
   The technique of postmodern pastiche is everywhere, but it is not here an indication of the eradication of values. Perloff is an expert at weaving together associations, websites, museums, biography, memoir, gossip, lunch, poetry and making sense of them all. This pastiche is born from the sensibility of the multicultural, world-wise individual, comfortable everywhere in the universe. Perloff, in opposition to the refugee, the outsider, really believes in a society, but it is an ur society, which incorporates and transcends the differences. Her criticism of European disdain for American society, and American naiveté as to European society, is an attempt to bring the two together.
   More than anything else, there is a love story in this autobiographical account -- it is a love story with America, that country that whatever its cultural limitations in comparison to the hoch kultur of Vienna, gave her and her family shelter and opportunity to thrive to such an extent that politics could be safely and comfortably ignored. Written after September 11, when the US is besieged not only by enemies without but also by the intelligentsia within, this book serves as a reminder of perspective. So that although it begins with the story of Arnold Schoenberg who despite his appreciation for the United States, never found in it a lasting and appreciative audience, it concludes with Adorno, who longed for the taste of European culture and returned there after the War.



3. Marjorie Perloff's memoir was a complete pleasure from start to finish - it was a lucky accident for me that I came upon this gem.
   
   Absolutely delightful - charming in all ways, along with being particularly outstanding in combining the author's areas of professional expertise as a first class literary critic with her memories of an earlier Vienna and the traces that remain. This is not meant to slight at all her sharp remembrances of the events of growing up and the succinct clarity with which she describes them.
   
   Her memoir has many sections that point the reader to new areas for exploration: the Neue Gallery in NYC with its scintillating art collection (Schiele and Klimt), Arnold Schoenberg's writings and music, and the brilliant Austrian writer Thomas Bernhard, just to mention a few.
   
   The other reviews do a thorough job of providing more details about this book. I'll add that Ms. Perloff, the complete professional, includes an excellent index, helpful notes to accompany the text, and thoughtful illustrations that augment the memoir. A quote from the book jacket's inside cover is particularly apt: "This is, in other words, an intellectual memoir, both elegant and heartfelt, by one of America's leading thinkers, a narrative in which literary and philosophical reference is as central as the personal."

2 comments about One Must Also Be Hungarian.

1. Good as family and Jewish history but its hard to read through the author's blatant bitterness at life.



2. This little book with it's light coloured spine beckoned to me from between two doorstop sized tomes. A metaphysical pointer finger crooked itself and signaled, "Come over here. Take a look at me." I looked at the title: The book said "Hold me. I am for you! Take me. Read me."
   
   How could I resist?
   
   'An over the shoulder reader told him "you are putting in too much of yourself. It's a book you're writing. You should keep some distance." I reply that I don't want to. It's too important, it's too locked in, embedded, buried. I tell her that I don't know the boundary between literature and nonliterature. I must be involved."'
   
   It is good that Biro put 'too much' of himself into this book. He is utilizing his skills and contributing to our understanding of the lives of Jews in Hungary. Mostly the North American media and literature has focused on the lives of Polish Jews which were significantly different from the Hungarian Jewish experience. There is not enough known or readily available about how Hungarian Jews viewed themselves or how they lived or what they contributed to their homeland, Hungary. More and more books like this are being written and translated so that we can better understand.
   
   Sure there is great sadness, and then joy, then tears with laughter. If he refers to admiral horthy (I will also keep everything in lower case) as a 'miniscule piece of vomit excreted by the earth' there is no ambiguity. This is good. We don't need ambivalent window dressing.
   
   A few of my friends will receive cryptic phone messages: "I have a book you must read. You will want to steal my copy. Or pay for it so you won't have to give it back. I won't let you. I would rather buy you a copy for yourself."
   
   I have deducted one star because there are times, too frequent, where the translation and the editing needed fine tuning. Sometimes sentences make sense because we intuit their meaning. I would rather I didn't have to.

1 comments about Life Death Memories.

1. Life Death Memories is the deeply personal and candid recollections of Thomas T. Hecht, a Jewish man who grew up in a Polish shetl during the murderous years of Hitler's horrific and genocidal "Final Solution". Hecht's village culture was obliterated in the wake of the Holocaust; scarce survivors and scarcer memories of it remain today. A memorial to those murdered and a powerful testimony to the human capacity for mass atrocity, Life Death Memories is a welcome addition to Holocaust Studies reference collections and not-to-be-missed powerful reading.

4 comments about The Wisdom of Maimonides: The Life and Writings of the Jewish Sage.

1. There is merit to this very short work, 170 pages. There is a brief biography, some stories about his medical practice which are of unstated
   reliability. The rear jacket says that Maimonides' actual feelings about Judaism as a belief system is uncertain, though his affection for the community and the system of thinking are definite. The affection he had for science as pure thought aside from medical practice is not examined. My personal belief that he anticipated Darwin by 650 years is not touched upon. There is exceptionally brief discussion of Mishneh Torah is misleading, as anyone who has read the whole work will recognize. I cannot speak of Guide as I have tried but could not read it as the print is so small. His examination of Judaism and Aristotle is discussed, though the dictum that knowledge is knowledge, no matter where it comes from is more an example of his thoughts than the words of M. Torah. There is a list of works with very brief extrations from them.
   
   To one unfamiliar with Maimonides this is a pretty good introduction,though the extracts from M. Torah are misleading.
   
   Mr. Hoffman could have put out a much better work. His concession to brevity makes this effort a bit disappointing.



2. this is a decent introduction to Maimonides as a person and a thinker. however, if one is already familiar with Pirkei Avoth, one is already way ahead of the game. could use considerably more depth, and especially analysis. what were his contributions to thought? Jewish thought? Gentile? where is he controversial? what are the implications of the sayings? discussion? comparable or competing thinkers?



3. This brilliant overview gives the reader not only a thorough understanding of the works of Maimonides, but gets to know him as an intimate friend. We become aware not only of the magic of his thinking, his depth of scientific understanding and his phenomenal contributions to our world this many centuries later, but, as as a friend, a colleague, a neighbor, as a full human being. I sat there, reading, totally entranced, not able to put the book down, my only regret being when it ended, though my "appetite" had been more than fully sated. I recommend it for all. It is a true "must."
   Marcella Bakur Weiner Ph.D.



4. Dr. Ed Hoffman never disappoints. His writing career has included one superb book after another. It is obvious to all of his readers that he has many gifts, not the least of which is his extraordinary ability to make abstract ideas so clear and down to earth. He also has the eye of a scholar and great passion for his subject. This book is a gem!

5 comments about In Our Hearts We Were Giants: The Remarkable Story of the Lilliput Troupe¿A Dwarf Family¿s Survival of the Holocaust.

1. This is a most unusual book. Many books have been printed about the Holocaust, dissecting it from every conceivable aspect. Here we have a fascinating account of how a family of Jewish dwarfs from Marmorash (Transylvania) in Rumania survived the Holocaust. The infamous "doctor" Mengele was interested in studying genetics , more accurately he was interested in his own version of this science.The family of Jewish dwarfs and some extended family members offered him an unusual opportunity for this study and Mengele seized this and thus allowed the Jewish dwarfs to survive Auschwitz and remain alive while he and his staff preformed their so-called research on them.In fact many of these extended family members were not really related to the dwarf family , but created a fiction in an attempt at survival.
   In fact this allowed these little Jews to survive and eventually move to Israel.Not only did they survive but Mengele and his cohorts treated them fairly well in comparison to the death camp conditions prevailing in Auschwitz.
   Besides being a fascinating Holocaust story, it is also a moving human interest story dealing with Jewish life in Northern Rumania and the Jewish attitude towards the preforming arts in pre War Rumania and Hungary . Given that this family was Orthodox , their role in theatre and was especially difficult for them to navigate. The book also has some interesting information about "Badchanus" an art that is only now being revived in the Chasidic community in the US, Israel and Belgium.
   Of course the book offers an account of life as a dwarf and , how these people live meaningful lives on both a day to day basis and in the long run in terms of livelyhood and marriage. The authors have presented a finely crafted book , that is both a dramatic account of one family's struggle to survive in the darkest of times and the same familys joy of life in dealing with a challenged reality.



2. The story of the Ovitz family's devotion to one other and to their religion is by turns heartwarming and heartbreaking. By now, many of us have read books, seen movies, and heard stories about extraordinary survival won through that extraordinary horror, the Holocaust. This book stands with the best of those stories because of its uniqueness -- seven of the 10 Ovitzes were dwarfs, and therefore the entire family became the special "pets" of the dreaded Dr. Mengele.
   
   The writing is hardly slick or seamless, but it gets the job done in a more than satisfactory manner. The text seems to speak English with an accent, and while that can be a tad distracting at times, it confers that much more veracity upon the story of the Ovitzes.
   
   The resourcefulness, dedication, and intelligence of the Ovitz dwarfs enables the reader to see them as much more than medical curiosities. Not only are they real people, they're very special people. Frankly, people of this caliber would be worth writing a book about even if they were of normal stature. Dwarfism aside, the story of the Ovitzes is that of a loving, close-knit, traditional family of a type that seems sadly alien to many of us today.
   
   The family's Jewish faith remains strong even in the face of growing persecution. When it is decreed that Jewish performers may perform only for Jewish audiences, the Ovitzes skillfully contrive to obtain identification papers that do not identify them as Jews, yet they remain observant by conveniently falling ill on every sabbath, so they do not have to perform. Later, when they are held in the concentration camp, they manage to say prayers and fashion makeshift candles in secret observance of holidays.
   
   The suffering the Ovitzes endured at the hands of Mengele is not related in excruciating detail, but what information we are given is excruciating enough. This book is generally more vague, more poetic about the concentration-camp atrocities than other books, but it is no less horrifying.
   
   Horrifying, too, are some of the details of the Ovitzes' lives after the war. They remain devoted to one another, and continue to stick together, but now they are also bonded by what haunts them. Their nephew -- who was only a baby in the camp and learned to call Mengele "Daddy" so that he might be spared from torture -- recalls being awakened frequently by his aunts and uncles screaming in their sleep.
   
   One of the most interesting aspects of this book are the conflicting accounts of the dwarfs' activities in the concentration camp. Several witnesses claim to have seen the Ovitzes performing in the camp, whereas the Ovitzes always firmly maintained that they did not perform -- and indeed, would not have done such a thing. Other witnesses claim to have seen several of the dwarves kowtowing to Mengele and to have heard them praising him to the other prisoners. The Ovitzes deny this as well.
   
   The authors of the book do not attempt to clear up these discrepancies; they simply present both sides, and acknowledge that perhaps certain people's memories are clouded or inaccurate. I admired this tactic.
   
   This remarkable family made their way in a world that gave them very little more than sharp minds, winning personalities, each other, and their strong faith. Though they did gain wealth and widespread renown before and after the war, during the very darkest years of their lives, the barest essentials -- wits and wit, family and faith -- turned out to be riches in themselves.



3. Penned by a pair of Israeli journalists, In Our Hearts We Were Giants is the never-before-told true story of the Ovitz family, seven of them dwarfs, who experienced the horrors of the Holocaust - yet in an odd twist of fate, their dwarfism actually helped them to survive. Serving as popular entertainers until the Nazis deported them to Auschwitz in May 1944, the Ovitz family - widely known as the Lilliput Troupe - were separated from other Jewish victims. The notorious Dr. Josef Mengele, his diabolic "research" on twins and other genetically unique individuals already underway, took a special interest in the Ovitzes. Even as he arranged for vile experiments to be performed upon the Ovitzes, he developed a bizarre fondness for them and their will to survive. Pieced together from interviews with the last surviving Ovitz sibling and her relatives, medical documentation, archival lists, and original Auschwitz records, In Our Hearts We Were Giants is an unforgettable perspective on the nightmare of the Holocaust.



4. The family photo on the cover is a classic, and I first saw it as a child in a Time-Life series book. The condition has since been diagnosed as pseudoachondroplasia, a genetic disorder of the cartilage.
   
   Even if it weren't for the religious persecution and horrendous experiments performed on them by Dr. Mengele, this would have been a fascinating story about a challenged family who rose above their obstacles, without being exploited, to lead fulfilling lives. All appeared to be emotionally well-adjusted and totally lacking in self-pity.
   
   People who are interested in the Holocaust and/or dwarfism should read this book.



5. Just when I thought I knew all the big stories from the Holocaust, I come upon this... and I had never heard of this family.
   
   My father's family was from this same region in Romania, and I wish my granpa and grandma were alive to ask them questions...who knows? They might have even seen this family perform! Ah, the things we never asked our parents and grandparents when they were alive cause we were so busy in our young lives!
   
   Wonderfully told story about family togetherness...Tender, raw, and real. One can even try to understand why there was a sort of "affection" between the family and their captors--as unbelievable as it seems.
   
   Read this one.

1 comments about David I: The Time of Saul's Tyranny.

1. Here, says the author, is a "devotional study of what God can do with a man who, though terribly tough and passionate, has a will set to do God's will."
   
   The first of a series, this volume describes the life of David, the shepherd-king, under King Saul. Constantly showing how believers today can meet God through this story, Keller deals with the drama and color of David's stormy relationship with Saul, his friendship with Jonathan, his love for Abigail, Nabal's widow, his interaction with the soldiers he commanded, and his respect for prophet, priest, and king in Israel.
   
   Keller's readers have learned to expect just this kind of faithfulness to the biblical record, along with the author's knowledge of the primitive setting of the Bible, and his ability to knife through pretense and self-importance with sharp spiritual perception. On every page, the reader is confronted with stark calls to obedience such as this.
   
   It was David's lot to follow Israel's first king, Saul -- a concession in governance which God allowed only at Israel's willful insistence. As Saul proved to be equally willful, Keller observes that "Sorrow up sorrow, both to ourselves, to Christ, and to others, most of us prefer to do our own thing in life, to please ourselves rather than Him."
   
   Similarly, with unblinking frankness, Keller refuses to gloss over David's lapses in courage, faith, and obedience. But he finds in the giant-killer and king-to-be a heart that could be touched by its own infirmities, repent, and search eagerly for God's renewing Spirit. As with believers today, whose lives are mixtures of darkness and light, there is hope in the story of David that we might yet be anointed for the Master's use.
   
   This is a book to be savored in quiet personal study, read for both its historical and devotional content, or used for stimulating group discussion.

1 comments about My Heart in a Suitcase (Library of Holocaust Testimonies).

1. Do you know how I can contact Anne L. Fox, author of "My Heart in a Suitcase (Library of Holocaust Testimonies)?" I understand that she is working on a new book on a topic that interests me.