5 comments about My Tainted Blood.

1. This is an extremely well-told story of a most unusual youth -- one Kueter spent hiding his Jewishness from the Nazis and from his neighbors in wartime Germany. In addition to the anxieties of being sent off to a concentration camp, there were the more everyday concerns of hunger, concerns Kueter attended to with a Robin-Hood-like panache. Robin Hood plus Reynard the Fox: those two role models helped the teenaged Kueter outwit the authorities and consistently provide food for an extended family. In addition to tales of derring-do, there are recipes that show that even as a boy, Kueter was already a chef/restaurateur-in-training. An unusual addition to wartime memoirs/Holocaust memoirs. This is a tale not to be missed.



2. The author grew up secretly Jewish in a Europe controlled by the Nazis. Only now, decades later, he writes about how it was for his alter ego (Horst)in this partly autobiographical story. He and his mother did finally make it to the USA after the war but by then he had grown almost to manhood. The story is a partly fictionalized window into his personality and the weird conditions of life during that time of turmoil and great personal danger. In real life, Mr. Kueter became a gourmet chef and for almost 30 years ran a restaurant in Maine specializing in continental cuisine - - an outcome foreshadowed in this tasty novel.



3. "My Tainted Blood" is the compelling, semi-fictionalized autobiography of survival in war time and post-war Germany as a half-Jewish teenager, as he negotiated his way amidst the uncertainties that lurked with every new social encounter. Finding enough to eat was commonly a priority, a problem often solved creatively by the wiles of the writer. Hubert Kueter's story is captivating and even humerous as it moves the reader from one crisis to another in a dangerous world. Vividly presented, this story is a must for the American reader far removed from the personal everyday experiences of life in Germany during those years. Superbly told, it is a window into an extraordinary time in our recent history from the perspective of one who lived it. This is truly an important work!



4. I had a hard time imagining how the food motif could possibly be credibly combined with a story of survival in Nazi Germany, but it works! The overall deprivation and bleakness of this historical period fade into the background as young Horst, time and time again, manages to come home with the raw material not just for survival but for a feast. The combination of his lyrically described meals, his poignant romance with the talented Brigitte and the tales of masculine courage and daring are an unbeatable recipe.



5. Hubert Keuter's memoir covers a brief eighteen-month period, beginning in his l5th and and ending during his 16th year. It also coincides with the coming apart of Hitler's mad dream, so it is really two stories woven seamlessly together as Keuter, part Candide, part Reynard the Fox, dances with fearless ingenuity through the cultural minefields of a collapsing Third Reich, in which food - and the obtaining of it - become not only a driving force for survival, but also a metaphor for his skills at triumphantly outsmarting his family's adversaries.
   
   It is told against the backdrop of his mother's succinct but startlingly lucid dairy entries, which for me served as a sort of narrative base continuo for his remarkable, improvisational adventures.
   
   One of the first things one realizes is that there were lots of bizarre loopholes in the vaunted efficiency of the Nazi killing machine, and Keuter's survival as a part-Jewish child (the 'Tainted Blood' of the title) had a lot to do with being able to recognize and utilize those inconsistencies in the enforcement of the Nazi Aryan codes.
   
   
   But some of his toughest challenges come when Germany has surrendered and, one would suppose, things would get easier. In fact the opposite happens, as the country slips into the virtual anarchy of a black market economy, where Jews, ex-Nazi's, Poles, Russians, and Americans all mingle in a soupy mix of Chaplinesque comedy and intrigue, complete with a stolen Picasso, defecting Russian officers, black American soldiers....and some great recipes thrown in as well!
   
   Keuter has revisited just a tiny portion of his 78 years in this book. I certainly hope he decides to give us a few more chapters sometime soon.

5 comments about The Double Bond: The Life of Primo Levi.

1. I thought the concept of writing psychobabble books had gone out of style in the 1970s -- that is the concept of a biographer who did not know his/her subject personally, did not interview most of the subject's contemporaries (especially family members) and did not have access to any psychoanalytic records, writing an utterly speculative, fiction-laden account of a "great man's (or woman's)" life. This book by Angier is just such a pile of speculative junk. And poorly written and poorly organized to boot.

   Mind you, I am a fan of "analytical" biography & history. Where the author does not just narrate but attempts to interpret the facts & to tease out conclusions. Angier has gone so much farther than that. Since she speculates without facts and ignores existing facts (which is to say, the material in Primo Levi's own wonderful writings). She turns an interesting man, a fascinating man into a pathological man, who is no more than her (made up) aggregation of psychological complexes.

   I am so disappointed in the NY Times Review of Books for having featured this volume on the cover of their publication this weekend. Angier should pay me for having read it. Instead, I paid her.

   Instead of wasting your money on this junk, buy a complete set of Primo Levi's works [...]. And if you own them already. There is nothing better, I think, than reading the Periodic Table again.




2. Judging from the wildly differing reviews that have appeared in newspapers in the past few weeks, this book seems to inspire either passionate admiration or something akin to personal rage. It isn't hard to understand why: Angier has written a highly unconventional, imaginative biography, in which she is herself a character at times, and tells us almost as much about what it's like to write a biography as about the life of Primo Levi. She has also dared to use her own intuition -coupled with, and informed by, her scrupulous research and reflection -- to deduce things that Levi, a very private man, did not himself talk about. Finally, she has clearly angered the people who do not want to believe that Levi killed himself; it is impossible to believe, after one has read her, that his fall from the landing of his apartment building in Turin was accidental. Perhaps even more disturbing to those who saw him as some kind of radiantly sane figure is her sorrowful conclusion that he did not do it because, or primarily because, of what he had suffered in Auschwitz.
   The portrait of him that emerges is of a man who was not the secular saint, the avatar of reason, that his readers have supposed, but something greater: a tragically repressed man who struggled with overwhelming depression all his life (except, ironically, as Angier tells us, when he was in Auschwitz), triumphing not so much in his person as in the great books in which he refused to give way to it. It seems a more amazing accomplishment that a deeply troubled, self-doubting, conflicted man should have produced those masterful works of illumination and sanity than if he had simply been the serene figure of his readers' imaginings. And it should come as no surprise to anyone that literature of the high order of Levi's does not come out of an effortlessly serene mind. Angier makes it clear what a conscious artist he really was.

   Though she sometimes hammers her point home rather than allowing the reader to arrive at his own conclusions about the conflicts that lay at the heart of Levi, it seems impossible that anyone will ever come closer to penetrating the mystery of the man.




3. Carole Angier deserves the thanks of anyone seriously interested in the life of this strange and amazing man who helped and continues to help mankind to deal with the massive trauma of World War II and, further, with all attempts since then to kill the soul. She has spent years in attempting to discover him, in assessing what is factual, what can be conjectured, and what is unlikely about this man who was so reticent and whose family and friends are devoted to respecting his privacy and that of his family. However, it is true that a great man belongs to the world too.

   Unfortunately the world will not tolerate the fact that he was human and seems not to want to forgive him for taking his own life, as appears likely, especially in view of his call for help to Rabbi Toaf shortly before his death. Myth does not grow well in the presence of fact, and the facts that Carole Angier has tirelessly gathered will enrich our understanding immeasurably but have disappointed some. This seems true too regarding her altogether modest and to my mind reasonable and well-founded speculations as to his motivations and of the emotional flow of his life. Levi himself saw this coming, said that he was not a "guru" and could not bear the weight of such a role.

   She seems to me to have come to central and moving understandings of his surroundings. One can only stand in awe of the amount of information she has absorbed in her attempt to make the most accurate portrayal of the influences impinging upon him. Her depiction of the Auschwitz environment is as complete as I have ever seen; her understanding of how there could be non-shameful fellowship there which would turn to shame when viewed by the outside world; her understanding of the sad fate of the Samaritan Lorenzo, who could not tolerate his life after Auschwitz, that this is how heroism is, "a historical glory but a personal burden." True for Lorenzo and for Primo Levi as well.

   It has become fashionable in Primo Levi circles to reject absolutely studies of him, as the previous biography by Anissimov, which are in any way flawed. But the truth is we owe a debt of gratitude to her as well; she roughed in the picture and indicated areas that need to be understood. Primo Levi induces in his readers a protective possessiveness; everyone who reads and loves him wants to rescue him from the imperfect perception that has just been promulgated. This is sainthood in formation. But he was not a saint; he was an imperfect and therefore all the more amazing human being.

   Carole Angier has given us a relentlessly factual, moving, and gracefully written portrayal of this complex man. This is the best of biography. She deserves our thanks also for rendering him as we feel he would have liked, in shades of gray, but gray composed of flashes of brilliance mixed with the most horrifying black. Levi was a true Perseus, able to look at the face, see down the throat, of the terrifying Gorgon, able to return and to summon up the courage to tell us the revolting horror. Carole Angier in her remarkable book has helped us to understand the formation of the man who did it, how he could stand it, and what it cost him and those around him.




4. As awful as current events seem to be, with unsettled questions about who is most likely to die next dominating much of the news, this book takes a look at how a great writer managed, as best he could, for a time. Applying political psychology to figures who assumed some importance in our evaluation of the most catastrophic events in the twentieth century can still be disconcerting, as I myself might be the worst example. Part of the joke of MY VIETNAM WAR JOKE BOOK was that a 19-year-old G.I. grunt in Nam might say things that you would never expect to hear from the kind of genius who survived Auschwitz and wrote about it in the manner of Primo Levi in THE PERIODIC TABLE, which was an American best-seller when it was translated into English.

   Carole Angier seems very English and aiming for an audience at a university level of views, far removed from the concerns of those Americans who need a little more control over what is happening in the world, as expressed in an article in The New York Times of March 31, 2003, of a situation which is assumed to be temporary:

   Eleven days into the American-led war here, the narrow, once fertile crescent of territory that gives Iraq its only outlet to the sea remains a land of insecurity and ambivalence, devoid of the euphoria that American and British soldiers hoped to encounter in southern Iraq.

   People who experienced a sense of euphoria in reading Primo Levi's reflections on life as an understanding of chemical elements are sure to find THE DOUBLE BOND by Carole Angier dismal evidence that Primo Levi's life remained "a land of insecurity and ambivalence," and that the inability to write which marked his final days was primarily a lack of the sense of euphoria that newspaper reporters Marc Santora and Craig S. Smith, writing for the Times, had assumed that Americans would expect for those encountered in great historical events.

   This is a big book with a tremendous index, but most people will find that few of the people listed in the index are familiar to them, though two lines are required for the pages on "Americans," as distinct from the three lines for "America/United States." There are also listings for "Britain" and "England," but no extended discussion of the controversy there, in which David Irving is listed for a single page, on the book, HITLER'S WAR. American and England are such outlying areas in the scope of Levi's concerns that the description of his "barrage of articles" (p. 603) trying to counter Holocaust denial seems obsessed with the French. THE DOUBLE BOND is hardly neutral, but mentions such disconcerting facts as that Louis Darquier de Pellepoix was Vichy's commissioner of Jewish affairs. "Darquier was eighty-five years old and clearly senile, he said; since he himself had sent 70,000 French Jews to their deaths, he was hardly a disinterested party." (p. 603). The word "disinterested" here must primarily mean disinterested in the truth. I just received news that a newsman, Peter Arnett, (I am the face), was fired by an American network for talking in Baghdad on Iraqi TV. The standard applied in his case was hardly whether he was still capable of thinking of interesting things to say, but more along the lines of whether other people ought to be given the opportunity to believe what he was thinking.

   In these interesting times, MY VIETNAM WAR JOKE BOOK is the worst possible point of view because its interest is primarily in laughing. Primo Levi could never have written MY VIETNAM WAR JOKE BOOK, because he did not have the personal interest in pursuing that situation past its most absurd conclusion, that geopolitics could be responsible for the deaths of 3,000,000 Vietnamese without ultimately accepting any responsibility for the fate of the survivors. Levi had math for Europe: "There had been 17 million Jews in Europe in 1939, and 11 million in 1945: where were the missing 6 million?" (p. 603). There might be fewer people in Iraq in a few months than there were a month ago, but Levi is a poor candidate (he's dead, you know) for thinking that anyone could be more disinterested in that than he is.

   On the question of therapeutic value of trying to provide attention to those who need it most, the tangled web in this book is tied to older lives: "from 1978 onwards his depressions were triggered very largely by his mother's decline, and by its consequences. But it was also not true, because neither was natural or external. The truth is that his own relationship with his mother was pathological; and so was the level of care Lucia required them both to give. These together were quite enough to depress him on their own." (p. 602). This is entirely like his relationship to "those who denied the crimes he had devoted his life to recording. They, and they alone, brought out in him absolute intolerance; and a violence of language (`senile', `stupid', `mad') which was to him the essence of the Lager, and normally beyond the pale. The appearance of Faurisson and his ilk was the deepest shock to him: perhaps as deep as the shock of Auschwitz itself. These new Nazis lived in peace and safety, unlike the original ones." (p. 604). Having experienced a bit of shock ourselves, it is not too surprising that some governments have an interest in bringing a bit of shock to Iraq, but hardly like the shock Levi brought when he died in the house where he had been born, Corso Re Umberto 75, "built in the good middle-class areas of Turin around the turn of the century." (p. xxiv). This book honors his life, and is a profound appreciation of the nature and meaning of his death, too.




5. If I were to take you on a tour of my home town and tell you the life story of everyone we met (going back several hundred years in instances) you would quickly overload. "Now who is this again?" you would say. Or "why exactly does that matter?"
   So will you find yourself in Ms. Angier's sprawling parade of peripheral characters, all dredged up, it seems, in apology for the blaring fact that all those whose testament would really matter here aren't talking, for whatever reason.
   Imagine your own life story told from the fragments of those who really only knew you in passing - a girl you dated once, a bully, a high school teacher, a distant cousin. All called upon to comment on your reasoning, your justification in certain actions. All treated as expert witnesses. Some, you might be forced to admit, will come painfully close to the truth. Others way off the mark - only laughable speculations. But who, in your absence, could sort out the one from the other.
   A good biographer, you would hope.
   Ms. Angier is quite capable of writing beautifully, as witnessed in her preface to this book. She has a blazing passion for all things Levi. And she is obviously capable of extensive research. Which leaves us with mountains of detail, oh so much detail. And some convincing passages.
   But actually, after several hundred dry, dry pages, I find myself looking, again and again, for Primo. That vitality of soul demonstrated in his own writings.
   And that is, alas, where I am returning. The horses's mouth. With the wheat already separated from the chaff.

1 comments about Ponary Diary, 1941-1943: A Bystander's Account of a Mass Murder.

1. I've decided to read this book because I visited Vilnius (Lithuania) last month and there I visited the KGB museum. The museum is very impressive, but where it does show a lot of wrongs of the KGB (when the Soviets were in power in Lith.), it hardly mentions anything at all about the significant role local Lithuanians played in the Holocaust during WW II. I stumbled upon this title by surfing Amazon, and then decided to order it. The 'Ponary Diary' is hard to digest realy. It is an almost casual diary of a Polish journalist who lived in the area of the infamous killing fields of Ponary. What I found so hard to digest, is the matter-of-fact style in which the entries are written. There is no emotion whatsoever, Sakowicz could have been describing the local cattle slaugther-house. But maybe it is a good thing he writes in such a distanced way, so the facts (the things he actually witnessed with his very own eyes) don't get blurred. I'm glad I read this book, but I would not want to read it again. It is that hard to take. (What bothered me also a bit, was the fact that nothing was written by way of an epilogue, of what happened to those sadistic Lithuanian and German mass-murderers. They remain nameless and faceless for the most part).

No comments about Mark It with a Stone: A Moving Account of a Young Boy's Struggle to Survive the Nazi Death Camps.

5 comments about Trap with a Green Fence: Survival in Treblinka (Jewish Lives).

1. None of the previous reviewers seem to know that Richard Glazar, a young Czech, is one of the most effective eyewitnesses in Claude Lanzmann's epic masterpiece, 'Shoah.' He appears at numerous points during the parts of the film that deal with Treblinka. What comes across is his vitality, integrity, and self-awareness. He was one of the few to survive the Treblinka revolt in August 1943 in which several hundred prisoners finally managed to break out, although most did not finally survive. Glazar appears too in interviews with Gitta Sereny, 'Into that Darkness,' in her study of Franz Stangl, the commandant of Treblinka. Glazar's work is utterly authentic and a MUST READ.



2. I read everything there is about Treblinka and I can tell you that this is one of the best accounts yet. Other alternatives are "A year in Treblinka" and Arad's "Belzec, Sobibor and Treblinka: Aktion Reinhard Death Camps". Steiner's Treblinka is a very enjoyable work of fiction (but historicaly inacurate).



3. This book is just as excellent and disturbing as Willenburg's "Surviving Treblinka", but it has a different feel about it. Its almost as if he is telling the story as a detached observer, which, in some cases, caused the survival of many Nazi victims. It is very detailed but, amongst the suffering among the few prisoners chosed to sort the clothing of the dead, there is a hope you get out of it. There were of course prisoners who has to work in Camp 2, where the gas chambers were located and those prisoners has to unload the chambers and put them in mass graves, later replaced by huge pyres, also called the roasts. But Glazar worked in Camp One, first sorting clothes, and then getting a better position working in one of the sheds where packaged belongings were stored until the objects could fill up a train to head back to Lublin headquarters. One of the most interesting chapters is called "The Hangmen and the Gravediggers", where Glazar, while working in this shed, encountered and actually had relatively normal conversation and mingling with SS men who worked the camp. This chapter describes many SS men, calling some terrible, while others were not as bad as others. Corruption was the name of the game; that is, SS men would come to this shed to get fine clothing and other objects and would often keep them of send them home to their families. This practice was extremely against SS regulations, but it happened anyway. The rest of the book is very interesting as well, such as when Glazar was assigned to the forest brigage, who would collect pine branches and such to camoflauge the fences of the camp. The evolution of the revolt is great, despite terrible things that happended in the course of organizing the revolt, such as military leader of the revolt, Zhelo Bloch, a Jewish captain of the Czech Army, being sent to Camp 2, with its gas chambers and dead bodies everywhere, as punishment for numerical errors that occured one day when trains were being loaded up with the stolen goods of the Jews, trains that would go to Lublin and spread from there. And there was also the death of Dr. Chorozycki. He was found in possession of money that to be used in the purchase of arms to be used in the revolt. Kurt Franz made the discovery and the doctor attacked Franz with a surgical knife and blows from his fist, a great act of courage. The doctor managed to slip some cyanide tablets and he died before the SS could torture him, to try to get information from him. Terrible indeed, but the revolt still took place...ive said enough, just read this book! You will not be disappointed, particularly if you are already interested in the subject of the Holocaust. I would suggest anyone read it though. The book is depressing, but, to me atleast, the way it is told seems almost detached, and theres even monents of dark humor thrown in here and there, atleast thats how i percieve it. A moving book to say the least. Get it!



4. Richard Glazer, a Czech Jew, mentions his life in German-occupied Prague and then his arrival at Treblinka. Naked for the "shower", he gets pulled out of the line to the gas chamber by an SS man, and diverted to forced labor. Glazer then elaborates his experiences in Treblinka, giving a particularly good description of typhus and how it flourishes under the unsanitary conditions and is spread by lice (pp. 72-73). Glazer escapes Treblinka during the famous August 1943 revolt. He eventually gets caught by a Volksdeutsche, but avoids the death sentence for being a Jew, and ends up a forced laborer in Germany, where he is liberated. Glazer also recounts his "reunion" with 54 still-living Treblinka escapees during the trials of the Nazi war criminals in West Germany in the 1960's (pp. 195-196).
   
   Some Polish Jews discussing the possibility of escaping from Treblinka tried to discourage it by sinking to new lows of Polonophobic mythmaking. They actually asserted that Poles who help Jews no longer exist at all, and that 9 out of 10 Poles betray Jews (p. 84)--all without even stopping to think about the self-refuting nature of their absurdities. Just two sentences earlier, they had spoken about Jews who had escaped from Treblinka and returned to the Ghettos to warn the remaining Jews there (p. 83). If anything other than a trivial fraction of Poles betrayed Jews (let alone 9/10) then no Jews who escaped from Treblinka would've survived more than a day!
   
   In contrast, some Jews who contemplated the possibility of escaping from Treblinka had a realistic view of the situation. They recognized the fact that killers of fugitive Jews in the areas surrounding Treblinka were not, as often alleged, members of the Polish Underground (the AK and NSZ). They were simply bandits, many of whom pretended to be members of the AK and NSZ, and who killed both Jews and non-Jews at will: "A few kilometers farther into the woods you would come upon the partisans, and then a gang with nothing in common with partisans than the name. They rob, and they murder; they don't care whom they attack by night." (p. 105)
   
   When Richard Glazer actually escaped from Treblinka, he spent much time traversing the Polish countryside. He describes his peregrinations and the help he received from Poles. He passed by a long series of Polish villages, including Ostrow (p. 149), Wiszkow, Radzymin (p. 150), Rembertow, Solejuwky (p. 151), "...Piaseczno, Gora Kalwaria, Grojec, Mogielnica--those are the exotic-sounding names of towns passed through, more or less without incident." (p. 153). He had to evade a column of Germans. Yet not once did he indicate any threat from Polish blackmailers or denouncers. And, when he was finally caught, it was not by a Pole but by a Volksdeutsche. (p. 153)



5. Richard Glazar was one of the few people to have survived the Treblinka death camp. He was around 23 years old at the time. In his account of the 10 months or so that he was there, he does not dwell on things he did not have direct experience of, but describes what life was like for him and the people around him. He does not attempt to explain or analyze or give the big picture. This, for me, is what makes his story so powerful. Moreover, he does not overwhelm the reader with gruesome details, but at the same time manages to give the reader a strong understanding of the total inhumanity of the camp and its operations, and the casual and systematic brutality of the guards. I highly recommend this book if you are interested in a first hand account of this terrible time in world history. (For a very readable history of the Third Reich, I recommend Richard Evans' trilogy on the subject, beginning with "The Coming of the Third Reich".)

3 comments about Shivitti: A Vision (Gateways Consciousness Classics) (Consciousness Classics).

1. This book is not for the faint hearted or for the person whio is interested in history. The premise of the book is that the author relives his Aschiwitz experence through LSD treatment by a psychogist. Some things he remembers are likley to have happened to him, and some are a nightmare of things he cannot escape. If you want to read any of this authors books you need to have a strong stomach, It is a very rewarding and powerfull book if you are up for it



2. This book is a great insight into the personality of the author Yehiel Dinur a.k.a Katzetik. The book stands on its own as a powerful recording of the events that took place in the life of the author during the holocaust. As with all of Katzetnik's books the events are heart wrentching. Particulary worth recalling in this book is when he for the first time goes to a beach in Europe during his medical treatment of the 1970s and exposes his arm that was tatooed in Aushwitz with his inmate number 135633. The scene is chilling and unforgetable. The premise of the use of LSD to come to terms with his lifelong nighmares about his experiences of the holocaust is secondary except for the fact that it is through this means that the author comes to terms with his pain caused by the cruel germans and their helpers. Overall, this book is an important read and is even more stunning if you read Katzetnik's other books. Katzetmik is one of the most powerful and important authors on the subject of the holocaust and his books are a must read for everyone lest the world forget what happened.



3. Yehiel Dinur, Ka-Tzetnik 135633 survived the horrors of the Holocaust only to discover that survival alone would not end his torment. Hunted by distressing symptoms of PTSD (post-traumatic stress disorder) he underwents a supervised LSD treatment program. Unfortunately after many sessions his situation deteriorates and he decides to leave the program. He writes near the end of the book: "I can't stop thinking that maybe I shouldn't have provoked fate by trying to rewrite my life script. Maybe I should never have made that trip to En-Dor, should never have used LSD to conjure up the secret that a Hand, keeping its own counsel, had cared enough to hide from me."
   
   Short, honest and heart-wrenching book highly recommended to all transpersonal psychotherapists, underground psychedelic therapists, Holotropic Breathwork practitioners and everyone else interested in the depths of human psyche.

5 comments about ZVI : The Miraculous Story of Triumph Over the Holocaust.

1. A book that will touch your heart and stay with you for the rest of your life. Don't miss this one!



2. This book touched me in ways I had not expected. Zvi survived the atrocities of the holocaust and lived to tell the world what really happened. His life was nearly destroyed by Hitler's evil regime, but God had another plan in mind for the life of little Zvi. This book is a golden triumph!



3. My review is about the first edition of this book which ended with Zvi and his wife Esther having a beautiful daughter named Ruth. I loved this story. I was stunned at how it started, with little Henryk being taken to an orphanage by his mother, never to see her or the rest of his family again. I was moved to tears while I read this book which described how Henryk survived during the war. What he thought was his wits, he later realized was the LORD delivering him from certain death. The God we serve is a very powerful God and this book is a testimony to His greatness. Henryk lost everything except his life, but he met Jesus and the LORD restored him. A very wonderful story.



4. This is an amazing biography of an amazing life retrieved and restored by his encounter with the Jewish & Gentile Messiah, Yeshua ben David/Jesus Christ. Zvi is a holocaust survivor who overcame tremendous obstacles and the bitterness of that trial to become one of the most powerful witnesses for the Lord Yeshua in the Land of Israel.
   You will want to get the outstanding video/DVD {ZVI: THE RETURN} documenting his sojourn to Poland and a rememberance of his life both before and after returning to the Land of Israel in the midst of tremendous turmoil.
   There are few lives that are more inspiring than this one. Highly recommended to both Christians and Jews.
   Pastor Len Hummel
   Clearlight Ministries, Intl.



5. Sometimes truth is stranger than fiction. This book was that to me. I could not put it down until reading the entire book. I highly recommend it to anyone interested in a true story of triumph of a young boy growing up in Poland during World War II.

5 comments about Castles Burning: A Childs Life in War.

1. This is one of the most moving accounts of that time that I have ever read. I admire the courage of the writer to recount it, I admire the fierceness of that little girl, so many years ago. Its haunting beauty stays with me.



2. Her memory and recall of detail, conversations, and feelings make her an excellent writer of a compelling story. I wonder if she wrote of her life after reaching Cuba.



3. Magda Denes was five years old, in 1939, when her editor father abruptly abandoned his family, transferring all his assets to the United States.
   The family was left with nothing.
   Persecuted and then hunted, Magda was determined not to give way to despair (as she was taken around to different places of hiding and had to hide under floorboards, in an oven, and in a cellar) . She lost her brother Ivan, who was a rescuer for the Zionist youth movement Hashomer Hatzair. The Zionists rescued many Jews from the Nazis, and were the backbone of Jewish resistance to Nazism.
   What results is a colourful classic of the sruggle for life in dangerous and frightening days of death, written with wry humour and biting wit.
   You will grow to understand, sympathize with and love Magda as you follow her story.
   Today influential voices are calling for an end to the State of Israel (which was in many cases built by holocaust survivors), which would certainly lead to a second holocaust aginst the Jews living there.
   It is up to us to prevent a second holocaust from occuring.
   To prevent a situation where Jewish children will be murdered and hunted, by fully supporting Israel in her struggle to survive and fighting anti-Israel prejudice.



4. This book is a Hungarian version of Ann Frank's Diary. It shows the world of a persecuted young Jewish girl through her own eyes. But it's also much more of an adventure story - and less introspective - than Ann Frank's Diary - and the heroine survived. It artfully portrays the family tensions - which, aside the extraordinary circumstances, were in a sense ordinary: yet they are beautifully and vividly portrayed. The author was obviously a character of great steel inside. Having myself lived many years in Hungary, the places, names etc. were all familiar which made it doubly interesting. A must for anyone seriously interested in Hungary.



5. This book shall remain in my library permanently. Do not mistake this as simply an "Anne Frank" copycat; it is not! Nor is this just another Nazi story. What make this book so incredible is her comments about life and loneliness. Interestingly, there is also laugh-aloud humor sprinkled throughout. The end of the book, unlike Wiesel et al., leaves one feeling upbeat. It is a remarkable, true account, written by a successful NYC psychiatrist on her deathbed due to breast cancer and published posthumously. THIS BOOK SHOULD NOT BE MISSED!

5 comments about Mother and Me: Escape from Warsaw, 1939.

1. Julian Padowicz's perilous escape from Warsaw is an exciting adventure, made all the more engrossing because he conveys so much about his feelings and impressions of this time in his life. The young Julian, who seems at times wise beyond his years, has a wonderfully wry outlook on the varied circumstances in which he finds himself during the course of his journey. The author enables us to understand his doubts and fears, his joys and sorrows, and above all, his great need to connect with his mother. His story is truly a poignant and heart-warming chronicle.



2. Inspirational and entertaining. Julian recaptures the voice of a little boy and tells one of the great stories of WWII.



3. Couldn't put this book down until I finished reading it, then wished that it had not come to an end. A beautiful story of how we can do anything if we put our mind to it.
   
   I so admire and respect the strength & determination of this mother and her son.



4. A real page turner. I couldn't put it down. Aptly described as "part Anne Frank, part "The Great Escape" and part Marx Brothers. A plum for some actress, with a range from Lorelei Lee to Mother Courage.



5. the story by itself is probably important to the author, but for the rest who are interested in Holocaust, it's very remotely related. Although I'm only in the middle of the book, but so far it's very very boring. The author being age 5-6 mixes whatever he remembers with fiction. But mostly it's only based on his true memoirs as a child.

4 comments about When I Was a German, 1934-1945: An Englishwoman in Nazi Germany.

1. Victor Klemperer's "I Will Bear Witness". Christabel informs and entertains us, her writing is engaging and a world beyond the simple "diary entry" accounts. She is very perceptive, and her impressions from inside Nazi Germany, as a non-German, help us to better understand the people who brought Nazism to the world. Her writing style puts you right there in the minds and hearts of simple villagers, Nazi officials and those opposed to them. It also brings us a fresh perspective, one perhaps not encountered in other books on the subject. I have read numerous books, diaries and accounts of life in Nazi Germany (and Europe in general) and can highly recommend this one.



2. Until I read this book I never realized there were British (and American) women who had married Germans prior to the outbreak of WWII and actually lived in that "enemy" country while we were at war with them. The author suffered along with the German cicil population as the allies methodically bombarded Nazi Germany into submission. The constant fear of daily aerial bombings,hunger, and the fear of the Gestapo make this an epic story of survival.Better than fiction!



3. Fascinating account of life in Nazi Germany as told by an Englishwoman who had married a German aristocrat in 1934. Not as profound as Victor Klemperer's "I Will Bear Witness" but still one of the best of its genre. I liked it even more than Iris Origo's "War in Val D'Orcia" which I also highly recommend.
   
   Bielenberg writes beautifully, and although the narrative can be a little confusing at times, certain passages of "When I was a German" read to me like bits of "found poetry." Unfortunately a few typographical errors mar this edition; an historical document this important deserves better.
   
   There was a British television series produced in 1988 based on this book, called "Christabel" and shown in the United States on Masterpiece Theater. Bielenberg also testifies in various episodes of the "World at War" television series, which I am now looking forward to seeing again.



4. This was a good deal at the time, and by shipping it with more priority, was able to obtain it in the amount of time I needed.