2 comments about Edward Hopper: Forty Masterworks (Schirmer's Visual Library).

1. I think that E. Hopper is one of the most imporant painters of 20th century. I was fanscinated at the works embodying human's solitude.



2. When you need a bracing shot of Edward Hopper's realism but don't want to drag your treasured 'coffee-table' books down from the good bookcase, just reach for this handy little paperback. Among the 40 color plates -- approximately postcard size and of good quality -- you will probably find the favorite painting you were looking for. The essay by Heinz Liesbrock, "The Silent Truth of Light: Edward Hopper's Oeuvre", gives a quick written overview. A good value, and an artist whose significance seems to be ever-increasing.

No comments about 2009 Edward Hopper Super Poster Calendar.

No comments about American Drawings and Prints: From Benjamin West to Edward Hopper (Dover Art Library).

3 comments about Hopper.

1. I found this thin volumen incredibly inadequate, as it barely (if at all) mentions some of Hoppers most important themes such as silence, voyeurism, and loneliness. Strand spends approximately two poorly developed paragraphs on a number of paintings, often doing nothing more than describing them with bland geometric terms and giving little-or no-insight. I'm in the process of doing a six month research and writing project on Hopper, I found this to be the worst of all my resources.
   
   Additionlly, the black and white reproductions are tiny and worthless. The book is of little value in any capacity, which is saying something considering my love for Hopper and art history analysis and evaluation. In fact, in the Preface, Strand acknowledges that this volume flies in the face of previous scholars. He must have meant he was going against quality analysis with support, because his book says nothing. There is no point whatsoever! Quite frustrating.
   
   I would recommend J.A. Ward's American Silences instead.



2. Just because the previous reviewer didn't get what he expected from this volume doesn't mean it isn't brilliant in its own right. From an outsider's perspective (I am not an art critic, but a literary scholar), I found Mark Strand's insights into Hopper's work to be refreshing and insightful, the first collection of art criticism I have read that speaks thoughtfully and intelligently to its readership without making the assumption that the reader already has the thoughts and inclinations of the critic him or herself. Instead, this is a book that teaches, and I am grateful for it!



3. This is not a book for anyone seeking information on life and/or the works of the great Americn painter, Edward Hopper. Pictures are all in black and white, while few facts about his life ae given.
   This is a book solely for the person sufficiently familiar with the artists work to appreciate this outstanding poets reflections on the impact of some of his paintings and some fearures in the picture which produce those effects.
   Most will find little meat for thought here. Most will find these minimal responses unsatisfying. Those who know the poetry of this Pulitzer prize winning Poet Laureate of The United state will gain some insight into the workings of his poetic perspective when turned on the subject of Hopper's painting.
   Others who want to tune in to a poetic sensibility writing prose may find it gratifying.
   It is a very quick read with each selection taking no more than a few minutes to read although those who want to apply Strand's conceptions to their own appraisal of these works will find much more to chew over.

3 comments about The Reading Woman: A Journal.

1. This is a beautiful journal for women who love books and reading. This lovely volume is organized for the books you've read, books you want to read, books you've loaned out, and more. What sets this jewel apart from other book journals are the lovely prints of paintings depicting women in various situations, simply enjoying reading. No cooking, caring for children, cleaning, teaching, nursing, etc. Just reading for pleasure. The journal also includes wonderful quotes about reading and books. Beautifully done.



2. I picked up "The Reading Woman" in a museum gift shop and have loved owning it. I use it as a journal of the books I've read in the past and what I'm currently reading. It's amazing how quickly you forget a books you've read, so I enjoy writing my thoughts right after I finish one. The illustrations are lovely, some of them paintings from other centuries. Women have made time for reading FOREVER. Now that I've filled this journal completely, does anyone know of a similar one I can start?



3. "This exquisite volume, illustrated with beautiful full-color reproductions of paintings of women reading, provides compelling inspiration for recording one's private thoughts. Works by Mary Cassatt, Pierre-Auguste Renoir, Edouard Manet, Edward Hopper, James McNeill Whistler, and Winslow Homer, as well as contemporary selections, are included. Quotes from well-known female writers on the subjects of literature and reading appear throughout.
   
   "Pomegranate's illustrated journals lend inspiration to thinkers, observers, and diarists. Hardcover, with a contrasting ribbon marker, each journal features 26 full-color illustrations and a wealth of insightful quotes. At only $17.95 it will appeal to the writer in everyone. 120 lined pages. ISBN: 0-87654-816-8; size: 5 1/2 x 8 1/2"."--© Pomegranate

1 comments about Walker Evans & Company.

1. 
   Peter Galassi focuses on Evans as one of the great photographers of the twentieth century who also had a huge influence on many American photographers (and some contemporary graphic artists) and the ten visual chapters in this beautiful book provide a convincing case.
   
   Photography as an art form has had a hard time proving it. Unlike fine art paintings, which exist as an entity, photography has mainly presented a visual record in many printed mediums (newspapers, magazines, advertising, packaging, posters) all seen by the public but not as art. Walker Evans helped to change that perception in America.
   
   The first two chapters are interesting because Galassi features photographers who influenced Evans, especially Eugene Atget and his studies of Paris. The remaining eight each start with work by Evans then the chapter theme is carried on by other well-known photographers (and artists) who drew inspiration from the style and subject matter in his work. The hundred creative folk featured are a who's who of American photography since the 1940s.
   
   Just over three hundred images are shown printed in an impressively fine screen (more than 250dpi) that brings out the wonderful detail in so many of them. Galassi contributes a fine introduction and each photographer get a comprehensive list of their photos in the back of the book. Overall I thought this was a fascinating survey American art photography whose origins clearly owe so much to Walker Evans.
   
   ***FOR AN INSIDE LOOK click 'customer images' under the cover.

3 comments about Edward Hopper's New England (Essential Paintings).

1. EDWARD HOPPER'S NEW ENGLAND is a collection of some of Hopper's works of art inspired during his travels in New England. Though Hopper was primarily a New York artist, he spent many summers in New England and produced many of his most memorable paintings during his visits. Some of his visits were to New England's best known artist colonies such as Gloucester, Monhegan Island in Maine, and Provincetown. People familiar with current Cape Cod artists will see the way in which Hopper inspired a good number of them when they see his paintings of Truro and Provincetown, two of Hopper's favorite locales. Many of the locations can still be found today, though they have changed over the years. The paintings of Gloucester bring the simplicity of this old fishing community alive. The pictures from Maine are some of Hopper's famous depictions of lighthouses and sailing vessels. Some nature scenics are also included in this volume. The landscapes, architecture, boats, and people depicted in Hopper's work show his range as an artist.

   People who love Hopper's work will appreciate this book because it contains not only some of Hopper's better known works from various museums but also works in private collections.

   Hopper's subjects are not complex, nor are they glamorous in and of themselves, but with an artist such as Hopper, we are able top see beauty in places we might otherwise miss. This book is a must for people who love and appreciate artists' renditions of New England. It is also a perfect gift for people who love New England.




2. "Edward Hopper (1882-1967), one of the most important American painters of the twentieth century, spent nearly every summer of his long artistic career in New England. This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist. Carl Little is author of Paintings of Maine and is a regular contributor to Art New England and Art in America.
   
   "88 pages, 35 full-color reproductions, 21 black-and-white illustrations, size: 10 x 10 3/4". Casebound book, with dust jacket. ISBN: 1-56640-315-4."--© Pomegranate



3. This book give just enough images, just enough text -- perfect! It's beautiful and nicely done.

5 comments about Edward Hopper: 1882-1967, Vision of Reality (Big Art S.).

1. Affordably priced and well written.

   Must read for any admirer of Edward Hopper's work.




2. This is one of the most intelligent and interesting books on Hopper I've read. And I have a good-sized collection of books on this American artist because he's my favorite.

   Not only are there rarer paintings and etchings in here not often included in coffee table books on Hopper, but author Kranzfelder shows his influence on photography, and shows the influence of other artists (notably Degas) on Hopper. Kranzfelder puts paintings and photos on one page, and the particular example of Hopper's work on the other so you can see the comparison side by side.

   The text is also interesting and full of rare facts and a good analysis as well. If you want a great book about Hopper's work, this is one of the best I have seen. HIGHLY recommended.




3. I have read the FRENCH translation of this book,and i enjoyed it,even if the approach often is on the intellectual side.No AMERICAN art in the first half of the previous century gets near that man, who visualized his country with a personnal perception.The paintings of HOPPER often gets to you in their quest of lonelyness.PEOPLE IN THE SUN for instance is fascinating.The most interesting aspect about HOPPER,is that his paintings are about the persistance of vision;the way one can try to read his mind.



4. While I was superficially attracted to this book because of its stunning reproductions and affordable price, Kranzfelder deserves much more credit. This book is wonderful for amateur Hopper enthusiasts and presents in-depth analysis balanced with connections to contemporary painters and changes in society. Mostly chronological, this book is divided into the various themes such as voyeurism, windows, sexuality, and urban isolation. Another excellent addition to any personal library from Taschen, the best art resource publisher.



5. Hopper made my favorite painting, "Nighthawks", arguably the most imitated and parodied painting of the past 50 years. Kranzfelder's biography is fairly superficial, concentrating on dates and major events in Hopper's life, rarely attempting to dig deeper into the subject. But that's OK; I wasn't looking for a full-scale appraisal. The reproductions are excellent and in general this is a good introduction to Hopper's life and work.

1 comments about The Poetry of Solitude: A Tribute To Edward Hopper.

1. I am neither a poet, nor a visual artist, so I will provide for you the layman's review: I find this book to be a charming text, based on a very good idea (ask writers to create poetry inspired by the Hopper paintings reproduced herein). Like all books of poetry, I'm quite sure that - like me - you will find that some of the poetry speaks to you, and some of it does not, but you will find all of it to be of a very high quality. Likewise, one of the aspects I enjoy most about this book is the quality of the reproductions, which, perhaps because of the book's rather small physical size, shows off the richness and clarity of Hopper's work better than most other books that present his oils. I have given this book as a gift twice now, and the recipients have been very impressed...

2 comments about Hopper Drawings (Dover Art Library).

1. I own a lot of Dover art series books. They are excellent books for beginning artists in that they show how the old masters did their early works using different media. Much can be learned from the Dover art books in the use of subject, form, and shading. The Hopper Drawings is one of my favorite Dover art books. Most of the drawings in this book have been made using the Conte crayon. I prefer the Conte crayon over charcoal. It is very sleek, clean, and smooth. The drawings show how masterful Hopper is with the Conte crayon and much can learned by studying his drawings.



2. This budget priced book contains many lovely and enlightening examples of Hopper's drawings including some studies for some of his well known paintings. This slim volume contains no text at all, not even an introduction, with the single exception of a short blurb on the back cover. The quality of the paper reflects the price of the book but Hopper fans may still find this a valuable addition to their art library.