5 comments about Full Bloom: The Art and Life of Georgia O'Keeffe.

1. Hunter Drohojowska-Philp is a sound writer, one who obviously does her research inexhaustibly, and with a background in art criticism she also speaks with authority and an informed eye. But she does go on....
   
   For those who want to know more about the idiosyncrasies of this American idol then this is the resource of choice. We learn more about the frustrations, self doubt, love affairs, and general personality quirks than in all the other biographies combined. We also learn about each painting in depth which I suppose is like a verbal catalogue raissonne and for that we should be thankful.
   
   It is just that with all great artists not everything they make is of show quality and it is this inclusion of all of the odds and major ends of O'Keeffe's work that borders on tiresome. It is with a good degree of relief that the last page of this nearly 500 page opus is reached.
   
   Hunter Drohojowska-Philp obviously holds Georgia O'Keeffe in a realm close to Valhalla and that is all well and good. She writes with vigor and determination and certainly informs us of the 'full bloom' of her title. In the end this is a valuable volume for the archives, but not a book to recommend for the casual reader who has already grown visually fatigued with the Santa Fe posters of poppies, ox skulls, and datura flowers. Grady Harp, May 05



2. Hunter Drohojowska-Philp is a sound writer, one who obviously does her research inexhaustibly, and with a background in art criticism she also speaks with authority and an informed eye. But she does go on....
   
   For those who want to know more about the idiosyncrasies of this American idol then this is the resource of choice. We learn more about the frustrations, self doubt, love affairs, and general personality quirks than in all the other biographies combined. We also learn about each painting in depth which I suppose is like a verbal catalogue raissonne and for that we should be thankful.
   
   It is just that with all great artists not everything they make is of show quality and it is this inclusion of all of the odds and major ends of O'Keeffe's work that borders on tiresome. It is with a good degree of relief that the last page of this nearly 500-page opus is reached.
   
   Hunter Drohojowska-Philp obviously holds Georgia O'Keeffe in a realm close to Valhalla and that is all well and good. She writes with vigor and determination and certainly informs us of the 'full bloom' of her title. In the end this is a valuable volume for the archives, but not a book to recommend for the casual reader who has already grown visually fatigued with the Santa Fe posters of poppies, ox skulls, and datura flowers. Grady Harp, June 05



3. I never really liked O'Keeffe's more abstract paintings until I read this biography. Now I can look at them with an improved understanding of what they mean and what she managed to accomplish for female artists everywhere. It's equally nice to see the artist as a person with her own foibles and nuances. The author has done a remarkable job here.



4. Detailed and thoughtful, and a riveting read if you really want to understand this artist's life. After reading dozens of books and articles about O'Keeffe during the course of my own research on New York-inspired artwork, I didn't think another O'Keeffe biography was necessary. But I'm grateful I found this book. I learned so much more about this artist--about her friendships, her travels beyond New York and the Southwest, and her abstract works.



5. Well written book and excellent research. Enjoyed very much.

1 comments about Georgia's Bones.

1. Georgia's Bones by Jen Bryant is a children's picturebook based on the life of artist Georgia O'Keeffe. Introducing young readers the world of a talented female artist, who sees the natural of beauty of New Mexico, even in such mundane things as bones, Georgia's Bones blends lyrical rhyme with sweeping color illustrations by Bethanne Andersen, and introduces the reader to the soul-stirring natural world, that can be summoned to mind and memory even when far away.

No comments about Georgia O'Keeffe and Ansel Adams: Natural Affinities.

No comments about Georgia O'Keeffe: Nature and Abstraction.

No comments about Georgia O'Keeffe and the Camera: The Art of Identity (Portland Museum of Art).

3 comments about Georgia O'Keeffe and New Mexico: A Sense of Place.

1. I've toured her home in Abiquiu, visited the museum in Santa Fe, and now toured Ghost Ranch to view the locales of many of Georgia O'Keeffe's paintings. This book is a perfect reminder of these experiences and one I already treasure.



2. I live 12 miles from Abiquiu, New Mexico where Georgia O'Keefe lived and painted the last 39 plus years of her life. One can only imagine the beauty from her paintings unless you've had the opportunity to see it in person. The book does have quite a few of the paintings she did while living in Abiquiu and at Ghost Ranch; however, if you are interested in reading about her life, the book to read is Portrait of An Artist; A Biography of Georgia O'Keefe by Laurie Lisle. I couldn't put the book down!



3. To understand this woman's art, you have to know her place.
   
   This is it. Her wellspring. The place she felt at home.
   
   I adore this book. To see pictures of the places right next to O'keeffe's versions is just stunning.
   
   I believe god gave her Perdinal, after all.

2 comments about Georgia O'Keeffe: A Life.

1. Georgia O'Keeffe's life was one lived with courage and beauty and Robinson does her justice by writing this beautiful and engaging biography. The author delves into O'Keeffe's life and the passion of her work by describing her family history, her evolution as an artist, and perhaps more important to O'Keeffe, her evolution toward becoming her true self. The extra and vital layer that adds even more depth to this biography is Robinson's description of the art scene and the philosophies of art circulating in early 20th century New York.

   This book would be of interest not only to those who enjoy O'Keeffe's work but also to those who are trying to become themselves, those who are interested in the history of art in America, or those who like to read for the sake of feeling beautiful words flowing through their mind.

   This book was difficult for me to put down and I didn't want it to end. Roxana Robinson's work is a gem.




2. "A Life" is the best book on painter Georgia O'Keeffe available. Every moment in Georgia's life is written about with painstaking detail. Nothing is missed. From her relationship with Alfred Steiglitz and his entourage from "291" to her intimate relationship with sculptor Juan Hamilton. I can't say enough how amazing this book is and how enjoyable it is to read.

5 comments about Portrait of an Artist: A Biography of Georgia O'Keeffe.

1. Having just seen the Georgia Okeeffe exibition at the Phillips Gallery in Washington, DC, I had to run out and buy a biography to learn more about this incredible artist. This book gives deep personal insight to Ms O'keeffe's life and work.



2. There are parts of New Mexico that, if you know of the woman, just scream This is Georgia O'Keeffe Country. This honest and admiring biography lays out the story of this incredible woman who lived to age 99. That's a long, long, long life. Her life found its trajectory when, in 1916, a friend sent some of her drawings to renowned photographer Alfred Stieglitz. He proclaimed her to be "a woman on paper." Furious (as only O'Keeffe could be furious), she confronted him, became his lover, and eventually married him, initiating an emotional and artistic collaboration that endured until his death.
   O'Keeffe became a feminist before the word was even invented. When she realized that it would be impossible to become her own person while working in his shadow, she established the pattern of spending 6 months with him in NY and 6 months on her own in New Mexico, a place she always referred to as her spiritual home. Stiegitz died in 1946, and O'Keeffe lived on for another incredible half a century.
   If you have the opportunity to visit New Mexico, don't miss the O'Keeffe museum in Santa Fe - and my all means visit her home in Abiqueque. To say it's Georgia O'Keeffe country is to put it far too mildly.



3. For so many years to me, Georgia O'Keeffe was just a well-known woman artist who painted flowers. Thanks to this book I came away feeling that I got to truly know and admire this artist and now I can look at her pictures differently with a deeper understanding and appreciation for them. Thanks to this book I think I have learned to look at the beauty in nature in a different way and feel that this book has taught me much about people and truly opened my eyes in many ways to the world around me and made me curious about different areas of our wonderful country. Very enlightening in many ways and definitely worth reading.



4. When author Laurie Lisle advised the artist, Georgia O'Keeffe, that hers was a story Lisle "wanted to tell," O'Keeffe, as was her wont, elected not to participate but told Lisle, "you are welcome to what you find." ("Forward and Acknowledgments.") Lisle, equipped with a passion for her subject and steadfastness of purpose - qualities similar to those governing O'Keeffe's own work and life - pored through museum bulletins and exhibition catalogue notes, magazine and newspaper articles, memoirs about O'Keeffe's artistic peers (including her husband, photographer Alfred Stieglitz), and O'Keeffe's letters preserved in Yale's Beinecke Rare Book Library. She spoke with O'Keeffe's schoolmates, in-laws, and friends. And, of course, she viewed O'Keeffe's creations.
   
   There is not one spot of color in this book except for the auburn and gold lettering on the jacket of my paperback. The sixteen pages of photographs in the book, only four of which show O'Keeffe posing with her art, are black-and-white. One imagines, had the artist participated in this project and accepted that a literary work, with an artist as its subject, could be as beautiful and fascinating as the flowers, skulls, rivers, and stones she captured in her own paintings, O'Keeffe would have appreciated the lack of color. For much of her life, O'Keeffe's signature garb was black with a touch of white, due to a belief that admirers ought to focus on the art, not the artist.
   
   While reading this book, one obviously is tempted to take occasional breaks from Lisle's gorgeously plain, non-effusive prose to google O'Keeffe's paintings. After I read about O'Keeffe's initiation into the jet age, where she was surprised to peer down from her airplane window and "see so many rivers, tributaries, and deltas undulating through the earth's deserts" ("Chapter 13: Clouds"), I just had to view "It Was Red and Pink." However, this book clearly is not an art critique. Paintings are discussed insofar as they provide insight into O'Keeffe's mind, heart, and soul. Most of the time, while reading, I stayed far away from the computer. I was riveted by tales about family, femininity, marriage, the artist's apparent struggle between remaining dedicated to painting and perhaps having a baby, the conflict between how she and the public perceived her work, intimations of mortality, and a devotion to the splendors of New Mexico even after her eyesight failed.
   
   I would recommend this book to anyone who relishes art, history, New Mexico, femininism, humanity, or just would love to read a great book.



5. Portrait of an Artist is just that - a portrait of a powerful, unique artist. Refreshingly, for those of us who have an interest in art and some knowledge but are not familiar with technicalities, the book is very direct and honest. One comes away with the feeling they have met and experienced a fascinating woman - one who is not always pleasant and kind, but one who is always open and honest. Her art is used as a lens into her deepest feelings, although the only representations of her art are in photographs where she is posing in front of one of her paintings. Her devotion to her art was inspiring, although it seemed to overwhelm everything and everyone that surrounded her. I walk away from this book very glad to have met and experienced Georgia O'Keeffe, but also glad to have experienced her from a distance and not had to endure her intensity personally. This is a great compliment for a fascinating book.

4 comments about Georgia O'Keeffe Museum Collections.

1. 
   For those of us not fortunate enough to be going to Santa Fe this year for the celebration of the tenth anniversary of the Georgia O'Keeffe Museum (which houses the largest collection of her work), here is an able substitute. Those who have visited the Museum in the past will relish this opportunity to revisit not only her art but her houses at Ghost Ranch and in Abiqiu, New Mexico.
   
   It need not be said that O'Keeffe is a preeminent artist of the twentieth century, one of the most respected and loved. An American modernist she is acclaimed for her compelling abstractions, so elegant and vital. Her visions are often enlarged. Inspired by the natural she once said, "When I found the beautiful white bones in the desert I picked them up and took them home too...I have used these things to say what is to me the wideness and wonder of the world as I live in it."
   
   This gorgeous volume is rich with illustrations - 335 in full color and two eight-page gatefolds. It also includes numerous photos, some previously unpublished, and works by others who embraced modernism and painted in New Mexico.
   
   Curator of the Georgia O'Keeffe Museum, author Barbara Buhler Lynes is the leading authority on this artist. She has done a meritorious yeoman's task in compiling this glorious volume which is a treasure for all.
   
   - Gail Cooke



2. Georgia O'Keeffe would have loved this book! Not only does Barbara Buhler Lynes, curator of Santa Fe's Georgia O'Keeffe Museum, respect her subject's astonishing eye and craftsmanship in this book, she respects Ms. O'Keeffe's wishes regarding displaying her works of art. During her lifetime, the artist often mounted her own shows, e.g., at An American Place, her husband Alfred Stieglitz's gallery in New York. Ms. O'Keeffe was adamant (a) that her creations be hung on white walls, and (b) that her artwork be arranged by type rather than chronology.
   
   Lynes abides by both of the artist's rules here to great effect, and her meticulousness, in terms of the notes she provides about the artist's work and also the tags she associates with the plates (where she identifies the type and size of the surface used and also the type of medium: charcoal, graphite, oil, watercolor), add another layer of enjoyment for the reader.
   
   Lynes' notes attempt to steer the reader away from stereotypical interpretations that haunted Ms. O'Keeffe during her career. For instance, regarding "Blue II" (Plate 3, Page 19), the curator states: "The . . . womblike spiral of 'Blue II' seems to substantiate connections critics in the 1920's made between O'Keeffe's work and female sexuality. Yet when she made this watercolor, O'Keeffe was intensely involved in playing the violin, and . . . the form . . . of the spiral in her watercolor most likely derive[s] from the scroll-shaped termination of the neck of the instrument . . ."
   
   Categories in the book include abstractions, still lifes, architecture, animal and human forms, and trees. Every reader will find his or her favorite here; mine are the artist's representations of feathery kachina dolls and New Mexico's Pedernal. The last category in the book contains works by other artists at the museum whose careers, in some way, parallelled that of Ms. O'Keeffe. Stieglitz photographs (including a Georgia O'Keeffe nude) are here, as well as Ansel Adams' memorable "gelatin silver print" of Georgia O'Keeffe and Orville Cox at Canyon de Chelly National Park.



3. I flipped through this book at Barnes and Noble, and was frustrated to find that while the pages were large, the prints were tiny! Just a few inches across, usually. Anyone planning on buying this should know.



4. In contrast to a previous review which said the reproductions in this book are very small, I don't agree. It's a large book, and most of the reproductions are decent-sized and good quality.
   Along with the wonderful reproductions of Georgia O'Keeffe's paintings are some very nice photographs of her. This book isn't heavy on text, but what there is, I found valuable in interpreting the paintings.
   I'd recommend this book highly for any O'Keeffe fans.

1 comments about Georgia O'Keeffe (Getting to Know the World's Greatest Artists).

1. "Georgia often rearranged the natural things she saw, and simplified them", p. 8

   The young reader will learn about O'Keeffe's young years on her family's big Wisconsin farm, her years in Texas teaching art and during her free moments painting, her years with Stieglitz in New York painting, and her years in New Mexico painting.

   O'Keeffe's choice of enlarging objects in her paintings makes this a perfect choice for young children. Everything is larger than life for the young. If there is anyone who will have nearly an innate appreciation for O'Keeffe's style it will be the young. They will readily identify her objects. Her color choices in her paintings are few and therefore not busy and distracting. The young reader will be drawn in by her bold and bright selection of colors.

   Venezia's illustrations are humorous. His narrative is delightfully entertaining. His approach brings the artist within reach of the young. His re-enactment of an opening at Stieglitz's gallery of new artists' paintings is precious.

   The size of the book is perfect for smaller hands. It enables the young to have art within their grasp. Venezia gives the locations of the paintings and as result if the child lives near one of the museums or will be near one on vacation, she/he would be able to see the original.

   This is the 15th in Venezia's "Getting to know the World's Greatest Artist" series. He also has similar series on composers. Venezia's back cover illustrations tie back to the subject. "Like O'Keeffe, Mike searches near his home for objects in their natural surroundings ...".

   The price of the book is well worth paying. The book contains the following: O'Keeffe's Paintings - 18, Photos of O'Keeffe - 3, Venezia's Illustrations - 8, Others' paintings - 3.