5 comments about The Pope's Daughter: The Extraordinary Life of Felice della Rovere.

1. This is a fascinating biography of Felice della Rovere, illegitimate daughter of Pope Julius II, the great Renaissance pope. Felice, however, was important and influential in her own right, and the author, with thorough research, has vividly provided an engrossing story of Felice's life, including her childhood; marriages and children; her complex relationship with her father, the pope; and her rise to power, political influence, and wealth within Renaissance Italy. The author convincingly contends that Felice became the most powerful woman of her time, and yet, strangely, her story has not been told before. The biography of this remarkable women is enhanced with the backdrop of life in Renaissance Rome and the surrounding Italian countryside; the life of the city streets, the day-to-day workings of the great palaces, how the economy worked, wars, the lives and works of the great painters Michelangelo and Raphael, and the intrigues of the nobility are all described. Dozens of beautiful black and white illustrations are placed at the beginning of each chapter, and an attractive set of color plates highlights key persons, important paintings, and castles and palaces of the era. Strongly recommended for readers interested in women's history, the history of the Renaissance and the history of Rome.



2. Caroline Murphy has sketched an extraordinary life. Felice della Rovere's worlds -- personal and political -- were complicated ones, and she seems to have been amazing in how she negotiated them. I say "seems" because it's very often difficult to tell whether the author is basing a statement on solid evidence or whether she is taking a leap -- about an action, about a motivation, about an emotion -- a sort of best guess based on the evidence. That's often frustrating and often downright irritating, but all in all it's worth it to see the shape, if not the real substance, of the life.



3. For the reader familiar with early sixteenth-century Rome, Caroline Murphy's book is a carefully compiled compendium of images and priceless facts, albeit some treading on familiar ground, for example the horrific Sack of Rome or the sexual anarchy in the Vatican during the reign of the infamous Borgia pope. Yet, there is so much new material on a fascinating woman, that even general readers interested in history should be mesmerized by it. The lives of numerous old baronial families form a foundation for the story of the Della Rovere and Orsini clans, of the militant Pope Julius, Felice's father, and the lords of Bracciano, the stronghold of the Orsini's. Minute details of everyday life in Rome enclose the broader picture of a papal daughter who governed her family with a suprisingly strong hand, long after her papal father died. Images of lavish feasts, rebuilding of St. Peter's, and perpetual enminity between the ruling clans are just minute details of an elaborate and very enjoyable reading. Although a page-turner, be prepared to move slowly, because the thousands of facts will demand time to savor them! Definitely not a quick read for most. Highly recommended.



4. Tightly written with loads of details that goes a long way in explaining how she developed and became successful. I now have a better understanding of the 'Medevial Rome" area that I visited.



5. An interesting book,detailing events in Rome c.1500. Easy to read and well told,I would recommend it if you like history.Is cheap for such a scolarly work. Not prejudiced and fairly told.No complaints except I got confused sometimes by "who"the person that was mentioned. That's my fault,maybe,but a caracter guide would have been welcome.I would like to read more of this type of history book,the period is so interesting. Padraic O Cinneide. Kildare,Ireland

5 comments about Consuelo and Alva Vanderbilt: The Story of a Daughter and a Mother in the Gilded Age (P.S.).

1. I didn't read this book for a while after I bought it, as I found its heft daunting. However, once I started it, I was totally absorbed. Mackenzie Stuart combines two stories in one. I refer not to the stories of the mother and daughter, but the combination of describing lifestyles that seem almost medieval and then telling the story of the women's suffrage movements in the US and UK from Alva and Consuelo's vantage points.
   
   I can't speak to the few factual errors pointed out by one of the earlier reviewers. However, as for the subejct-verb error cited, although the phrase is incorrect in American usage, I believe it is correct in British usage.
   
   I strongly recommend this to anyone interested in 20th-century social (in both senses of the word) history in the US and UK.



2. I liked the book, some of what the author had placed in her book was from other books.



3. Fascinating story well presented. This well-researched book has clarified several misconceptions about the Consuelo and Alva story.



4. In Consuelo and Alva Vanderbilt, Amanda Mackenzie Stuart gives her reader a glimpse into the lives of two fascinating women: Alva, the daughter of a less-than-400-family married into the fabulously wealthy Vanderbilt clan and made them into what they became. She was a forcefully dynamic woman who encouraged her children to be independent, yet stifled them. Consuelo, on the other hand, emerges as a more sympathetic character; married to the Duke of Marlborough at age 18, she was forced to give up the man she loved so that her mother's ambitions could be realized.
   
   The subject matter is fascinating, but I thought that the book was a little too dense at times; I thought that the author tried to bite off too much at once. Her original intent had been to make this book solely into a biography of Consuelo, but was misguidedly advised to include Alva as well. The result is that the book covers a large period of time and tends to wander a bit. Also, Consuelo's story covers about ¾ of the book, while Alva, who was probably a more interesting woman, is left in the background.
   
   There were little things that I didn't like about this book as well. First there were too many French words that were left untranslated. Second the author goes into meticulous and I might even add sleep-inducing detail over every. Single. Little. Thing, which took away from my enjoyment of the book.
   
   However, I truly enjoyed the subject matter. And I thought it was well-researched; it turns out that the mag rag Town Topics (an early precursor to the tabloid magazine) had a lot to say about the Vanderbilts, and believe it or not, sometimes their information was actually correct. I thought it was interesting, too, how society doyennes created the idea of a press agency, working the press according to their own agendas. It was kind of a Catch-22, in its own way.



5. A fascinating glimpse into New York and European society at the turn of the century. I kept wanting to shout to Consuelo, "Run! Run as fast as you can away from your control-freak mother!"

5 comments about The Flame Trees of Thika: Memories of an African Childhood (Penguin Twentieth-Century Classics).

1. If you are interested in other cultures and ways of life, this book is a treasure. Yes, there has to be a bit of willing suspension of disbelief that this would be the way a child would see and describe things, but if you can live with the fact that this is an adult looking back on her childhood, it's a small thing to get over. The descriptions I found perfect--very vivid, yet not so extensive that they became boring and slowed down the story. And just in what happens and isn't even excused (her parents leave her with neighbors, she accompanies the neighbor's worker to the city, where he leaves her with some more strangers--we'd be calling the police, and her parents are just slightly inconvenienced! And everyone else there has just left their small children at boarding school, not seeing them for years!), the book gives a lot of food for thought about the realities of life in that time and place.



2. In 1913, a little English girl named Elspeth relocated with her family from their native country to begin a coffee plantation in the wilds of Kenya. Similar in a way to Laura Ingall Wilder's adventurous and sentimental "take" on what was surely a very difficult experience for her family, Elspeth remembers Kenya as a wonderful place and tells us with lingering excitement of her experiences there in the short time before the First World War changed nearly everything. A delightful memoir that is a pleasure every time it's read.



3. I loved this book. It is beautifully written and is a gripping story on growing up in Africa.



4. The Flame Trees of Thika is a wonderfully written book giving the reader a glimpse of what it must have been like to grow up in Colonial Africa. It is an experience most of us will only have through reading and can only be compared to what it must have been to be one of the early settlers on the American Frontier.



5. This is by now a revered classic of a young girl's childhood in the Kenyan countryside under British rule. One reads this and instantly identifies with the colonial family. It's a kind of Swiss Family Robinson story about that magical time in Kenya and thereabouts before World War I when the world seemed to be at the feet of the British King and all globes glowed pink under the Empire. Were people ever so free and happy as the colonialists in Africa who instantly had countless servants, nearly free land, and the British fleet for protection? This is Out of Africa for the middle class, as opposed to Isak Dinesen's aristocratic take on things. Still, the going was good, as Evelyn Waugh once said. Ms Huxley is a charming writer. Required reading for lovers of things African.

5 comments about E=mc2: A Biography of the World's Most Famous Equation.

1. This is not a book for people who are looking to learn science. It is a book for people who want to learn about scientists. Bodanis includes lots of fascinating biographical snippets, some about people, such as Emilie du Châtelet, who are entirely overlooked in most textbook histories. His book is a great introduction for those who want to fill in some of the gaps in their knowledge about the people who created modern civilization.



2. This book starts out fairly well, with a chapter apiece for every part of the equation--energy, mass, the speed of light, even the symbols for equals and squared--but quickly devolves into a generally poorly researched, incomplete, fluffy, dumbed down work.
   It's mostly enjoyable, but it never explains how exactly Einstein came up with his theory--instead referring the reader to the author's website if he or she would like to know more! It never really explains how the equation became so famous (as it seems a real biography of the equation would), and it left me feeling that I'd gotten a faint grasp of the equation despite this book's clunky attempts at explaining it to me, not at all because of it.
   This could have been way more interesting in the hands of a better writer, but as it is the book is informative...but condescending and hollow. I started reading it out loud to my wife, a microbiology major, and she lost interest and told me to finish it by myself. The writing is not exciting, and the most interesting science aspects of the book have been dealt with better elswewhere.
   Plus, everything from the layout of the text to the padded way the author cites quotes suggests he was desperate to fill a word count, more interested in that than it doing this story justice.
   The book is okay, but I don't recommend it.



3. I wasn't sure what to think when I picked this book up, but David Bodanis takes us on a very interesting journey to get to Einstein's famous equation, giving us a history of the various bits that go into it and showing how those bits were welded together by Einstein to unlock the secret of matter and energy. And it doesn't stop there, because like any biography, it follows the equation from its inception to the various paths it has taken throughout its life, including its use in the atomic bomb, as an answer to how the sun shines, and as a way at looking at the structure of the universe. Best of all, it is not bogged down in the nitty-gritty of science -- no math degree is required to follow the story. Very entertaining and thought-provoking



4. Bought as a gift for my husband. He loved it, so I read it. It's incredibly interesting and thought provoking.



5. Wonderful book. A teacher of mine showed the movie in class, and I was spellbound, so I proceeded to buy the book; I was not disappointed. This book is quite captivating, and I found it difficult to put down. It splits the equation up into five different sections: E for energy, = for equals, m for motion, c for celeritas or the speed of light, and 2 for squared. Keep in mind this book is not for those wishing to learn the exact mathematical development of this formula; it is more of a history of the people and events that led to Einstein's brilliant revelation and final development of the theory. I would recommend it to anyone.

5 comments about Moments with the Savior.

1. On seeing other interesting reviews, I briefly need to quote Ken Gire in his exceedingly well-written glimpses! 1) An Insightful Moment of the Fields: "He lies there so meekly...Coming to us in the weakest of ways. He placed himself at the mercy of creation, at the mercy of a census, at the mercy of us mortals, even at the mercy of animals." After being immersed in sacrifice, I find An Intense Moment in the Desert: "The desert is where we face the strongest and most seductive temptations in life...where the enemy is most formidable, and where we are most vulnerable."
   
   Ken uses descriptive adjectives so artistically. He seems truely sincere, never boring. With the Insightful Moment at Nazareth, he creatively expounds upon Jesus reading the Prophet Isaiah in the Synagogue.
   
   "Nazareth was Jesus' hometown. (Just in case my first readers may not know the fact) Nazareth's obscurity is surpassed only by its austerity." With few words he sparks my imagination!
   
   Two more dramatic moments compelled my total attention: Gire's
   Intimate Moments With Peter and Insightful Moments of Character, focused upon the Beatitudes! Describing his Fishing with the disciples, Gire writes: "Above them hover squawking fluries of herons, cranes, and cormorants waiting to dart in and steal away what they can of the catch." (To any salt-water fisherman that cuts it deeply)
   
   Finally, An Insightful Moment of Character: "The Crowds were comprised largely of outsiders. Hardly pillars of the community.
   What did they hear in His voice when he preached? What did they see in His Face?" Then his answer comes in outline form: "He was poor in spirit...He mourned...He was meek...He hungered and He thirsted for righteousness."
   
   "If the world persecuted Him; What would it do to His followers? Similiar thots are included in his most Intense Moment about the Mountain-top, with more creative embroidery. Poor in spirit, mournful, meekness, hunger for rightousness... being merciful, being pure in heart, also a peacemaker." What a wondrous way to end my Commentary...Awesomely full of Intimate, Instructive Moments with Jesus! Retired Chaplain Fred W Hood



2. By far my favorite devotional book. Gire, through his gift of story-telling, brings to life the characters and situations of those Christ touched in his time here on earth. The prayers that end each chapter help me examine myself and fix my eyes on Jesus. This book is wonderful for those who only know the name of Jesus and seasoned Christians alike.



3. I have received more graces through this book than any other in my library. Ken Gire knows how to make the Bible come alive in very real, truistic ways. A definite +++



4. I find this devotional to be so touching and thought-provoking. I have purchased one for my husband, daughter, and two friends. I only wish I had bought more. In relation to the scripture, Mr. Gire ties Moments with the Savior into every day life and hin doing so this book helps me to know how to pray more effectively about different matters in my own life and in others for whom I pray. It is very insightful and highly recommended!



5. This is one of the best Christian devotional books I have ever read. It is unique in its presentation of events in the life of Christ and the author's spiritual insights certainly draw one closer to God. I gave a copy to my pastor and he recommended it to fellow pastors, as well as friends and family.
   Gert McIntosh

5 comments about Circling My Mother: A Memoir.

1. The concept for this book intrigued me and I loved the image of "circling our mothers" through their lives to more fully understand them as daughters, women, friends, employees, wives, etc. However, I was put off on several fronts. One was the author's vitriolic attacks on family members she felt had turned on her or her mother and let them down in some life-altering way. Again and again we hear the phrase "I will never forgive her." It makes one wonder whether Gordon really ever left the past she so intimately details. Another was the use of her favorite artists as symbolic interpreters of her relationship with her mother and her mother's aging process. A paragraph or two about Bonnard or Vuillard would have been fine - but whole chapters describing paintings that are not in the familiar art cannon of most people? There were some poignant insights into her mother's life through her Catholic faith and the church of the 50's and 60's and a wonderful trail of revelation about her mother through her favorite perfume, but alas, that could not overome the burdensome prose that felt like a wet unforgiving blanket not a peek through a veil to her mother's life.



2. I've loved all of Mary Gordon's work and it was with great anticipation I began this book. Ater five minutes I almost put it aside forever. Plowing through her heavy-handed attempt to relate her mom's 90th birthday with the work of the artist Bonnard left me wondering if Gordon had any way of accessing feelings--certainly a requirement in writing about one's parents.
   
   I persevered and there were some absorbing anecdotes. But what I learned was about Gordon and not about her mother. Perhaps that was the point but it left an unfavorable impression of Gordon. Her many references to her mom's misshapen body were disturbing; her lack of probing into the reasons for things being the way they were left me with the impression that this book was an unequivical cry for attention rather than the exploration of her mom that it was presented to be. For example, she'd pose questions and never answer them. Did my mother "have a secret reading life?" Her answer? "I wouldn't know." Or "I can't imagine why she thought it would be desirable to go on vacation with us." or, "I don't know much about Rita...." We expect that writers will delve into the situation and give us insights into the why or what.
   
   The book is well-organized by chapters into the parts of life that make up a person's life--My mother and her bosses; my mother and her words and music; my mother and her sisters (omitting almost everything about the brothers that must have played more of a role than Gordon presented). The chapters go on--friends; priests; my father; the great world (pretentious as can be); and finally, heartbreakingly, "My mother's body." Crippled. Alcoholic. This is how she describes her mother's body, mixing personality with body, defining the person by loaded labels that convey nothing of the complexity of the human being.
   
   At the end of the last chapter she writes, "I am trying to see my mother. I must begin now to learn how to look." Moving words but it would have been a better book had she done that before she started to write this book.



3. No one will ever fault Mary Gordon for a lack of frankness or honesty. In the past, she has mined her rather difficult upbringing and family life for short stories, novels, essays and memoirs. Now, with Circling My Mother, she shares intimate details of her often difficult relationship with her mother, a woman afflicted with polio as a young girl and who was looked down upon by most of her relatives despite the fact that she for long periods of time provided the bulk of their financial support.
   
   Rather than using a straight chronological approach to recount her mother's life, Gordon chose to focus on specific ways through which her mother related to the world. In separate chapters she discusses her mother and her bosses, her words and music, her sisters, her friends, her priests, her father, her world view, and her body. However, as Gordon "circles" her mother and explores a different aspect of her character in each chapter, the reader comes to know as much about Mary Gordon as about her mother, Anna. Nothing less is to be expected of an author of Mary Gordon's honesty and, in fact, it is the revelations that Mary makes about herself and her feelings that make Circling My Mother such a powerful book.
   
   Mary Gordon lost her father at an early age and, although her relationship with her mother was an uneasy one at times, the two were close. Mary suffered through her mother's often public displays of alcoholic self-pity and from her sharply critical way with words but, in the end, she is loyal to her mother's memory and defends her actions as only a family member can do it. She accepts criticism of her parents from no one, almost refusing to acknowledge that her mother and father were often as wrong as those she criticizes for causing them grief during their lives.
   
   Circling My Mother is Gordon's attempt to reconcile the guilt that she seems to feel for "abandoning" her mother to a nursing facility in her last years, a facility to which she dreaded to go for the horrible one hour per week that she spent with a mother who no longer recognized her or had control of her mind or body. Her approach to her mother's story paints a human face on a woman who was very much a product of her times but who still managed to achieve more than many women of her day. Anna spent a lifetime as a treasured legal secretary, raised a daughter on her own, supported her brothers and sisters financially until they could do it for themselves, was a staunch supporter of the more traditional Catholic church of the times, and had close friendships with several intellectual priests.
   
   But she could also be a vindictive woman and she resented the way that she was sometimes treated because of her handicap and "place" in life. Mary Gordon seems to have inherited that resentment and she does not try to hide it. Instead, she describes several key relationships in her own life, relationships which helped to make her into the woman that she is today but which she abandoned with little thought or guilt when she no longer needed them. Some of the people cut from her life, such as her truly horrible Aunt Rita, admittedly deserved that treatment but that others who at one time meant so much to Mary Gordon were treated the same way is as surprising as her willingness to expose this weakness in herself to her readers.
   
   Circling My Mother is not a sugarcoated, feel good memoir, the kind that often reads more as fiction than as fact. It is Mary Gordon's honest assessment of her mother's life and how she related to that life. It is the work of a woman not afraid to expose her own weaknesses as part of her writer's craft and, although it is the kind of book that often makes the reader uncomfortable, it should be read especially by those who find themselves caring for elderly parents of their own.



4. Mary Gordon is a wonderful writer and brings alive the environment of a Catholic upbringing, never hiding her loving ambivalence or her mother's peculiarities. The first chapter overdoes the analogy to Bonnard paintings, but otherwise, a good read.



5. This was a very insightful book about a complex subject -- mother-daughter relationships. I was moved by the author's honesty, especially during her mother's decline. Well worth reading.

5 comments about Riding the Bus with My Sister: A True Life Journey.

1. Okay, so maybe not the most original title in the world, but the story sure is. The author decides to spend some quality time with her mildly retarded sister, Beth, (whom she never fully understood). Simons basically takes a very long leave of absence from work and totally immerses herself in Beth's world - which consists mainly of riding the bus system in an unnamed Pennsylvania city. But this is not just a simple journey. She experiences how Beth has carved out a life for herself, the people she has connected with, the joyful outlook she has on life, and realizes that maybe Beth's life is fulfilling in its own way. This is also a journey through her childhood as she
   reflects on her memories, her relationship with her family as well as her sister. By slowing down her fast-paced existence and taking the time to experience a year with her sister, Simons certainly discovers a lot about herself, and comes away with a different, more appreciative view of her life. Hopefully you will too. I know I did.



2. and on and on and on..............a shorter memoir maybe I could have, maybe, plodded through without so much difficulty.



3. This book isn't for everyone, but anyone who lives with a mildy retarded family member will see this book as an eye-opening and touching memoir of the highs and lows of living and coping and dealing with a person such as Beth, the author's sister, with whom she agrees to ride the city buses with over the course of a year.
   
   The chapters are beautifully interweaved with flashbacks to the author's childhood with Beth, who is 18 months younger than the author. The parents' coping with Beth, and how the rest of the family deals with this headstrong and independent girl without once ever mentioning the words "mild retardation" and yet determined to keep together as a family in the early 1960s bring this book to life for many Babyboomers. Rachel did a lot of research on the subject to write for this book, and inserts statistics at logical moments without ever tiring the reader.
   
   Along with the encounters on the bus are small vignettes of the various and varied drivers who deal with Beth on a daily basis. Bus drivers are profiled coming from all aspects of society. Some like Beth, others do not, and many came forward to talk about Beth and her incessant chats while sitting in the front of crowded buses with strangers all around her. Bus drivers are her friends, are her mentors, are her romantic interests and Beth at times reminds us of our girlish teenage crushes...and she is 39 years old while the story takes place.
   
   Although this book mostly deals with Beth and her daily bus rides around town, the author also talks about her own failings; her recent break-up, her move to a new apartment, and we see how dealing with Beth, and talking with bus drivers, help Rachel find the answers for her own troubles.
   
   This book may not be for everyone. One must have a close experience with a person such as Beth to understand the many detailed and sometimes long-drawn-out episodes of city bus travel to truly appreciate this book. Beth is beautifully portrayed in this book, and with all her flaws and handicaps we can see a bit our ourselves through her daily bus journeys.
   
   Read this book with patience and understanding for the mildy retarded people in our society. We all know and have dealt with our own Cools Beths.



4. I found this book to be very interesting and moving. It has really made a mark on my heart. I have a special needs child who unlike "Cool Beth" is not treated differently by many, yet sees some of the same prejudices. It was nice to read a book that shows how a person can live on their own and have the same things that so called "normal" people can. I appreciated that Beth knew right from wrong and is not afraid to express that to the world around her. We can all learn from that. The annoyance that Rachel gets from Beth is such a tough feeling for a sibling/parent, but a genuine one and written with such truth. This will not be enjoyed by all, but all can learn from it.



5. This is not a book I would have chosen, but I read it for my book club and was pleasantly surprised. When I saw an endorsement from Rosie O'Donnell on the front cover of this book, I was expecting something more sentimental, along the lines of a Lifetime Channel movie, to lie within the pages. Instead, I found a powerful tribute to people on society's fringe and a meaningfully insightful story.
   
   The story centers around a workaholic writer/teacher, Rachel Simon, who runs out of ideas for her newspaper work and decides to spend a year shadowing her mildly mentally retarded sister, Beth. Beth has chucked working and living in a group home for a hedonistic life in her own apartment, filling her days happily riding the city's busses. Simon takes what could be a boring or sappy story and makes something marvelous out of Beth's mundane, repetitive life by her keen observation and analysis of the details of this routine. She does an excellent job of looking at life through Beth's eyes and of showing how the mentally challenged are at times similar to the rest of us and yet at other times vastly different and difficult to comprehend.
   
   Naturally Beth's efforts to live independently in the manner she desires create enormous frustration for her family and even the professionals involved in her "case." How to help someone in Beth's situation is complicated. How much help can family and professionals give versus how much help should they give? How many decisions can she safely, competently make on her own? Simon shows us that there are no easy answers, as she attempts to establish her own place in her sister's life.
   
   The book is beautifully written, hard to put down, and filled with insights and wisdom that would make Irma Bombeck proud. The author was surprised at how much she learned from Beth's limitations and her world, and you will be too.

5 comments about A Drinking Life: A Memoir.

1. growing up in an Irish Catholic family I remember for my 18th Birthday my father brought home a cocktail for me from the local bar. To drink was to be expected of you. Pete Hamill has written a poignant, funny, sobering look at his life and his journey with alcohol. When he finally realized how much his life was defined by booze, he just quit. This is a courage book, beautifully written full of Irish vigor and spit.



2. Oh, the places Hamill will take you in this gritty, unflinchingly honest look at a fascinating interior life. Growing up in a poor neighborhood in Brooklyn, complete with cockroaches, Pete slowly acquires an understanding of what it means to be an Irish-American.
   Around age 8, his father, Billy, walked him to Gallagher's, the corner saloon, where young Pete got his first introduction to the camaraderie of the neighborhood bar. There he witnessed his father's serenading of the crowd, after loosening himself up with booze.
   It was an initiation that would influence Pete for many years to come. Throughout the book, Hamill notes the persistent, persuasive messages that our society gives, that drinking is an essential social lubricant.
   Be it a wedding, a funeral, the beginning of a job, or ending of one, joining the Navy, going on leave or vacation, on and on, drinking was invited, expected, nearly demanded.
   The book provides great insights into the times. Hamill writes, "We lived to the rhythms of the war (WWII). Before the War, During the War, After the War."
   Hamill's forays into the world of art are enlightening. While taking a drawing class, he becomes enamored of a nude model, and they become involved. His loves, travels, thoughts on religion and family kept me entranced, as well as his inevitable slide into an alcohol-induced moral deterioration.
   The surprising aspect here, was Hamill's moment of clarity, when he realized he had a choice, that he could disrupt the cycle of the "Irish-curse". We cheer for him as he strives to make a sober life for himself. An interesting life, told by a great writer.



3. A Drinking Life by Pete Hamill is a reflection on his drinking past. Without sentimentality Hamill tells a hard story. He portrays a loving mother, and an alcoholic father. He chronicles his impoverished childhood, his tough coming of age, his difficult search for meaning, his newspaper career, and his regrets about the way he treated his first wife and children. As the title implies his memories are tied together by recollections of alcohol, and a drinking culture that both fascinated and repelled him. The bar was a place of refuge where Hamill could be a man. It was a place to celebrate, to commiserate, to identify with others, to escape loneliness. It was the only place he bonded with his father.
   
   But the bar and the alcohol that fueled it had an evil side. It stifled human consciousness; it dulled pain, boredom, and joy. It allowed unconsciousness in the midst of living. During the 1960's at the peak of his newspaper career he realized drink was making his hands shake when he typed, and his mind so soft he couldn't spell easy words. He quit. Drinking memories ended. Hamill's love for the writing life was more important than his love for booze.
   
   His memoir is not a cautionary tale against using alcohol, nor is it a self-serving whine against the way he was brought up. He writes like the reporter he is. Honest sentences, specificity, and recalled emotion inform his text. He presents clear snapshots of his 1940's childhood in Brooklyn. He lets the reader draw conclusions, or judgments. He presents the characters who walked across his mother's kitchen floor--his Irish father, mostly drunk, and his siblings. He gives us his friends. He moves into the 1950's with raw adolescent energy--lots of sex, lots of booze. Drinking so overpowers the narrative, that at times I felt exhausted just by reading of his drinking binges.
   
   Hamill's talent, in this memoir and in other work, is a passionate love for real life. He spreads humanity on a broad canvas without moralizing. He paints violence, gentleness, loneliness, and companionship. Real life is hard to look at. Hamill gives it to the reader like he gives it to himself. Without bitterness, with humility, with forgiveness, and with compassion.



4. In my quest for chronicles that detail the often entwined aspects of drink and journalism, I was delighted to discover Pete Hamill's candid tale, robust and surly - an account that carries the reader through his lushly-detailed memoirs that began in blue-collared Brooklyn. As the son of struggling Irish immigrants, Hamill grew up during the Depression with the enduring beliefs of the working-class neighborhood in which he lived -street-fights, low pay, loyalty to the neighborhood, and machismo drinking. His tale is rich with the nostalgia of days long past - marbles and stickball, Milton Caniff, Captain America, and the city Athletic League. He details his own lack of connectedness with an alcoholic father he longed to love and vowed not to imitate, only to fall prey to the same lure of the bottle.
   
   Hamill recounts his loss-of-innocence submission to wine at eleven, along with the internalization of the street-tough attitude that shapes his life in the ensuing years. His talent for graphics and natural ability in academics often leads him to the edge of success, only to fall victim to his own self-destruction. Dreams of becoming a cartoonist are interrupted by the reality of a Navy Yard job, yet resurrected again through art lessons from Burne Hogarth, then dulled by a desire to imitate stoic drinkers like Hemingway and F. Scott Fitzgerald. The romantic association of absinthe and literature appeals to Hamill, a seduction that eventually draws him to a career in journalism. He details the rocks and bumps along the way - through newspaper strikes and Mexican jail. His obvious wanderlust takes him from Barcelona to Dublin, Rome to San Juan to Washington D.C., while trying to sustain a turbulent marriage, peppered with an infinite immersion into parties and booze, and eventual divorce.
   
   In 1966, Hamill meets Shirley McLaine at a party in Rome, and he details, very briefly, the eventual celebrity life he shared with her, but shies away from giving us a paparazzi view of truly personal details. Although he denies it, he is perhaps too immersed in drink to recall the nitty gritty. In his final look inward, he describes a New Year's Eve party and his feeling "as if I were shooting the scene with a camera from across the bar...I noticed that my hand was trembling and wondered if that was in the camera shot," - his own personal play that has lasted a lifetime, one written with a bad script that he rewrites at that very moment. Kudos for him.
   
   This is not a book that shows you how to quit drinking; rather, it is a searing, vivid account of one man's recognition of his own problem with alcohol. Despite years of succumbing to the liquor that constantly dragged him into the depths of the gutter, he emerged with a brilliant tale to tell.



5. Pete Hamill"s deeply introspective memoir of his coming of age during the late 40's and 50's in working class Brooklyn is a brutally honest account of how alcohol gets integrated into certain rights of passage as people , especially men navigate the transition to adulthood.
   
   His story could be anyone's, except that Hamill writes in a gripping personal style that infuses each episode in his young life with a sense of urgency. The struggle to reconcile with a distant father never deteriorates into a sense of victimhood. I admired the fact that Hamill is able to describe his youthful feelings of anger toward his father without wallowing in them and always with a sense of someone seeking to understand and forgive.
   
   This is a great book on several levels. Hamill captures a sense of the old neighborhoods of New York that have vanished and the strong influence that a sense of place had on young people of his generation when the world was quite a bit smaller.

5 comments about Supermob: How Sidney Korshak and His Criminal Associates Became America's Hidden Power Brokers.

1. Mr. Russo has written a book that seems to say that a mob of Russian-American Jews really ran the mob activities during the last century. In this book, he mainly discusses the life of Sidney Korshak, a lawyer working Los Angeles that was called 'The Fixer.'
   
   This was at a time when most of us thought that the Italians, especially those from Sicily, controlled the mob activities in most of the United States. And I don't see any references in this book to various centers of mob related activities such as New Orleans.
   
   Mr. Russo presents an interesting survey of mob related activities, but essentially concentrates on the LA/Hollywood scene. And this could indeed have been the case. It's a ways to go however, from there to considering this to be the SuperMob over the rest of the country, the rest of the crime. Mr. Russo certainly seems to see a major conspiracy running the country. It makes interesting reading.
   
   It is important to remember as you read the book that Sid Korshak was never arrested, never even got a parking ticket (unless of course the were all fixed).



2. Reading the life of Sid Korshack also covers an interesting saga of mob history, involving the creation of Las vegas, the entertainment industry and politics all comingled together, which the mob's hand reached into and used to great advantage for the purpose infuencing their criminal interests. There is a great amount of detail documented in this book, which at times begs belief, at the extent of the connections weaving through this mans life, blurring the line between criminal enterprise and the supposed gatekeepers sworn to uphold the law, who have no trouble acting in concert. Put together in a strong compelling narrative, a great read which flows nicely and has a definite ring of truth to it.



3. I loved this book - maybe because I knew half the people in it! It is a wonderful (true) yarn of Jewish immigrants settling in Chicago and how the succeeding generation made their way up the financial/political/power ladder, alas on the wrong side of the law. It reads like a novel and I always looked forward to getting to read more, and was sorry when it was over.



4. Sidney Korshak was one of the most secretive of powerbrokers in the 20th century, and this wonderful book finally unveils the secrets.
   Dr Peter Teiman
   Switzerland



5. America loves mob melodramas, guys getting whacked because they crossed somebody or other. No one much cares whether the culprits get caught since it's all part of the underworld game. No one in authority much cares either, that is, until some hoodlum tries to beat his income tax after the gov't has demanded its cut. Then the bloodhounds of the IRS come calling and the careless capo gets a federal number.
   
   Economists call the early stages of capital accumulation "primitive capitalism". Few academics may call 20's style bootlegging primitive capitalism, but illegal whiskey sure raised a lot of money for the Capone-led Chicago gang. And like most rising business ventures, much of that money was used by astute managers such as Murray "The Camel" Humphreys to buy influence into the over-world of politics and law. What does it matter if the money's dirty, since it's still money, as any number of corrupted Illinois officials shows.
   
   But what happens when even a big city like Chicago becomes too small for the sums flowing into gangster coffers. Well. if you're a wizard like Humphreys, you start looking for new opportunities, especially where there is little or no competition. You also look for somebody who can pass for respectable, since you're past the primitive stage and now have the money to go legit. Enter attorney Sidney Korshak, discreet, smooth, and, above all, a protege of Jake Arvey, Chicago's master ward healer and political go-between. As Russo's lengthy account shows, the mob could not have made a better choice.
   
   Horace Greeley's famous directive was to, "Go West, young man, go West," and that's just where Korshak took the mob money and contacts, helping to turn dusty Las Vegas into the underworld's Glitter Gulch, and Los Angeles real estate into a permanent citadel of mob influence. Along the way, he picked up such powers in their own right as MCA's talent impresario Lew Wasserman and Democratic party power-broker Paul Ziffren, along with numerous union bigshots. Together, theirs was an underworld shadow cast across two big states with a network of contacts reaching all the way to the nation's capital.
   
   But muscling in at the top means knowing how to cut deals with others at the top. Here Korshak proves to be the guy to go to whether the public knows his name or not.. Want top talent for your TV show, see Sid; want no union trouble at the studios, see Sid; want a good deal on a tax scam, see Sid; want a big donation for a charity fund-raiser, yeah, see Sid. And all the time, there's the whispering in the background about the guy's connections with other guys, guys with guns. But then, isn't Sinatra's Rat Pack a really cool bunch of Hollywood swingers. Yeah, just ask the public or even President Kennedy.
   
   To me, it's not a pretty picture, all the way from the yawning silence of the LA Times to the hobnobbing with Pat Brown and Ronald Reagan, plus a Hollywood establishment that could apparently care less. Scattered investigations go nowhere, while whistle-blowers like Steve Allen get black-balled for their civic duty. But then, maybe this is just another success story of primitive accumulation working its way to the top and learning to get along, even as the top learns to get along with them. I believe it was Victor Hugo who said that behind every great fortune lies a great crime. Maybe then, the Chicago mob was just more obvious than those others like old Joe Kennedy, an Irish bootlegger reborn into the white-collar world despite the sinister origins. Disturbing or not, the book is well worth the read.
   
   As a general reader, I'm in no position to gainsay any of Russo"s facts, so I try to keep an open mind toward detractors. It's vital, however, that critics not simply denounce the work in unsubstantiated fashion. Chapter and verse should be cited in order to gain credibility. Of course, the text casts aspersions onto a number of prominent and reputable people, which places a heavy load on both the book and its detractors. Nonetheless, if Russo has to follow the rules, so should the critics.

No comments about Einstein and Oppenheimer: The Meaning of Genius.