No comments about Roberto Clemente: Baseball Player (Ferguson Career Biographies).

No comments about Joaquin Dicenta: Spain's Forgotten Dramatist.

No comments about Judy Baca (Hispanic-American Biographies).

1 comments about De León, a Tejano Family History.

1. Every now and then you luck into a beautifully produced book which changes your frame of reference. "De Leon" is as close to telling us about who we are and what made our nation as any I've read.
   You don't have to be an historian or a scholar or someone with a particular interest in Mexican American history to realize that the De Leon story, in Crimm's telling, is as engaging, exciting, and moving as any part of our American story. "De Leon" offers an understanding not just of a piece of family history but of a whole landscape, storied but unfamiliar to many of us. Highly recommended!

1 comments about Jose Clemente Orozco: Mexican Artist (Hispanic Biographies).

1. This historical book was an excellent source of information, not only about Jose Clemente Orozco, the artist, but about 20th century Mexico and it's history. The illustrations are good and done in black and white. I would recommend this book for students from the 7th grade up, as well as teachers and parents.

No comments about Dolores Huerta (Latinos in American History) (Latinos in American History).

No comments about Waves of Recovery: The Life of an Advocate of Latino Civil Rights.

2 comments about Killer Cronicas: Bilingual Memories (Writing in Latinidad).

1. Clever, sassy, intelligent, poetic... continual code-switching is a wonderful vehicle to convey the sensations and experiences of a multi-cultural life. Her poetry invokes the intimacy I often feel when back in a long-lost land. Her quick wit and carefully-chosen details chronical well the feelings of isolation and observer-looking-in that seem to dog me wherever I land.
   This is well worth the read.



2. Killer Crónicas asks the following questions, among others:
   
   * What is the nature of the exquisitely ambiguous pleasure we experience in passing as members of the local community?
   * What are the costs of being identified as an insider, or outsider, by members of the communities in which we travel?
   * How might the experience of being at once inside and outside be specific to pan-Latin and Jewish post-holocaust cultural identity, without regard to location?
   * How to develop a language limited enough to connote specific geopolitical contexts, yet broad enough to denote the simultaneity in memory of related circumstances separated by distance and time?
   
   Killer Crónicas draws from multiple genres, such as the literature of travel in Spanish (cartas de exploración, of discovery) and in English (here, the Anglo-American category of life-writing, which includes biography, autobiography, and letters, is helpful.) Particulary original is the sustained and studied attention to the traveler's status as a consumer. Underlying the internationalism and bilingualism of Chávez-Silverman's accomplishment is a creativity comparable to Latino performance artists such as Coco Fusco (author of English is Broken Here) Guillermo Gómez-Peña, or code-switching poets such as Tino Villanueva.
   
   I personally find Gloria Anzaldua's work almost unreadable (there's no rhyme, reason, or inventiveness) while I think that Cherrie Moraga is good for her work's characters and dynamic. In Killer Crónicas what's original is how the writer focuses attention on the relation between what we say and how we say it in one or both languages, showing how the mind moves at the moment of the "switch." This work demonstrates a mode of thought familiar to those of us who work in multiple cultural locations, reproducing the habit of thinking in multiple languages. This challenges the hegemonic attitudes about what constitutes linguistic propriety in either Spanish or English by pointing up the complexities of both languages. Also the mixture of languages legitimates a practice that is very widespread: the INVENTIVE use of multiple languages, registers. Read this very contemporary, brilliant book for the puns, for the writer's inspired, faux, alternative, and refused translations. Killer Crónicas is steeped in multiple literary traditions: Argentine, CalifAtzlan, On the Road-Trippers, but most of that incomparable Spanish-language genre that is so definitive in the New World: the Crónica. Let Susana Chavez-Silverman be your guide and you will travel far, far indeed.

No comments about Oscar De LA Hoya: A Real-Life Reader Biography.

No comments about Latino Baseball's Finest Fielders/Los Mas Destacados Guantes Del Beisbol Latino.