No comments about Charles M. Russell: Paintings, Drawings, and Sculpture in the Amon Carter Museum (Library of American Art).

3 comments about The Shenandoah Valley Campaign of 1864 (Military Campaigns of the Civil War).

1. This book of essays covers aspects of the Shenandoah Valley campaign of 1864. As is the case with all the volumes in this series, a number of military, social, and political issues are discussed. The essays are generally well-written and provide insights into some topics not evaluated in general histories of the campaign. Particularly good is the essay comparing the general performances of Sheridan and Early. One is left realizing that, given the resources available to each, Early actually did better than could have been expected and Sheridan made more errors than he should have. Worth the price of the entire volume, is the excellent biographical monograph about General Horatio Wright. This is the first attempt ever to provide a biographical sketch of this important but overlooked officer. The essay is balanced, well-researched, and very worthwhile to the serious student of this period.
   This book is not for someone unfamiliar with this campaign but, as is the case with the rest of the series, is of value to the experienced Civil War reader.



2. Another one of Gallagher's collection of great essays of a campaign while touting the greatest historians on the subject. The authors in this case cover the 1864 Valley situation from Early's arrival to save Lynchburg to his run at Washington to Sheridan's final mobilizing drive that is momentarily derailed by Early's great shock attack at Cedar Creek that crushes the unprepared Federals. But of course, the Union's regrouping at Cedar and counter attack virtually destroys Early's army. The essays cover the key battles and strategies including the make up of Early, Sheridan and a respectful view of the not so flamboyant and thus unappreciated General Horatio Wright who held things together at Cedar Creek when Sheridan arrived on the field. The latter part of the book also includes the social effect the war had on its population particularly as the means to feed the Confederate war machine was destroyed as part of the grand union strategy. Early and the Confederate Army no doubt fought heroically enough to challenge the record of Stonewall; however, they were literally overwhelmed by numbers and better horses and equipment. Of course, once confident, Sheridan keeps the pressure on with his young lions, Custer, Merritt and Torbet. A grand example of that is Robert E. L. Krick's essay on the battle of Tom Brook between the Confederate and Union cavalry that is extremely one sided, resulting in a total crushing of the Confederate horse. It's amazing that the Confederates were able to reorganize and launch what was at first a highly successful attack at Cedar Creek 10 days later. This recovery and attack is a tribute to Early, who unfortunately used his infamous tongue lashing too harshly afterwards demonstrating one of his worst character flaws. The other great aspect of these talented authors is their research, which is so impeccable that they sort out the historical misrepresentations and get to the truth of the matter, albeit at the expense of some such as John Gordon, the great fighter and embellisher. The only negative, I wish there was a summary of the battles in date line fashion along with a map that showed where all the key battles were fought. I also wish the summary of the situation prior to Early's arrival included a discussion of General "Grumble" Jones battle of Piedmont where he lost his life trying to stop General Hunter's attack of the valley. As an additional note, these fine historians get together almost every summer and provide excellent tours of the valley, a treat worth considering.



3. This is an interesting collection of essays on the Shenandoah Campaign of 1864. Gary Gallagher has pulled together a set of essays that, even if they sometimes contend with one another, helps the reader get a better understanding of the 1864 conflict.
   
   The dramatic personae in this action include Lee's "bad old boy," Jubal Early, the combative but capable Confederate commander, versus Phil Sheridan, the hyperactive cavalry commander given charge of the Union forces in the Valley. Key players on the Union side: John Crook, leader of the "Army of West Virginia," William Emory of Sheridan's army, the cavalry (Torbert as head, with Merritt and Custer, and Devin as key subordinates). On the Confederate side: infantry commanders such as Gordon, Rodes and Ramseur and cavalry leaders Lomax, Munford, and Rosser. There was a lot of talent on each side, but Early's army was heavily outnumbered (maybe 40,000 troops under Sheridan and 14,000 or so under Early). Such numbers presaged an almost inevitable defeat of Early, with as combative a Union general as Sheridan on the other side (it can safely be said that prior Valley commanders such as Patterson, Hunter, Sigel, and so on may well have wasted such an advantage; Sheridan, despite his flaws as a combat commander, was unlikely to lose under such conditions).
   
   What is nice about this volume is that the authors of the individuals chapters try to assess what actually happened and how good (or bad) commanders actually were, rather than repeating commonly understood judgments. What about the "Woodstock Races" after the Confederate cavalry's disastrous defeat at Tom's Brook? Confederate ineptitude? Or Union overwhelming force? What about Early versus Sheridan as commander of an army? Gallagher's chapter addresses this in a sensitive manner.
   
   At Cedar Creek, what happened? Did Early's so-called "fatal halt" lose the day? Or were the Confederates so outnumbered and outgunned that--aside from total incompetence in Union leadership--they simply could not triumph? Another essay explores the generalship of the 6th Corps commander, Horatio Wright. The conclusions is that he did a good job as commander after the surprise attack while Sheridan was absent and may not have received the credit due him. Still, his performance in other venues in the Civil War was uneven. Here, however, he probably deserves good grades.
   
   And so on. The essays in this volume provoke some thinking about the Valley Campaign of 1864. This is a good work to look at. The chapters are somewhat uneven (as to be expected from an edited volume), but--all in all--this is a useful examination of the subject.

No comments about Charles M. Russell 2009 Calendar.

No comments about Trails I Rode: Memories of Old Cowboy Days and Charlie Russell.

No comments about Charles M. Russell: Printed Rarities from Private Collections.

4 comments about Charles M. Russell: The Life and Legend of America's Cowboy Artist.

1. As a young boy he heard the words of Horace Greely, and indeed went west to seek fame, fortune, and adventure. After two years with Jake Hoover in the Judith, his dreams of wranglin', and ropin' came true at the O H ranch. Over time the home of the "Big Sky Country" became his perminant domain, and his mother Miss Montana, she blessed her son with a gift that would speek for many of his kind that ventured before him. He illustrated with brush, and canvas. He wrote in scripture, and sculptured in bronze. With his gift, C M Russell was able to protray what it was like to live in a time when spurs, the six-gun, and the feel of leather was a cowhands only cherrished parcel. He became the "Cowboys Cowboy", and the voice of the "Red-Man". Montana's dearest son had done what she wanted him to do. Russell for those who knew him was Loving, Kind, and Loyal. He never forgot his roots, no matter where he traveled. In the end Montana was more than proud of him. For she had raised him as Montanan. Over the years he became a Montanan. And at the end of the trail, he was buried as a Montanan.



2. Art critics spend much time arguing about the value of western art and as to whether it can really be classified as art at all. Some of the more snobby critics attempt to discredit western painters by referring to them as "illustrators" as if that changes anything. They argue that if an artist is commissioned by other than the loftiest of patrons or if their work is used primarily to illuminate a story then their art can only be classified as illustration and not as fine art.

   As an art student I argued this one ad nauseam with my art professors. And invariably the work of Charles Marion Russell, my favorite ARTIST - period - would arise. But that's enough about small-minded art professors and their unwillingness to accept art wherever they find it.

   The work of Charles Marion Russell (hereafter CM Russell) is accepted by thousands as arguably the best of the western genre. It remains the standard against which all other western pieces are judged. Russell also was an accomplished western wit who drew and kept the fast friendship of the king of western wit, Will Rogers. In his book Charles M. Russell: The Life and Legend of America's Cowboy Artist, John Taliaferro not only discusses the art achievements of Russell but also provides a biography that paints the life of the artist and the west Russell knew so well in the most vivid colors possible. And indeed CM Russell was the most colorful of characters.

   Read this book and I'll bet you will at least become the owner of a CM Russell print and at most plan a pilgrimage to Great Falls to visit CM Russell's museum, studio and home.




3. John Taliaferro does a great job of separating fact from legend in this well-written, engaging account of Charlie Russell's life. Russell wasn't above embellishing his western credentials (he never, in fact, lived with the Indians, as he once claimed), but Taliaferro shows us that he did have genuine cowboy credentials, cutting his chops over years of nighthawking on the Montana range.
   
   This biography is fair to Russell's wife, Nancy, who was often vilified by Russell's friends for her money-hungry, status-conscious ways. Nancy was a young, uneducated woman who came from dirt-poor circumstances. She took on the sole responsibility for managing her husband's art career. If Nancy made a few enemies over the years, she deserves credit for taking Charlie from being a cowpoke selling his sketches for $25 to a world-renowned artist.



4. This is a very well written biography of an American Original, Charles M. Russell, cowboy, artist, story teller and someone you would probably like to hang around with for a bit. I have always been rather fond of Western Art, in general, and Russell's work in particular. I have, from time to time read articles on the life of this truly individual man but have before now, been unable to read a complete work on his life that I could give credit to for being valid. John Taliaferro has treated the artist rather fairly as well as the artist's wife Nancy, who I have always suspected has not been appreciated for just what she did for her husband. Truth be told, I doubt if Charles M. Russell would have ever been the artist he was without her. It is good that the author has given credit were credit is due. I have also had some problems with the separation of truth from myth. The author has done a very nice job of this with this work.
   
   This book is a bit more than just the story of the life on one man though. If you pay attention, you can find a pretty good history of the evolution of the Western Artist here, and the role he played in this particular genre of art. I say art, because I believe that is just what it is. I realize that there has been, is, and probably always will be the artist/illustrated argument being pitched back and forth with each new generation of artists and art teachers. Personally, I am one of those people who looks himself in the mirror and says "if I call it art, then by God, it is art." This of course my personal standard and I am sure there are many who would disagree. And that is the way it should be. The purpose of this biography was not to establish the answer to this question one way or another. Let the argument rage on...it just makes things more interesting.
   
   The author of this work does have a very readable style, has well foot noted his sources, and when he simply does not know something, says as such. When he speculates, he specifically states that he is doing so. Now I will warn the reader that the author, Mr. Taliaferro, does love his Thesaurus, aggressively uses it, and does display a quirky sort of vocabulary. I personally like this, as I love words, but some readers may find it just a bit distracting. This is a very minor problem though, if even a problem it is.
   
   I feel it is important to understand our art if we are to understand ourselves as a society and also feel that we need to know and understand those who are able to create this art. Works such as this help greatly with this understanding and by reading them, simply makes life a bit more enjoyable. I know that I will certainly look with new eyes now, each time I view a Russell painting or sculpture after reading this work. A well written biography, informative, fun and a pleasure to read!

1 comments about Trails Plowed Under: Stories of the Old West.

1. Nothing compares to the facts, and no one who has not lived this could write it as C.M. Russell did. This old cowpuncher commands the written word and infuses the reader with his perfection -- the imagery of clear storytelling and spirit of those long-gone times. This he does quite as well as he wields the brush to canvas. I read it at a sitting, and will do it again as there are some facts in here about horses, people and buffalo that I did not know before. Another way of thinking and presenting a story about the actual facts is handed down in Trails Plowed Uder (1927) from former times . . . by this gifted sentimentalist.

No comments about In Contemporary Rhythm: The Art of Ernest L. Blumenschein (Charles M. Russell Center Series on Art and Photography of the American West).

3 comments about Charles M. Russell: A Catalog Raisonne (The Charles M. Russell Center Series on Art and Photography of the American West).

1. Damaged corner, wrapped poorly for shipping. I have to return as not in good shape. The book is excellent but bad job packaging. Generally unhappy.



2. This hard cover book arrived damaged. The early pages were seperated from the binding. It was placed in a larger box with just wrapping paper stuffed on top. This allowed the book to slide around during shipping. I don't know if it was damaged before or during shipping.This is a large heavy art book which requires SPECIAL PACKAGING, which it did not receive. Amazon procdures require me to purchase another one but do not provide me a way of talking with the shipping source....so I have to gamble again. I read the previous customer's review about shipping damage, but I gambled anyway, AND LOST.



3. Deftly compiled and edited by B. Byron Price (Director of the University of Oklahoma Press, as well as Director of the Charles M. Russell Center and Charles Marion Russell Chair of Art History, University of Oklahoma), "Charles M. Russell: A Catalogue Raisonne" is a superb collection of paintings, sketches, sculptures, illustrated letters, and stories by one of the finest artists ever to record images of the American West. Featuring more than 200 color and black-and-white reproductions of Russell's most famous works, "Charles M. Russell: A Catalogue Raisonne" includes informed and informative essays by Brian W. Dippie (Professor of History, University of Victoria, British Columbia, Canada); Peter H. Hassrick (Director o the Institute of Western American Art, Denver Museum of Art); Rick Stewart (Senior Curator of Western Paintings and Sculpture, The Amon Carter Museum, Forth Worth, Texas); historian and actor Raphael J. Cristy; collector and Russell authority Ginger K. Renner; and B. Byron Price. A core addition to personal, academic, and community library American Art History reference collections, "Charles M. Russell: A Catalogue Raisonne" is especially recommended to the attention of scholars, collectors, curators, art dealers, and non-specialist general readers with an interest in the life and work of Charles M. Russell.

5 comments about Spitz And Fisher's Medicolegal Investigation Of Death: Guidelines For The Application Of Pathology To Crime Investigation.

1. All the information you need for death investigation...has a couple extra chapters in the new edition that were not in the last one...



2. This a must read & a book to hold on to for reference.



3. This is a great book, it's easy to read, it has excellent, detalied and graphic photographs. I highly recomend this book as a text or reference book.



4. Book was exactly as described. Brand new and in shrink wrap. Very happy with purchase!



5. I have to add my 5 stars for this informative resource. It was my textbook for two courses. However, even after my classes ended I found myself referring back to the loads of information provided within the pages of this book. It is extremely comprehensive and well worth the investment.
   
   *If you are not a student required to purchase a newer edition, I recommend looking at an earlier edition - I know that you'll get the same great information, just at a much discounted price.