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1 comments about Courage a Grace: A Biography of Dame Mary Gilmore.

1. I didn't like the book I have read and personally would never buy the book. My close friend and I also agree that the book has no real info

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5 comments about Dreamtime Alice.

1. Reading all the other rave reviews, I'm left wondering what I missed. For me, this book totally failed to engage me or even make me care about Mandy and what happened to her. I found her treatment shallow and the whole tale somehow lacked real substance. It just never came alive for me. It seemed there could have been so much more yet all we got was surface descriptions.



2. If you've ever wondered "Who IS this person? Why are they here?" while watching a street performer, this book might satisfy your curiosity. I enjoyed the descriptions of life in the "underworld" of New York and New Orleans.



3. As a tap dancer and as someone who loves both New York and New Orleans, I really wanted to like this book. It just left me cold. Maybe it was that her obsessive search for an orgasm was such a lame metaphor. Maybe it was her complete self-absorption. Maybe it was the fact that her father seemed to be a much, much more interesting character than she was, and yet he wasn't given nearly as much play. While it definitely has its moments, this book is ultimately a disappointment. And when she finally HAS an orgasm, my guess is most readers will say "so what?"



4. Very much like the two men who looked out from prison bars, one seeing mud and the other seeing stars, Mandy Sayer saw more rainbows than rain when eking out a precarious living tap dancing with her jazz drummer father, Gerry, on the streets of New York City and New Orleans. In a powerful, boldly provocative memoir, Dreamtime Alice, she reveals that her rosy- hued vision was airbrushed by a hunger to share in the life of her alcoholic father, an Irish charmer, a raconteur par excellence who looked to her to draw an audience and looked the other way when his friends sought her sexual favor.

   Dreaming of their future, she wrote, "It was in New York... that we would be successful... It was there that we would have lots of glorious fun and return home with bags of money. There that we would live out the long, warm nights that would later fill the repertoire of my father's stories, a repertoire of which I had longed to be a part."

   Ms. Sayer, who has been named among "10 Best Young Australian Novelists" has woven a rich tapestry of her recollections - the surface is brilliantly colored, a sometimes coke induced kaleidoscope of aspirations and full money buckets while the seamy underside reveals a busker's gritty existence. Familiar streets and those who earn their living on them will not look the same to us again after having seen them through Ms. Sayer's eyes.

   In 1983 the father/daughter act, he 63, she 20, left Australia with little more than their costumes. Rather than the mecca of her imagination, glinting "like a thousand Chrysler buildings," New York City was a tract of unyielding pavement which taught her how to cope - with the police (including a lecherous officer who offered protection for a price), with rival entertainers, with complaining businesses, and with capricious weather.

   She met Romano, a handsome street magician, then Bruno and Grimaldi: "Drawn to characters who lived just beneath the surface of convention." When winter threatened, the pair fled to New Orleans and a pink courtyard room behind a witchcraft shop, where Ms. Sayer, an avowed believer in the supernatural, uncomplainingly settled in.

   Bourbon Street proved even less hospitable than the Fifth Avenue entrance to Central Park, officially limiting their work evening to a two hour stint so as not to compete with indoor nightclub entertainment. Their small nest egg dwindled. Gerry, concerned that he would be deported, found an American wife in a local bar. Although he was not divorced from Mandy's mother, he married in order to obtain a green card.

   Throughout the dank chill of Louisiana's winter the pair subsisted on raw vegetables and avocados. Then, with hope again high, they returned to New York City. But there was no reprise. She soon fell ill and was trundled off to an emergency room not by Gerry but by a neighbor. After recovering from an almost fatal disorder she walked alone from Bellevue Hospital, "I fixed my eyes on the horizon," she writes, "....numb with the realization that I had lost faith in my beautiful, difficult father."

   Ms. Sayer does not reflect with bitterness but rather with grace, humor and understanding, describing their 18 month odyssey as having "made me grow in directions I could never have anticipated... For I started off wanting to become a character in my father's story, now he's a character in mine."

   And what a remarkable story she gas given us - more than a vivid recollection of life on the edge this is a meritorious coming-of-age tale, radiant yet unsparing. Ms. Sayer's enchanting mix of pluck and naivete will win hearts; her haunting, lyrical way with words will garner plaudits. Dreamtime Alice is her triumph.




5. As the author of the authoritative how-to book on street performing (Be a Street Magician!: A How-To Guide), I can tell you that this girl has been there. The book's authenticity bleeds through on every page--the street characters, the money obsession, the work ethic, the vulnerability to all the world's scammers. If you want to know how it is to play the street for a living, it's all here.
   But this is more than just a book about the street. In a strange way, it's a chick book in that it explores with earnestness and innocence the yearning of a 20-year-old girl for her good-for-nothing father. But it's more than that, too, because chicks may find the grittiness, sleaze, and violence to be a bit more than Kate Chopin usually offers.
   One good sign: Some nights, I found myself involuntarily staying up reading this book until 1 or--God forbid!--2 am. I just couldn't stop reading! Parts of the book dragged, but then, why couldn't I put it down? I can't tell you except to say that the narrative held me.
   I know street performers who played New York City during the early '80s and knew Mandy, and they talk favorably about her (if you're reading this, Mandy, they'd like to contact you!).
   At times, I wondered whether the narrator fully realized her emotional attachment to her father, and I still wonder. But the book built to a triumphant emotional ending that I didn't expect. It's not the kind of Hollywood ending that we like to expect not to expect, but instead, a triumph of the soul. I learned something about maturing innocence and the growth of the personality.
   The book doesn't move like a novel, for this is the recollection of real life. Action doesn't proceed as mathematically as it does in a Le Carre or Grafton book; instead, it proceeds in stalls and jerks. But that's why we love memoirs, isn't it? To breathe in the whiff of what reallly happened. To utter "Wow, she lived through it." Not to pretend, but to know what's true.
   Give the book a read. You'll learn something about the street and, at the same time, streets of passage.