No comments about My Early Life.

5 comments about Eva Peron: A Biography.

1. EVA PERON by Alicia Dujovne Ortiz is not a good book. It is not helped by the fact that, as others have noted, it was originally written in another language. As is often the case, something was lost in the translation. In addition to being overly dramatic, at times tabloid-ishly so, it is plagued with historical inaccuracies: it uses the terms "dictator" and "fascist" to refer to Peron. Such accusations are by now passe to the serious biographer of Peron and Evita. As Robert D. Crassweller points out in PERON AND THE ENIGMAS OF ARGENTINA, "Peronism was not fascism ... (it was) an authoritarian populist movement, strongly colored by Catholic social thought (and) by nationalism [pp. 220-223]."

   After reading EVA PERON by Alicia Dujovne Ortiz, I was left wondering what the point of it was. Why was this book published? It really has nothing of substance to offer. Obviously, it was published to coincide with the release of Madonna's movie EVITA and to capitalize on the renewed interest in the historical Eva Peron.

   For a serious biography of Evita, I recommend EVITA: THE REAL LIFE OF EVA PERON. For an interesting anthropological study of Evita's importance to Argentine society, I would recommend EVA PERON: THE MYTHS OF A WOMAN.




2. I have yet to find an entirely satisfactory biography of Argentina's controversial first lady once widely revered as a saintly Madonna. This book is written chronologically, from the subject's birth in an unremarkable Argentinean provincial town, to her death and the return of her body to Argentina in 1974. It strives to be balanced and to summarize the evidence around various controversial points regarding the life of Eva Peron.

   Unfortunately, this book, written by a Paris-based Argentinean-born journalist, while thoroughly entertaining, can hardly qualify as a serious historical or political analysis of Eva Peron and her times. Having only read the English version, it is hard to judge whether the translation is awkward is some places, or whether the original prose also lapses into a saccharine style of romantic best sellers. Even as a journalistic book on this subject, you might find a better, more articulate, and shorter account (which does draw from this book by Ortiz) in Looking for History: Dispatches from Latin America, by Alma Guillermoprieto (which I have also reviewed of this website).

   There are some interesting photos in this book, but if it is photos of Evita and her times which interest you, I would recommend Evita: An Intimate Portrait of Eva Peron, by Tomas De Elia, which I have also reviewed on this site.




3. The dark myth of the white Santa Evita whose legacy as the patron saint of Argentina's poor. Ortiz paints a raw, compelling, and ruthless drive of one woman whose innate desire to rise above her shameful beginnings is riveting and profoundly sorrowful despite Eva's scliptic rise to power.



4. Alicia Dujovne Ortiz's major biography of Eva Peron is an interesting book chronicling the rise and fall of Argentina's most famous First-Lady.
   
   Out of the many biographies written about Eva Peron, this is one of the better-researched interpretations so I definitely recommend it over the many other more sensationalized accounts. However, this is far from being the best of the lot. In my opinion, Nicholas Fraser and Marysa Navarro's book "Evita: The Real Life of Eva Peron" is the best written in the English language even though it's over 20 years old. Julie M Taylor's "Eva Peron: The Myths of a Woman" is also excellent and insightful, especially in getting a better understanding of the many myths this legendary woman inspired. Robert Crassweller's "Peron and the Enigmas of Argentina" also deserves mention because it is an excellent book, not just about Eva but of Peron and Peronism in general.
   
   Ortiz's book is well researched but sometimes her personal opinion of Eva gets in the way. I guess it's to be expected when you have a woman analyze another woman who is renowned for her glamour and personal style. Ortiz does a good job laying out Eva's life from her humble beginnings to her amazing transformation into "Evita", the imposing and elegant blonde crusader of the less-fortunate. Ortiz uses a lot of witness testimony and she goes into detail when covering Eva's charitable work and Social Aid Foundation however it's nowhere near as detailed or as enlightening as the Spanish edition of her book which is disappointing and I will get into it a little later. Like Fraser/Navarro, Taylor, Crassweller and the several other historians/scholars who have researched Eva Peron and have written well-documented accounts, Ortiz also tries to separate myth from fact. Although at times, she is a bit rough towards the legend she is writing about, the author treats her sympathetically and portrays the mysterious Eva as a flawed but exceptional woman.
   
   Eva's detractor's, on the other hand, have portrayed her as a one-dimensional caricature devoid of any human emotion and morals. Evita, in the eyes of Anti-Peronist biographers such as Mary Main, WA Harbinson, Paul L Montgomery etc, was a beautiful, murderous monster who was smarter than every single person alive in Argentina at the time and anyone who crossed her path fell victim to her dark, sinister charms. These writers dissect and bring to light every single negative character flaw, real or imagined, this woman may have possessed. They choose to ignore the 1000+ schools, 100+ hospitals and the thousands of other establishments such as homes, hostels and orphanages that Eva through her foundation built between 1948-1952. They hardly pay any attention to the food, medicine and money Eva personally handed out from her desk at the Evita Foundation or when she traveled to shanty-towns or remote, country villages. They may mention that through Eva's foundation several malnourished children finally received health care and food; they may hint at the fact that because of her several thousand impoverished country folk finally received running water and electricity; they may mention as a footnote that Eva sent First-Aid and food to countries outside of Argentina's borders such as Colombia, Ecuador, Turkey, Israel and the US but they will cite exploitation and self-aggrandizement as Eva's principal motive. But no matter how much they try to condemn her, the result is always the same, unintentional glorification. They loathe this bejeweled beauty but can't help love her all the same. The musical "Evita" is a perfect example of this. No matter how much it tries to discredit her, Eva's poetic image is what hovers in most people's mind long after the curtain descends. Most will remember an impeccably dressed blonde clutching a microphone and the famous taglines such as "She Seduced a Nation" or "EVITA IS IMMORTAL" or "EVITA will stir you to your very soul". These are hardly ways to represent such an amoral, corrupt megalomaniac who slept her way to fame.
   
   This major biography of Eva Duarte de Peron was released around the same time as the film in 1996 (at least the English version was). It was originally written in French and later translated into several languages. It is very detailed and it held my interest throughout but having read the Spanish translation, this English version is a poor imitation. I'm not sure how close to the original the Spanish translation is but in comparing it to this, I noticed that the English edition is heavily edited and in some instances, very poorly translated. For those of you who can read Spanish, I recommend that version instead as it is far more complete. Having said that, Alicia Dujovne Ortiz treats Eva Duarte Peron as a flawed but extraordinary human being. After all that's exactly what Evita was, flawed but extraordinary? I guess that's how she should be remembered.



5. In English, this book often reads more like a romance novel than like a serious biography; I do not know whether it reads that way in the original language. It seems more like a work of poetry than a work of prose- not as many cold hard facts as I would have expected from a biography, but some vivid character portraits. Eva Peron comes across as a kind of overgrown child, alternatively desperate to be somebody, do good, and fulfill her whimsical desires for elegance and ego gratification. Her husband comes across as a cold fish, someone who would never have risen to the top in a bigger country with a larger talent pool.

5 comments about Rock & Roll: An Unruly History (Bookcassette(r) Edition).

1. Robert Palmer is rock journalism's leading musicologist. And if that isn't enough to scare you off, then allow me to keep trying. Let me note, by the way, that I experienced this book the old-fashioned way--via words on paper. If I refer to something left out of this abridged, read-aloud version, consider yourself lucky.

   "Rock & Roll: An Unruly History" is your usual inept mock-musicological rock survey that strains to explain how Elvis Presley could possibly have invented a musical form created by Blacks in the mid-1940s. And this is what all rock and roll historianship comes down to: proving that Elvis was the Father of the form, in spite of unlimited evidence to the contrary. (Palmer, who has no patience for such conventionalities as "neatness and order," apparently also can't be bothered with burden of proof.)

   And Palmer rejects any rock-genesis theory that would suggest the music started in one place and at one time, even though this is how everything gets its start, including popular music forms. Thus, after quoting Lionel Hampton's explanation that rock and roll evolved from jazz (which it did; countless mid-1940s recordings attest to this), Palmer rejects the idea as "simplistic thinking." The meaning of this non sequitor is as follows: Any definition of rock and roll that doesn't begin with Elvis has to be wrong. This is the essence of rock historianship.

   Like most rock writers, Palmer is a gifted wordsmith. He drops names all over the place and fills his paragraphs with important-sounding quotes, and everything sounds formal and historical. But this is hype, not history. Respect your intelligence and save your money.




2. I had to write this to offer a different opinion to the one-star review below. Robert Palmer was one of this country's best music writers and a man who died way too young. This book is not his best (that'd be DEEP BLUES), but he does an excellent job of capturing the broad history of rock 'n' roll. He discusses what led up to that crucial moment at Sun Studios in 1954 (I don't think he's trying to say that the music sprang full-grown from Elvis) and where the music traveled from there.

   Bear in mind, however, that this book also served as a companion to a PBS special. That it's able to stand alone without the visuals attests to its worth. It badly deserves to be back in print.




3. An intriguing archaeological dig down to the murky muddy roots of rock 'n' roll -- sifting through race politics and dogma back to pre-war gospel, blues and jazz, to the Caribbean, to Africa.

   Robert Palmer was one of the best rock 'n' roll writers and historians. This is the basis for the PBS TV series ROCK 'N' ROLL, which,unfortunately, did not have nearly the depth of this (it quickly dispensed with rock's roots and showed only Elvis and other latecomers in its first episode). Sadly, Palmer died before he could flesh out this work, which remains a blueprint for future writers to follow on researching rock 'n' roll's roots. Go for it!




4. I ordered this book after savoring the experience of the PBS series. This book keeps it with me and expands it. Far out! I was so happy that this series was playing on TV while I was writing my novel "Forever Retro Blues" because it touched on so much I was writing about. Oh happy days when I found out there was a book it was based on.



5. I read this book almost ten years ago, and I still remember it as a remarkable work that put everything into perspective -- a kind of enlightenment experience. I especially loved Palmer's background on the beginnings of rock & roll in the call-and-response tent revivals.
   
   With regard to the Elvis controversy below, I don't think Palmer ever suggests that Elvis invented rock & roll -- he painstakingly documents the contributions of dozens of black artists like Pinetop Smith, T-Bone Walker, Roy Brown, Goree Carter (to whom he credits the first rock & roll record), Ike Turner etc, well before the Elvis "invasion" of the mid-1950s.
   
   I loved it.

No comments about Nixon: A Life.

4 comments about The View From Nashville.

1. When a man has been in a business for all his adult life, he is well quialified to write about that business and the people within. There in lies the story of "View From Nashville". No other living person knows and can tell the story of "Nashville" scene better than Ralph Emery. The reader gets to know as a person one on one Dolly Parton, Marty Robbins, Tammy Wynette, Johnny Cash, Loretta Lynn, Conway Twitty and countless others. Loretta speaks of an out of body experience as she stood by the bedside of her dying friend Conway Twitty. Merl Kilgore relates through Ralph the message Jim Reeves sent him from the other side. One finds that being a child star does not always mean living in a big house, and driving a fancy car as Brenda Lee relates. That Elvis might have appeared on a recording after his death. Through the writing of this Nashville Icon one learns the humor of Roger Miller, and gets to know stars Reba McIntre and Brooks and Dunn. For Elvis fans he writes extensively about an interview with Colonel Tom Parker and the book he would never write. One can feel the love the author has for the business, his city, and peers. No one else could or has told the Nashville story like Ralph Emery in View From Nashville. No wonder his TNN program was voted the networks most popular for 10 consecutive years. Thank goodness he has had time to pen these stories in written form so they may be enjoyed forever.



2. This book was a very interesting read and and a minimum offers any reader a real "View" from Nashville, TN the World Capital for Country music and the stars and players involved.. I give it 4 stars and reccomend to all.



3. your first book was 2 thumbs up I will read your 2nd god bless you mr.emery since hee haw has gone and most of any old tm. music it is a pleasure to read about the real country from you some one who was there



4. As another book stated, "He is arrogant". I have never figured out how he got to be the so called endall of records in Nashville. Goes too show you, pickin's must be slim. In my book I will never forget the shoddy treatment of Gram Parsons (a real talent!) by this record spinner.

1 comments about Power in the Blood.

1. When John Bentley Mays returned to his southern roots, it was to attend to the affairs of a recently deceased aunt. While cleaning out her home, he found information on his ancestors that started him on a quest for family history. The story of the early Mays family settlers in the New World is very interesting.
   
   I listened to this book on audio cassette. It probably would move along more pleasingly on paper because there were a few places when the author went off on philosophical rants that didn't move along the narrative so I would have liked those to go by a little more quickly, which I could not accomplish with audio. With a regular book I would have skimmed some of those discussions, but not all of them. Some were rather fascinating.
   
   Mays is a good writer and those of us who are not from the Deep South can learn something of what it is to be from there. He had been embarrassed by his southern accent and worked to lose it as a young man. Some of his attitudes had become rather anti-southern. His research into his family and even his brief experiences as he arranged his aunt's affairs helped him to better understand the culture that he had turned his back on.
   
   This is an entertaining narrative for genealogists and history buffs.

No comments about Napoleon : A biography.

1 comments about Chicago Days Hoboken Nights.

1. Daniel Pinkwater is noteworthy in many respects, but what fascinates me most is the way in which he manages to be brilliant, moving, and profound without ever accentuating the negative. This autobiographical collection of brief, bite-size narratives (perfect for bedtime, the bathroom, or the ten-minute break at work) chronicles Pinkwater's development as an artist/writer, and gives the reader the opportunity to enjoy the world through the eyes of a funny, intelligent man who truly loves life. This is a non-fiction, non-children's book by a children's author.

No comments about Just as I Am Part 2 of 2 Autobiography of Billy Graham.

No comments about James Dean: A Concise Biography (Isis).